YTSEJAM Digest 1003
Today's Topics:
1) Arrogant or what?
by w de boer <boer303@hio.tem.NHL.NL>
2) Bohemian Rhapsody
by borlangw@dcs.gla.ac.uk
3) Re: 7 STRING ACCOUSTIC
by acook@tiac.net (acook)
4) RE: ACOS etc
by "Jonathan Byrne" <RRI02@WVNVM.WVNET.EDU>
5) Re: YTSEJAM digest 1002
by acook@tiac.net (acook)
6) RE: Joe Satriani
by P.McLoughlin@bra0108.wins.icl.co.uk
7) RE: Comments on ACOS from the Deep Purple Newsgroup
by P.McLoughlin@bra0108.wins.icl.co.uk
8) Long Posts
by borlangw@dcs.gla.ac.uk
9) ACOS
by Brian Ketelsen <Brian@wyoming.com>
10) seven string acoustic...
by "Brian V. Cox" <bvc8995@tam2000.tamu.edu>
11) (U)ARGH!!
by "Steven Johnson, P" <svjohnson@amoco.com>
12) YTSEJAM digest 1000
by "Steven Johnson, P" <svjohnson@amoco.com>
13) YTSEJAM digest 1001
by "Steven Johnson, P" <svjohnson@amoco.com>
14) wilson chan's woes
by Ken Bibb <kbibb@qualcomm.com>
15) Acoustic intro to ACoS and other stuff
by "adam coolong" <Adam.P.Coolong-1@tc.umn.edu>
16) Re: YTSEJAM digest 1001
by YtseJammer <slowhand@wam.umd.edu>
17) Ibanez JPM model
by UJELOSBY@msuvx2.memphis.edu
18) New Release Lists (non DTC)
by jgibbens@cymbal.aix.calpoly.edu
19) Sorry to piss you off but...
by William Kriski <wkriski@enci.ucalgary.ca>
20) Re: YTSEJAM digest 1002
by VM460899@HOPE.CIT.HOPE.EDU
21) Re: help with YES!
by "Jonathan Byrne" <RRI02@WVNVM.WVNET.EDU>
22) 6:00 and stuff
by zebrowski steven <szebro1@gl.umbc.edu>
23) New CD name!
by Michael Bahr <durnik@indirect.com>
24) stuff...
by zebrowski steven <szebro1@gl.umbc.edu>
----------------------------------------------------------------------
Date: Wed, 04 Oct 1995 10:31:58 +0100
From: w de boer <boer303@hio.tem.NHL.NL>
To: ytsejam@anthor.arastar.com
Cc: boer303@next1.tem.NHL.NL
Subject: Arrogant or what?
Message-ID: <9510040932.AA00825@hio.tem.nhl.nl>
> Hey all you jammers who did not like my letter responding to Bafu's
> (supposedly) sarcastic lyrics to ACOS,
> Yeah, maybe I misunderstood him, maybe they were sarcastic, but I
> can't
> stand to see DT lyrics altered in the least bit, even if it is
> sarcastically. I didn't mean to disturb the peace on this
mailing > list
> but it does need some life. I AM one of the BIGGEST DT fans and
> I've
> probably been followng DT longer than most of the people on this
> list. I
> SAW CHARLIE in concert and that's more than I can say for a lot
of > DT
> fans I know.
> EXCUSE ME for not owning a computer more recently, I would have
> been on
> this mailing list a long time ago.
> THANK YOU FOR YOUR TIME!!
Is this guy arrogant or what?
Wietze.
------------------------------
Date: Wed, 4 Oct 95 11:20:37 BST
From: borlangw@dcs.gla.ac.uk
To: ytsejam@anthor.arastar.com
Subject: Bohemian Rhapsody
Message-ID: <9510041020.AA10977@carlisle.dcs.gla.ac.uk>
Did DT intentionally mess around with Bohemian Rhapsody?
I mean, they started at the end, and somehow finished up in the middle :)
Graham B. (who has tickets for the Ozzy Osbourne, Joe Satriani and Iron
Maiden concerts)
______________________________ ______________________________________
|o o| |o o|
| Graham Borland |:: | borlangw@dcs.gla.ac.uk |::
| Dept. of Computing Science |:: | http://www.dcs.gla.ac.uk/~borlangw |::
| Glasgow University |:: | +44 (0)141 357 4033 |::
|______________________________|:: |______________________________________|::
:::::::::::::::::::::::::::::::: ::::::::::::::::::::::::::::::::::::::::
------------------------------
Date: Wed, 4 Oct 1995 08:45:22 -0400
From: acook@tiac.net (acook)
To: ytsejam@anthor.arastar.com
Subject: Re: 7 STRING ACCOUSTIC
Message-ID: <199510041245.IAA22935@zork.tiac.net>
>OH MAN! YOU GOTTA BE SH*TTIng ME! :) ... 7 string acoustic! you sure
>maybe they just didn't tune down a 6 string in a certain way so that they
>had the B as the low, and stuff? Yikes! Or maybe it's his 7string run
>thru a DSP to make is sound acoustic. Dunno. blows the mind!
Well, in an article from Guitar Shop, JP said he uses a really old Gibson
accoustic that plays horrible, but sounds incredible (as you can hear from
the record). He also says he uses really huge strings (.13's?) to make it
sound big. So most likely he tuned down the gibson accoustic, or maybe pitch
shifted it...
>
>So guys, what's your favorite Dream theater solo? My pesonal favorite is
>the one from scarred, right before they start the "blood...heal me, fear
>change me" for the second time, where it ends with messy sweep picking
>... that's mine. i love it! Iworship it! <Bow down to God Petrucci!>
>
Uhm, lesse, that solo is cool. UaGM solo kicks, the one in pt 5 of ACOS I
love, cause it's got so much soul and shows that JP is not your typical
shredder. And of course, the Subconcious ACOS, pt 6 solo is what I feel his
best work ever live...
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Adam Cook Dream Theater*Queensryche*Rush* |
| acook@tiac.net Metallica*Fates Warning Red-Sox gotta beat |
| Ibanez S470*ADA MP-1*Fender HOT*Zoom 1012* Indian Scum!! =) |
------------------------------------------------------------------------
------------------------------
Date: Wed, 4 Oct 1995 08:47:45 -0400 (EDT)
From: "Jonathan Byrne" <RRI02@WVNVM.WVNET.EDU>
To: "YtseJam" <ytsejam@anthor.arastar.com>
Subject: RE: ACOS etc
Message-ID: <9510041248.AA28585@anthor.arastar.com>
Did I read that right? The Marquee has closed down!? I thought that was
THE club for up and coming bands in England. I seem to remember hearing
about a lot of bands getting started there, including The Who, Yes, and
Marillion.
What a shame, if true.
-------------------------------------------------------------------------
"Could you point me to the nearest trend, Jonathan Byrne
I'm lost, with no clue. West Virginia University
I could change directions, rri02@wvnvm.wvnet.edu
to stay with the current
It all depends on the flow."
-"Audio Verite", Echolyn
------------------------------
Date: Wed, 4 Oct 1995 09:01:46 -0400
From: acook@tiac.net (acook)
To: ytsejam@anthor.arastar.com
Subject: Re: YTSEJAM digest 1002
Message-ID: <199510041301.JAA25183@zork.tiac.net>
>
> I somewhat got into DT in '92 (I was only 11 at the time =) when I
>bought a cassette copy of Images and Words.
>
> It's cool that dudes (any dudettes out there?) are so
> open-minded musically at that age; I know I wasn't. My
> friend's 16 yr old sister accuses me of being "close-
> minded" musically. "I like _everything_!" she says. Yeah,
> everything _popular_. Pop-rock (grunge/so-called "alternative"
> (okay, I like a lot of it, too) and pop-country. What gives?
> I'd "pop" her one if she weren't so damn cool (and unbelievably
> beautiful!>)>, otherwise.
>
That's all that goes on at my HS, and I think it's because it's all the kids
are exposed to. I think there are two reasons for this...
1. Kids my age have to be accepted by everybody else, so they do what
everybody else is doing. And big evil corporations like MTV capitalize on
this. Is it just me or every time I flip by that channel they're either
playing TLC, Silverchair, or Bush?? Ugh
2. Radio Stations do the same thing, if they never play different bands how
are different bands going to be heard? No wonder this musical industry never
goes anywhere... and I get insulted for liking DT around campus sometimes
because they're different (musical predjudice anyone?). Also people say
James Labrie on my T-shirt looks like Fabio =) oh well, I guess you can't win.
Sorry if this is old news to you all (prolly is) but I've only been around
14 years...BTW, does that make me the youngest on here? anybody younger???
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Adam Cook Dream Theater*Queensryche*Rush* |
| acook@tiac.net Metallica*Fates Warning Red-Sox gotta beat |
| Ibanez S470*ADA MP-1*Fender HOT*Zoom 1012* Indian Scum!! =) |
------------------------------------------------------------------------
------------------------------
Date: Wed, 4 Oct 1995 13:42:39 +0100
From: P.McLoughlin@bra0108.wins.icl.co.uk
To: ytsejam@anthor.arastar.com
Subject: RE: Joe Satriani
Message-ID: <"3582*/I=P/S=McLoughlin/OU=bra0108/O=icl/PRMD=icl/ADMD=gold 400/C=GB/"@MHS>
Sad to hear some jammer's thoughts on the new album as I bought
it on Monday and have not listened yet - waiting for the
weekend. Joe is touring the UK in December. I have booked for
10th at Wembley Arena, and will go to Birmingham NEC too (7th).
Surely Joe would not make a bad album. I saw him 1994 with Deep
Purple and he was amazing. Patricia
------------------------------
Date: Wed, 4 Oct 1995 13:57:26 +0100
From: P.McLoughlin@bra0108.wins.icl.co.uk
To: ytsejam@anthor.arastar.com
Subject: RE: Comments on ACOS from the Deep Purple Newsgroup
Message-ID: <"3583*/I=P/S=McLoughlin/OU=bra0108/O=icl/PRMD=icl/ADMD=gold 400/C=GB/"@MHS>
--j5LILlc9fFp2q11dGknejIcad8zROGK7
Content-type: text/plain; charset="us-ascii"
Thought you might be interested.
Patricia
--j5LILlc9fFp2q11dGknejIcad8zROGK7
Content-type: text/plain; charset="us-ascii"
From the Deep Purple News Group:
On 30 Sep 1995 thus spake mc@cnotes.com:
> Folks,
>
> This must be taken seriously; Dream Theater's A CHANGE OF
SEASONS has just
> been released. The album, aptly titled _A Change Of Seasons_,
also
> features an AMAZING medley of live material which was recorded
at Ronnie
> Scott's Jazz Club in London on January 31st of this year.
Here's the
> track list of the Big Medley:
>
> 2. Funeral For A Friend/Love Lies Bleeding - Elton John
the Extra Punch they give this really works
it's a Very Faithful version
> 3. Perfect Strangers - Deep Purple
Super! on a Seven-String Axe, no less!
LaBrie is great
> 4. Led Zeppelin Medley:
> The Rover
> Achilles Last Stand
> The Song Remains the Same
I don't mean to Step on Any Toes here,
but this Medley absolutely Stomps All Over the LZ versions...
(at least, the Studio Versions...I haven't heard anything Live...)
Achilles Last Stand is the Highlight of this Medley for me
> 5. Big Medley:
> In the Flesh - Pink Floyd
> Carry on My Wayward Son - Kansas
> Bohemian Rhapsody - Queen
> Lovin' Touchin' Squeezin' - Journey
> Cruise Control - Dixie Dregs
> Turn It On Again - Genesis
ItF sounds Haunting (as it should...)
ComWS is unremarkable in its Perfection (!), as is CC
LaBrie again is amazing on LTS
the only Low Point here (for Me) is BoRhap...
not only does Sherinian come in Late on the Piano
(and incidentally uses a Quite Odd Sounding one in this song)
but Petrucci doesn't quite live up to Brian May here :(
however, the medley As A Whole is Incredible and Seamless
and Sounds Really Good
and hearing all of these Covers, so Well Done,
it just Amazes me that a band could exhibit such an Obvious
Familiarity and Feel for other Artist's works
> If you care one bit about any of these bands then this EP is a
MUST HAVE.
Amen.
and the 23 minute title track is a Big Plus, too
> Peace,
>
> C man
and chris
we can learn from the past l r.christopher
hailey
...but those days are gone l
we can hope for the future l
pass@u.washington.edu
...but there may not be one l __ _.. _. _ ..
.
(Well he does sound like a DT fan I must say)
The newsgroup did have some not so complimentary comments:
littledan2@aol.com Littledan2 at America Online, Inc. (1-
800-827-6364)
I listened to the Zeppelin medley in my local CD shop, and it was
so
squeaky clean that it lost the human groove and the swing of John
Bonham,
especially Achilles, which felt like studio musicians reading
charts with
no emotion.
Dan
I've been a DT fan for a couple of years now and I'm highly not
impressed
by the EP. Change of Seasons is nice, although a little flowery
in places.
What's the point of recording covers if they sound exactly or
almost
exactly the same as the original. I can see ripping one out in
concert
just to keep people grooving, but why release covers if they're
the
same? The only bit that I really got into was the Journey thing
and
that was only because they do it a little different - more guitar,
etc.
The rest of them just make me want to listen to the originals.
Later,
Alex Miller
amiller4@uiuc.edu
--j5LILlc9fFp2q11dGknejIcad8zROGK7--
------------------------------
Date: Wed, 4 Oct 95 14:54:17 BST
From: borlangw@dcs.gla.ac.uk
To: ytsejam@anthor.arastar.com
Subject: Long Posts
Message-ID: <9510041354.AA01880@rootok.dcs.gla.ac.uk>
Please don't post long messages. I really can't be bothered to read them.
I much prefer witty one-liners, or short messages with a point, which us
'jammers seem to be good at, than the awful neverending note-by-note analyses
of every single song, which are also regrettably common on the list.
I know that if I don't like it then I don't have to read it. If it's more than
about 30 lines or so (including paragraph breaks), then I ALWAYS skip it
(unless it's from Mike Bahr).
So if you want people to actually read your posts, why not make them readable
and concise, instead of wittering on for hours?
Graham B. (whose post is only 21 lines long, including .sig)
______________________________ ______________________________________
|o o| |o o|
| Graham Borland |:: | borlangw@dcs.gla.ac.uk |::
| Dept. of Computing Science |:: | http://www.dcs.gla.ac.uk/~borlangw |::
| Glasgow University |:: | +44 (0)141 357 4033 |::
|______________________________|:: |______________________________________|::
:::::::::::::::::::::::::::::::: ::::::::::::::::::::::::::::::::::::::::
------------------------------
Date: Wed, 4 Oct 1995 09:24:07 -0600
From: Brian Ketelsen <Brian@wyoming.com>
To: ytsejam@anthor.arastar.com
Subject: ACOS
Message-ID: <199510041524.JAA05854@calamity.wyoming.com>
I've never posted before, but have been a silent reader for months. ACoS is
the reason I'm writing today. It ROCKS. Never before has DT put out a song
that touched me so much. WOW.
Just had to speak my mind.
Brian Ketelsen
------------------------------
Date: Wed, 4 Oct 1995 09:09:20 -0500 (CDT)
From: "Brian V. Cox" <bvc8995@tam2000.tamu.edu>
To: ytsejam@anthor.arastar.com
Subject: seven string acoustic...
Message-ID: <199510041409.JAA21980@tam2000.tamu.edu>
> From: YtseJammer <slowhand@wam.umd.edu>
> Subject: SEVEN STRING ACOUSTIC?
>
> OH MAN! YOU GOTTA BE SH*TTIng ME! :) ... 7 string acoustic! you sure
> maybe they just didn't tune down a 6 string in a certain way so that they
> had the B as the low, and stuff? Yikes! Or maybe it's his 7string run
> thru a DSP to make is sound acoustic. Dunno. blows the mind!
well, it was just easier to notate it that way since it is tuned the same
as a 7 string. it probably is just a regular six with fat strings tuned
down a perfect 4th so that it is the same tuning as the bottom 6 of a 7 string.
since he never plays anything on the top couple of strings until the electric
comes in (the part that i didnt include, since my guitar was tuned down :) )
that open low B really adds some ominous mood, doesnt it? :)
this weekend i will be working on tabbing out more, i will probably be skipping
little parts that are too hard (like that insane part where the keys, bass, and
guitar are all playing contrapuntal lines in either 16ths or 32nd note triplets,i cant tell which it is) :)
**always looking for rush/dream theater/queensryche/king's x bootlegs**
=============================================================================
Voices repeating me, Brian V. Cox Voices discussing me,
"Feeling threatened? lerxst@tamu.edu "Others steal your thoughts
We reflect your hopes Dream Theater- They're not confined
and fears." A Mind Beside Itself: II. Voices Within your mind."
=============================================================================
check out my new homepage: http://tam2000.tamu.edu/~bvc8995
------------------------------
Date: 04 Oct 1995 11:32:11 GMT
From: "Steven Johnson, P" <svjohnson@amoco.com>
To: ytsejam@anthor.arastar.com
Subject: (U)ARGH!!
Message-ID: <199510041651.AA13287@interlock.amoco.com>
For being a journalism grad. I sure have a lot of typos in my notes (see
concurrence with Rich Rivera this issue!!)
Also....FINALLY picked up WDADU. Thanks to all those in the Ch-town area who
helped me locate a copy. Found it at the BEST BUY on North and Sheffield (near
Goose Isl.). Also picked up LATM. My main thought on WDADU is Charlie wasn't
nearly as bad as I expected, nor as I had heard him to be on Subcon., etc.
Still like LaBrie better. Can anyone e-mail me directly with explanations of
the DT "symbol?" I just can't seem to figure it out and it's been 13 months
since my intro to the group. Thanks!!! LATER-
***************************************************************
Dennis Rodman -- a Chicago Bull? YEEEEEEESSSSHHHH!!!
------------------------------
Date: 04 Oct 1995 11:19:11 GMT
From: "Steven Johnson, P" <svjohnson@amoco.com>
To: ytsejam@anthor.arastar.com
Subject: YTSEJAM digest 1000
Message-ID: <199510041702.AA48871@interlock.amoco.com>
*** Reply to note of 10/03/95 12:54
I agree with Rich Rivera.....This Fickett guy and his ACOS review wasn't a
review at all. He gave one nod to DT's musical ability and then just ripped on
the entire genre the way I rip on NIN, Green Day, Liz Phair, etc. The big
difference is I am not in the business of reviewing recordings. If he was at a
bar with is buds (most likely those in the alternative mainstream), there's no
problem (in general, of course, if I heard him, I'd kcik his ass :)). But he
displays nary a bit of professional journalism nor the musical tolerance
needed to accomplish his goal of being a credile critic.
P.S.--I was a print journalism studanet at the Univ. of Ill., did and still do
extensive radio work and am a media relations professional....this is given to
try and solidify MY credibility.
LATER-
***************************************************************
Dennis Rodman -- a Chicago Bull? YEEEEEEESSSSHHHH!!!
------------------------------
Date: 04 Oct 1995 13:14:13 GMT
From: "Steven Johnson, P" <svjohnson@amoco.com>
To: ytsejam@anthor.arastar.com
Subject: YTSEJAM digest 1001
Message-ID: <199510041814.AA69486@interlock.amoco.com>
*** Reply to note of 10/03/95 23:15
I don't know why anyone is giving sooooo much credit to LaBrie for being able
to change delivery styles from one tune to the next in the Big Medley. He's
not making any abrupt changes, the rest of the band is. If you've ever done a
medley, especially one with songs that are fairly close together style-wide
(as opposed to singing along with the overture to a Sondheim musical), what
james is doing ain't that hard. MHO...LATER-
***************************************************************
Dennis Rodman -- a Chicago Bull? YEEEEEEESSSSHHHH!!!
------------------------------
Date: Wed, 4 Oct 1995 11:19:52 -0700
From: Ken Bibb <kbibb@qualcomm.com>
To: chanw@waterw.com, ytsejam@anthor.arastar.com
Subject: wilson chan's woes
Message-ID: <199510041819.LAA23189@jafar.qualcomm.com>
This is a perfect example of what *NOT* to do when you want to unsubscribe.
As the welcome message states (also in the info file), send email to
ytsejam-owner@arastar.com if you have problems unsubscribing.
^^^^^^
> Please get me off of this list.....
> I've been trying for weeks now....
> someone out there help me....
> chanw@water.waterw.com
I find this interesting because I've responded twice to him explaining
that "chanw@water.waterw.com" is not subscribed to the list and never
received a response from him.
Wilson (if you get this), what other account could you be subscribed as?
-- Ken Bibb "Through the fire backwards kbibb@qualcomm.com Again and Again jester@crash.cts.com Return to base." Peter Hammill--"A Headlong Stretch"------------------------------
Date: Wed, 4 Oct 95 13:37:09 -0500 From: "adam coolong" <Adam.P.Coolong-1@tc.umn.edu> To: ytsejam@anthor.arastar.com Subject: Acoustic intro to ACoS and other stuff Message-ID: <3072ca347016002@maroon.tc.umn.edu>
Hey, Jammers! I have been here on the list since last year (not counting summer, though, but my account is free!). Sometimes I feel like a bit of an outsider, so I don't post much. I do make exceptions, however, when the subject is guitars. In response to the seven-string acoustic thread: IMO, it's simply a standard six-string acoustic with the low E detuned to B. Why? 1. I've never heard anything about any company making an instrument such as this, custom or otherwise, and I consider myself pretty well "in tune" (ha, ha) with the subject. Any innovation like this one would certainly make it into the guitar mags (e.g. Nuno Bettencourt's custom Washburn doubleneck). 2. He doesn't need all six strings to play the first part of the riff in question, so that the detuning of the low E is easily facilitated. 3. I think that when the higher-register stuff comes in (sorry, I have no index reference) it is probably on another track. In this way, JP could easily pull of that whole section. There is no way that that tone is from a processed electric, so this is my only explanation. I could be wrong, though... Oh, and here's how I got into DT (if anyone is interested): I first heard them along with the bulk of society when PMU was on eMpTyV (sorry to steal that from its creator, whomever you are, but it's really cool!!) My girlfriend at the time (shudder!) liked the song, so I of course hated it without listening. She liked all sorts of alternative music, which I really don't care for AT ALL, so I immediately passed judgement on a band that I have now realized to be the greatest musical entity on the face of the earth! I later heard all of I&W when a guy in my band borrowed the CD from a friend in his dorm. WOW!! I kick myself for not being open enough to listening sooner. I can now say that I will love DT 'til the day I die! I was even lucky enough to work on their crew as a local lighting tech when they came here to Minneapolis! That was the coolest day of my young career! Anyway, sorry about the length, and long live DT! Adam Coolong cool0010@maroon.tc.umn.edu
------------------------------
Date: Wed, 4 Oct 1995 15:35:29 -0400 (EDT) From: YtseJammer <slowhand@wam.umd.edu> To: ytsejam@anthor.arastar.com Cc: Multiple recipients of list <ytsejam@anthor.arastar.com> Subject: Re: YTSEJAM digest 1001 Message-ID: <Pine.ULT.3.91.951004153026.4826A-100000@rac1.wam.umd.edu>
Ok Ok ... about that "Mi lengua, mi lengua ... se sale de mi boca" is actually not italian, but SPANISH for "My language (tongue), my language .. it leaves from my mouth" (i guess it could be more poetic, but f*ck it for now ) :)...
Hmm, back to dream theater! I think ACOS was FAR too short, maybe DT should strive for the 74 minute song (to fit a CD) or maybe a symphony with 3 parts and a coda :) .. haha i'm just kidding of course.
And for all you folks who think that the acoustic riff at the beginning of ACoS is not represented throughout the song, you're very very wrong. Just listen carefully, and you will hear the same chord changes underlying some of Kevin James's vocals. Maybe not the EXACT same riff, but close enough. it's the same idea as PMU, where the distorted guitar follows the intro clean guitar to some degree.
enough jabber! Seeya in the next digest!
------------------------------
Date: Wed, 04 Oct 1995 10:28:44 -0500 (CDT) From: UJELOSBY@msuvx2.memphis.edu To: ytsejam@anthor.arastar.com Subject: Ibanez JPM model Message-ID: <01HW1ETWBGBMQSB3N1@msuvx2.memphis.edu>
hi there you all,
well its my first time writing to the list so i hope i'm coming through. anyway, Strings and Things here in Memphis has the IBanez John Petrucci model on sale. and my friend Bill who works there can get it to me for $1199!! thats a deal. i hogged that guitar for an hour and a half jammin on it, i really dig it. espacially the pickup selector and the wide range of tones you can get from it. its really warm for a "shred" guitar. well i was wondering if any of you know exactly how many were made this year. or any other kind of interesting info on it.
thanks and take care, Joe
------------------------------
Date: Wed, 4 Oct 1995 09:13:49 -0700 From: jgibbens@cymbal.aix.calpoly.edu To: ytsejam@anthor.arastar.com Subject: New Release Lists (non DTC) Message-ID: <9510041613.AA60884@cymbal.aix.calpoly.edu>
Would one of you cool 'jammers post directions on how to get one of those nifty new release lists? URL's for web sites are also appreciated!
Thanks, Jon
------------------------------
Date: Wed, 4 Oct 1995 10:25:51 -0600 (MDT) From: William Kriski <wkriski@enci.ucalgary.ca> To: ytsejam@anthor.arastar.com Subject: Sorry to piss you off but... Message-ID: <Pine.SUN.3.91.951004101847.12450A-100000@casual1>
Johnny and others,
I've only taken 1.5 years of spanish in university, but I'm pretty sure that statement is spanish and means "My tongue, my tongue, it leaves my mouth". It might have a different translation if it's idiomatic.
DT Content:
I was in a guitar contest recently and thought I'd share my attempts to spread the "word" of DT. I played the solo to UaGM, but no one except my friends commented. I'd bet a lot of money there was no one else in the crowd that recognized it...sigh...
I don't think people should get pissed off about changing lyrics although I'm not aware of what happened exactly. I always change lyrics usually to make them funny and have sexual connotations, while making the changes as minimal as possible.
For example, "Gabe Tang comes to early..." instead of "Morning comes too early" in Another Day. I changed one word but the meaning changes dramatically! E-mail me for more examples!
Will
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Date: Wed, 04 Oct 1995 12:25:12 -0500 (EST) From: VM460899@HOPE.CIT.HOPE.EDU To: ytsejam@anthor.arastar.com Subject: Re: YTSEJAM digest 1002 Message-ID: <01HW1J7260KY8ZE8Y9@HOPE.CIT.HOPE.EDU>
The Instrumental #5 on Lost in the Sky is Eve on the copy that I've got...
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Date: Wed, 4 Oct 1995 12:49:19 -0400 (EDT) From: "Jonathan Byrne" <RRI02@WVNVM.WVNET.EDU> To: "YtseJam" <ytsejam@anthor.arastar.com> Subject: Re: help with YES! Message-ID: <m0t0X2k-0001kBC@crash.cts.com>
For a first time listener, I'd recomment the early stuff. _Close to the Edge_ is one of the best albums ever, but if you're not a fan of side long epics, this might be bad start. _Fragile_ is almost as good, and the tunes are a little more broken up.
Right now I seem to be listening quite a bit to _Relayer_. "Sound Chaser" is great!
Hope this helps,
------------------------------------------------------------------------- "Could you point me to the nearest trend, Jonathan Byrne I'm lost, with no clue. West Virginia University I could change directions, rri02@wvnvm.wvnet.edu to stay with the current It all depends on the flow." -"Audio Verite", Echolyn
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Date: Wed, 4 Oct 1995 13:04:22 -0400 (EDT) From: zebrowski steven <szebro1@gl.umbc.edu> To: ytsejam@anthor.arastar.com Subject: 6:00 and stuff Message-ID: <199510041704.NAA14694@rpc22.gl.umbc.edu>
Some jammer had a really good interpretation of "6:00" a few jams ago, but when your sig takes up a whole page IT'S TIME TO CUT IT DOWN!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ___ ___ ___ _ _ ___ ___ "...all that I feel is honor and spite. | __| |_ _| | __| | V | | __| |_ | ...all I can do is to set it right." |__ | | | | __| \ / | __| / / Kevin Moore, PMU |___| |_| |___| V |___| |___|"Of all the stupid things I could have Steve Zebrowski szebro1@gl.umbc.edu thought this was the worst..." Joe Jackson, Hometown ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ unofficial netequitte is 4-8 lines...
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Date: Wed, 4 Oct 1995 10:09:54 -0700 (MST) From: Michael Bahr <durnik@indirect.com> To: ytsejam@anthor.arastar.com Subject: New CD name! Message-ID: <199510041709.KAA17748@bud.indirect.com>
Well, the votes are in, and the new Cd for after WDATU, with rarities and demos and vocal auditions will be titled...
"Mercy Fuck"
Any feedback is appreciated.
HA! Gotcha there! :) :) :)
Actually, the name that won was "Antiquities", by quite a margin. however I just had another name suggested that sorta works well, so we're going to go into a "playoff round of voting" between it and the top two finishers from before. Cast your vote in e-mail...
- Antiquities - Forgotten Lore - Scenes From a Memory
Mike Bahr, durnik@indirect.com
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Date: Wed, 4 Oct 1995 13:27:00 -0400 (EDT) From: zebrowski steven <szebro1@gl.umbc.edu> To: ytsejam@anthor.arastar.com Subject: stuff... Message-ID: <199510041727.NAA14722@rpc22.gl.umbc.edu>
Call me tone deaf, but where in the ACoS intro does the acoustic go down to the B? I only hear the low E. John P admittedly doesn't play much acoustic guitar, and only started because Ibanez started GIVING them to him. I think it's just standard acoustic in standard tuning.
oh, no. some guy in the lab here has on his terminal "Blind Melon Tour Info." I think it's time for me to go...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ___ ___ ___ _ _ ___ ___ "...all that I feel is honor and spite. | __| |_ _| | __| | V | | __| |_ | ...all I can do is to set it right." |__ | | | | __| \ / | __| / / Kevin Moore, PMU |___| |_| |___| V |___| |___|"Of all the stupid things I could have Steve Zebrowski szebro1@gl.umbc.edu thought this was the worst..." Joe Jackson, Hometown ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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End of YTSEJAM Digest 1003 **************************
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