YTSEJAM Digest 630
Today's Topics:
1) Re: YTSEJAM digest 628
by "Paul W. Cashman" <vanyel@crl.com>
2) Re: YTSEJAM DIGEST 627
by mark.scudder@oho.com (Mark Scudder)
3) Taping
by text string <SMITSM@vaxa.cis.uwosh.edu>
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Date: Tue, 27 Dec 1994 20:56:22 -0800 (PST)
From: "Paul W. Cashman" <vanyel@crl.com>
To: ytsejam@anthor.arastar.com
Subject: Re: YTSEJAM digest 628
Message-ID: <199412280456.AA26254@crl11.crl.com>
Subject: RE: Gee, look at the time
> >..it's 6'o'clock on a Christmas morning.
> >
> >You folks to the west have a few hours to go until DT-hour. hehe
> !------------------------------------------------
>
> I _knew_ there would be some geek who wrote in a message like this! :^) Tell,
> me, did you set your alarm just to do this?! :-) It's pretty cool either
> way...
Nope, I was up at 5am and figured "what the hell"..... It's only
once a year. :)
-- ............ Paul W. Cashman vanyel@crl.com ................... Though we live in trying times, we're the ones who have to try Though we know that time has wings, we're the ones who have to fly ................ "Everyday Glory" N. Peart .....................------------------------------
Date: Tue, 27 Dec 1994 02:56:00 GMT From: mark.scudder@oho.com (Mark Scudder) To: ytsejam@anthor.arastar.com Subject: Re: YTSEJAM DIGEST 627 Message-ID: <941227221204149@oho.com>
-=> Quoting Ytsejam@arastar.com to Mark Scudder <=-
Yt> As far as sound quality, some of the aud tapes are very VERY good...
A lot of people just don't realize that you could master a bootleg directly to a 1 million-bit-per-second digital sampler, and if the mikes or mike placement is done wrong, it isn't going to sound better than a well-done analog tape.
It's not the recording media, it's the recording procedure.
Mark ___ Blue Wave/QWK v2.12
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Date: 28 Dec 1994 11:39:14 -0600 (CST) From: text string <SMITSM@vaxa.cis.uwosh.edu> To: ytsejam@anthor.arastar.com Subject: Taping Message-ID: <01HL6BHO1OF6001GYA@vaxa.cis.uwosh.edu>
Date sent: 28-DEC-1994 11:24:32
For taping shows....you can have the best DAT deck on earth, but if you've got a crappy mic then all that money spent on the deck was pointless. Invest in quality microphones. I have about 5 sets of mics at my disposal now. Most recently I've bought some called Core Sound for $250 and they were well worth it. (Cost almost as much as my D3) If you buy the D3...THROW AWAY THE STOCK MIC and get another mic at a Radio Shack or a Best Buy to start out with. Granted, the stock mic can pull through at certain shows and give you a good recording, but for the most part when I used it I got shitty tapes. (Very tinny....no bass at all) I picked up a mono-mic (Audio Technica ATR 35s) at Best Buy for 30 bucks, got a stereo adaptor and have made some incredible recordings with that set up. Next summer I'm going to finally graduate to a D7 DAT....the D3 goes in the trash. (How much could a used...very used...one go for?) By the way, if you get a D6, they are harder to crotch to sneak it into shows. That is how most of you get your decks in...isn't it? I've heard of other ways to do it. (Hide it in a woman's purse...wear a fake cast on a leg...etc...be creative)
-Steve
******************************************************************************** * "Your brothers.....they echo your words! * How far to the point of know return?" - Kansas 1977 * * *** Always interested in trading Kansas shows *** * Steve Smits Smitsm@vaxa.cis.uwosh.edu ********************************************************************************
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End of YTSEJAM Digest 630 *************************
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