YTSEJAM digest 755

From: ytsejam@arastar.com
Date: Mon Mar 20 1995 - 10:58:20 EST

  • Next message: ytsejam@arastar.com: "YTSEJAM digest 756"

                                YTSEJAM Digest 755

    Today's Topics:

      1) Name that Song...
     by DAMION M KUMARASINGHE <STYKD1K@stn1.agric.nottingham.ac.uk>
      2) New Video/MTV Europe
     by freak@cube.net (Alex Reinelt)
      3) Dream theater Sucks!
     by "Jason K. Schechner" <jks2x@fermi.clas.virginia.edu>
      4) Re: DT stuff (f'real)
     by William Wright <wwright@galaxy.galstar.com>
      5) ACOS
     by UNCLE FESTER <csaroka@yorkcol.edu>
      6) Re: various comments (again)
     by jbako01 <jbako01@barney.poly.edu>
      7) Subconscious UPDATE!!!
     by Michael Bahr <garion@indirect.com>
      8) Re: Questions, questions
     by zack@lsil.com (Zack Gemmill)
      9) Copies of Awake
     by TTubbiola@aol.com
     10) Re: Greg <greg2@netcom.com
     by YBBX10C@prodigy.com (MISS JAIME K KIMPTON)
     11) Re: Tourniquet (and some Dream Theater content)
     by "DANIEL JAMES TEMMESFELD" <S1133627@cedarnet.cedarville.edu>
     12) TOWHTSTS
     by Michael Van Opstall <mavanop@grfn.ORG>
     13) Re: YTSEJAM digest 746
     by "Bryan F. Stroh" <bfstroh@phoenix.Princeton.EDU>
     14) Re: YTSEJAM digest 748
     by "Bryan F. Stroh" <bfstroh@phoenix.Princeton.EDU>
     15) Re: YTSEJAM digest 747
     by "Bryan F. Stroh" <bfstroh@phoenix.Princeton.EDU>
     16) Re: YTSEJAM digest 745
     by "Bryan F. Stroh" <bfstroh@phoenix.Princeton.EDU>
     17) Re: Awake sales
     by "DANIEL JAMES TEMMESFELD" <S1133627@cedarnet.cedarville.edu>

    ----------------------------------------------------------------------

    Date: Mon, 20 Mar 1995 22:06:36 GMT
    From: DAMION M KUMARASINGHE <STYKD1K@stn1.agric.nottingham.ac.uk>
    To: ytsejam@anthor.arastar.com
    Subject: Name that Song...
    Message-ID: <MAILQUEUE-101.950320220636.384@stn1.agric.nottingham.ac.uk>

          I sam Dream Theater at the Forum,London, on 15 March and thought
    they were great.However I cant place the 'cover' that they played as
    an encore(after 'Silent man', and before 'Metropolis'). Can anyone
    who was there tell what it was?
            Yours,
               Daz.

    ------------------------------

    Date: Mon, 20 Mar 95 23:08:28 MET
    From: freak@cube.net (Alex Reinelt)
    To: ytsejam@anthor.arastar.com
    Subject: New Video/MTV Europe
    Message-ID: <m0rqpcj-00013OC@cubnt1.cube.net>

    Well, reading all this stuff bout the silent man video:

    - does this edition of HBB get repeated somehow?
    - or any clues when we are about to see the video again...see, i really
    dont wanna watch mtv all day long since i thing its really rare that
    they play DT there...
    bye, Freak

    ( Alexander Reinelt from Munich/Germany - freakmarked since 1987
     ) freak@cube.net / freak@cubnet.de / Alex_Reinelt@2:2480/66
    ( fax:(++ 49 89) 689 18 71 voice:(++ 49 89) 68 33 40
     ) I use & highly recommend Sony MINI-DISC for portable audio!
        

    ------------------------------

    Date: Mon, 20 Mar 1995 17:45:15 -0500
    From: "Jason K. Schechner" <jks2x@fermi.clas.virginia.edu>
    To: BenGrim@aol.com
    Subject: Dream theater Sucks!
    Message-ID: <199503202245.RAA122982@fermi.clas.Virginia.EDU>

    On Mar 17, 21:30, BenGrim@aol.com wrote:
    > Subject: Dream theater Sucks!
    > Dream theater is the worst band ever!
    >
    >
    > -- End of excerpt from BenGrim@aol.com

            If you think so then why did you take the time and effort
    to search out the Ytsejam mailing list and to determine what its
    purpose is? If they really are that bad then you just wasted
    your time in the worst way: on another waste of time.
            I'm not sure if you are aware of AOL's overall reputation
    among the more respectable denizens of the Internet, but thank
    you graciously for strengthening it.

    ------------------------------

    Date: Mon, 20 Mar 1995 17:05:28 -0600 (CST)
    From: William Wright <wwright@galaxy.galstar.com>
    To: ytsejam@anthor.arastar.com
    Subject: Re: DT stuff (f'real)
    Message-ID: <199503202305.RAA16827@galaxy.galstar.com>

    >
    >
    > Here's a bunch of stuff I got to tell y'all.
    > Got the latest Guitar Player because it said Dream Theater on the cover,
    > but there was no article about them, just some article about prog music
    > that mentioned them. I think it had about as much DT content as the
    > ytsejam, just a quote from Petrucci "Even though we like technical stuff,
    > we all enjoy Billy Joel and U2" or something. And they raised the price
    > of the darn thing 45 cents since I last bought it. Dang it.
    >

    Can someone post this article about Prog? Thanks!

    ------------------------------

    Date: Mon, 20 Mar 1995 18:28:58 EST
    From: UNCLE FESTER <csaroka@yorkcol.edu>
    To: ytsejam@anthor.arastar.com
    Subject: ACOS
    Message-ID: <0098DA78.EDFC8620.186@yorkcol.edu>

    I'll make this quick -
            
            I just read that Mike said that ACOS will be on the next album.

            That is good- I am happy.

            Gotta run...

    -Chris at York College
    --------------------------------------------------------------------------------
                    Major League Baseball players...please come back!
    --------------------------------------------------------------------------------

    ------------------------------

    Date: Mon, 20 Mar 1995 20:11:08 -0500 (EST)
    From: jbako01 <jbako01@barney.poly.edu>
    To: ytsejam@anthor.arastar.com
    Subject: Re: various comments (again)
    Message-ID: <Pine.SOL.3.91.950320200858.21550B-100000@barney>

    On Mon, 20 Mar 1995, Clarke Woodfin wrote:

    >
    > 4. I heard some Anacrusis for the first time the other day (Thanks Jason).
    > They're great! Looks like I'll be buying one of their CDs. Can anybody
    > give me some recommended titles? I also heard some Echolyn for the first
    > time. They're also great (though not as heavy).
    >

    Although they have broken up (*sniff* :( ) they're definitely worth
    checking out. Try their latest two: Manic Impressions and Screams And
    Whispers. If you're a little more advenerous, try Reason. Their other
    stuff: Suffering Hour, and another EP or two are more in the thrash vein.

    Enjoy,

    James Bako
    jbako01@barney.poly.edu
    Polytechnic University
    Brooklyn, New York

    ------------------------------

    Date: Mon, 20 Mar 1995 18:47:47 -0700 (MST)
    From: Michael Bahr <garion@indirect.com>
    To: ytsejam@anthor.arastar.com
    Cc: garion@indirect.com
    Subject: Subconscious UPDATE!!!
    Message-ID: <199503210147.SAA08156@bud.indirect.com>

    SUBCONSCIOUS CD Update!!

    Current update: 3/20/95

    Estimated date of arrival of my blanks shipment: 3/30/95

    1. Orders received
    2. A quick review: what the hell IS Subconscious, and how can I get it?
    =-=-=-=-=-=-=-=

    1. Orders received

            Here is a brief list of the orders that I have received, paid, and
    the CD numbers you will all be getting... if you are on this list, I have
    your order IN MY HAND and you are DONE, FINITO... all you need to do is kick
    back, relax, toss back a Kypler's, and wait for my CDs to come in the mail
    to me, and subsequently, to you. :)
            I _am_ keeping a copy of this list, in case future authenticity issues
    arise, you can be assured of the full _value_ of your Subconscious CD. Given
    the number of DT albums sold total, there is one Subconscious CD for every
    11,700 Dream Theater fans. Not a bad ratio eh!!
            A quick note: you will notice I have set aside a few low numbers for
    Kaoru, and I have done this because most of the Japanese Ytsejammers will be
    doing a group order through her, and I wanted to get *some* of the low #'s
    to the land of the Rising Sun, tis only fair after all. :) That's the only
    orders that are not yet paid, because she still has to get the orders from
    the others. Any Nihon-go Ytsejam members, email Kaoru-san if you want to get
    a copy of the CD! If more are reserved than space I set aside, I will fill
    another block of numbers somewhere in the 100's.

    !!!!!!!!!
            Quick note!! If you "reserved" a copy with me, but have not yet sent
    in payment, you won't be in this list yet... DON'T PANIC! I've still got your
    reservation, and I _did_ say that because of the delay in the CDs getting to
    me in shipment (my blanks) that you could wait on payment if you wanted to.
    !!!!!!!!!

    000 Original press master copy (CD-R Gold)
    001 Glass master disc
    002 Final press master #1
    003 Final press master #2
    004 Mike Bahr :)
    005 Mike Portnoy
    006 Kevin Moore
    007 Michael Burstin
    008 Brian Cox
    009 Chris King
    010 Jenn Albert
    011 Alfredo Cappello
    012 Andreas Schaefer
    013 (reserved) Kaoru Kobayashi
    014 (reserved) Kaoru Kobayashi
    015 (reserved) Kaoru Kobayashi
    016 (reserved) Kaoru Kobayashi
    017 (reserved) Kaoru Kobayashi
    018 (reserved) Kaoru Kobayashi
    019 (reserved) Kaoru Kobayashi
    020 (reserved) Kaoru Kobayashi
    021 Timo Haanpaa
    022 Timo Haanpaa
    023 Timo Haanpaa
    024 Timo Haanpaa
    025 Timo Haanpaa
    026 Timothy Byrd
    027 Timothy Byrd
    028 Timothy Byrd
    029 Steve Chew
    030 Mark Stahl
    031 Cheryle West
    032 Paul Poehler
    033 Douglas Slauson
    034 Stephan Dobay
    035 Stephan Dobay
    036 Jason Macdonald
    037 Jeff Chew
    038 Jeff Chew
    039 Jeff Chew
    040 Bernd Basmer
    041 Jeff Stewart
    042 Brian Anderson
    043 Brian Anderson
    044 Michael Van Opstall
    045 Greg Bunker
    046 Albert Balkiewicz
    047 Albert Balkiewicz
    048 William Buckley
    049 William Buckley
    050 Jamie Burks
    051 Joel Gregie
    052 Uffe Moller
    053 Uffe Moller
    054 Andy Dixon
    055 Anna Davidson
    056 Randy Collins
    057 Brian Vivier
    058 Brian Vivier
    059 Bill Nottingham
    060 Alfredo Cappello
    061 Alfredo Cappello
    062 Andreas Schaefer
    063 Timo Haanpaa
    064 Eric Gauthier
    065 Eric Gauthier
    066 Michael Backof
    067 Tim Altman
    068 Mathew Yee
    069 Christopher White <- this has to be the coolest number :)
    070 Alex Fraser
    071 Jason Breitweg
    072 George Sorsby
    073 Brian Polka
    074 Kristian Reyes
    075 Dave Fausel
    076 John Kotzian
    077 Matthew Berger
    078 Paul Humm
    079 Brent Phillips
    080 Bob Holder
    081 James Runde
    082 Krysten DeBroka
    083 R. Christopher Hailey
    084 Siegfried Hanisch
    085 Jason Birzer
    086 Carmen Pezzone
    087 Carmen Pezzone
    088 David Bell
    089 Dan Tshin
    090 Stephane Auzilleau
    091 Stephane Auzilleau
    092 Stephane Auzilleau
    093 Russell Brooks
    094 Alexander Reinelt
    095 Alexander Reinelt
    096 Ken Atwell
    097 Kevin Werner
    098 Kevin Werner
    099 Huub J. P. de Lijser
    100 Robert Dalton
    101 David Rolla
    102 Jonathan Larkowski
    103 Nathan Bradley
    104 Nathan Bradley
    105 Nathan Bradley
    106 Scott Spehar
    107 Adam Ensinger
    108 Todd Hartmann
    109 Todd Hartmann
    110 Paul Goracke
    111 Brian Ross
    112 Rob Schuldt
    113 Randy Haskin
    114 Chuck Hanley
    115 Brandon Elhai
    116 Jonah Lin
    117 Eric Anderson
    118 Joseph Jurczyk
    119 Kevin Howard
    120 Henrik Gustafsson
    121 Lars Karlsson
    200 Justin Poulter
    300 Brandon Beach
    400 David Fox
    500 Steve McMaster

            If I messed up, TELL ME! :)

    2. What the hell IS Subconscious, and how can I get it?!?

            Subconscious is a CD, a project I undertook simply because I thought
    maybe it should be done. It's totally privately financed, and I think with
    the number of reservations that have been made, I will come out of it with
    my head above water, for which I owe the trustworthy members of Ytsejam
    a bow of gratitude. :)

            NOTICE: This CD, I found out, is LEGAL because:
                    1. It's for promotional purposes only, not for resale
                    2. It's not for sale to the public. It's only for sale
                            to buyers I contact personally, which means
                            you people on Ytsejam.
                    3. The cost only covers manufacturing and shipping.

            What happened was, I felt it was time to release some of Dream
    Theater's rarer songs on CD, and thus I sought good copies from everywhere,
    including some that came from sources connected directly to the band! Thus,
    I think I can safely say that these are the best copies you can find outside
    of those in Portnoy's vault at home.

            I bought a CD burner and rented equipment from a CD pressing plant
    nearby, so I could produce the discs. They will have printing on them and a
    liner cover. I had to order blanks and jewelcases in lots of 500 or more,
    though, and thus the risk was made: I emptied my bank account and placed the
    order. Fortunately, it seems I will make up the difference with CD sales.

            I will thus get my shipment of blanks + boxes around the end of March,
    and I will begin shipments immediately, as I can press the CDs faster than
    real-time. The price will be $25.00 US per disc. It was originally going to
    be $27.50, but the CD place had a good price on blanks.

            Why, though, you may ask, should I send a payment now, when I don't
    get the CD for some time to come?

            Well, you don't have to. I don't want anyone doing anything they are
    uncomfortable with. BUT! I will provide as much information as possible to
    make you comfortable with sending the money. I will provide full ordering
    and disclosure info below, and plus, the order I get the money in, determines
    which number CD you all get, and how fast you get it, so sending payment
    early gets "rewarded" in a way.

            The CD pressing plant I got all my materials from previewed my current
    master, and decided it just wouldn't do. Without charging me a penny more for
    another glass master, they agreed to take on the job of fully digitally
    remastering the disc! They gave me a great rate on the studio time too.

            So now it's done! The disc has been totally redone in Dolby Digital
    Surround Sound, compatible with any CD player but MUCH MUCH better than
    before, and compatible with Pro-Logic systems for full instrument separation
    on most tracks. It is also compliant with THX for all except the two covers
    gig tracks and The Gorilla Session, or so say the engineers.

            Every track stands out so much better, Eve and Change of Seasons are
    _better than they were on TDOE_, and songs that I was hoping would sound
    better, such as Don't Look Past Me and Mission Impossible, now have nary a
    fuzz or distortion spot. It's so clean, it's the way CD was meant to be. I
    was confident before that this disc would satisfy the DT collector that _had_
    to have it all... now I am confident that if you like DT at all and are
    familiar with the usual sound of their older boots.. it will BLOW YOU AWAY. :)

            The tracks that were the worst originally; Wanted Dead Or Alive,
    Tears, Winter, and The Gorilla Session, were improved tremendously. WDOA is
    now on par with the best, Tears and Winter are downright tolerable (if you'd
    only heard the HISS...) and Gorilla... well... we tried. :) It's okay, for a
    recording that was horribly done to begin with.

            Here's the still-final tracklist:

            1. Eve (live w/samples)
            2. A Change of Season (live)
            3. O Holy Night
            4. Golden Slumbers/Carry That Weight
            5. Don't Look Past Me
            6. Wanted Dead or Alive
            7. To Live Forever (acoustic version)
            8. The Gorilla Session
            9. Mission: Impossible
           10. The Back Pain Jam (RPM Warehouse)
           11. Awake Heavy Jam
           12. Experimental
           13. Tears
           14. Winter

            In some cases, the rawness of the original recording will be
    evident, but at least you know you're hearing it the best way it can possibly
    be reproduced. Subconscious will be _the_ DT event of early 1995! :)

            Here's how to order:

    1. Please use a money order. It's simply the best way, and they cost twenty
    to forty cents. Make it out to me for $25.00 per disc that you want (limit
    5 to a person) and I am paying the shipping cost. Each CD will be mailed in
    a cushioned mailer so it won't get damaged. Please make out the money order
    to me, Michael Bahr, not to Feel The Rush or anything like that, since this
    is really just my own personal endeavor.

            I accepted checks for the Rush Video Montage, but a few bounced, and
    I was left holding the bag. I've put too much money into this, and can't
    afford to be stuck with bad checks, even though I trust 99% of you Ytsejam
    members. Plus, best of all, a money order can be traced by you, traced by
    me, and you know for a _fact_ that you will either get a CD, a refund, or I
    will get thrown in the slammer! :)

    2. International customers, I know international money orders are expensive.
    If there is another way you wish to pay (wire, transfer, or other) let me
    know and if I can do it, we'll do it. So far just sending cash has been 100%
    successful, so I guess there's no real harm in it.

    3. Please allow 4-6 weeks for delivery. By now, you know why. :) I will be
    literally sending out discs the DAY I get my order of blanks, so nobody will
    or should have to wait more than 6 weeks. If it turns out that it WILL last
    more than 6 weeks, I will contact you directly, or you may contact me, so
    that I can either discount the CD or give you a free concert on tape.

    4. My new apartment complex won't hold enough mail for all the mail I will be
    getting from the list, and also I figured you guys and girls wanted to send
    money to a more permanent address, so I will be using my parents' (aka my
    permanent) address for the orders. I am 21, so don't let the word 'parents'
    scare you into thinking I'm some sort of kid. Also, I am in touch with my
    parents on a daily basis, so I will be getting the mail immediately, and they
    can reach me just about 24 hours a day.

            If you happen to live in the Phoenix area feel free to page me
            at 602-232-6647. Besides all the CD stuff, I'm always up for
            lunch 'n' trading with local Jammers.

            Send to:
                    Michael Bahr
                    3383 W. Monterey St.
                    Chandler, AZ 85226

            That's a real address, folks, not a PO box, so you _know_ I'm not
    going to jump the border tomorrow. :) I'm putting it all on the line so you
    will all be comfortable enough with the project to make it a success. If you
    are still having doubts, let me know via email, and I will give you my home
    phone (don't want to post it publicly) and I will take the modem offline so
    you can actually raise me on it. :)

    5. Send in your order:
            . Your NAME
            . The ADDRESS for me to SEND your CD(s) to
            . The money order, made out for $25, $50, $75, whatever
            . your EMAIL address, in case I need to contact you (emerg.)

            . (OPTIONAL) your home phone.

            I won't require home phone because I want you to all feel safe that
    I am not selling mailing lists. :) If you _do_ include it, I will use it in
    case of emergency (maybe the mailman spills coffee on your order and I can't
    read your address or something).

            Again, 4-6 weeks for delivery... and if I can get anything faster
    than that, I will. I've already requested a breakup of the order into two
    packs of 250 CDs + 250 jewels, but they said 500 is the minimum blanks they
    can even sell.. so... heck, it brought the price down, so it's worth it. If
    they get here faster, I send out the CDs right away.

            I am at garion@indirect.com and will remain there until the end of
    time, so please mail me if you are confused, need information, are angry,
    sad, lonely, maybe even a little whimsical, and need to get in touch with me.
    Thank you ALL for showing such solidarity that a 21-year-old college student
    emptied his bank account to order tons of plastic! :) You are truly, one and
    all, ladies and gentlemen, the best fans Dream Theater could hope for.

            Take care of yourselves, everybody, and happy whomping day! :)

    -Mike Bahr, garion@indirect.com, humble DT discog editor, anime' collector,
    videogame player, CD presser, bass player, guitar player, backup vocalist,
    beer drinker, college stoodent, and secretly, vampire by night. :)

    ------------------------------

    Date: Mon, 20 Mar 95 17:40:11 PST
    From: zack@lsil.com (Zack Gemmill)
    To: ytsejam@anthor.arastar.com
    Subject: Re: Questions, questions
    Message-ID: <9503210140.AA20199@tengs1.teng>

    > From: mtiplady@cix.compulink.co.uk (Mark Tiplady)
    >
    > Question two... I'm gonna be in San Francisco for a few days in October
    > (YES!), can any of you West Coast 'jammers recommend any decent music
    > stores for, ahem, 'rare recordings' :) Any help would be much
    > appreciated.
    >
    > Thanks,
    >
    > Mark.
    >
    > Colchester, UK. Birthplace of Humpty Dumpty and Judge Dread.

    Just take a little 45 minute jaunt down HWY 101 to Sunnyvale
    to The Compact Disc Warehouse. They have tons of Metallica
    boots, a few Rush boots, Queensryche (I picked up the US and
    the European Bridge singles the other day). They had a copy
    of WDADU there the other day as well. I have acquired all of
    my DT stuff there (except the demos and 1 other). They get new
    shipments every week so I try to keep up with them without
    maxing out my credit card !>)> (It's on the west side of El
    Camino Real, btw).

    Zach

    ------------------------------

    Date: Mon, 20 Mar 1995 21:05:03 -0500
    From: TTubbiola@aol.com
    To: ytsejam@anthor.arastar.com
    Subject: Copies of Awake
    Message-ID: <950320210502_55683584@aol.com>

    Hi All
    Well, as of today, I've bought six copies of Awake since Christmas. Myself
    and many gifts for friends. Can anyone top this : ) ???

    Tom Tubbiola

    btw: Ytsecons NY & AZ sound like the places to be, count me in!!!

    "The spider in the window" |<Dream Theater: Voices>
    "The angel in the pool" |
    "The old man takes the poison" | Tom Tubbiola
    "Now the widow makes the rules"| TTubbiola@aol.com

    ------------------------------

    Date: Mon, 20 Mar 1995 16:11:58 EST
    From: YBBX10C@prodigy.com (MISS JAIME K KIMPTON)
    To: ytsejam@anthor.arastar.com
    Subject: Re: Greg <greg2@netcom.com
    Message-ID: <013.04649563.YBBX10C@prodigy.com>

    >Skyclad are definitely the Next Big Thing
    >the extensive use of the violin and keyboard really kicks ass<

    I only have a couple of songs, and those I procured from a Japanese penpal
    who in turn had gotten them from *her* British penpal. I can't find an
    actual CD here as of yet.

    >I recommend any DT fan pick up Tales from The Thousand Lakes<

    I did a couple of weeks ago - haven't listened to it enough to formulate an
    opinion. I did think it was neat that they used traditional Finnish lyrics
    for the most part. They must have had fun translating...
    I'd move to Europe just for their taste in music and nothing but!

    Off topic, I haven't gotten a digest in several days <someone forwarded
    Greg's post to me> - what's the deal?

    "In dark places we will see Jaime the Dragon
    worlds we've always dreamed..."
    CRIMSON GLORY

    ------------------------------

    Date: Mon, 20 Mar 1995 21:15:00 -500 (EST)
    From: "DANIEL JAMES TEMMESFELD" <S1133627@cedarnet.cedarville.edu>
    To: ytsejam@anthor.arastar.com
    Subject: Re: Tourniquet (and some Dream Theater content)
    Message-ID: <2F6E38A0.0CD8.05E6.000@cedarnet.cedarville.edu>

    >I briefly would like to inform you all of some really great bands
    >that I have never seen mentioned on this list. The two bands and
    >their two best discs are the following

    >Vicious Rumors-"Word of Mouth"

    Never heard of them.

    >Tourniquet-"Vanishing Lessons"

    I've brought them up several times when I posted (but I'm relatively
    new to Ytsejam- about 2.5 months). I think that I put Gary Lenaire
    in my dream band as rhythm guitarist (behind lead Petrucci, of
    course) and Ted Kirkpatrick is very close to Portnoy, in my book.
    But, he's in a different genre all together.

    If you like really prog stuff and really heavy stuff, I'd recommend
    them. I like their sophomore album _Psycho Surgery_ better than
    _Vanishing Lessons_, but that falls more into speed metal. They
    always tend to do different stuff with every album. Imagine a speed
    metal drummer (who is affluent on drums and guitar and...) playing a
    drum solo overtop of a sped up Domenico Scarlatti keyboard sonata,
    K517.

    Their first album _Stop The Bleeding_ was your basic speed metal, and
    throw in prog-style key changes and sig changes, etc. _Psycho
    Surgery_ was more proggy, with some orchestration on the title track,
    and many classical melodies turned heavy metal riffs. _Pathogenic
    Ocular Dissonance_ had a lot of classical influence, but still heavy.
    They did finally get an epic song, a whole 10:30 for speed metal
    diserves some prog credit. "The Skeezix Dilemma" had 4 parts,
    including a "waltz" session. Weird for speed metal stuff.
    _Vanishing Lessons_ slowed their style a lot. They lost their lead
    vocalist and one of their guitarists in between. And their new
    vocalist Luke Easter brought a Metallica feel. It still showed their
    proggy style with some funky time changes and classical instrument-
    ation

    >IMHO these are some of the best bands next to Dream Theater. Both
    >play power/prog metal at it's finest. Both bands also have
    >excellent vocals.

    Power speed metal progressive rock...

    Tourniquet's vocals always made my like them more. On their first 3
    albums they had a *lead* vocalist Guy Ritter, but Gary Lenaire
    (guitarist), Erik Mendez (guitarist), and Victor Macias (bassist) all
    took part in a portion of the vocals- Gary especially.

    Gary Lenaire's vocals tend to remind me of Rage Against The Machine.
    He's just yelling, but it works so well with Tourniquet's songs- "Ark
    Of Suffering," "Pathogenic Ocular Dissonance," the split vocals on
    "Spineless," and "The Skeezix Dilemma" rock.

    Guy Ritter, the lead vocalist, had a weird style; but he worked for
    that period of speed metal. Luke Easter is a much better singer, but
    I still like their older stuff better.

    They would have to be my favorite Christian band. They are my
    favorite musicians behind Dream Theater (there's my DT content).
    Great speed metal, prog influences, and good spiritual lyrics that
    shouldn't intimidate. Many of their lyrics relate science and
    medical terminology to spiritual things.

    >Steve Bauer

    Dan Temmesfeld
    s1133627@cedarville.edu

    ------------------------------

    Date: Mon, 20 Mar 1995 21:27:52 -0500 (EST)
    From: Michael Van Opstall <mavanop@grfn.ORG>
    To: ytsejam@anthor.arastar.com
    Subject: TOWHTSTS
    Message-ID: <Pine.SUN.3.90.950320211919.20773C-100000@freenet.grfn.org>

    Besides having the coolest abbreviation of any DT song, what's up with
    The Ones Who Help To Set the Sun? I think this is one of Petrucci's most
    brilliant lyrics, because it is so multifaceted. From an objective
    standpoint, it seems that it is about a fatal car accident where the
    driver seems to be alcohol influenced (the cloud the size of a man's hand
    could be an effect of blurred vision). Later on the song gets tough to
    figure out. Has the driver had a near death experience when he leaves the
    vehicle, or has he been given a second chance, sort of a chance to tell
    the world that we seem to be a moment too late in everything, sort of an
    anti-procrastination thing. The character learns his lesson in the end
    "Never again will my senses lose control" The story conveys this message,
    to change before it is too late, but there's also a symbolic meaning for
    the entire thing as well. Although the driver may be drunk, the
    lamplights that misguide and the cloud the size of a mans hand represent
    the things he is struggling with that eventually kill him (the drive
    symbolizes life and the accident its end). Again, in the end he decides
    to shed his vices, having been given a second chance.

    I suppose the title of the song refers to angels, or spirits of the dead
    performing a supernatural task after death, or servants of the sun god
    Apollo. This is just a theory all.

    A couple of questions for the rest of you...where does the "I can't see
    where this is going" sample from "Light Fuse and Get Away" come from?
    Also, I know on CD there is a three letter rating (i.e. ADD) that refers
    to elements of the disc being analog or digital. I believe the last one
    is mastering, because it is always Digital. Can someone remind me what
    the others are (I knew at one time, I believe it goes recording, mixing,
    mastering). Thanks.

    M.A. VanOpstall
    mavanop@grfn.org

    ------------------------------

    Date: Mon, 20 Mar 1995 21:40:02 -0500 (EST)
    From: "Bryan F. Stroh" <bfstroh@phoenix.Princeton.EDU>
    To: ytsejam@anthor.arastar.com
    Subject: Re: YTSEJAM digest 746
    Message-ID: <Pine.SUN.3.91.950320212750.2357B-100000@tucson.princeton.edu>

    > I'm a big fan of Asia and it's interesting to see what albums people like. I
    > was very surprised to see that someone actually though "Aria" was better than
    > "Aqua." Personally, I though "Aria" was very weak, no substance. "Aqua"

    Really? That is interesting. Aria doesn't really have any songs that
    *stick out* as much as some on Aqua, I will agree, but I find that I like
    all 12 songs on Aria, whereas I like 7 or 8 on Aqua. The rest are
    listenable, but just not as appealing in my opinion.

    > CD is great, even though Steve Howe isn't there. The solo on "Time Again"
    > suffers. The two Crimson tunes on there are awesome.

    Yes, the KC songs are great. I also really like the never-before
    released 'Kari-Anne.' Just shows that they could still do it.

    > was a great supergroup, too bad they didn't stay together longer. BTW, what
    > the hell it John Wetton up to these days?

    He released a new album, called _Battle Lines_ (Czech import) or _Voice
    Mail_ (Japan import) laste last year. The track lists on the discs are
    identical. I might add that I like the album very much. It has Michael
    Cartellone from the Damn Yankess on drums for a few tracks, and Steve
    Lukather from Toto and 1 Asia track on guitar. Very similar to some Asia
    stuff.

    > above. It's called Power and features Steve Morse (from the Dregs). By then
    > the violin was gone and the material was even more guitar focused.

    Incidentally, that cd can usually be found at used cd places for as low
    as 2.99. I guess it really wasn't too successful. Didn't they also
    release another one ffairly recently (less than 5 years). I seem to
    remember seeing another Kansas cd somewhere...

    BFS

    ------------------------------------------------------------------------
    | Bryan F. Stroh | "So I sat back down, had a beer, |
    | President & CEO of BFS Enterprises| and felt sorry for myself." |
    | Princeton University | |
    | Class of 1998 | - Hootie & The Blowfish |
    | bfstroh@phoenix.princeton.edu | "Let Her Cry" |
    ------------------------------------------------------------------------

    :

    ------------------------------

    Date: Mon, 20 Mar 1995 22:03:59 -0500 (EST)
    From: "Bryan F. Stroh" <bfstroh@phoenix.Princeton.EDU>
    To: ytsejam@anthor.arastar.com
    Subject: Re: YTSEJAM digest 748
    Message-ID: <Pine.SUN.3.91.950320215536.2357D-100000@tucson.princeton.edu>

    > He performed live with the band on that tour. You can see him on "ASIA IN
    > ASIA," a home concert video.

    Ok, anybody have any opinions on this concert video? Anybody know where
    to get it? Also, what about the Mockba concert video? Is it just like
    the cd?

    > Amazingly enough I heard The Silent Man on a local radio station here in Des
    > Moines, 103.3 KFMG. Needless to say I was completely shocked!!!! It was the
    > first time I had heard any DT on the radio in my four years of living here.

    That is good to hear. I am from Cedar Rapids, and I know 103.3 a little
    from various trips to Des Moines. Drake, eh? That is my dad's alma
    mater. :)
    Unfortunately, I have not heard Silent Man on the radio anywhere out here
    (new Jersey). There are a few radio stations from trenton that are ok,
    but they never play any DT, and unfortunately, I ama bit too far to pick
    up anything good from NY or Philly.

    > Yes. Daylight was a bonus track offered only on the cassette. I just went
    > out and bought Alpha on disc and it isn't on there.

    Is Daylight any good? Is it good enough for an Asia fanatic to go buy
    the cassette? (tough question, I understand)

    BFS

    :

    ------------------------------

    Date: Mon, 20 Mar 1995 21:50:59 -0500 (EST)
    From: "Bryan F. Stroh" <bfstroh@phoenix.Princeton.EDU>
    To: ytsejam@anthor.arastar.com
    Subject: Re: YTSEJAM digest 747
    Message-ID: <Pine.SUN.3.91.950320214523.2357C-100000@tucson.princeton.edu>

    > voice to me. :) Greg Lake may have played on "Astra" -- I don't have
    > that one. Is anyone looking to sell their "Astra" CD? I haven't been
    > able to find it.

    I don't know about whether or not he played in concert with them - i
    never saw them, but I do have the Astra disc. Greg Lake is not
    mentioned anywhere on the album... Wetton, Meyer, Palmer, and Downes
    with Mike Stone producing again and Downes helping.

    BFS

    ------------------------------------------------------------------------
    | Bryan F. Stroh | "So I sat back down, had a beer, |
    | President & CEO of BFS Enterprises| and felt sorry for myself." |
    | Princeton University | |
    | Class of 1998 | - Hootie & The Blowfish |
    | bfstroh@phoenix.princeton.edu | "Let Her Cry" |
    ------------------------------------------------------------------------

    :

    ------------------------------

    Date: Mon, 20 Mar 1995 21:27:43 -0500 (EST)
    From: "Bryan F. Stroh" <bfstroh@phoenix.Princeton.EDU>
    To: ytsejam@anthor.arastar.com
    Subject: Re: YTSEJAM digest 745
    Message-ID: <Pine.SUN.3.91.950320211700.2357A-100000@tucson.princeton.edu>

    > I have U.K.'s self entitled album, which is quite good. It features Allan
    > Holdsworth on guitar (this is is awesome! You should hear his solos, a

    I will assume then, that the self-titled one is the one you recommend to
    get for people like me who dont haven anything by them yet.

    > Although it sounds like a sure-fire winner, I was very disappointed in
    > this album and felt that it is the worst thing Hackett or Howe have done.
    > I noticed that someone on Ytesjam listed it as being in his Top Three
    > albums ever. To each his own.

    I would agree with you. I am glad that I own it, but I find that I don't
    listen to it very often. Besides the Howe/Asia connection (and Downes
    producing) what are the other connections with the group? (ie Bacon,
    Spalding, etc.)

    > The truth is the pre-Perry days were when Journey was at its best! If you
    > prog and prog-metal heads want to here some great stuff check out their first
    > three albums!

    Musically, you may be correct. However, Perry got Journey to much of the
    success that it holds. Most people associate Journey with the sound of
    his voice, especially the ballads. I like all of Journey, but I would
    venture to say that pre-Perry stuff is not quite as popular or well known.
     
    BFS

    ------------------------------------------------------------------------
    | Bryan F. Stroh | "So I sat back down, had a beer, |
    | President & CEO of BFS Enterprises| and felt sorry for myself." |
    | Princeton University | |
    | Class of 1998 | - Hootie & The Blowfish |
    | bfstroh@phoenix.princeton.edu | "Let Her Cry" |
    ------------------------------------------------------------------------

    :

    ------------------------------

    Date: Mon, 20 Mar 1995 22:50:00 -500 (EST)
    From: "DANIEL JAMES TEMMESFELD" <S1133627@cedarnet.cedarville.edu>
    To: ytsejam@anthor.arastar.com
    Subject: Re: Awake sales
    Message-ID: <2F6E505D.0CD8.0720.000@cedarnet.cedarville.edu>

    Last I saw, Awake peaked at #32 on Billboard's Top 200. Not bad for
    a band that isn't "grunge" or overly "commercial." I'm not sure if
    it's gone gold or whatnot, but I'd like to know if anybody out there
    does.

    What pisses me off is when albums like Metallica _Metallica_ is on
    the chart for 180+ weeks, selling 8+ million albums. That isn't even
    their best album. Why can't prog bands get the publicity that bands
    like Metallica gets!?! At least I saw that Megadeth's Youthanasia
    reached #4 (but now they're hanging around 130).

    C'all.

    Dan Temmesfeld
    s1133627@cedarville.edu

    ------------------------------

    End of YTSEJAM Digest 755
    *************************



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