YTSEJAM digest 1086

From: ytsejam@arastar.com
Date: Sat Oct 28 1995 - 02:03:33 EDT

  • Next message: ytsejam@arastar.com: "YTSEJAM digest 1085"

                                YTSEJAM Digest 1086

    Today's Topics:

      1) **IMPORTANT**
     by tallen@junix.ju.edu (Trey Allen)
      2) Re: YTSEJAM digest 1080
     by eiagm@eznet.net
      3) Re: Please Help Me...(NO DT CONTENT)
     by "Robert Quezada" <rquezada@monmouth.com>
      4) Acoustic Dreams questions
     by augie@unix.asb.com (augie)
      5) DT/NIN + Ivanhoe
     by Kyle Mallett <krm95g@timon.acu.edu>
      6) Bickering
     by J Wiseman <ma5jw@bath.ac.uk>
      7) Woohoo, NIN
     by Jeremy Lakatos <jeremy@grove.ufl.EDU>
      8) Mind Control CD (ADTC!!!)
     by zack@lsil.com (Zack Gemmill)
      9) Oh man! Not Again!
     by laussade@enet.net (Ktulu)
     10) Survey Update
     by eiagm@eznet.net
     11) NNINC
     by Jeremy Lakatos <jeremy@grove.ufl.EDU>
     12) Re: worn out CDs
     by zack@lsil.com (Zack Gemmill)
     13) asdf
     by Bryan Bridges <bab@earthlink.net>
     14) Re: YTSEJAM digest 1084
     by James Peele <jpeele@unf6.cis.unf.edu>
     15) Re: A little story
     by Damon M. Fibraio <s0067977@hawkmail.monmouth.edu>
     16) Re: Shadow Gallery
     by Damon M. Fibraio <s0067977@hawkmail.monmouth.edu>
     17) NIN???
     by JIMMY <bd30011@bingsuns.cc.binghamton.edu>
     18) Musical diversity on the jam!!! (a good thing)
     by James Peele <jpeele@unf6.cis.unf.edu>
     19) Fates Warning
     by UJELOSBY@MSUVX1.MEMPHIS.EDU
     20) Re: YTSEJAM digest 1072
     by Baron Sengir <tsbileci@beta.loyno.edu>
     21) Hey! At least MY scrotum doesn't smell like broccoli!
     by laussade@enet.net (Ktulu)
     22) DT Japan Tour (setlist including)
     by Kaoru Kobayashi <GCH06672@niftyserve.or.jp>
     23) DT and NIN
     by "Paul W. Cashman" <vanyel@crl.com>

    ----------------------------------------------------------------------

    Date: Fri, 27 Oct 95 21:31:06 -0400
    From: tallen@junix.ju.edu (Trey Allen)
    To: ytsejam@anthor.arastar.com
    Subject: **IMPORTANT**
    Message-ID: <9510280131.AA14186@junix.ju.edu>

    For the nin vs DT thing I like this thread alot! Gonna be a good one.

    Now, Mike says that nin tell the truth about life and the horror and
    confinments of it. THey speak of depressing realities of our society today.
    Nin SHows that our existande is ruled not by our own actions but by what the
    pre generation X put in us and how they have, I guess raised us to be and
    shown us how to be.

    Sounds to me that Mike is TOTALLY CORRECT. BUT, I also belive that Mike is
    missing a very important point. He says that nin tells it like it really
    is. This is true, but does nin ever offer or even attempt to offer a
    solution to the problem of Generation X? Does nin ever even think of it? I
    dont think so. TRENT RESNOR JUST SITS IN HIS OWN PILE OF SHIT (sorrow and
    pain) AND SPREADS IT TO ALL OF HIS FANS. In turn they sit in their shit and
    whine to all of their freinds (like the ytsejam mailing list) and exclaim
    that the world is rotten and filled with vile. They proclaim that
    Generation X are sheeps and only care about sex and food!

    Listen to these lyrics;

    "I hurt myself today, to see if I still feel. I focus on the
    pain, the only thing that's real."

    "He sewed his eyes shut because he is afraid to see," --- nin.

    Seems to me that, as Mike said, NIN expresses that their is a problem with
    the society of Generation X. But what does he do to change it nothing.
    Mike says that it can't change. THATS TOTAL BULL SHIT!
          If society can't change then how did Generation X get the way it is?
          It wasn't like this in the 50's.

    Mike feels that DT offers an ESCAPE from the problems of reality. I think
    DT offers a POSSIBLE SOLUTION to the problems of reality. If you think it
    wont work, then fine. But at least were trying not just telling everyone
    about it and getting all down all of the time. THE ONLY WAY TO SOLVE THE
    PROBLEM IS TO FIGHT IT, NOT JUST LOOK AT IT AND CRY!

    Mike, read this and understand that DT isn't an escape, but a band looking
    to help everyone change the way it is.

    "Likely or not it's a dream that I keep, and at odds with my
    senses I'll climb. But if faith is the answer, then I've already reached
    it, and if spirit's a sign, then it's only a matter of time."
                  ---DT---

    Have a good day :)

    ____________________________________________________________________________
    "...Every day there's a constant reminder of all the pleasures we shared
    together. Love is not just a passing word, it's a state of heart that goes
    on forever..." (Mike Portnoy of Dream Theater)

    Trey Allen (T-Stretch) - tallen@junix.ju.edu -
    http://junix.ju.edu/UsrWebPages/tallen/home.html
    _____________________________________________________________________________

    ------------------------------

    Date: Fri, 27 Oct 1995 16:05:09 +0000
    From: eiagm@eznet.net
    To: ytsejam@anthor.arastar.com
    Subject: Re: YTSEJAM digest 1080
    Message-ID: <199510272132.RAA08901@mail1.eznet.net>

    I feel I have to respond to this comparison between Nine Inch Nails
    and DT. I can't comment about Nine Inch Nails, 'cause I don't know
    them, but I can comment on DT (which is why we're here, right?)
        
         Saying that DT fails to address the immediate issues of the
    present day, that they fail to "honestly" reflect the struggle of a
    single generation is kind of like saying that DT has its own message
    that is timeless, unswayed by popular opinion, resistant to the tides
    of current feelings. The person who describes "generation X"
    (whatever that means) is only reflecting his own experiences. Nine
    Inch Nails definitely speaks more to his experiences than DT does.
    However, his experiences do not reflect an entire generation. They
    have even less meaning within the context of the whole of human
    history.
         DT, however, encompasses so much in their music. Many of their
    themes take on Eastern mysticism, Christianity, Paganism, AIDS, self
    enlightenment, etc. Their music will continue to have meaning long
    after Nine Inch Nails has become obselete (by the sounds of it, like
    I said, I don't know NIN).
          Lastly, I would like to point out that having courage and
    optimism in the face of difficulties is just as honest as giving up
    on things and being cynical. DT doesn't shy away from the problems
    humans face - but they seek to conquer them, not merely drown in
    pessimism. Also, DT tends not to deal directly with more earthly
    problems, looking instead toward problems of the soul, or spirit.
        6:00 is about the failure of a man to act on his dreams. The
    song can work on two levels. It could be about the problems of a
    "generation X" person, or it could be anyone, because we all have
    felt fear when confronting our true dreams. DT encompasses more.
       
        Of course, this all ignores the music itself. Most people (I
    find) are more interested in the lyrics, or a simple beat. That is
    the real reason DT will never be super popular. DT's music is
    superior, the message - more timeless than most.

    Mike S.

    ------------------------------

    Date: Fri, 27 Oct 1995 20:32:51 +0000
    From: "Robert Quezada" <rquezada@monmouth.com>
    To: ytsejam@anthor.arastar.com
    Subject: Re: Please Help Me...(NO DT CONTENT)
    Message-ID: <199510280040.UAA21805@shell.monmouth.com>

    > On Fri, 27 Oct 1995, Robert Quezada wrote:
    >
    > >> Another thing, EVERY DAY I LOG ON WITH AT LEAST SIX DIGESTS.
    >

    I didn't write that. Thanks for making it look like I said that. I
    quoted it when I replied to the original article.

    > Blah blah blah...
    [clip] or [snip] or somthing to that effect is better. Saying
    "Blah blah blah" sounds a little obnoxious.

    >
    > >> INFORMED WITHOUT MISSING A beat. Thanks.
    >
    > > I can see you're mad, but can you use lowercase? It makes it A LOT
    > > easier to read.
    > >
    > > Let me ask you something. If the server that sends the digest form
    > > doesn't send all of them, wouldn't it get backed up after a few days?
    > >
    > > Have you tried non-digest mode? I switched to it because of the
    > > multiple 'jams I used to get. It allows me to easily find the
    > > letters I want to read and delete the ones I didn't. I don't
    > > remember how to switch to it -- hopefully, someone else does.
    >
    > There are so many digests because of all of the useless traffic on the
    > 'Jam...which I just added to! From now on could everyone please put
    > "NO DT CONTENT: <subject>" on the subject line of your mail so I can
    > just delete it...I have blown away over 70 jams because I work for a
    > living and have better things to read...The only non-DT stuff I have been
    > remotely interested in are guitar related topic and "Hairball 101"...
    >
    Good idea. But I never wondered why there were so many digests. Why
    did you quote what I said when it had nothing to do with what you
    just posted? I was pointing something out to someone else about the
    capital letters and offered a suggestion.

    rq

    ------------------------------

    Date: Fri, 27 Oct 1995 20:58:30 -0400
    From: augie@unix.asb.com (augie)
    To: ytsejam@anthor.arastar.com
    Subject: Acoustic Dreams questions
    Message-ID: <v01530500acb72e2a251d@[165.254.128.45]>

    I have just received my copy of Accoustic Dreams #173 this afternoon. It's
    a great album. Thanks Mike Bahr for making this possible. I have a few
    questions about this album.

    I see the name of the album is MAJESTY: Acoustic Dreams. Does that mean
    the group Majesty plays all the songs? Is Majesty actually a band? Do
    they have any other albums out?
    I think but I'm not sure that Dream Theater plays Wait for Sleep, Silent
    Man, Long Island Expressway, O Holy Night, and Six O'clock on this album.
    On the other songs does Majesty play?

    I thank anyone who answers these questions. The answer to these questions
    is probably right in front of my nose, but I just can't find it.
    Once again, thanks Mike Bahr for making this album possible! It is great!

    Heath Augustover

    ------------------------------

    Date: Fri, 27 Oct 1995 20:10:54 -0500 (CDT)
    From: Kyle Mallett <krm95g@timon.acu.edu>
    To: ytsejam@anthor.arastar.com
    Subject: DT/NIN + Ivanhoe
    Message-ID: <Pine.BSI.3.91.951027195700.10186D-100000@timon.acu.edu>

    Greetings,
            
            I have been wrestling with the idea of whether or not to get in on
    the DT/NIN debate. I think it is a good topic, but I find myself at an
    occasional loss for words at times in trying to express my views. I'll
    try to be as clear as I can and keep it to a reasonable length. Note: I
    will only be addressing the lyrics side of the discussion.
            
            NIN is definitely more depressing and dark that DT. I don't think
    that is a question. The main question as I see it, is which is more
    honest/realistic. Well, this is a concept I have been mulling over in my
    head for some time (viewing life from a "realistic" p.o.v.) As a point of
    reference, I will say that I am a Christian. I do not intend to preach
    about how NIN should find the love of Christ (and DT for that matter) and
    they would be far better off. Preaching is an effective tool, but not in
    this type of arena.
            Where was I? NIN is darker; there is a dark side to life (more so
    for some than for others). This dark side needs to be acknowledged (the
    whole Heart of Darkness thing; Joseph Conrad), but I think it is dangerous
    to dwell and revel in that darkness. I honestly do not believe life is as
    bleak as NIN lyrics may have you beleive. There are traces of hope, but
    they are few and far between. I find DT lyrics more "real" than NIN
    because they cover more of a complete spectrum of life: both good and
    evil, dark and light, happy and sad, etc. etc.
            As for the issue of honesty, I think both are being as honest as
    any individual (or group as the case may be). Being honest doesn't
    necessarily mean you are speaking the truth. People can be misled
    rearding their own feelings and what ultimate truth really is.
            I could go on, but I will refrain for the time being.
            
            On a lighter note, my curiosity is piqued about the band
    Ivanhoe. After I'm done here, I will search out some samples off the
    net. If anyone has any recordings by them, please e-mail me personally
    and maybe we can work out some kind of deal.
            
            
    Kyle Mallett

            "Miracles never cease, they are just renamed."

    ------------------------------

    Date: Sat, 28 Oct 1995 01:40:52 +0000 (GMT)
    From: J Wiseman <ma5jw@bath.ac.uk>
    To: ytsejam@anthor.arastar.com
    Subject: Bickering
    Message-ID: <Pine.SUN.3.91.951028013348.3360D-100000@slc-20>

            Have you noticed how the DT digests are becoming more caught up with
    non-DT issues. If, for example, we take a couple of the most noticably
    major topics over the last few days.

            1. Blind Melon - This involved people slagging other people off for
    gloating over the guy's death.

            2. Digests. - Those who complain about the numbers are also adding
    to the list (as am I) I`m not here to argue if it is right or wrong, but
    if you dont like it then send messages directly, or to the editor.

            WHEN PEOPLE ARE ANGRY DO THE HAVE TO WRITE LIKE THIS?

            Just a THOUGHT!

            Jim the funky beer monster.

    ------------------------------

    Date: Fri, 27 Oct 1995 21:46:09 -0400 (EDT)
    From: Jeremy Lakatos <jeremy@grove.ufl.EDU>
    To: ytsejam@anthor.arastar.com
    Subject: Woohoo, NIN
    Message-ID: <199510280146.VAA24943@dogwood.grove.ufl.edu>

    I would like to explain the comment someone made that NIN should learn
    to play their instruments. See, NIN is mostly one guy with electronics,
    very much like Golgotha. Probably a huge amount of it is programmed
    synthesizers (okay, there's the occasional guest musician such as
    Adrian Belew, but not much).

    See. No one plays. Ha ha.

    Anyway, I don't find this much of a problem cause the music's pretty good,
    even progressive in occasional instances (March of the Pigs for instance).
    I've written three pieces myself, all on computer.

    Anyway, I think the lyrics are probably more realistic, but then I think that
    the whole world IS hell (and, if you are one of the people who view the
    perception as the world, it is indeed ... but it's really just a personal
    opinion). There will be people who think DT's lyrics are more realistic.
    Probably DT, for one.

    Then there will be those, like me, who think both sets of lyrics are
    abstract and/or melodramatic (I've been trained, what can I say...you know,
    I can't really be pissed off in my writing anymore, cause my internal
    editor shouts at me, "melodrama, melodrama"... I now *need* other groups
    to express my emotions in art when I should be able to do better myself
    .. academia sucks ... sorry about the ramble).

    Anyway, to the point. IMO the lyrical realism or lack cannot make NIN a
    better band than DT. The MUSIC is where it's at. Anyone with me here?

    Sorry for adding to this thread, if you hate it, but thank god it's not
    BM, that's my opinion. People are thinking and debating and this is
    what communication's all about. If you hate me for this, oh well ... join
    the human race.

    -- If you can tolerate amateur poetry enough to do a SUCK/NOT SUCK poll,
       PLEASE check out http://grove.ufl.edu/~jeremy. (jeremy@grove.ufl.edu)

    ------------------------------

    Date: Fri, 27 Oct 95 18:53:59 PDT
    From: zack@lsil.com (Zack Gemmill)
    To: ytsejam@anthor.arastar.com
    Cc: rbenedic@gac.edu
    Subject: Mind Control CD (ADTC!!!)
    Message-ID: <9510280153.AA12492@tengs1.teng>

    >
    > Jammers,
    >
    > This is short.
    >
    > Anyone who can tell me about the bootleg CD "Mind Control" please e-mail
    > me personally--I have questions for you. I need a brief discription of it.
    >
    > Thanks
    >
    > Ryan Benedict
    > rbenedic@gac.edu

    Mind Control: 2 CD recording of Japanese radio broadcast during
    Awake tour (I think this is the same recording as "Wake Up," no?).
    Worth getting for the awesome drum solo in the middle of CiaW and
    the new intro to "The Mirror"--- "Another Crack in the Mirror."
    This instrumental seems to be a showcase for Derek, and it sounds
    great (of course, everyone who saw this tour heard it, but
    it's nice to sit down and digest it over and over)

    Has two acoustic "bonus" tunes (how the hell can a
    song be bonus if it's on a boot?)--- "TSM" plus "Tears" (both
    sound like demos. "Tears" sounds pretty good, but the AD version
    is a little better.

    Quality: A/A- (if one rates TDoE as an A)

    Zach

     

    ------------------------------

    Date: Fri, 27 Oct 1995 19:05:08 -0700
    From: laussade@enet.net (Ktulu)
    To: ytsejam@anthor.arastar.com
    Subject: Oh man! Not Again!
    Message-ID: <199510280205.TAA13223@maple.enet.net>

    Geez, you guys!

            If you're gonna post something controversial on the Jam, at least
    make it something with more than two views to it. Now there's like 3
    million identical messages saying that DT and NIN are too different to be
    compared. Next time if ya wanna be controversial make it something
    interesting with lots and lots of different views. Capiche?
                    
            

                                                    Ben Laussade
                                                    laussade@enet.net

    ------------------------------

    Date: Fri, 27 Oct 1995 19:25:16 +0000
    From: eiagm@eznet.net
    To: ytsejam@anthor.arastar.com
    Subject: Survey Update
    Message-ID: <199510272349.TAA11002@mail1.eznet.net>

    Hi folks,
        
         Just wanted to update you on the survey. So far, I've received
    26 replies, which I think is a very good number for the two days its
    been posted.
         I failed to say when I would post results. I am looking for
    numbers of replies. Preferably in the hundreds, so that I can get
    some interesting results out of it. But if it really starts to
    trickle, I'll post them then.
          I haven't received a single reply from any of the women on the
    list. C'mon, this is your chance to show prog rock isn't just a
    "guy" thing!

    Interesting note: I've been surprised by the answers to the last
    question (what instrument do you play?). I'll just say this:
    "Guitar" isn't number one.

    For those who missed the questions the first time, here they are:

    1. Which DT album did you buy first, and why?
    2. Which DT song is your favorite.
    3. Which DT song is your least favorite.
    4. How old are you?
    5. What is your sex?
    6. What instrument do you play (if at all)?

    Mike S.

    ------------------------------

    Date: Fri, 27 Oct 1995 22:06:13 -0400 (EDT)
    From: Jeremy Lakatos <jeremy@grove.ufl.EDU>
    To: ytsejam@anthor.arastar.com
    Subject: NNINC
    Message-ID: <199510280206.WAA26023@dogwood.grove.ufl.edu>

    There's really no Nine Inch Nails content in this message.

    (:

    Someone wrote (gosh, digest mode makes attributions pretty much impossible
    .. this got lost on the one I was replying to):

    > >Somehow I suspect anyone truly that miserable would have already killed
    > >himself.

    Not that I'm really pissed of here, but this isn't a very tasteful
    comment (not that people *HAVE* to be tasteful, damn don't let the
    thought police take over). There are some of us, however, who would
    have to climb a bit, occasionally, to rech Trent's level of euphoria.
    And hell, Fish, who is much the superior lyricist (IMO, okay), is
    almost Mr Happy Sunshine.

    And yet, though we may want to, throughout most of the day (as much as
    the average male is supposed to think about sex ... "Sex is Death" anyone?),
    for some reason we don't. "Carpe Diem" isn't strong enough to move
    everybody.

    It's not nice to be indirectly ridiculed by the happy people of the world
    (but then, no one said people have to be nice, and for sure I'm not
    going to).

    I'm going to ignore the more direct flames toward people like me I've
    been seeing on the list, because I can't do flame wars.

    -- If you can tolerate amateur poetry enough to do a SUCK/NOT SUCK poll,
       PLEASE check out http://grove.ufl.edu/~jeremy. (jeremy@grove.ufl.edu)

    ------------------------------

    Date: Fri, 27 Oct 95 19:09:03 PDT
    From: zack@lsil.com (Zack Gemmill)
    To: ytsejam@anthor.arastar.com
    Subject: Re: worn out CDs
    Message-ID: <9510280209.AA12594@tengs1.teng>

    >
    > I don't think you can wear out a CD. You may want to try cleaning the
    > laser or something. They sell cd player cleaning kits. My friend has one.
    > Also, your player may be old and starting to burn out. I am not an expert on
    > Cd players, but try putting your Awake Cd in another player and go to the
    > skipping part and see if it skips. you may be a bit surprised.

    CD composition as follows (taken from a post on the
    microscopy listserver from the Coordinator of the Disc
    Systems Dept. for Pioneer):

    - Partially printed label --
    ---- Polymer cover ---------
    - Alminum reflection layer -
    -- Embossed pit structre ---
    - 1.2mm thick PC substrate -

    Only the embossed substrate is necessary.
    The tip for removing the cover and the alminum layer is not very elegant.

    1 Stick an adhesive tape on the label side.
    2 Remove it rapidly.

    If your CD is too stiff to remove the layers, try glue for plastics.
    Be aware that you can't listen to the music from the CD anymore.
    You have to choose one pity musician! <<we won't mention names !>)>
    __________________

    So you can't "wear" the CD out in the normal sense by
    playing it (erasing the data--- there is not contact
    being made on the data side anyway), but scratches in
    the protective plastic can prevent the laser from
    tracking the data underneath (or so I assume). Some
    players seem to have better tracking systems than
    others, but there is a PoNR (good movie btw) as far
    as the amount of damage goes.

    Zach

     

    ------------------------------

    Date: Fri, 27 Oct 95 22:34:11 -0700
    From: Bryan Bridges <bab@earthlink.net>
    To: ytsejam@anthor.arastar.com
    Subject: asdf
    Message-ID: <199510280236.TAA02665@atlas.earthlink.net>

    Bryan A. Bridges - brid0129@nova.gmi.edu

    ------------------------------

    Date: Fri, 27 Oct 1995 23:18:44 -0400
    From: James Peele <jpeele@unf6.cis.unf.edu>
    To: ytsejam@anthor.arastar.com
    Cc: Multiple recipients of list <ytsejam@anthor.arastar.com>
    Subject: Re: YTSEJAM digest 1084
    Message-ID: <Pine.DYN.3.91.951027231519.29052B-100000@unf6.cis.unf.edu>

    Comparing DT to NIN is not even apples and oranges... It's apples and
    traffic lights... I love both bands (sometimes one more than the other
    depending on the mood).

    Oh my God! I am so psyched about the King Crimson concert in less than
    two weeks!!!!!!!!!

    Jay Peele
    For info on INFERNO, E-mail: jpeele@unf6.cis.unf.edu

    ------------------------------

    Date: Fri, 27 Oct 95 23:39:19 EDT
    From: Damon M. Fibraio <s0067977@hawkmail.monmouth.edu>
    To: ytsejam@anthor.arastar.com
    Subject: Re: A little story
    Message-ID: <9510280339.AA02131@hawkmail.monmouth.edu>

     Hey, Jody.

      Maybe that guy is a blind melon fan. Gee, sucks, doesn''t it?

    ------------------------------

    Date: Fri, 27 Oct 95 23:55:39 EDT
    From: Damon M. Fibraio <s0067977@hawkmail.monmouth.edu>
    To: ytsejam@anthor.arastar.com
    Subject: Re: Shadow Gallery
    Message-ID: <9510280355.AA30390@hawkmail.monmouth.edu>

       I'm curious.

       why do a lot of people constantly bash synthesizers in rock music? IN a
    review of Rush's albums from 1982 through 1993, synthesizers have constantly
    gotten trashed. I am a synth player, and cannot understand. Guitars are
    great, don't get me wrong, but why trash an instrument that has such a wide
    variety of sounds and dynamics, from subtle pianos to ghowling synthesizer
    sounds that could probably rival guitars if tweaked enough.

      And that also sends me to this question, or actually a statement. Music
    doesn't have to be heavy to be good. Has anybody ever listened to Yes? They
    are not exactly heavy metal, but they are just as progressive as DT. I love
    'em. Yeah, John Anderson's voice is high-pitched, but I don't care. The man
    can sing his ass off. But, I get the impresssion, (I could be dead wrong)
    that some people have a kind of heavy metal mentality that if it's not heavy,
    it sucks. People, that is sooooo far wrong. I'm not accusing anybody, but I
    got that idea from the guy who didn't quite get blown away by Shadow Gallery.
    Hey, it's his choice, and I understand his opinion, (at least he didn't say
    they sucked, he gave his reasons and they are well-founded.) Hell, I've even
    heard the phrase "if it's not progressive, it sucks." That's not true either.
    I like George Thorogood, and he's simplistic as hell. (What blues song is
    complex?) That's great. I love that stuff. It doesn't have to be hard, or
    progressive to be good.

    ------------------------------

    Date: Sat, 28 Oct 1995 00:14:15 -0400 (EDT)
    From: JIMMY <bd30011@bingsuns.cc.binghamton.edu>
    To: ytsejam@anthor.arastar.com
    Cc: Multiple recipients of list <ytsejam@anthor.arastar.com>
    Subject: NIN???
    Message-ID: <Pine.SOL.3.91.951028001301.7512B-100000@bingsun1>

    I don't remember subscribing to the NIN fanclub. Enough already.

    The comparison of NIN and DT should not even be thought about.

    Thank You!

    ------------------------------

    Date: Sat, 28 Oct 1995 00:59:20 -0400
    From: James Peele <jpeele@unf6.cis.unf.edu>
    To: ytsejam@anthor.arastar.com
    Cc: Multiple recipients of list <ytsejam@anthor.arastar.com>
    Subject: Musical diversity on the jam!!! (a good thing)
    Message-ID: <Pine.DYN.3.91.951028005255.2335A-100000@unf6.cis.unf.edu>

    Hi guys and gals,

    It's great to see so many NIN fans as well as fans of Echolyn, Fates
    Warning, Thought Industry, etc. on this list...

    My point: Seeing this type of versatility on this list really inspires me.
    My band INFERNO hopes to (we have not achieved this goal yet!)
    incorporate elements of everything we like (in extreme ways). Rush and
    DT are bands that soak up influences around them and let it flow into
    their own original sound. INFERNO seeks to do this as well, but in a more
    extreme way (as I said, we're not there yet...)

    Once again, it's great to see such musical diversity on the jam!

    Jay Peele
    For info on INFERNO, E-mail: jpeele@unf6.cis.unf.edu

    ------------------------------

    Date: Sat, 28 Oct 1995 00:16:53 -0500 (CDT)
    From: UJELOSBY@MSUVX1.MEMPHIS.EDU
    To: ytsejam@anthor.arastar.com
    Subject: Fates Warning
    Message-ID: <01HWYCHL56FS02QK4S@MSUVX1.MEMPHIS.EDU>

    I just had to say this

    the drums on Monument , especially the verse right after the solo is
    amazing...turn it on real quick and listen closely to all the stuff he's
    doing...damn. I'm a guitarist myself but after learning the guitarlines inside
    out(heh get it) anyway... i like digging into what the other instruments are
    doing. well have fun kids...

    Joe (SDLF is coming.)

    ------------------------------

    Date: Sat, 28 Oct 1995 01:19:36 +0000 (GMT)
    From: Baron Sengir <tsbileci@beta.loyno.edu>
    To: ytsejam@anthor.arastar.com
    Subject: Re: YTSEJAM digest 1072
    Message-ID: <Pine.OSF.3.91.951028005333.25154O-100000@beta.loyno.edu>

    > Date: Mon, 23 Oct 1995 23:49:00 -0700
    > From: jpgarrett@earthlink.net (James Garrett)
    > Subject: Moral Musings

    [Quote deleted]

    > How about this for something "intellectually stimulating:"
    >
    > There has been a thread going around that DT uses a lot of Christian
    > symbolism. However, they also use some very pagan symbolism also, the
    > reference to Cassandra for example. How does the justaposition of the Pagan
    > with the Christian make DT's music more powerful or does it detract from it?

    DT uses a LOT of different religious symbolism and literary allusions. In
    fact, according to some people, religious symbolism in songs are nothing
    more than literary allusions anyway.

    Someone told me a while back that "Lifting Shadows Off a Dream" was
    related to Wicca (or some other pagan religion). Is there a connection.
    If so, what is it? I'm a Christian so I know little about most pagan
    religions (except for perhaps Greek / Roman "mythology").
     
    > I have a comment on the symbolism of the burning heart (I'm looking at the
    > Live at the Marquee CD). I liked the connection to the Trinity made by
    > several jammers. However, both the heart(wooden) and the barbed wire are man
    > made, suggesting artificiality, and implying that religions are man made and
    > that our current religious beliefs will be transformed(fire is a symbol of
    > transformation) into something we cannot yet imagine by the music.

    That's an interesting theory. I've been thinking about that sort of thing
    a lot. Though I doubt that the music will convert anyone over to atheism. <G>

    -------

    > Date: Tue, 24 Oct 1995 01:13:54 -0400 (EDT)
    > From: The Digital Man <cmerlo@moose.uvm.edu>
    > Subject: Who are we?
    >
    > Yeah, yeah, this has probably been done before, but I'm new here, so cut
    > me some slack. I just thought it would be interesting if we all posted a
    > little bit of biographical info about ourselves. You know, see who's out
    > there. So, here goes:
    >
    > I'm a 23-y-o male. I'm from Rockville Centre, LI, NY. I'm a Master's
    > Degree student at UVM in Computer Science. I've been playing bass for
    > about 8 years, and acoustic guitar for about 3.

    Some people will probably flame the hell out of you for starting another
    thread like the "top 5 albums" thing. However, I think it's a good idea.
     
    > Any other interesting facts we should include? Oh, yeah...

    Yeah. What are your top 5 favrotie albums besides Dream Theater? <JUST
    KIDDING!> No...wait...stop....STOP....stop throwing Blind Melon CD's at
    me! :)

    Anyway, about me:

    I'm a 20-year-old male. I'm from Metairie, LA (a suburb of New Orleans).
    I am Psychology Major at Loyola University. I am NOT a musician. I'd like
    to be but I lack talent (and probably some motivation as well...and
    money. I can't forget money...). I run a local BBS with a Dream Theater /
    Queensryche / Fates Warning discussion forum (wait, I mentioned this
    already). I am also a Magic: TG addict like Mike Bahr.

    And my top 5 favorite non-DT albums are:

    <Again just kidding. Maybe I'm beating this joke to death. :) >

    Paul

    ------------------------------

    Date: Fri, 27 Oct 1995 23:38:12 -0700
    From: laussade@enet.net (Ktulu)
    To: ytsejam@anthor.arastar.com
    Subject: Hey! At least MY scrotum doesn't smell like broccoli!
    Message-ID: <199510280638.XAA18162@maple.enet.net>

    Well, I figured that'd be a good attention getter!
            You (I forgot who) said you didn't want to start a survey with the
    "How I listen to DT" thing, but I'm gonna have to throw my two shiny pennies
    in with a slick around-the-back toss:

            I'm probably missing alot of DT's music. When I listen (since I'm a
    ytse-drummer) I automatically tune into the drums and all but ignore the
    high guitar and most of the keyboard parts. I don't do it on purpose. I
    wonder if it's possible to take in all of the aspects of DT music at the
    same time. Can you do it?

                                                    Ben Laussade
                                                    laussade@enet.net

    ------------------------------

    Date: Sat, 28 Oct 1995 13:15:00 +0900
    From: Kaoru Kobayashi <GCH06672@niftyserve.or.jp>
    To: ytsejam@anthor.arastar.com
    Subject: DT Japan Tour (setlist including)
    Message-ID: <199510280421.NAA00845@inetnif.niftyserve.or.jp>

    Hi, it's Kaoru from Japan. I returned Tokyo yesterday.
    Here is the tour date of Japan:

    10/26 Osaka
    10/28 Tokyo (NHK Hall - Sold out)
    10/30 Tokyo (Shibuya Kokaido)

    Osaka Set List was as following (I don't know whether I remember rightly or
    not. When I find wrong, I'll post again...):

    Under a Glass Moon
    The Mirror
    Lie
    John Myung Solo
    Lifting Shadows off a Dream
    Cover Medley:
        The Rover (Led Zeppelin)
        Killers (Iron Maiden)
        Damage Inc. (Metallica)
        In the Flesh? (Pink Floyd)
        Heart of the Sunrise (Yes)
    Innocence Faded
    A Change of Seasons
    John Petrucci Solo
    Surrounded
    Derek Sherinian Solo
    Erotomania (including Mike's Solo)
    Voices
    The Silent Man (Electric)
    Pull Me Under

    EC: Wait for Sleep (Acoustic)
        Perfect Strangers
        
    It was really impressed show. I think it was near the best among DT shows I've
     
    ever seen (I saw DT 12 times before Osaka). Total sound balance was great, and
     
    James' voice was awesome! They played so expressively than ever. Two of over-
    20-minute shows? Great! ;)

    ..Recording the show? My friend did and she will copy it for me hopefully...
    Same on Tokyo shows...
    Derek would like the tape that taped by audience, it's interesting.

    I'm a little tired so I don't go to music fair today.
    Bye for now, if you have question on Japan shows, post Ytsejam. :)

    ** Desperate to fall, behind the great wall, that separates us all.. **
    ** Kaoru Kobayashi(From Japan)<10/28 12:47>GCH06672@niftyserve.or.jp **

    ------------------------------

    Date: Fri, 27 Oct 1995 23:53:38 -0700 (PDT)
    From: "Paul W. Cashman" <vanyel@crl.com>
    To: ytsejam@anthor.arastar.com
    Subject: DT and NIN
    Message-ID: <199510280653.AA27732@crl14.crl.com>

    > nin is more honest (blah blah blah)

    Sorry, I find this a little hard to swallow. Trent Reznor's life
    wasn't especially difficult and lord knows he's got no worries now.
    Any angst he injects into nin's stuff now is MUCH more
    artificial-sounding than DT's utopian, uplifting thoughts.

    > "Seasons change, and so do I..." DT
    >
    > But you can't change.

    Say what? People change themselves, their lives and their views all
    the time. It's c00l to be maudlin and down on everything nowadays --
    it plays well for the teenagers who will buy your CDs -- but life
    isn't always dark and foreboding, and sometimes people CAN change
    their lives for the better, all by themselves. This guy needs to
    read ATLAS SHRUGGED, the most dangerous publication of the twentieth
    century. (John Myung did. :))

    -- 
            I know it's easier to walk away than look it in the eye....
                    I would raise a shelter to the sky...
                  And here beneath this star tonight I lie....
    ------  Dream Theater, "Surrounded"    Paul C., vanyel@crl.com  -----
    

    ------------------------------

    End of YTSEJAM Digest 1086 **************************



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