YTSEJAM Digest 5386
Today's Topics:
1) Re: YTSEJAM digest 5385
by SixStrgRzr@aol.com
2) Setlist
by funkygroove30@webtv.net (Robert Denni)
3) Re: YTSEJAM digest 5385
by =?iso-8859-7?B?1Nzz7/Ig0OHw4evp3PI=?= <dreamh@x-treme.gr>
4) shay and abbott
by "M P" <mremann6@hotmail.com>
5) LTE
by Pam Nazer <mnazer@pressenter.com>
6) FII & Copyrights
by "Awake ." <awake@buffymail.com>
7) Re: Re: Setlist
by Angelo Lombardi <Angelo13@home.com>
8) Re: shay and abbott
by Andrew Coutermarsh <a_couter@oz.plymouth.edu>
9) Re: Re: Setlist
by Brian D Hayden <hayd0029@tc.umn.edu>
10) Re: Setlist
by Emre Topuzoglu <Emret@ispro.net.tr>
11) Re: Springsteen and DT
by Andrew Coutermarsh <a_couter@oz.plymouth.edu>
12) HOB Broadcast taping info....
by Brooks Edman <drumstik@home.com>
13) Re: shay and abbott
by "Carlos A. Alfaro" <calfaro@yunque.net>
14) Top Prog Sites Award
by "MichaelM" <michael@progmetal.net>
15) Music Gear for Sale
by rwarren1@midsouth.rr.com
16) Re: YTSEJAM digest 5385
by FlyingBlueDream@aol.com
17) Re: YTSEJAM digest 5385
by Emre Topuzoglu <Emret@ispro.net.tr>
18) DALLAS concert
by "Mauricio Martinez" <hipi@compaq.net.mx>
19) These guys are the coolest ever.
by Andrew Coutermarsh <a_couter@oz.plymouth.edu>
20) TSM chords / TAB?
by Andrew Coutermarsh <a_couter@oz.plymouth.edu>
21) Re: TSM chords / TAB?
by Emre Topuzoglu <Emret@ispro.net.tr>
22) Chicago Show
by WoodyTJ34@aol.com
23) new HOB date . . .
by "Matt J Lough" <lough@home.com>
24) State of Grace
by Babyfr10@aol.com
25) autumn moon
by "Fran Brennan" <okelnard@hotmail.com>
26) LITS site mp3 info
by CyberDuke <duskob@mol.com.mk>
27) Re: A Question of Theory
by Billy920@webtv.net
28) Re: A Question of Theory
by "Kenn de Mello" <k_demell@oz.plymouth.edu>
----------------------------------------------------------------------
Date: Sun, 12 Mar 2000 02:06:28 EST
From: SixStrgRzr@aol.com
To: ytsejam@torchsong.com
Subject: Re: YTSEJAM digest 5385
Message-ID: <c.25941cd.25fc9bf4@aol.com>
In a message dated 3/11/00 8:42:57 PM Pacific Standard Time,
ytsejam@torchsong.com writes:
<<
Man, PS is one of their best songs, IMHO. Probably the trippiest thing
they've ever done, as well as one of the heaviest things they've ever done.
And there's those cool 4/4 - 3/4 transitions that actually sound GOOD =^).
With the SFAM setlist, they go through over an hour of
"metal->ballad->metal->ballad etc." PS is the perfect song to play after
that, because it's all dark and spooky and stuff (alright, I'll say 'pink
floydish' =^). It's different. Ah well. I'll shut up now.
-Banjoman
>>
this is one of my absolute favorites..the band i play with, this one was our
first complete "cover " songs...too cool....now we have a drummer that has
timing and style...we cant wait...
Alan
------------------------------
Date: Sun, 12 Mar 2000 02:40:53 -0500 (EST)
From: funkygroove30@webtv.net (Robert Denni)
To: ytsejam@torchsong.com
Subject: Setlist
Message-ID: <2778-38CB4A05-8610@storefull-287.iap.bryant.webtv.net>
I saw Bruce Springsteen, and it was a great concert. However, the
difference between Bruce's style and DT's is huge. Also, maybe DT just
DOESN'T WANT TO CHANGE THEIR LIST FROM SHOW TO SHOW. I"m sure they have
the ability to change it. And also about being more spontaneous, ITS
DREAM THEATER! If I want to hear something spontaneous I go to a jazz
club. Anyway, there are probably subtle changes and improvs from show
to show that most people won't pick up. But I don't know for sure
since I was only able to see them once.
------------------------------
Date: Sun, 12 Mar 2000 12:02:01 +0200
From: =?iso-8859-7?B?1Nzz7/Ig0OHw4evp3PI=?= <dreamh@x-treme.gr>
To: <ytsejam@torchsong.com>
Subject: Re: YTSEJAM digest 5385
Message-ID: <000601bf8c0a$06bd63e0$cdc678d4@g4d0b3>
Please you must unsubscribe me.I have tried what you sayd but nothing
happened .Idid this thing many times.Please UNSUBSCRIBE ME.It's like a
torture.Every day you send me 3 or 4 ytsejam digests.I HATE THiS.They are
CRAP.Help me from this HELL.
------------------------------
Date: Sun, 12 Mar 2000 07:49:14 EST
From: "M P" <mremann6@hotmail.com>
To: ytsejam@torchsong.com
Subject: shay and abbott
Message-ID: <20000312124914.25036.qmail@hotmail.com>
>In the book it says she, but James always sings Shay.
he does that for a lot of his long-e words. you can put
more power behind a long-a than a long-e, so this could be
a conscious choice and not just an accent thing ;)
>The also had a sign that said Hey Abbott
while they could be referencing Abbot and Costello (source
of the line), I doubt it. Check the lyrics for any phrase
like 'he about'
D/J - rabid A&C fan
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
------------------------------
Date: Sun, 12 Mar 2000 07:57:06 -0600
From: Pam Nazer <mnazer@pressenter.com>
To: ytsejam@torchsong.com
Subject: LTE
Message-ID: <l03020900b4f14ecd5aac@[209.224.19.82]>
>>
>> So, ... how about jammers, having listened LTE2 myself only once, I'm
>> interested to hear comments - which one is better? :)
I have been listening to LTE 2 alot lately. It is hard to choose a
favorite, because there is so much great music on both. If I would have to
pick a favorite it would be 2. Chewbacca is my favorite track, and Acid
Rain is a wild ride too!! I get the feeling that on 2 they are more free
and open to experimentation, hence all the jams(which I love).
------------------------------
Date: 12 Mar 2000 15:10:01 -0000
From: "Awake ." <awake@buffymail.com>
To: ytsejam@torchsong.com
Subject: FII & Copyrights
Message-ID: <20000312151001.5461.qmail@whitfield.chek.com>
>From: CyberDuke <duskob@mol.com.mk>
>Subject: FII's state of mind vs. SFAM's
>
>If during FII company really wanted to push them go a >lil' more mainstream, how can it be now making such a
>drastic change with SFAM?
My reading of it is as follows: the RC guys said to DT,
"We want a radio-friendly album". DT - more specifically,
probably Mr Portnoy- said "OK, but I can't see it working,
man". When that prediction came true, the RC people - in a
vain hope of avoiding the "I told you so" comments - just
figured "Let 'em do what they want; we're shifting enough
units that we're making profit, so let 'em get the hell on
with it!"
>From: "Dennis Bilic" <dennisbilic@hotmail.com>
>Subject: Is the Majesty symbol copyrighted????
>
>Just wondering if the Dream Theater 'Majesty' symbol
>(you know the one) is actually protected by any
>copyright laws.
Given what you want to use it for, it shouldn't make much
difference. As I understand it, provided that you include
a little bar that looks a little like the text of "C. 199X
Dream Theater" or somesuch, and you're not actually making
any profit on it, you're OK. Just don't go and do a Mike
Bahr and start selling them, that's when the legalities
become important. Otherwise, just go for it!
~Simon
Sign-up for free Buffy the Vampire Slayer e-mail at
http://www.buffymail.com
------------------------------
Date: Sun, 12 Mar 2000 10:17:00 -0800
From: Angelo Lombardi <Angelo13@home.com>
To: ytsejam@torchsong.com
Subject: Re: Re: Setlist
Message-ID: <38CBDF1C.45494144@home.com>
"Gaz" or some other babbled...
> If Bruce Springsteen and the E Street Band can play 3-4 hours
> sets each night and change their sets every night, I can't see why
> DT on the present tour shuffle the second half of the set around and
> or rotate a few songs.
> gaz
DON'T EVEN GO THERE!!! Bruce Cumstain... er... I mean Springsteen is the MOST non
talented prick in the music business!!! Do NOT even compare that, that greasy thing to
Dream Theater!!! Of course "he" can change sets every night... they just randomly play
3 to 4 chords anyway, just change the lyrics and you have a different song.
AND, how dare you to use that thing's name in the same sentence with Dream Theater???
It's very insulting for ANY musician!!!
Angelo
------------------------------
Date: Sun, 12 Mar 2000 11:54:37 -0500 (EST)
From: Andrew Coutermarsh <a_couter@oz.plymouth.edu>
To: Multiple recipients of list <ytsejam@torchsong.com>
Subject: Re: shay and abbott
Message-ID: <Pine.BSF.4.10.10003121152050.75390-100000@oz.plymouth.edu>
On Sun, 12 Mar 2000, M P wrote:
> >In the book it says she, but James always sings Shay.
>
> he does that for a lot of his long-e words. you can put more power
> behind a long-a than a long-e, so this could be a conscious choice and
> not just an accent thing ;)
It's not even so much a power issue with a vowel like "ay" as opposed to
"ee." The problem, ESPECIALLY when singing extremely high, is that (even
though it's really easy to sing) the "ee" vowel is very very harsh. If he
were to sing "Lifting Shadows off a DREEEEEEEEEEEEEAM" (the loud section,
not the first time he sings it), everybody would be covering their ears
because it would be SO much louder (at least apparently) and harsher.
-------------------------------------------------
Andrew Coutermarsh
a_couter@mail.plymouth.edu
http://cout.dhs.org/
Cloak on IRC
ICQ: 2513441
-------------------------------------------------
"I'm not a vegetarian because I like animals.
I'm a vegetarian because I hate plants."
-- A. Whitney Brown
-------------------------------------------------
------------------------------
Date: Sun, 12 Mar 2000 11:11:07 -0600 (CST)
From: Brian D Hayden <hayd0029@tc.umn.edu>
To: Multiple recipients of list <ytsejam@torchsong.com>
Subject: Re: Re: Setlist
Message-ID: <Pine.SOL.4.20.0003121110140.3642-100000@garnet.tc.umn.edu>
LOL. If you really think this, you either have not actually heard
Springsteen or you're deaf and stupid. Go listen to some of his music
before you talk about him chump. :) 3-4 random chords? Pllllllllllease.
-Brian
On Sun, 12 Mar 2000, Angelo Lombardi wrote:
>
> "Gaz" or some other babbled...
>
> > If Bruce Springsteen and the E Street Band can play 3-4 hours
> > sets each night and change their sets every night, I can't see why
> > DT on the present tour shuffle the second half of the set around and
> > or rotate a few songs.
>
> > gaz
>
> DON'T EVEN GO THERE!!! Bruce Cumstain... er... I mean Springsteen is the MOST non
> talented prick in the music business!!! Do NOT even compare that, that greasy thing to
> Dream Theater!!! Of course "he" can change sets every night... they just randomly play
> 3 to 4 chords anyway, just change the lyrics and you have a different song.
>
> AND, how dare you to use that thing's name in the same sentence with Dream Theater???
> It's very insulting for ANY musician!!!
>
> Angelo
>
>
------------------------------
Date: Sun, 12 Mar 2000 19:18:47 +0200
From: Emre Topuzoglu <Emret@ispro.net.tr>
To: ytsejam@torchsong.com
Subject: Re: Setlist
Message-ID: <38CBD177.25D3D3D7@ispro.net.tr>
if you like bruce....then what are you doing in ytejam mailing list !!!
i know bruce springsten well...my father listens to him,,
you are right on that point,he makes quality music ,,not 2-3 chords
but...
Do NOT even compare that with DT !!!! not that much quality music he
makes !
Brian D Hayden wrote:
>
> LOL. If you really think this, you either have not actually heard
> Springsteen or you're deaf and stupid. Go listen to some of his music
> before you talk about him chump. :) 3-4 random chords? Pllllllllllease.
>
> -Brian
>
> On Sun, 12 Mar 2000, Angelo Lombardi wrote:
>
> >
> > "Gaz" or some other babbled...
> >
> > > If Bruce Springsteen and the E Street Band can play 3-4 hours
> > > sets each night and change their sets every night, I can't see why
> > > DT on the present tour shuffle the second half of the set around and
> > > or rotate a few songs.
> >
> > > gaz
> >
> > DON'T EVEN GO THERE!!! Bruce Cumstain... er... I mean Springsteen is the MOST non
> > talented prick in the music business!!! Do NOT even compare that, that greasy thing to
> > Dream Theater!!! Of course "he" can change sets every night... they just randomly play
> > 3 to 4 chords anyway, just change the lyrics and you have a different song.
> >
> > AND, how dare you to use that thing's name in the same sentence with Dream Theater???
> > It's very insulting for ANY musician!!!
> >
> > Angelo
> >
> >
------------------------------
Date: Sun, 12 Mar 2000 12:52:45 -0500 (EST)
From: Andrew Coutermarsh <a_couter@oz.plymouth.edu>
To: Multiple recipients of list <ytsejam@torchsong.com>
Subject: Re: Springsteen and DT
Message-ID: <Pine.BSF.4.10.10003121244370.77951-100000@oz.plymouth.edu>
On Sun, 12 Mar 2000, Emre Topuzoglu wrote:
> if you like bruce....then what are you doing in ytejam mailing list
> !!! i know bruce springsten well...my father listens to him,, you are
> right on that point,he makes quality music ,,not 2-3 chords but... Do
> NOT even compare that with DT !!!! not that much quality music he
> makes !
Wait a minute. Who was comparing Springsteen to DT? All he said was that
he changes his setlist around - he wasn't saying anything about whether he
was BETTER than DT or not.
> Brian D Hayden wrote:
> >
> > LOL. If you really think this, you either have not actually heard
> > Springsteen or you're deaf and stupid. Go listen to some of his music
> > before you talk about him chump. :) 3-4 random chords? Pllllllllllease.
> >
> > On Sun, 12 Mar 2000, Angelo Lombardi wrote:
> >
> > > DON'T EVEN GO THERE!!! Bruce Cumstain... er... I mean Springsteen
> > > is the MOST non talented prick in the music business!!! Do NOT even
> > > compare that, that greasy thing to Dream Theater!!! Of course "he"
> > > can change sets every night... they just randomly play 3 to 4 chords
> > > anyway, just change the lyrics and you have a different song.
> > >
> > > AND, how dare you to use that thing's name in the same sentence with
> > > Dream Theater???
> > > It's very insulting for ANY musician!!!
I love how just because someone writes pop music or simpler rock than
Dream Theater that they all of a sudden become a "prick". God, the
closed-mindedness of some people.
-------------------------------------------------
Andrew Coutermarsh
a_couter@mail.plymouth.edu
http://cout.dhs.org/
Cloak on IRC
ICQ: 2513441
-------------------------------------------------
Sometimes, when I would read a very good book,
I would stop and thank my teacher. At least, I
used to, until she got an unlisted number.
-------------------------------------------------
------------------------------
Date: Sun, 12 Mar 2000 13:54:24 -0500
From: Brooks Edman <drumstik@home.com>
To: ytsejam@torchsong.com
Subject: HOB Broadcast taping info....
Message-ID: <38CBE7E0.C8052B6C@home.com>
There are several ways to tape the live broadcast on HOB. The way I am
doing it is I have a high speed cable connection, a tv out card, and my
VCR. I will maximize the broadcast and record it on my VCR. It actually
comes out really good as long as the net connection is good for the
whole thing. I have done things like it in the past. If you need any
more info e-mail me. I will be recording the broadcast.
Brooks Edman,
drumstik@home.com
------------------------------
Date: Sun, 12 Mar 2000 15:21:45 -0500
From: "Carlos A. Alfaro" <calfaro@yunque.net>
To: ytsejam@torchsong.com
Subject: Re: shay and abbott
Message-ID: <38CBFC59.D3C6AB37@yunque.net>
Andrew Coutermarsh wrote:
> It's not even so much a power issue with a vowel like "ay" as opposed to
> "ee." The problem, ESPECIALLY when singing extremely high, is that (even
> though it's really easy to sing) the "ee" vowel is very very harsh. If he
> were to sing "Lifting Shadows off a DREEEEEEEEEEEEEAM" (the loud section,
> not the first time he sings it), everybody would be covering their ears
> because it would be SO much louder (at least apparently) and harsher.
Definately! And also in the same way, at least to my untrained voice, its
much easier to hit the note that way than to sing the ee as if you were
speaking the word. I dont know if to a certain degree its a crutch, maybe
Andrew could englighten us? That also happens in voices, when he says "to
his knees" he prounounces "nays" ... i cant remmeber other examples, but i
know there are more, since i find myself doing that for other parts since my
range is much more limited than james' is...
Come into this night, Your plight alone
Carry your weight, You are flawed as all of us
Come into this night, You only home
It)Bīs never too late, To repent, suffer the loss
Opeth : Benighted
Carlos Alfaro Internet Solutions Inc.
mailto:calfaro@yunque.net mailto:prog@musician.org
------------------------------
Date: Sun, 12 Mar 2000 19:33:46 -0000
From: "MichaelM" <michael@progmetal.net>
To: "Ytsejam" <ytsejam@torchsong.com>
Subject: Top Prog Sites Award
Message-ID: <005601bf8c59$ef5a1720$effc31d4@fateswarm>
Do you own a well-designed and informative progmetal website? You can apply
for the ProgMetal.net "Top ProgMetal Sites" Award here:
Regards,
MichaelM
ProgMetal.net
ps.The award's main purpose is the link exchange between Epigram and the
winner sites. We know ProgMetal.net is not the best site of progressive
metal 2:O)
------------------------------
Date: Sun, 12 Mar 2000 13:58:35 -0600
From: rwarren1@midsouth.rr.com
To: ytsejam@torchsong.com
Subject: Music Gear for Sale
Message-ID: <3.0.32.20000312135832.00f5dc40@mail.midsouth.rr.com>
For anyone interested, I have the following gear for sale on Ebay.
Lexicon Vortex Processor
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=281716408
Lexicon MPX R1 Remote MIDI Controller
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=281846984
Yamaha RX Digital Rhythm Programmer
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=281921246
Thanks,
Richard
e-mail: rwarren1@midsouth.rr.com
www: http://home.midsouth.rr.com/rwarren
------------------------------
Date: Sun, 12 Mar 2000 15:33:21 EST
From: FlyingBlueDream@aol.com
To: ytsejam@torchsong.com
Subject: Re: YTSEJAM digest 5385
Message-ID: <4c.2b98418.25fd5911@aol.com>
In a message dated 3/11/00 11:38:38 PM Eastern Standard Time,
ytsejam@torchsong.com writes:
<< Second - has anyone ever been to the National Guitar Workshop, if so, how
was it and was it worth the $700 to go? I got a brochure in the mail
yesterday and it looks pretty cool. E-mail me privately or on the jam,
whatever, I don't care. 8-)b
>>
I attended the workshop last year for the 'Guitar Dreams' seminar,
featuring John Petrucci. It was an amazing experience. John conducted two
clinics that both went into way more detail than his music store clinics. My
teacher for the rest of the week was Terry Syrek an amazing and overlooked
guitar player, he was a great teacher and an all around good guy.
I really can't recommend the workshop enough, it's a great experience.
Andy B.
------------------------------
Date: Sun, 12 Mar 2000 22:46:05 +0200
From: Emre Topuzoglu <Emret@ispro.net.tr>
To: ytsejam@torchsong.com
Subject: Re: YTSEJAM digest 5385
Message-ID: <38CC020D.46CD887F@ispro.net.tr>
ant of you guys videotaped any JP clinics ???
FlyingBlueDream@aol.com wrote:
>
> In a message dated 3/11/00 11:38:38 PM Eastern Standard Time,
> ytsejam@torchsong.com writes:
>
> << Second - has anyone ever been to the National Guitar Workshop, if so, how
> was it and was it worth the $700 to go? I got a brochure in the mail
> yesterday and it looks pretty cool. E-mail me privately or on the jam,
> whatever, I don't care. 8-)b
> >>
>
> I attended the workshop last year for the 'Guitar Dreams' seminar,
> featuring John Petrucci. It was an amazing experience. John conducted two
> clinics that both went into way more detail than his music store clinics. My
> teacher for the rest of the week was Terry Syrek an amazing and overlooked
> guitar player, he was a great teacher and an all around good guy.
> I really can't recommend the workshop enough, it's a great experience.
>
> Andy B.
------------------------------
Date: Sun, 12 Mar 2000 14:55:42 -0600
From: "Mauricio Martinez" <hipi@compaq.net.mx>
To: <ytsejam@torchsong.com>
Subject: DALLAS concert
Message-ID: <012701bf8c65$553cd9a0$340a64c0@host>
Well, for me and Alan it was a fucking LONG trip (and a very hard one to
survive too) to see DT. We traveled nearly 12 hours straight by bus, from
Monterrey, M)Béxico to Dallas , TX. Arrived at a VERY CHEAP motel (that wasnīt
very cheap at all), TRIED to communicate with the motel manager who
happenned to be indian and could barely speak english (imagine two mexican
guys trying to speak english with an indian guy, he reminded us of Apu, the
quick e mart clerk from the simpsons).
It was HELL. We arrived at 9am. Got ripped off by taking a cab from the
bus central to the venue, and then procceeded to crash at Flora)Bīs Motel
(hey, it was almost next to the venue!). Then, it started raining VERY hard
and suddenly got a little cold. We almost ate an entire pizza by ourselves,
while Palpatine and Co. were waiting for theirs. Then, we started making the
line at 1pm. Entered at 8:00pm. Sacrificed the front row for some
merchandise. Struggled to find a good place behind someone not so
tall.......then the opening band came onstage: The starpeople. I tought they
were ok for the first couple of songs, but then i just got tired and wanted
DT to come out already.
Then, before DT came out, their roadies started to arrange the stage,
and one of them (the one who was testing JP)Bīs guitars) was constantly
arguing over something with the other roadies. Then DT finally came out at
10:10pm. The show rocked, but i couldn)Bīt hear Jordan very well (i was in
front of JP and his MESA wall). James seemed frustated at times, but he sang
pretty good! Instead of lowering some vocal parts, he sang them higher!
Like, in finally free, the line :"Their love renewed...." To me, he was
great!. MP was very pissed off about something. Just when they finished BTL,
he grabbed a cymbal and threw it in the back, and didn)Bīt come back for the
most part of THE. James neither. They left Jordan and JP playing the intro
over and over again and this was deviating into being a JP solo spot.
Finally, somebody put a drum sequence to cover for MP, and got the song
done. The cymbal was never put in its place again for the rest of the show.
At one point, the screens were showing the Dr. Evil face, and MP made a
joke about it (i)Bīm sure NOBODY heard it, because there was NO response
whatsoever to that joke, which caused MP to look at JP as he scratched his
head like "....what)Bīs wrong with this people?") and started playing a song
which is still a mystery to me. MP was even more pissed i think.
JP and JR made a major fuck up during th begginning of finally free, but
the song went great after that. Then, they played Peruvian skies (!?), and
some medleys.......in the end of one of these, JP started to go nuts on his
guitar (JP was the only one who seemed to be having fun throughout the show,
despite all the shit that happenned) and MP started to play eruption on JP)Bīs
guitar with his hands coming out of JP)Bīs back (iīm sure i didnīt tell this
one right! somebody get it straight!).
MP gave the finger to the club owners, for not letting DT play on the
big stage. (Hey!, Weird Al played there yesterday!), and said they would
come back in the summer.
I hope the other Dallas (or texas, or mexican) jammers complment my
review. A big hi to Nicole, Palpatine and Co. and all the other guys we were
with on the line.
Mauricio
------------------------------
Date: Sun, 12 Mar 2000 16:10:05 -0500 (EST)
From: Andrew Coutermarsh <a_couter@oz.plymouth.edu>
To: ytsejam@torchsong.com
Subject: These guys are the coolest ever.
Message-ID: <Pine.BSF.4.10.10003121607340.89814-100000@oz.plymouth.edu>
Last night I happened to write Jordan an email because when I get to New
York, I'd like to be able to find a way to take lessons with him for
composition and keyboard technique. I wasn't sure if I'd get a response,
or when. But this afternoon when I checked my email, there it was: A
response from Jordan, saying that when I got into the NY area that he'd
love to work something out in terms of lessons, and that he'd be looking
forward to hearing from me in the future.
How cool is it that your musical influences can take the time out of their
lives to answer private email in the interest of improving the musical
lives of their fans?
-------------------------------------------------
Andrew Coutermarsh
a_couter@mail.plymouth.edu
http://cout.dhs.org/
Cloak on IRC
ICQ: 2513441
-------------------------------------------------
The only stupid question is the one that is never
asked, except maybe "Don't you think it's about
time you audited my tax return?" or "But officer,
isn't it morally wrong to give me a warning when,
in fact, I was speeding?"
-------------------------------------------------
------------------------------
Date: Sun, 12 Mar 2000 16:42:13 -0500 (EST)
From: Andrew Coutermarsh <a_couter@oz.plymouth.edu>
To: ytsejam@torchsong.com
Subject: TSM chords / TAB?
Message-ID: <Pine.BSF.4.10.10003121640240.92038-100000@oz.plymouth.edu>
I'm trying to record a cover of The Silent Man. The TAB that's on the
website does a really good job of explaining everything, but there's a
problem: In the chorus, it has TAB parts for A guitar, but not the rhythm
stuff that's going on in the background. Does anybody have TAB parts to
that rhythm part? Or would somebody be willing to scan the TAB book for
Awake and send it to me? Private emails, please, and thanks in advance
for anybody who is able to help me out.
-------------------------------------------------
Andrew Coutermarsh
a_couter@mail.plymouth.edu
http://cout.dhs.org/
Cloak on IRC
ICQ: 2513441
-------------------------------------------------
The only stupid question is the one that is never
asked, except maybe "Don't you think it's about
time you audited my tax return?" or "But officer,
isn't it morally wrong to give me a warning when,
in fact, I was speeding?"
-------------------------------------------------
------------------------------
Date: Sun, 12 Mar 2000 23:56:52 +0200
From: Emre Topuzoglu <Emret@ispro.net.tr>
To: ytsejam@torchsong.com
Subject: Re: TSM chords / TAB?
Message-ID: <38CC12A4.F29503FB@ispro.net.tr>
i have original tab books scaned as gif`s,
Andrew Coutermarsh wrote:
>
> I'm trying to record a cover of The Silent Man. The TAB that's on the
> website does a really good job of explaining everything, but there's a
> problem: In the chorus, it has TAB parts for A guitar, but not the rhythm
> stuff that's going on in the background. Does anybody have TAB parts to
> that rhythm part? Or would somebody be willing to scan the TAB book for
> Awake and send it to me? Private emails, please, and thanks in advance
> for anybody who is able to help me out.
>
> -------------------------------------------------
> Andrew Coutermarsh
> a_couter@mail.plymouth.edu
> http://cout.dhs.org/
> Cloak on IRC
> ICQ: 2513441
> -------------------------------------------------
> The only stupid question is the one that is never
> asked, except maybe "Don't you think it's about
> time you audited my tax return?" or "But officer,
> isn't it morally wrong to give me a warning when,
> in fact, I was speeding?"
> -------------------------------------------------
------------------------------
Date: Sun, 12 Mar 2000 17:01:55 EST
From: WoodyTJ34@aol.com
To: ytsejam@torchsong.com
Subject: Chicago Show
Message-ID: <d0.30dc5b1.25fd6dd3@aol.com>
Hey,
I didn't give a review of the show, but it was awesome. Nothing anyone else
hasn't written about. The band was great. The show was superior to the other
two I have seen. MP was outstanding as usual.
I went to meet Mike & Rob Morgenstein at Sam Ash before the show. Mike was
cool & I didn't know who Rob was until the show. He is a great drummer but he
really needs to keep his mouth shut every time he does a fill on the set. He
was driving me nuts. I thought he was going to catch a bug in it or
something. It was really annoying. I loved to watch his playing but that
mouth was open all the time. Anyway, Mike did say see you later this year so
I hope they will make another trip.
See ya,
Todd
"I sit down with my son, Set to see the Crimson Sunset."
------------------------------
Date: Sun, 12 Mar 2000 18:27:50 -0500
From: "Matt J Lough" <lough@home.com>
To: "YTSE JAM" <ytsejam@torchsong.com>
Subject: new HOB date . . .
Message-ID: <001701bf8c7a$96458360$636a0d18@abdn1.md.home.com>
I just got my UACM mailing, and they changed the HOB cybercast to April 1st
instead of April 9th, I thought some of you would like to know. L8r.
Matt
------------------------------
Date: Sun, 12 Mar 2000 19:12:46 EST
From: Babyfr10@aol.com
To: ytsejam@torchsong.com
Subject: State of Grace
Message-ID: <c7.314253e.25fd8c7e@aol.com>
Hey all - I've recently started figuring out the piano/keyboard part of State
of Grace and I have a few questions to throw out there:
- one- the hardest part about picking this one out is not the diffuculty
at all, but in hearing the piano part clearly because the guitar is much
louder and clearer. I don't have high tech equipment at all - just a stereo,
a discman, and a computer. Does anyone have any suggestions as to how I
could make this easier besides just turning the volume all the way up and
trying to ignore the guitar?
-two- have any of you already done the keyboard part for this song or
know someone who has?
Please let me know if you can help with either of these, either
by email of on the jam - whichever works for you - Thanks!!!
Sarah
------------------------------
Date: Sun, 12 Mar 2000 16:20:17 PST
From: "Fran Brennan" <okelnard@hotmail.com>
To: ytsejam@torchsong.com
Subject: autumn moon
Message-ID: <20000313002017.93078.qmail@hotmail.com>
Why would you want to try out Autumn Moon? It's not a DT song. It was
just put on a boot by Mike Bahr because he thought it was written by
KevMo. It's actually written by George Winston and is in reality called
"Moon." It's on his Autumn album, hence the title "Autumn Moon." :)
If you already knew this and still want it, you can find it on that CD.
Well, don't I feel dumb =^)
-Fran/Banjoman
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
------------------------------
Date: Mon, 13 Mar 2000 02:44:42 +0100
From: CyberDuke <duskob@mol.com.mk>
To: Ytsejam <ytsejam@torchsong.com>
Subject: LITS site mp3 info
Message-ID: <38CC480A.49AF7BB0@mol.com.mk>
LOLOL, what is that WANTED DEAD OR ALIVE mp3 on there? Who is singing
and who the hell is those screaming funny vocals? :)))))
Gotta know this.
The solo is perfectly ripped off original Richie's solo. Bravo Petrucci
------------------------------
Date: Sun, 12 Mar 2000 21:01:38 -0500 (EST)
From: Billy920@webtv.net
To: ytsejam@torchsong.com
Subject: Re: A Question of Theory
Message-ID: <11180-38CC4C02-7669@storefull-175.iap.bryant.webtv.net>
Greetings All
I am sill new to the list, so I will try to pose this question
appropriately.
I am a musician of sorts, but unlike most on this list (assumption ) I
have always played "by ear"
My question would be ... How important is theory? I would like to learn
more about it,but as it is I don't have time for lessons. Any
suggestions for reading or sites about music theory would be
appreciated greatly.
Also does anyone else like Mullmuzzler?
Thanx.
Billy
"Mullmuzzler- One who silences an individual's
thought before it can be expressed in any manner"
------------------------------
Date: Sun, 12 Mar 2000 21:38:39 -0500
From: "Kenn de Mello" <k_demell@oz.plymouth.edu>
To: <ytsejam@torchsong.com>
Subject: Re: A Question of Theory
Message-ID: <000b01bf8c95$3d10f340$b7ab889e@plymouth.edu>
> I am a musician of sorts, but unlike most on this list (assumption ) I
> have always played "by ear"
> My question would be ... How important is theory? I would like to learn
> more about it,but as it is I don't have time for lessons. Any
> suggestions for reading or sites about music theory would be
> appreciated greatly.
> Also does anyone else like Mullmuzzler?
>
> Thanx.
> Billy
There was mention about theory not too long ago on the jam. I think the
resounding answer about theory was: it is beneficial when songwriting so
that you know if things are going to go smoothly and as a guide to
harmonization and all that stuff, BUT it in no way makes you more creative
or helps you come up with music. IMO it is a very nice thing to know about,
but I ignore it sometimes when I am just noodling around on my guitar or
keyboard. If I come up with something I like I look at and analyze it to
see what I was actually doing. This way I could possibly come up with other
parts, say guitar II, or keyboard chords. I searched quickly and found the
following link http://www.musictheory.halifax.ns.ca/ hopefully you will find
this somewhat informative. I haven't looked at it at all personally.
Kenn.
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End of YTSEJAM Digest 5386
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