YTSEJAM digest 746

From: ytsejam@arastar.com
Date: Sun Mar 12 1995 - 18:33:46 EST

  • Next message: : "Re: Asia and Greg Lake..."

                                YTSEJAM Digest 746

    Today's Topics:

      1) Hi, let me join.
     by kim suk kyung <ksky@suny.yonsei.ac.kr>
      2) re: No Shame
     by Jeff Stewart <jstewart@sparc.isl.net>
      3) Re: YTSEJAM digest 745
     by be298@yfn.ysu.edu (Asif I. Khan)
      4) Rumor Mill, DT Theater Summer Tour in USA, etc..
     by Michael Backof <mbacko1@gl.umbc.edu>
      5) Who Produced What?
     by Hairball <hairball@astro.ocis.temple.edu>
      6) Re: YTSEJAM digest 745
     by Hairball <hairball@astro.ocis.temple.edu>
      7) Ok, it worked
     by Paul Holloway <pjhollow@novice.uwaterloo.ca>
      8) Asia, GTR, UK, ....
     by Qghost@aol.com
      9) Potnoy's cymbals
     by mjgundry@mtu.edu (Matt Gundry)
     10) Kansas and GTR
     by ALVAREZ1@AppleLink.Apple.COM (Alvarez, Paul)
     11) Not a shred of DT content
     by "Richard A. Rivera" <rrivera@moose.uvm.edu>
     12) European Convention
     by alfredo.cappello@galactica.it (ALFREDO CAPPELLO)
     13) Great ITALIAN guitar players...
     by alfredo.cappello@galactica.it (ALFREDO CAPPELLO)
     14) Questions from a new member
     by kwerner@holli.com (Kevin Werner)
     15) Dream Band.....
     by BUNTS@delphi.com
     16) LatM
     by Michael Van Opstall <mavanop@grfn.ORG>
     17) DT words
     by Michael Van Opstall <mavanop@grfn.ORG>
     18) Midwest Convention
     by Krysten DeBroka <kryt@expert.cc.purdue.edu>
     19) Re: YTSEJAM digest 745
     by William Wright <wwright@galaxy.galstar.com>
     20) Re: YTSEJAM digest 745
     by Ricky Booth <rbooth@galaxy.galstar.com>
     21) Re: Kansas and GTR
     by kbibb@arastar.com (Ken Bibb)
     22) Re: YTSEJAM digest 627
     by Younis Youssef Hilal <yhilal@uclink.berkeley.edu>
     23) Re: Who is DM ?
     by kbibb@arastar.com (Ken Bibb)
     24) reminder
     by kbibb@arastar.com (Ken Bibb)
     25) Re: YTSEJAM digest 738
     by kbibb@arastar.com (Ken Bibb)

    ----------------------------------------------------------------------

    Date: Sun, 12 Mar 1995 15:24:38 +0900 (KST)
    From: kim suk kyung <ksky@suny.yonsei.ac.kr>
    To: ytsejam@anthor.arastar.com
    Subject: Hi, let me join.
    Message-ID: <199503120624.PAA24151@suny.yonsei.ac.kr>

    Hi there!

    I'm mad with Dream Theater!

    I've heard that there are fan club for DT.
    and I found it today!

    please let me join.
    thanks.

    ------------------------------

    Date: Sun, 12 Mar 1995 03:31:50 -0600 (CST)
    From: Jeff Stewart <jstewart@sparc.isl.net>
    To: ytsejam@anthor.arastar.com
    Subject: re: No Shame
    Message-ID: <Pine.BSI.3.91.950312032135.27137A-100000@sparc.isl.net>

    I was at the Minneapolis show last fall that Mr. Gundry was talking
    about. I don't think the members of DT treated I Mother Earth badly. It
    was IME's last night as the opening act and you know how that goes. The
    headlining band ALWAYS has fun with the opener and does all kinds of crap
    to embarass them, but believe it or not, it's all in fun. I Mother
    Earth, IMO, was a very enjoyable band. I have yet to buy any of their
    CD's (Lots of DT imports on order lately) but I definitely plan to soon.
    At the Minneapolis show, DT started in on them when Mike started walking
    across the stage under a sheet that said "Canada or Bust" on it. Not
    long afterwards, the doors of the dressing rooms opened a bit and all
    kinds of vegetables came flying out onto the guys of IME. This went on
    till the end of IME's set. The last song IME did turned into a jam with
    members of DT. Derek, Mike, and John P. came out to jam with them and
    needless to say, I was in heaven. Near the end of the last song, all the
    guys in DT got hold of a bunch of cans of silly string and proceeded to
    fill the stage with it. You literally could not see the members of IME
    or thier instruments when DT got done with them. It took a LONG time to
    clean all the string off the stage after that but DT finally took the
    stage and played and EXCELLENT show. They all came out wearing I Mother
    Earth T-shirts as a sort of tribute to their openers. Wow...that was
    rather long-winded. Getting back to my point, I don't think DT treated I
    Mother Earth badly at all. You just gotta understand what happens in
    those situations...it happens all the time.

    Jeff

    ------------------------------

    Date: Sun, 12 Mar 1995 10:14:52 -0500
    From: be298@yfn.ysu.edu (Asif I. Khan)
    To: ytsejam@anthor.arastar.com
    Subject: Re: YTSEJAM digest 745
    Message-ID: <199503121514.AA03979@yfn.ysu.edu>

    Hello Jammers! 've tried mailing at the main office to unsubscribe
    me but its seems to be not working so could someone out there
    please take my name of the list and ill just resubscribe later, its
    very important because my mailbox is the size of my bank account
    - nil.:)

    by the way, if anyone reads alt.music.rush in netnews, theres a
    flame war against Charles Dominici...supposedly! Seems that a
    Charles Dominici sent a post ripping the shit out of rush and
    saying how much better DT was in comparison...check it out.
    Its pretty hilarious...Ill be in NY today until Thursday March
    16...I cant wait!

    Rock on!

    P.S. where can I get Echolyn's CD, its phenomenal!!!!!!!!!

    Asif

    ------------------------------

    Date: Sun, 12 Mar 1995 11:03:54 -0500
    From: Michael Backof <mbacko1@gl.umbc.edu>
    To: ytsejam@anthor.arastar.com
    Subject: Rumor Mill, DT Theater Summer Tour in USA, etc..
    Message-ID: <Pine.SGI.3.90.950312104715.19914A-100000@umbc8.umbc.edu>

    Hello!

    RUMOR RUMOR RUMOR
    -----------------
    This is something I heard in Philly last Friday night from a guy in a
    record store who spent the afternoon talking with Sony executives (he is
    braver and has more free time on his hands than I <grin>). Right now
    Dream Theater is planning to do a headlining tour during the summer. I
    know this because it is a large possibility that Echolyn will open for them.
    I really cannot see why this match-up would happen (as one of my friends
    later stated, "Mike, it is your wet dream becoming reality." <Grin>)
    since the images that the two bands convey is totally different. Both
    are tremendous live and neither would show up the other in performance.

    Related Music Ravings
    ---------------------
    On the ytsejam digest this is generally not a problem, but several people
    are posting to a.r-n-r.m.p and complaining that they bought the Echolyn
    CD "As the World" and that it is not heavy and therefore sucks.
    Whatever, but I would just like to warn people on this list that if you
    pick up this CD you will be buying some very complex, well orchestrated
    music with 2 and three part vocal harmonies, tremendous group playing
    (all of the band members are classically trained and excellent musicians)
    and there are some harder songs. This is not metal but Prog-Rock. I
    feel better now that this disclaimer is up. If you like Prog-Rock as
    well as Prog-Metal I highly recommend this disk. I saw them live on
    Friday and they always put on a show as good as Dream Theater and often
    better since they have three vocalists and don't have to rely totally on
    one person's voice. James has one of the best voices in metal but he
    gets burned out and hoarse after an intense tour, which only knocks him
    down a couple of pegs against other metal vocalists).

    Cover Concert
    -------------
    Has a tape surfaced for this? I heard someone posted about this but they
    must have been assaulted by mail. I'd be willing to three for one trade
    for it. I have a lot of Floyd, Rush, Dream Theater, Yes, Echolyn, The
    Who, and Marillion.

    Later,

    Mike

    mbacko1@umbc.edu

    ------------------------------

    Date: Sun, 12 Mar 1995 12:32:42 -0500 (EST)
    From: Hairball <hairball@astro.ocis.temple.edu>
    To: ytsejam@anthor.arastar.com
    Subject: Who Produced What?
    Message-ID: <Pine.BSD.3.90.950312122043.20087B-100000@astro.ocis.temple.edu>

    Says in big letters, "PRODUCED & ENGINEERED BY MIKE STONE FOR MIKE STONE
    ENTERPRISES, LTD." on both "Asia" and "Alpha."

    Also, Mike co-produced "Frontiers" and "Escape," with Journey's live sound
    guy, Kevin Elson.

    Mike also co-produced "Whitesnake" and "Slip of The Tounge."

    As for 90125, I know a slew of people worked on it. From consequent
    discussions on it with YES-heads, I believe what happened was that they
    weren't all that happy with what they were getting, so, they called in
    Trevor Horn. Apparently, he deserves a lot more credit than what he was
    given.

    Anyway, I don't know what I was being Bzzz'ed on, but, there it all is.

    ------------------------------

    Date: Sun, 12 Mar 1995 12:51:19 -0500 (EST)
    From: Hairball <hairball@astro.ocis.temple.edu>
    To: ytsejam@anthor.arastar.com
    Subject: Re: YTSEJAM digest 745
    Message-ID: <Pine.BSD.3.90.950312123406.20087C-100000@astro.ocis.temple.edu>

    > From: William Wright <wwright@galaxy.galstar.com>
    > Subject: Re: Random Stuff (little DT content)

    > They didn't have Squire-esque bass on WDADU... you see, you can actually
    > HEAR Squire-esque bass lines... :) Never have I heard Myungs bass sound
    > has thick, rich, and full as Squires... I'll still maintain that is's
    > both the problem of the people producing (we need Eddie Offord!) and
    > Myung's shyness.

            Actually, you can hear the bass on WDADU. It just sounds like a
    well-executed fart.

            And, IMO, I think earlier Squire bass tones were very thin.

            Has nothing really to do with Myung's quiet nature. If you've
    stood in front of his amp at a live show, (which is where I always seem
    to end up) you'll hear how thin his overall tone is. Sure, there's bass
    in it, but, there's also a lot of upper mids.

            And again, people: you're comparing two different genres of
    music! What works in one situation may not work in another.

            I've never heard a Yes record with guitar tones as heavy as
    Petrucci's. Granted, Rabin's are heavier, generally, than Howe's, but, I
    mean, really! Can you imagine Yes with that kind of guitar tone? It
    wouldn't happen.

            Technology has advanced itself to the point where it's damn near
    impossible to get a bad recording, UNLESS you don't know how to use what
    you've got effectively.

            From what someone else posted, WDADU sounds an awful lot like the
    band was stuck producing the record themselves. The same thing happened
    to my friends in a christian thrash band called Sacrament. (Went to H.S.
    with the bassist) I bought a copy of their album from Erik (bass), and
    listened to it. It sounded horrible. Being the friend that I am, I asked
    him what happened. "The guy didn't do anything. We had to engineer &
    produce it ourselves." What a bastard.

            Prater's shortfall came when he decided to make a straight-ahead
    heavy metal album. He's not a bad producer - he did a great job on Glen
    Burtnick's "Heroes & Zeros," and a 1/2 decent job on both Firehouse
    records, if you like triggered kicks & snares.

            And for the umpteen-billionth time, I honestly believe that B/P
    (not spelling their names out again) tried very hard to make a competent
    record, and succeeded, for the most part.

            But, comparing Yes & DT? Sure, Yes is an obvious influence, but,
    Yes was never influenced by the likes of Metallica & Anthrax. =)

            Eh. The one thing that sticks out in my mind is what Mike told
    me: "We never set out to be a progressive band....Rush was the common
    denominator, but, we listen to all kinds of stuff."

            Whatever.

            Okay, that's it, I'm outta here. Later.

    ------------------------------

    Date: Sun, 12 Mar 1995 13:32:11 -0500
    From: Paul Holloway <pjhollow@novice.uwaterloo.ca>
    To: ytsejam@anthor.arastar.com
    Subject: Ok, it worked
    Message-ID: <Pine.3.87.9503121311.A8921-0100000@novice.uwaterloo.ca>

    Apologies to all those ppl who have now recieved the DT Poll results
    multiple times. I think all the posting problems have now been fixed.

    Note: Soon the poll results will be available at the dt-archives. FTP to:

    ftp.netcom.com directory: drkhoe

    Or just read Dr. Mosh's .sig!!

    Sorry about the multiple posts (i'll retreat now...)

    Paul

    ------------------------------

    Date: Sun, 12 Mar 1995 11:53:14 -0500
    From: Qghost@aol.com
    To: ytsejam@anthor.arastar.com
    Subject: Asia, GTR, UK, ....
    Message-ID: <950312115312_47009702@aol.com>

    I had to get into this.

    I'm a big fan of Asia and it's interesting to see what albums people like. I
    was very surprised to see that someone actually though "Aria" was better than
    "Aqua." Personally, I though "Aria" was very weak, no substance. "Aqua"
    ain't the greatest album, but there are some very good songs on it (fantastic
    cover). I am very partial to "Asia," "Alpha," and "Live Mockba." That live
    CD is great, even though Steve Howe isn't there. The solo on "Time Again"
    suffers. The two Crimson tunes on there are awesome.

    I also like the GTR CD. Max Bacon's voice isn't real strong but he does and
    OK job. I compare him to John Elefante when Steve Walsh left Kansas. Good,
    but not quite there. Some of the lyrics on "GTR" are a little weak, but the
    guitar work is what to listen to. On a Steve Hackett note: Doesn't he have
    a "best of" CD out as an import? I thought I saw it at a record convention.
     If anyone has any info on this, please let me know. Thanks.

    The U.K. stuff is pretty cool, too. I have the first one, "U.K.," and I like
    it a lot. "Alaska" is a very cool song. It's great for a completely dark
    room late at night. Spooky, kind of like Pink Floyd's "Echoes." I've been
    meaning to get "Danger Money" and "Night After Night" for a while now. This
    was a great supergroup, too bad they didn't stay together longer. BTW, what
    the hell it John Wetton up to these days?

    A DAB OF DREAM THEATER MATERIAL...

    I'm still looking for the "Caught in a Web" CD single. Does anyone have any
    info on where I could get it? Also, what is the track listing? Thanks!!

    ------------------------------------------------------------------------
    Ghost qghost@aol.com
     
    "You know how a stick looks bent when you put
     it in water? That's why I don't take baths."
                                     --Steven Wright
    ------------------------------------------------------------------------

    ------------------------------

    Date: Sun, 12 Mar 1995 14:42:14 -0500
    From: mjgundry@mtu.edu (Matt Gundry)
    To: ytsejam@anthor.arastar.com
    Subject: Potnoy's cymbals
    Message-ID: <199503121942.OAA20160@mtu.edu>

    to "Richard A. Rivera" <rrivera@moose.uvm.edu>

    I don't have a copy handy, but Sabian has published some of the cymbal
    layouts of their sponsored drummers. Mike's rig is included in this
    promotional flyer. To get a copy, see your Sabian dealer nearest you.
    Otherwise I'll keep looking for the copy that I have laying around.

    ..And yes, his cymbal sound is awesome on Awake.

    Concerning the Christian content of Dream Theater's music:

    Does anyone think that Metropolis is about the three battles in the book of
    Revelations? It may sound like a stretch, but I'm not the first person to
    see a resemblance. Several other DT fans have pointed this out to me on
    separate occasions.

    Later,

    Matt Gundry

    ------------------------------

    Date: 12 Mar 95 20:55 GMT
    From: ALVAREZ1@AppleLink.Apple.COM (Alvarez, Paul)
    To: YTSEJAM@anthor.arastar.com
    Subject: Kansas and GTR
    Message-ID: <795042356.8254000@AppleLink.Apple.COM>

    Chris Hailey writes:
     
    >I think I want to start spending money on various Kansas CD's
    >
    >I already have the greatest hits amalgamation and and wondering where to
    >go from there so if anyone who knows what he is talking about would like to
    >make a suggestion I would be thrilled to death
    >
    >oh and I think I am specifically looking for most progressive read most
    >DT like albumslike ferinstance the songs Song for America and The Wall and
    >that other really long one
     
    Hi Chris,
     
    I have all of Kansas' albums and/or CD's. I would strongly suggest Song for
    America (their 2nd), Masque (3rd) Leftoverture (4th) and Point of No Return
    (5th). Two for the Show is a live compilation of some of the above and also
    very good. You won't find them to be a lot like DT because their style was a
    bit lighter. There was more orchestration in their music because they had
    additional instrumentation. There was 2 guitars: Rich Williams and Kerry
    Livgren (who used to switch from guitar to keys even in the same song), keys
    (Steve Walsh), Bass (Dave Hope) Drums/Percussion (Phil Ehart) and Violin
    (Robbie Steinhart).
     
    They also did a later album that I like a lot with a different line-up from
    above. It's called Power and features Steve Morse (from the Dregs). By then
    the violin was gone and the material was even more guitar focused.
     
    William Wright writes:
     
    >> Howe joined forces with Steve Hackett (Genesis) and formed GTR. Geoff Downes
     
    >What does GTR stand for, and what kind of band are they?
     
    I don't think GTR stands for anything, however, I believe it was an
    abbreviation for GUITAR. They are a prog-rock band, not as heavy as DT but
    very good. Guitar and vocal harmonies and great arrangements. I think they
    had two albums but only their first one was released in the States (could
    someone confirm this?).
     
    Regards,
     
    Paul
     

    ------------------------------

    Date: Sun, 12 Mar 1995 16:41:05 -0500 (EST)
    From: "Richard A. Rivera" <rrivera@moose.uvm.edu>
    To: Dream Theater <ytsejam@anthor.arastar.com>
    Subject: Not a shred of DT content
    Message-ID: <Pine.A32.3.91.950312161916.79215A-100000@moose.uvm.edu>

            I just picked up the new Warrant album "Ultraphobic" and it is
    incredible!! Now, before you skip over this message there is a reason I'm
    posting my praise for the album on here. Warrant has definitely changed
    their sound like you wouldn't believe, which is probably due to their new
    guitarist Rick Steier and new drummer James Kottak. They now use really
    cool time changes and harmonies which fans of DT will appreciate. This
    message is aimed more at the people on this list who like both hard rock
    and DT: get this album!!! If you've written Warrant off as a dead 80s
    hair-band, this should definitely make you think twice. The songs range
    from the really heavy "Undertow" and "Followed" to the Beatlesque sound
    of "Stronger Now" with just the right amount of old Warrant as in "Sum of
    One" and "High." I can't stress enough how much this album breaks the
    "Cherry Pie" stereotype which seems to have plagued this band. I know there is
    at least one Warrant fan on this list, so I'm hoping there are others as
    well. I just hope that my cries have not fallen on deaf ears. This is
    YTSEJAM after all, where people are supposed to be more open-minded, at
    least as far as music goes. Thanks for listening and if you really,
    really, really hate Warrant, so be it. I just think you're missing out on
    one hell of a killer band and new album.

                                            Richie

    "I try to find myself a way out
     But they come from
     All directions
     So, unsure, I'll just stay here in
     My crawl space and I'll
     Escape detection."

                    Jani Lane
                      from
                    "Crawl Space" (Ultraphobic")

    ------------------------------

    Date: Sun, 12 Mar 95 20:23:00 +0100
    From: alfredo.cappello@galactica.it (ALFREDO CAPPELLO)
    To: ytsejam@anthor.arastar.com
    Subject: European Convention
    Message-ID: <8A554C7.000101A61B.uuout@galactica.it>

    What about an EUROPEAN CONVENTION?
    I've seen many messages from Germany, UK, France and
    Holland...
    We can do it!

    bye
    Alf

    ----
    alfredo.cappello@galactica.it
    

    * Q-Blue 1.0 *

    ------------------------------

    Date: Sun, 12 Mar 95 20:23:00 +0100 From: alfredo.cappello@galactica.it (ALFREDO CAPPELLO) To: ytsejam@anthor.arastar.com Subject: Great ITALIAN guitar players... Message-ID: <8A554C7.000101A61C.uuout@galactica.it>

    Joe SATRIANI, John PETRUCCI, Steve VAI, Mike ANGELO, Aldo NOVA, Chris DE GARMO and last but not least Frank ZAPPA. All these guys (or they're parents) came from Italy... WE RULE! :)))))))))))))) bye Alf

    * Q-Blue 1.0 *

    ------------------------------

    Date: Sun, 12 Mar 95 18:52 EST From: kwerner@holli.com (Kevin Werner) To: ytsejam@anthor.arastar.com Subject: Questions from a new member Message-ID: <m0rnxRI-00087vC@walnut.holli.com>

    Hi fellow DT fans. I'm new to the list and I have already found the list rather long so I'll keep it short.

    >During "The Silent Man", Mike was about two meters in front of me, and - >yeah - he recognized my Ytse Jam T-Shirt!!! He pointed at the Majesty logo >and showed me his thumb up!

    Where can I get one of these shirts? (or any other DT merchandise)

    Regarding Tesla, I am going to defend them also. They have been my favorite band for 7 or 8 years now since Mechanical Resonance. Check them out if you haven't already.

    I'm a drummer and I'm not going to lie and say that I can play any DT songs. Has Mike been featured in Modern Drummer magazine yet? For that matter has DT in general been featured in any?

    Comment: When ripping on bands brought up by other members (Smashing Pumpkins lately) try to give some reasoning behind your opinions.

    Last question: Any word on US tour dates yet? I saw one posting that had them in Europe this spring. ============================================== Kevin Werner kwerner@holli.com Kokomo, IN ==============================================

    ------------------------------

    Date: Sun, 12 Mar 1995 21:33:19 -0500 (EST) From: BUNTS@delphi.com To: ytsejam@anthor.arastar.com Subject: Dream Band..... Message-ID: <01HO2ABYC5609853HB@delphi.com>

    Hi folks! Just thought I'd put in my 2cents on the Dream Band thread. Here's my 'ultimate lineup':

    vocals: Rik Emmett (Triumph) guitars: John Petrucci and Joe Satriani keys: Kevin Moore bass: Stuart Hamm drums: Neil Peart

    There it is. Any comments/criticism/suggestions? Regards, Andrew.

    The finest opportunity ever given the world was thrown away because the passion for Equality made vain the hope for Freedom.

    ------------------------------

    Date: Sun, 12 Mar 1995 22:37:06 -0500 (EST) From: Michael Van Opstall <mavanop@grfn.ORG> To: ytsejam@anthor.arastar.com Subject: LatM Message-ID: <Pine.SUN.3.90.950312223330.13531A-100000@freenet.grfn.org>

    Hey Ytsejam cowboys...

    Just found Live at the Marquee today, so now I have every official DT release (except a couple of the singles). I love it. James is a crazy man. Killing Hand live kicks. Not to mention the cover is awesome.

    Anyway, one question has arisen - does John P. use serious delay (~300-400ms) on the guitar entrance in "Surrounded" on the studio version? I noticed that kind of delay was going on on LatM when listening to it on a decent stereo. On my personal CD player, however, I notice nothing. Just wondering...

    M.A. VanOpstall mavanop@grfn.org "I'll smile and I'll try to pretend, and I'll never be open again" -Space-Dye Vest, Dream Theater

    ------------------------------

    Date: Sun, 12 Mar 1995 22:44:25 -0500 (EST) From: Michael Van Opstall <mavanop@grfn.ORG> To: ytsejam@anthor.arastar.com Subject: DT words Message-ID: <Pine.SUN.3.90.950312224141.13531C-100000@freenet.grfn.org>

    Here's a short list I've been coming up with of DT FUW (frequently used words):

    dream (obviously) dance sleep light lie the (doh!) love live

    Any others? Just words that DT uses in several songs.

    M.A. VanOpstall mavanop@grfn.org "I'll smile and I'll try to pretend, and I'll never be open again" -Space-Dye Vest, Dream Theater

    ------------------------------

    Date: Sun, 12 Mar 95 22:51:21 EST From: Krysten DeBroka <kryt@expert.cc.purdue.edu> To: ytsejam@anthor.arastar.com Subject: Midwest Convention Message-ID: <199503130351.WAA19826@expert.cc.purdue.edu>

    <STEVE SMITS> said: > Count me in on a Midwest Convention. Any other midwest folks up > for it?

    I think we should all just get together and road trip to Long Island for the "real" Ytsecon in July! Anyone up for it???

    ---Kryt

    -- -------------------------------------------------------------------------------- Someone once told me that time is a predator that stalks us all our lives. But maybe time is also a companion who goes with us on our journey, and reminds us to cherish the moments of our lives because they will never come again. We are, after all, only mortal. - Captain Jean-Luc Picard "Live for yourself, there's no one more worth living for." - Rush "The faithful live awake, the rest remain misled." - Dream Theater -------------------------------------------------------------------------------- [kryt@expert.cc.purdue.edu]

    ------------------------------

    Date: Sun, 12 Mar 1995 22:00:04 -0600 (CST) From: William Wright <wwright@galaxy.galstar.com> To: ytsejam@anthor.arastar.com Subject: Re: YTSEJAM digest 745 Message-ID: <199503130400.WAA28423@galaxy.galstar.com>

    > > They didn't have Squire-esque bass on WDADU... you see, you can actually > > HEAR Squire-esque bass lines... :) Never have I heard Myungs bass sound > > has thick, rich, and full as Squires... I'll still maintain that is's > > both the problem of the people producing (we need Eddie Offord!) and > > Myung's shyness. > > Actually, you can hear the bass on WDADU. It just sounds like a > well-executed fart. > > And, IMO, I think earlier Squire bass tones were very thin.

    HMM... I think I have an idea why you say this... have you heard the new remastered CDs??? The bass line is incredibly thick on the new remastered albums. Check out Close to the Edge... woah. :) If I had subwoofers, I wouldn't need an air conditioner, I'd just play Close to the Edge all day. :) And keep in mind, I have fairly cheap 300 dollar stereo... it ain't high-fi, but you can sure hear Squires bass loud a clear.

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    Date: Sun, 12 Mar 1995 22:02:28 -0600 (CST) From: Ricky Booth <rbooth@galaxy.galstar.com> To: ytsejam@anthor.arastar.com Subject: Re: YTSEJAM digest 745 Message-ID: <199503130402.WAA28483@galaxy.galstar.com>

    > And again, people: you're comparing two different genres of > music! What works in one situation may not work in another. > > I've never heard a Yes record with guitar tones as heavy as > Petrucci's. Granted, Rabin's are heavier, generally, than Howe's, but, I > mean, really! Can you imagine Yes with that kind of guitar tone? It > wouldn't happen.

    Hmmm. Well, have you heard Queensryche's _Promised Land_ ?

    You can hear the bass really good. It has heavy guitar. It has vocals. It has special effects and shit. It has drums.

    QR has the same type of line up as DT and you can hear the bass really good, and it has heavy loud guitar. Why can't DT do this? Shit, the bassist in QR sounds like Squire to me with his loud and fat bass sound.

    You could say that QR's Promised Land is "Yes meets Dream Theater"

    I'll probably get flamed for saying that but It's my opinion...

    -- _ __ _____(_)____/ /__ #########/ Rick Booth; rbooth@galaxy.galstar.com /~### / ___/ / ___/ //_/ #######/' "Loss of intrest, question, wonder /~##### / / / / /__/ ,< #####/' waves of fear, they pull me under." /~####### /_/ /_/\___/_/|_| ###/'_The Frayed Ends of Sanity_ / Metallica /~#########

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    Date: Sun, 12 Mar 1995 21:50:28 +0800 From: kbibb@arastar.com (Ken Bibb) To: ytsejam@anthor.arastar.com Subject: Re: Kansas and GTR Message-ID: <9503130550.AA00951@anthor.arastar.com>

    > From: ALVAREZ1@AppleLink.Apple.COM (Alvarez, Paul) > > I think they > had two albums but only their first one was released in the States (could > someone confirm this?).

    They were recording their second album when they broke up. If anyone bootlegged the San Diego concert, one of the "new" songs was premiered here (according to Max Bacon). I think it was called "The Fighter" or "The Boxer" (it was a long time ago).

    Hackett has released a couple of interesting albums since then.

    -- Ken Bibb "Upon a wave of summer kbibb@arastar.com A hilltop paved with gold jester@crash.cts.com We shut our eyes and make the promises we hold" David Sylvian--"Wave"

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    Date: Sun, 12 Mar 1995 21:50:10 -0800 (PST) From: Younis Youssef Hilal <yhilal@uclink.berkeley.edu> To: ytsejam@anthor.arastar.com Subject: Re: YTSEJAM digest 627 Message-ID: <Pine.3.89.9503122108.A23629-0100000@uclink.berkeley.edu>

    On Sun, 25 Dec 1994 ytsejam@arastar.com wrote:

    > YTSEJAM Digest 627 > ------------------------------ > > Date: Sun, 25 Dec 1994 00:05:05 -0700 (MST) > From: Mark Tedhams <markt@getnet.com> > To: ytsejam@anthor.arastar.com > Subject: DT transcriptions > Message-ID: <Pine.BSD.3.90.941224125619.8766C-100000@gn1.getnet.com> > > Howdy DT fans, > Im looking for DT transcriptions. About 8 months ago I saw someone who > had the full score (vocals,keyboards,guitar,bass,drums) for I&W except it > didn't contain Learning To Live. Never-the-less it was cool. I am a > drummer and it's hard to find drum transriptions. A friend of mine's > friend (who is Japanese) got it in Japan, and that was the last I saw of > it. I was wandering if anyone out there has it or knows where I can get > it. Are there any other transcriptions (esp. w/drums) out there. Could > somebody help me find out this info. Thanx. > > - Mr.T Hi! I'm after the same thing you were when you posted this message and I was just wondering if you'd received any response about this (specifically about drum transcriptions of Portnoy's stuff). In response to your message (I know it's a little late!), there's some guy in Hackensack, New Jersey (called Howard something) who actually does this. I have one of the albums he transcribed (Metallica's "...And Justice for All") and it was really very nicely done. I thought he had good notation, he included an interview he did with Lars Ulrich (according to Howard, Lars even helped him out with the transcribing). Anyway, I recommend him. The only problem is that he's done transcriptions for a limited number of bands (Metallica, Guns 'N' Roses, L.A. Guns, and a couple of others I can't remember). I know because he sent me his catalog. Anyways, if you'd like a list of drummers he's covered, or you want get a catalog for yourself, e-mail me or (if you have a copy of Modern Drummer handy), try checking in the classifieds section of MD. His phone number should be there under the boldfaced word "Drumscriptions."

    Please let me know if you hear of any Dream Theater drum transcriptions. I posted about the same thing you did sometime last fall, and got no response. I'm hoping maybe things have changed. Thanks.

    Younis Hilal

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    Date: Sun, 12 Mar 1995 23:13:52 +0800 From: kbibb@arastar.com (Ken Bibb) To: ytsejam@anthor.arastar.com Subject: Re: Who is DM ? Message-ID: <9503130713.AA01283@anthor.arastar.com>

    > From: BOB HOLDER <BH7314@LUNDY.NIAGARAC.ON.CA> > To: Multiple recipients of list <ytsejam@anthor.arastar.com> > Subject: Who is DM ? > > I have to ask one thing that is bothering me. > > >Date: Mon, 06 Mar 1995 21:04:57 -0400 (EDT) > >From: EVANGESP@udavxb.oca.udayton.edu > >To: ytsejam@anthor.arastar.com > >Subject: Re: YTSEJAM digest 725

    [deleted]

    > >NOBODY, I MEAN > >NOBODY COULD EVER PLAY DM SONGS WITH THE ARTISTIC TALENT, TECHNICALITY > ~~ > Who is DM?

    Last time I checked, DM is Depeche Mode :^)

    -- Ken Bibb "Upon a wave of summer kbibb@arastar.com A hilltop paved with gold jester@crash.cts.com We shut our eyes and make the promises we hold" David Sylvian--"Wave"

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    Date: Mon, 13 Mar 1995 00:18:16 +0800 From: kbibb@arastar.com (Ken Bibb) To: ytsejam@anthor.arastar.com Subject: reminder Message-ID: <9503130818.AA01702@anthor.arastar.com>

    *PLEASE* don't send unsub requests to the list--they will be processed much more slowly than the unsub requests that are sent properly (they are done automatically). They are also slower than sending a request in to me, so *please* don't send unsub requests to the whole list.

    For those who don't know how to unsub (and who want to), send:

    unsubscribe ytsejam

    to ytsejam-request@arastar.com with a subject of "asdf". If you get an error message back, send mail to ytsejam-owner@arastar.com with a subject that includes the word unsubscribe in it.

    Thanks!

    -- Ken Bibb "Upon a wave of summer kbibb@arastar.com A hilltop paved with gold jester@crash.cts.com We shut our eyes and make the promises we hold" David Sylvian--"Wave"

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    Date: Mon, 13 Mar 1995 00:54:05 +0800 From: kbibb@arastar.com (Ken Bibb) To: ytsejam@anthor.arastar.com Subject: Re: YTSEJAM digest 738 Message-ID: <9503130854.AA01942@anthor.arastar.com>

    > From: Ryan Nakahara <rnakahar@uhunix.uhcc.Hawaii.Edu> > > Halp! Puleeze stop sending the YTSEJAM here? It's just too much DT!

    Are you subscribed by a different address? No matches in the database :-/

    -- Ken Bibb "Upon a wave of summer kbibb@arastar.com A hilltop paved with gold jester@crash.cts.com We shut our eyes and make the promises we hold" David Sylvian--"Wave"

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    End of YTSEJAM Digest 746 *************************



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