YTSEJAM digest 3949

From: ytsejam@ax.com
Date: Mon Jun 01 1998 - 11:37:37 EDT

  • Next message: ytsejam@ax.com: "YTSEJAM digest 3952"

                                YTSEJAM Digest 3949

    Today's Topics:

      1) Fw: The review of Liquid Tension Experiment
     by "Scott/Curt Hansen" <curth@execpc.com>
      2) Clockwork the Band, not ClockWork Orange!
     by Awake77@aol.com
      3) Re: YTSEJAM digest 3948
     by Awake77@aol.com
      4) Re: Giraffe Progfest '94 Show
     by cluesump@sirius.com (Charoenkwan Luesumphan)
      5) castellano,
     by "Raivo Hool" <raitz@estcard.ee>
      6) Re: orchestral recommendations
     by "Dale R. Newberry" <drnewb@spiff.net>
      7) Re: another orchestral recommendation
     by "Dale R. Newberry" <drnewb@spiff.net>
      8) Re: The State
     by "Dale R. Newberry" <drnewb@spiff.net>
      9) Re: Spagnolo. Non e' cosi semplice.
     by Alan Estrada <alan_estrada@bigfoot.com>
     10) Alex Scolnick (I forget the real spelling)
     by Stephen Dedalus <mattb@mbay.net>
     11) Orchestral music recommendations
     by ed_wilk@juno.com (Ed J Wilk)
     12) Replacement for Geri Halliwell
     by graham boyle <icarus@sydney.net>
     13) Re:Dream Theater in Australia
     by "Nikos@Tama-Greek band" <s9763230@minyos.its.rmit.edu.au>
     14) RE: 21 Century Schizoid Man
     by Jon Parmet <jon@parmetpc.volpe.dot.gov>
     15) A little help
     by Calvin6S@aol.com
     16) Re: Cause tonight...is the night...when five become four...
     by Jon Parmet <jon@parmetpc.volpe.dot.gov>
     17) Voices...
     by Dave Ware <dware@walker.com>
     18) Re: YTSEJAM digest 3948
     by LYNA Michel <lynam@JSP.UMontreal.CA>
     19) Re: Orchestral music recommendations
     by Al Balkiewicz <balkiewi@umdnj.edu>
     20) DC area DT/ELP/DP tour?
     by Pat Daugherty <pdaugher@bdm.com>
     21) Orchestral music recommendations
     by Phil Carter <satriani@negia.net>

    ----------------------------------------------------------------------

    Date: Mon, 1 Jun 1998 00:41:50 -0500
    From: "Scott/Curt Hansen" <curth@execpc.com>
    To: "Spice Girls/Hanson/Blind Melon mailing list" <ytsejam@ax.com>
    Subject: Fw: The review of Liquid Tension Experiment
    Message-ID: <199806010540.AAA06184@mailgw02.execpc.com>

    Hi all,

    Well after reading that "inspiring" review in Guitar World magazine, I
    figured I send a response to them (tho I accidentally referred to them just
    as Guitar magazine - oh well - not like I'm trying to get brownie points
    from them!) Enjoy.

    ----------
    > Subject: The review of Liquid Tension Experiment
    > Date: Monday, June 01, 1998 12:30 AM
    >
    > Dear Guitar magazine,
    >
    > I just finished reading over Joe Lalaina's review of Liquid Tension
    > Experiment (review along with Explorer's Club) and I must completely
    > disagree with Joe's comments. I think Joe needs to keep in mind what
    this
    > project was all about - a chance for 4 extremely talented musicians to
    > stretch out, to just go for it without having to worry about the confines
    > of conventional songwriting. Yes, it was a jam session - that's what it
    > was intended to be - but with "little inspiration or imagination?" Who
    is
    > he trying to kid? The majority of the bullshit that is being shoved down
    > the public's throat (and that has received some favorable reviews in your
    > magazine) doesn't come anywhere near the high quality of LTE.
    >
    > Especially considering that the majority of the project was written and
    > recorded within a week's time, they should be commended for such an
    > impressive release instead of suggesting that for any future LTE
    releases,
    > they "take more than a week out of their lives to do it." Unlike some of
    > the new crop of progressive rock and metal bands' releases, the songs in
    > LTE flow extremely well and are not "just self-indulgent, solo-mad
    forays."
    > With reviews like this, I certainly won't be waiting around to read Mr.
    > Lalaina's review of Metropolis part II when it's released on Dream
    > Theater's next studio album (the track is reportedly over 25 minutes and
    is
    > the most "prog" song DT ever wrote).
    >
    > Scott Hansen

    ------------------------------

    Date: Mon, 1 Jun 1998 01:58:46 EDT
    From: Awake77@aol.com
    To: ytsejam@ax.com
    Subject: Clockwork the Band, not ClockWork Orange!
    Message-ID: <c6a6c2de.35724317@aol.com>

    Why dont they play music from Clockwork, the progband from Pennsylvania, at DT
    shows? They rule!
       Is DT going to be comming back to the East Coast this year? I know that
    theyre doing the ELP thing this summer, but I dont want to drive all the way
    to Boston (closest concert near me, I believe-Im in Utica, NY-)to see DT for
    only 1 hour. I like the other bands that are playing, but , well you all know
    what I mean:)

    ------------------------------

    Date: Mon, 1 Jun 1998 02:22:02 EDT
    From: Awake77@aol.com
    To: ytsejam@ax.com
    Subject: Re: YTSEJAM digest 3948
    Message-ID: <362ef861.3572488b@aol.com>

    >It's no surprise
    >that this endeavor was written, rehearsed and recorded during an intense
    >one-week period; it sounds more like an overblown jam session, with little
    >inspiration or imagination, than a coherent album. If Liquid Tension
    >Experiment ever makes another album, they should take more than a week out
    >of their lives to do it.
    > - Joe Lalaina.

       You know, I am an avid guitar player, and I used to really enjoy reading
    Guitar World. Its the narrow minded, speak through your ass, "Teen Spirit --
    GUITAR AND BASSLINE TRANSCRIBED IN THIS ISSUE!!!" bullshit that made my cancel
    my subscription to every guitar magazine I was getting. Especially that
    mainstream waste of paper, Guitar World.
       I know they have to make money. But do they have to alienate people who
    admire finesse and technique as much as 'soul', just because your average 14
    year old with his stack of modern rock bullshit and his Kurt Cobain mutated
    cheezball fender clonefinds it too much of a bother to take his schlong
    slapping hands off his Nintendo 64 controller and devote some time to actually
    play his instrument?
       I dont mean to rant, Im just venting. I know, the Jam really isnt a place
    to vent, and Im aplogizing to any Schlong Slapping 14 year old Nirvana fans
    who may be reading this, and to any Jam members who may be irked at the lack
    of DT content.
       But, fuck Guitar World. If Joe Lalania was writing the review for LTE in
    1988, you know damn well that hed be praising it for the fine piece of work
    that it is.
       Oh, and one more thing. If you took John Petrucci, and transported him
    through various stages of human history, hed be recognized as a great musician
    in anyone of them. If JP were to meet and play for JS Bach or Nicolo
    Paganini, Im sure either one of them would be impressed (although Paganini
    might have been jealous:)) BUT, transport Joe Lalania and his "soulful"
    modern rock shit, and theyd be strung up and burned at the stake for harracy.
       Well, thats all I got to say. Goodnight.
       And I still cant find my fucking Calculus homework

    ------------------------------

    Date: Sun, 31 May 1998 23:29:42 -0800
    From: cluesump@sirius.com (Charoenkwan Luesumphan)
    To: ytsejam@ax.com
    Subject: Re: Giraffe Progfest '94 Show
    Message-ID: <v01540b03b19807d06a26@[205.134.227.147]>

    "Syrinx" <syrinx@mindspring.com> wrote:

    >This is taken from a video of their performance, an audience recording.
    >The quality is very good to excellent.

    I was amazed that the lead singer of Giraffe wears make up like Gabriel
    does in the early years of Genesis. He sounds pretty good though.

    So, this means that the sound quality of this cd is as good as the
    Progfest'94 cd? I have both of Progfest'94 cd's and video tapes and they
    sound better than the Progfest 95. I'm waiting to see/watch the Progfest'97
    cd's and video tapes. It would be the best festival of Progfest.

    Regards,
    AE

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    "Prog Maniac" homepage: http://www.sirius.com/~cluesump

    ------------------------------

    Date: Mon, 1 Jun 1998 09:46:23 +0200
    From: "Raivo Hool" <raitz@estcard.ee>
    To: "Bunch of freaks with no life" <ytsejam@ax.com>
    Subject: castellano,
    Message-ID: <199806010646.JAA22709@xyz.estcard.ee>

    Hello

    It's about time somebody posted a two page rant in Spanish and typed
    "sorry for my English" at the end. That would add a dollar worth of Dream
    Theater content.

    Wait a minute, what did I just do?

    Something more related: anybody else planning to attend the Dream The
    Eater gig in Budapest on June 16? If yes, look for a couple of guys who
    look out of place and somewhat Estonian. Don't beat the crap out of them,
    though. Buy them a beer instead. They'll be needing it. ;-)

    Raitz

    "Arnold Schwarzenegger coming soon in a theatre near you. You won't wanna
    be there." - various authors

    ------------------------------

    Date: Mon, 1 Jun 1998 01:59:55 +0000
    From: "Dale R. Newberry" <drnewb@spiff.net>
    To: ytsejam@ax.com
    Subject: Re: orchestral recommendations
    Message-ID: <199806010658.XAA27168@odin.ax.com>

    > Anyone here (because I respect the opinions of those here) want to throw out
    > some recommendations? Please include the conductor and orchestra recording
    > you would suggest - as well as the composer and the composition name in
    > particular.
    I would suggest Carl Orff's 'Carmina Burana.' Nice, heavy and dark
    in parts. It does have a lot of choral elements in it, but it's one
    of my personal favourites. Also, Gustav Holst's 'The Planets'
    is good. Oh yeah, 'The Rite of Spring' is damn good, too. In my
    infinite idiocy I can't recall the composer of that, though.

    Dale R. Newberry
    drnewb@spiff.net

    "I'm hip about time."

    ------------------------------

    Date: Mon, 1 Jun 1998 02:02:31 +0000
    From: "Dale R. Newberry" <drnewb@spiff.net>
    To: ytsejam@ax.com
    Subject: Re: another orchestral recommendation
    Message-ID: <199806010701.AAA27228@odin.ax.com>

    Oh yeah, I almost forgot Mussorgsky's "Night on Bald Mountain." You
    can usually get some of this kind of stuff relatively cheap, too.

    Dale R. Newberry
    drnewb@spiff.net

    "I'm hip about time."

    ------------------------------

    Date: Mon, 1 Jun 1998 02:05:24 +0000
    From: "Dale R. Newberry" <drnewb@spiff.net>
    To: ytsejam@ax.com
    Subject: Re: The State
    Message-ID: <199806010704.AAA27267@odin.ax.com>

    > Ok im confused here... i wasnt Kids in the hall on HBO?,
    Okay, yet another incident of my inherent idiocy. I meant The State,
    not KitH. yeah, KitH was on HBO, The State was on MTV. Both
    hilarious shows.

    Dale R. Newberry
    drnewb@spiff.net

    "I'm hip about time."

    ------------------------------

    Date: Mon, 01 Jun 1998 02:10:52 -0500
    From: Alan Estrada <alan_estrada@bigfoot.com>
    To: ytsejam@ax.com
    Subject: Re: Spagnolo. Non e' cosi semplice.
    Message-ID: <3.0.5.32.19980601021052.007f0950@academ07.mty.itesm.mx>

    At 08:22 PM 31/05/98 -0700, you wrote:
    >
    >> From: "Nicolas M. Rincon" <tabo-sabalero@usa.net>
    >> Subject: little Kevin...
    >>
    >> Es muy obvio decir esto, pero cantidad NO significa calidad. Ademas, porque
    >> tantos cds??, acaso no encuentras algo que te satisfaga mentalmente???,
    >> creo que estas perdido en el mercado apestoso de la musica comercial...
    >
    >Secondo me, non e' vero. Non ci credo!
    >
    >Samuel Jackson could probably have replied much better than I just did.

    I bet he could, you just replied on itialian, the original post was on
    spanish (=

    ------------------------------

    Date: Mon, 1 Jun 1998 01:04:56 -0700 (PDT)
    From: Stephen Dedalus <mattb@mbay.net>
    To: Multiple recipients of list <ytsejam@ax.com>
    Subject: Alex Scolnick (I forget the real spelling)
    Message-ID: <Pine.LNX.3.95.980601010342.8138D-100000@otter.mbay.net>

    It's official. Alex is moving to NY to go to Jazz school. He's selling a
    lot of his gear and heading to play straight jazz and crazy fusiong.
    California will miss him and so will my old teacher and the rest of his
    students. Wellness.
    Matt B

    ============================================================================
    ATTENTION! ATTENTION! ATTENTION!
         Guitarist in the Santa Cruz/Monterey area of California seeks
    innovative, experimental, technical, and fun-loving musicians to
    create works of art and share them with the public. Enquire if
    interested.
    mattb@mbay.net
    =================================================================================
    "That is the truth. Not the hammer and sickle; not the stars and stripes;
    not the cross; not the sun; not gold; not yin and yang, but the smile...
    Because they died, we know we still live. Because a star explodes and a
    thousand worlds like ours die, we know this world is. That is the smile,
    that what might not be is." (John Fowles, The Magus)

    ------------------------------

    Date: Mon, 1 Jun 1998 06:29:57 -0400
    From: ed_wilk@juno.com (Ed J Wilk)
    To: ytsejam@ax.com
    Subject: Orchestral music recommendations
    Message-ID: <19980601.063539.14430.0.ed_wilk@juno.com>

    To Calvin6S,

            If you don't mind bagpipes, I'd highly, highly suggest you pick
    up the Braveheart soundtrack. Easily the best movie soundtrack I've
    heard. That is, if you don't mind bagpipes (I really like 'em).

            Ed-San

    _____________________________________________________________________
    You don't need to buy Internet access to use free Internet e-mail.
    Get completely free e-mail from Juno at http://www.juno.com
    Or call Juno at (800) 654-JUNO [654-5866]

    ------------------------------

    Date: Mon, 01 Jun 1998 20:49:53 +1000
    From: graham boyle <icarus@sydney.net>
    To: "ytsejam@ax.com" <ytsejam@ax.com>
    Subject: Replacement for Geri Halliwell
    Message-ID: <35728751.3A373B87@sydney.net>

    Ah, it is a most sad day in my poor excuse for a life
    when the greatest band in the world The Spice Girls
    suffers the tragic loss of the best female singer of
    all time Ginger Spice.
    I am at a complete loss to why she could do such a thing
    all of us fans who worship SG are crying rivers and trying
    to come to terms with this most painful happening.
    But life most go on.....
    Now who shall be worthy enough to fill Gingers (cfm) boots ?

    graham

    ------------------------------

    Date: Mon, 1 Jun 1998 22:23:11 +1100 (EDT)
    From: "Nikos@Tama-Greek band" <s9763230@minyos.its.rmit.edu.au>
    To: Multiple recipients of list <ytsejam@ax.com>
    Subject: Re:Dream Theater in Australia
    Message-ID: <Pine.SOL.3.96.980601221850.11985C-100000@minyos.its.rmit.edu.au>

    What's the chance of seing DT in Australia.
    Mike had promised us down here that DT will come within the new year.
    That was back in 1995. What a great Drum Clinic we witnessed in
    Melbourne. Mike was on Fire......................................
    P:S WDADU what a great prog album, very Mediterranean sounding, very cool
    indeed.

        Later

        NIKOS
       
                  " Do unto others as they have done to you
                  But what the hell is this world coming to"
                                  (Metallica)

    ------------------------------

    Date: Mon, 01 Jun 1998 12:04:35 +0000
    From: Jon Parmet <jon@parmetpc.volpe.dot.gov>
    To: ytsejam@ax.com
    Subject: RE: 21 Century Schizoid Man
    Message-ID: <357298D3.23D3@parmetpc.volpe.dot.gov>

    MattyMo wrote:

    > >April Wine also covered this song. Not a bad job, either, IMHO.
    >
    > And so did PFM (live at least), but then they (like ELP) also worked with
    > Peter Sinfield.

    As well as the Manticore Record Label, if I recall. Damn! There's a
    flash from the past. Italian Prog from the 70's :) I have Chocolate
    Kings, Cook, and one other on vinyl somewhere.

    Speaking of 21st Century Schizoid Man, anyone notice a slight similarity
    between the jam around :30 into Paradigm Shift and the jam in the KC
    tune?

    ------------------------------

    Date: Mon, 1 Jun 1998 08:23:48 EDT
    From: Calvin6S@aol.com
    To: ytsejam@ax.com
    Subject: A little help
    Message-ID: <cec1a043.35729d55@aol.com>

    Okay - I want to pick up some Beethoven I liked on the movie Immortal Beloved
    - but I don't know the name of it.

    Setting - "new piano" love interest and father hides to spy on a deaf
    Beethoven "testing" it out. He plays a very familiar piece that I love - but
    I don't know the name of it.

    Can anyone tell me the name of the piece and a good recording?

    ------------------------------

    Date: Mon, 01 Jun 1998 12:30:52 +0000
    From: Jon Parmet <jon@parmetpc.volpe.dot.gov>
    To: ytsejam@ax.com
    Subject: Re: Cause tonight...is the night...when five become four...
    Message-ID: <35729EFC.1152@parmetpc.volpe.dot.gov>

    Some newbie wrote:

    > answer every time I asked it. In recent years I was intrigued to find that
    > "Who's your favorite spice girl?" was quickly moving in on "What time is it?"

    Chicago had some lyrics to sum it up: "Does anybody really know what
    time it is? Does anybody really care?"

    > *sigh* if only Dream Theater could evoke such a variety of answers...

    You must be new around here, sir? :)

    ------------------------------

    Date: Mon, 1 Jun 1998 08:39:03 -0500
    From: Dave Ware <dware@walker.com>
    To: "'ytsejam@ax.com'" <ytsejam@ax.com>
    Subject: Voices...
    Message-ID: <B1A22B4F087BD111B317006097939160264F18@BHAM-XCHG.immpower.com>

    Hi,

            It's a brave man indeed who slates Voices on the Jam. In fact
    I'm surprised it's been so quiet - could it be that the Jammers are
    allowing people their own opinions...? I thought it was interesting
    that the guy listed Erotomania as one of his faves (hmmm...same song I
    think). I have to say that it was probably Voices more than any other
    song that got me to the stupid DT-Obsessed state that I find myself in
    today. Everytime I listen to this song I am emersed and I never want to
    leave (scary eh?).

            Anyhow, I'm off to see Page and Plant tonight - I'll let you
    know what I think tomorrow.

            Cheers,

                    Dave (a UK Jammer - now in Alabama).

    ------------------------------

    Date: Mon, 1 Jun 1998 10:02:37 -0400 (EDT)
    From: LYNA Michel <lynam@JSP.UMontreal.CA>
    To: ytsejam@ax.com
    Subject: Re: YTSEJAM digest 3948
    Message-ID: <Pine.SGI.3.96.980601095735.1288A-100000@epsom.jsp.umontreal.ca>

    Hi, I just want to ask you if it's possible for me to do not receive your
    mail anymore cause my boyfriend isn't here for summer and It's for him
    you send us your mail..

    And if there is a way to do it myself just tel me and I'll do it for sure.

    Thank you for your attention,

    friendly, Melanie
    ___________________________________________________________________________
    Melanie Gauthier
    lynam@jsp.umontreal.ca

    ------------------------------

    Date: Mon, 1 Jun 1998 10:41:26 -0400 (EDT)
    From: Al Balkiewicz <balkiewi@umdnj.edu>
    To: Multiple recipients of list <ytsejam@ax.com>
    Subject: Re: Orchestral music recommendations
    Message-ID: <Pine.HPP.3.96.980601104052.27205A-100000@njmsa.UMDNJ.EDU>

    On Sun, 31 May 1998, Rick Audet wrote:

    >
    > Calvin asked:
    >
    > >Anyone here (because I respect the opinions of those here) want to throw
    > >out some recommendations? Please include the conductor and orchestra
    > recording
    > >>you would suggest - as well as the composer and the composition name in
    > >>particular.
    >
    > Vivaldi, "The Four Seasons". Kicks much ass.
    >

            Gustav Holst, "The Planets". Also kicks buttocks.

                                                            -Al

      

    ------------------------------

    Date: Mon, 01 Jun 1998 10:59:50 -0400
    From: Pat Daugherty <pdaugher@bdm.com>
    To: Dream Theater Mailing List <ytsejam@ax.com>
    Subject: DC area DT/ELP/DP tour?
    Message-ID: <3572C1E6.66F3981D@bdm.com>

    I just got back from 10 days in Spain and the Canary Islands. So what
    happened
    to the DC/MD/VA date for the tour?

    -- 
    |-------------------------------------------------------------------|
    | Pat Daugherty Email : pdaugher@mcl.bdm.com                        |
    |               Web   : http://www.abs.net/~patnbeck/pat/pat.html   |
    |===================================================================|
    |          "That is not an option, Mr. Mulder" -- X-Files           |
    |-------------------------------------------------------------------|
    

    ------------------------------

    Date: Mon, 1 Jun 1998 11:23:15 -0400 (EDT) From: Phil Carter <satriani@negia.net> To: Liquid Tension Ytse <ytsejam@ax.com> Subject: Orchestral music recommendations Message-ID: <Pine.SOL.3.95.980601104527.20007B-100000@peach.negia.net>

    Greetings ye 'jamanoids...

    Calvin requested a bit o' advice re: classical compositions.... > Anyone here (because I respect the opinions of those here) want to throw out > some recommendations? Please include the conductor and orchestra recording > you would suggest - as well as the composer and the composition name in > particular.

    This is a great thread but a lot of people have been neglecting to include conductor/orchestra recommendations. Just a quick reminder, folks -- there are thousands of classical discs, some fantastic, some suitable only for frisbees or coasters.

    Calvin, the first suggestion I've got for you (if you're serious about building a classical collection) is to go out and pick up Bill Parker's book, "Building a Classical Music Library". This dude writes about each composer and what his music is like, and gives recommendations for the best performances and best discs of most of their famous pieces. His judgment comes from 20+ years as a classical music DJ and he is currently buyer of classical music for Best Buy.

    Anyway, here's a couple composers/discs you oughta try:

    Vivaldi -- "The Four Seasons" (Standage, Pinnock, the English Concert)

    Beethoven -- Symphonies 5, 6 (Karajan, Berlin Philharmonic)

    Handel -- "Messiah" (Gardiner, English Baroque Soloists) -- "Water Music"/"Music for the Royal Fireworks" (there are hundreds of combinations for these -- each alone, both together, each with other additional stuff added) Good composers include Marriner/Academy-of-St.Martin-in-the-Fields and Pinnock/the English Concert.

    Bach -- any of the Brandenburg Concertos (there are 6, usually available on discs that have 1-3 and 4-6). Try Pinnock/English Concert for this one. -- any sampler of the organ music; a great one is the E. Power Biggs disc called "Great Organ Works" (yes, it includes the Toccata and Fugue in D minor)

    Grieg -- "Peer Gynt" Suites (Jarvi, Gothemburg Symphony Orchestra)

    Wagner -- "The Flying Dutchman"/Der Fliegende Hollander (Dorati, Royal House Orchestra and Chorus) -- Ring of the Nibelung Cycle (pick a highlight disc, the entire Ring Cycle is over 16 discs, as some other people mentioned). You can't go wrong with either Muck or Furtwangler at the helm for any Wagner piece, especially any part of the Ring Cycle.

    I have a pile of Handel, Bach and Mozart recommendations but can't remember the performance specifics offhand. Will write more when I get home from work.

    Hope this helps!

    Ta, Phil

    ======================================================================= Phil Carter -- satriani@negia.net (work), carter@negia.net (personal) Senior Tech, NorthEast Georgia Internet Access, 546-5787 "I never should have written all those tank programs." -- Kevin Flynn, "Tron" Currently playing: "The Little Mermaid" -- Soundtrack

    ------------------------------

    End of YTSEJAM Digest 3949 **************************



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