YTSEJAM digest 2133

From: ytsejam@ax.com
Date: Sat Dec 21 1996 - 13:57:57 EST

  • Next message: ytsejam@ax.com: "YTSEJAM digest 2132"

                                YTSEJAM Digest 2133

    Today's Topics:

      1) Re: SLC
     by "Brian Hayden" <Brian.D.Hayden-1@tc.umn.edu>
      2) Re: Fw: TOTEM !!!
     by "Joao \"Tom Sawyer\" Rocha" <rocha@bsb.nutecnet.com.br>
      3) let's get him out, on the dirty boulevard...
     by Jon Parmet <jonp@mailstorm.dot.gov>
      4) Yup, another one.
     by durnik <durnik@goodnet.com>
      5) dt tape tree of last year's holiday shows
     by Tymoteusz Altman <altman@sfu.ca>
      6) DT MOUSE PADS/DT MOUSE PADS/DT MOUSE PADS soon...
     by market@clubmet.metrobbs.com
      7) DT MOUSE PADS/DT MOUSE PADS/DT MOUSE PADS soon...
     by market@clubmet.metrobbs.com
      8) Re: Copying tapes
     by brian.kirk@USVGI.mail.abb.com
      9) wheres the jam
     by Drummnstan@aol.com
     10) Metall I CA in fRESno
     by Randall Braun <RBraun@adnc.ameridata.com>
     11) fun for the whole family
     by "Ryan P. Skadberg" <skadberg@wicked.stigmata.org>
     12) Savatage
     by "Brian Hayden" <Brian.D.Hayden-1@tc.umn.edu>
     13) Hellecasters, anyone? NDTC!
     by zack@lsil.com (Zack Gemmill)
     14) r. scott's gig released as 'real' material?
     by Partha Mukhopadhyay <ahtrap@umich.edu>
     15) Hello, new subscriber here
     by "Scott" <davinci@peganet.com>
     16) Re: r. scott's gig released as 'real' material?
     by Carlos Alfaro <calfaro@caribe.net>
     17) Re: r. scott's gig released as 'real' material?
     by Drummnstan@aol.com
     18) huh huh, huh huh
     by Drummnstan@aol.com
     19) Bass Strings (JM has an endorsement...)
     by Nick Guadagnoli <nguadagn@acme.csusb.edu>
     20) Tapestry
     by Mark Metzger <mmetzger@bostech.com>
     21) ACCIDENT AT METALLICA SHOW
     by The Outlaw Torn <skooc@earthlink.net>
     22) Geddy and Working Man.
     by Syrinx <syrinx@dreamt.org>

    ----------------------------------------------------------------------

    Date: Fri, 20 Dec 96 11:32:27 -0600
    From: "Brian Hayden" <Brian.D.Hayden-1@tc.umn.edu>
    To: ytsejam@ax.com
    Subject: Re: SLC
    Message-ID: <32bacdaa2900479@mhub1.tc.umn.edu>

    > Hrm, I thought it was, but maybe that's cuz I'm seeing it from the
    > standpoint of a homegrown shitkicking backwater woodsboy. :P

    Yeah, that could be it. ;-) I live in Minneapolis, Minnesota, which isn't much
    bigger, and I laugh when people from the sticks here start going on about how
    BIG a city it is. I used to live in Chicago, so to me it has to have 10 million
    people to seem big - that's just me though, most people probably would consider
    places like SLC and Minneapolis big.

    -Brian

    ------------------------------------------------------------------------------
    "There must be a third and last dance, this one will last forever...
    The third is love, love is the dance of eternity." - Dream Theater
    ------------------------------------------------------------------------------

    ------------------------------

    Date: Fri, 20 Dec 1996 19:13:34 GMT
    From: "Joao \"Tom Sawyer\" Rocha" <rocha@bsb.nutecnet.com.br>
    To: ytsejam@ax.com
    Subject: Re: Fw: TOTEM !!!
    Message-ID: <199612201913.TAA14907@srv1-bsb.bsb.nutecnet.com.br>

    At 22:43 19/12/96 -0200, you wrote:
    >>>> > GOOD LUCK TOTEM
    >>>> > >
    >>>> > > \\\|||///
    >>>> > > =========
    >>>> > > | O O |
    >>>> > > / \ \ _v_'/
    >>>> > > # _| |_
    >>>> > > (#) //( )
    >>>> > > #\// |* *|\\
    >>>> > > #\/ ( * )/
    >>>> > > # =====
    >>>> > > # \| |/
    >>>> > > # | |
    >>>> > > # . --'| |---.
    >>>> > > # '-- -' ----'
    >>>> > >
    >>>> > >
    >>>> > > Este totem foi enviado para lhe trazer boa sorte. Ele ja
    >>>> rodou o mundo por nove vezes ate chegar aqui. Sua boa sorte ira chegar
    >>>> quatro dias apos o acesso a este totem. Mande copias para pessoas que
    >>>> voce acha que precisam de boa sorte. Nao mande dinheiro ja que sorte nao
    >>>> tem preco.
    >>>> > > Nao guarde esta mensagem. O totem deve ser descartado em 96
    >>>> horas. Mande as copias e veja o que acontecera em quatro dias. Voce tera
    >>> uma surpresa. Isto e verdade, mesmo que voce nao seja superticioso. Boa
    >>>> sorte, mas, por favor, lembre-se: dez copias desta mensagem devem ser
    >>>> enviadas em 96 horas.
    >>>> > > Voce nao deve assinar esta mensagem.
    >
    >
    AbracOS/2 Warp 3.0 (Isso jah virou marca registrada! )

                                   Joao Rocha
                              Tecnico em Informatica
                                Banco do Brasil S/A

    rocha@bsb.nutecnet.com.br
    Factory@solar.com.br

    "Net boy, net girl Net boy, net girl
    Send your signal 'round the world Send your impulse 'round the world
    Let your fingers walk and talk Put your message in a modem
    And set you free And throw it in the Cyber Sea"

    Virtuality - Lee, Lifeson and Peart - Rush

    Visit the Official Dream Theater Frequently Asked Questions List
    http://www.emba.uvm.edu/~cmerlo/dtfaq.html

    ------------------------------

    Date: Fri, 20 Dec 1996 18:31:41 +0000
    From: Jon Parmet <jonp@mailstorm.dot.gov>
    To: ytsejam@ax.com
    Subject: let's get him out, on the dirty boulevard...
    Message-ID: <32BADB8D.26FB@mailstorm.dot.gov>

    Shmegmoid wrote:

    > God, I've only been on the Jam a week and I'm already completely
    >sick of reading all the posts that are completely unrelated to DT...

    Gotta weak back... When'ja get it?... Bouta week back :)

    Oh, by the way, unrelate this!!

    ------------------------------

    Date: Fri, 20 Dec 1996 13:23:30 -0700 (MST)
    From: durnik <durnik@goodnet.com>
    To: ytsejam@ax.com
    Subject: Yup, another one.
    Message-ID: <199612202023.NAA07033@goodguy.goodnet.com>

            A joyous holiday season to all of you and your families.

            1996 has been an incredible year, and I'll probably have more to
    say about that next week. Thanks to everyone for making it so special.

    - Mike Bahr - durnik@goodnet.com - Go ASU Sun Devils!

    ------------------------------

    Date: Fri, 20 Dec 1996 13:40:19 -0800 (PST)
    From: Tymoteusz Altman <altman@sfu.ca>
    To: ytsejam@ax.com
    Subject: dt tape tree of last year's holiday shows
    Message-ID: <199612202140.NAA06798@fraser>

    I'm looking for the list of people on the tape tree for last year's shows,
    specifically the 4 people who i'm supposed to make copies for.
    I have the tapes now, but i forget who i'm supposed to make copies for.

    tim

    ------------------------------

    Date: Fri, 20 Dec 1996 15:56:26 -0500
    From: market@clubmet.metrobbs.com
    To: ytsejam@ax.com
    Subject: DT MOUSE PADS/DT MOUSE PADS/DT MOUSE PADS soon...
    Message-ID: <TCPSMTP.16.12.20.15.56.26.16624.11657@clubmet.metrobbs.com>

    Hey all you Ytsejamers,

           Keep an eye out for the new DT MOUSEPADS. It should be about 30
    or so days. If you have any questions, feel free to write.

           (you can also find other DT merchandise at:
    http://www.dreamt.org

    Take care,

                           todd s

    market@clubmet.com

    ------------------------------

    Date: Fri, 20 Dec 1996 15:56:56 -0500
    From: market@clubmet.metrobbs.com
    To: ytsejam@ax.com
    Subject: DT MOUSE PADS/DT MOUSE PADS/DT MOUSE PADS soon...
    Message-ID: <TCPSMTP.16.12.20.15.56.56.7221.5883@clubmet.metrobbs.com>

    Hey all you Ytsejamers,

           Keep an eye out for the new DT MOUSEPADS. It should be about 30
    or so days. If you have any questions, feel free to write.

           (you can also find other DT merchandise at:
    http://www.dreamt.org

    Take care,

                           todd s

    market@clubmet.com

    ------------------------------

    Date: Fri, 20 Dec 1996 17:16:38 -0500
    From: brian.kirk@USVGI.mail.abb.com
    To: " - (052)ytsejam(a)ax.com" <ytsejam@ax.com>
    Subject: Re: Copying tapes
    Message-ID: <0010200004088158000002*@MHS>

    In Jam 2130 Pat Daugherty scrawled on the cave wall:

    > Brian Cox wrote:
    > >i am really busy, and making analog tapes is a pain in the ass that
    > >i never have time for. i am glad to provide any of my DATs as seeds
    > >for trees though, if anyone wants to admin one.
    >
    > Excuses like this really piss me off. Lets see:
    > 1. connect DAT recorder/player (whatever) to analog deck-maybe 2 minutes
    > 2. put tape in analog recorder-maybe 10 seconds
    > 3. push play on DAT, record on analog-maybe 5 seconds
    > 4. come back 45 minutes later flip tape-maybe 10 seconds
    > 5. come back 45 minutes later-take tape out-maybe 10 seconds
    >
    > And a total of about 2 and 1/2 minutes at the max. That takes up so much
    > of your time. I am not singling Brian out here, but the no time excuse is
    > not a valid excuse. Comments?

    Well, Pat, I can sympathize with you. I was part of the tape swap that was
    organized back in September. I am still owed two of my three tapes from the
    swap, and I can understand the frustration when you don't hear anything from
    the people that owe you tapes for months.

    Being part of the swap, I've been in a position where I promised to send tapes
    to other people. It took me a while, but I eventually got it done. So, as
    someone who has made tapes for other people (on and off the 'Jam), I would like
    to point out that you missed one step to your logic.

    0. Be in the same physical location as the tapes and tape decks.

    It's really hard to copy tapes when you're never home.

    "Briiiaaaaan!!" "Kiiirrrrrrk!!"
            - Joe, Wings - Khan, Wrath of Khan
    brian.kirk@usvgi.mail.abb.com
    bkirk@blkbox.com
    Write me. If you dare!

    ------------------------------

    Date: Fri, 20 Dec 1996 17:28:55 -0500
    From: Drummnstan@aol.com
    To: ytsejam@ax.com
    Subject: wheres the jam
    Message-ID: <961220172749_1008156880@emout01.mail.aol.com>

    this is odd, a day without any jams.
    anyone else having problems??

    laterz,
     stan

    ------------------------------

    Date: Fri, 20 Dec 1996 14:39:04 -0600
    From: Randall Braun <RBraun@adnc.ameridata.com>
    To: "'Ytsejam'" <ytsejam@ax.com>
    Subject: Metall I CA in fRESno
    Message-ID: <c=US%a=_%p=GE%l=AMERIDATA/ADNC/000D0088@msb01ncadctmsge.ameridata.com>

    .........f/JAM 2128

    >>>From: Poor Twisted Me <skooc@earthlink.net>

    >>>I'll be attending the Metallica show in Fresno on Thurs and thanks to
    being in the Metallica Club I got a backstage pass for the show. According
    to the letter I got I'll be able to meet members of the band before the
    show.
    .........
    How's the show/aftershow? How's the shitty San Joaquin Valley Tule fog?
    Hope you didn't have to drive through it too much. I was driving home to
    Fresno through it about showtime. Was Korn any good?

    Anyway I heard they're (M) doing the show in the round on a pretty
    sophisticated stage.

    Dat's all no more waste bandwidth.

    ------------------------------

    Date: Fri, 20 Dec 1996 19:21:16 -0500
    From: "Ryan P. Skadberg" <skadberg@wicked.stigmata.org>
    To: ytsejam@ax.com
    Subject: fun for the whole family
    Message-ID: <199612210021.TAA22094@wicked.stigmata.org>

    :)

    skadz

    ------------------------------

    Date: Fri, 20 Dec 96 20:31:14 -0600
    From: "Brian Hayden" <Brian.D.Hayden-1@tc.umn.edu>
    To: ytsejam@ax.com
    Subject: Savatage
    Message-ID: <32bb4bf10f1c062@mhub1.tc.umn.edu>

    I just heard "Christmas Eve / Sarajevo" on the radio up here in Minneapolis.
    Pretty cool, since it's a station which is usually just classic rock and
    blues-based newer stuff. They said it was by Savatage, from an album called
    "Dead Winter Dead" - no mention of TSO.

    -Brian

    ------------------------------------------------------------------------------
    "There must be a third and last dance, this one will last forever...
    The third is love, love is the dance of eternity." - Dream Theater
    ------------------------------------------------------------------------------

    ------------------------------

    Date: Fri, 20 Dec 96 18:40:55 PST
    From: zack@lsil.com (Zack Gemmill)
    To: ytsejam@ax.com
    Subject: Hellecasters, anyone? NDTC!
    Message-ID: <9612210240.AA02862@tengs1>

    Anybody know the story on these guys? I picked up
    _Escape from Hollywood_ the other day along with some
    stuff and I think they're great! I haven't had a chance
    to sit down and digest (no pun intended) the entire CD,
    but what I've listened to, I like. I'd been wanting to
    pick up another one of their albums for a few years now
    ever since I heard one of the songs on the radio, but
    I've never gotten around to it. This was the only one
    in their section, so I got it. Clean guitar playing,
    rockin', and sometimes bluesy bordering on country, but
    it's very tasteful (I don't care for country, but I like
    this). Post *and/or* email, if possible, since I'm
    unsubb'ing in a few hours because of a company shutdown,
    and I won't be back for over a week and a half.
    Thanks.

    Happy Holidays, Shanah Tovah, etc...

    Zach

    ------------------------------

    Date: Fri, 20 Dec 1996 22:33:01 -0500 (EST)
    From: Partha Mukhopadhyay <ahtrap@umich.edu>
    To: ytsejam@ax.com
    Subject: r. scott's gig released as 'real' material?
    Message-ID: <Pine.SOL.3.95.961220222707.17327A-100000@gorf.rs.itd.umich.edu>

    if it's gonna happen, I'm guessing video format......i don't really know
    sales figures on ACOS, but that had a DT song along with 30+ minutes of
    covers, and I don't think that overwhelmed anyone (outside this list, o'
    course :).......and I'd bet against a third DT ep style release.....
    (what does ep stand for, anyway?)

                                    partha

    Saw the line below, and started thinking......
    > It is a group of similar-minded people

    "Oh, shit, when did the BORG take over the ytsejam?"

    > (musically, mind you)
    but Mr. Madden set my mind at ease with the parenthetical comment.....

    GO WINGS!
    SCREW THE PACKERS! :)

    ------------------------------

    Date: Fri, 20 Dec 1996 22:59:45 -0500
    From: "Scott" <davinci@peganet.com>
    To: <ytsejam@ax.com>
    Subject: Hello, new subscriber here
    Message-ID: <199612210352.WAA17378@mercury.peganet.com>

            Hello all and happy holidays!!

    I'm brand new on this list but have been a Dream Theater fan since I&W. I'd
    just like to peel open and say hello to all the Ytsejammers! (and hello
    Chris!!!)

    ------------------------------

    Date: Sat, 21 Dec 1996 00:17:34 -0500
    From: Carlos Alfaro <calfaro@caribe.net>
    To: ytsejam@ax.com
    Subject: Re: r. scott's gig released as 'real' material?
    Message-ID: <32BB72EE.9F1@caribe.net>

    Partha Mukhopadhyay wrote:

    > (what does ep stand for, anyway?)
    >
    > partha

    im guessin equal play.. it was meant to be for when cassettes or lp's
    had the same stuff on each side.. (even thou the cassette version of
    acos doesnt)

                  Seize the day, I heard him say :
                 "Life will not always be this way,
                   Look around...hear the sounds...
             Cherish your life,while you're still around... "
                  <Dream Theater: A Change Of Seasons>
                  WoWoW! WoWoW! WoWoW! -Mike Portnoy
                      mailto:calfaro@Caribe.net

    ------------------------------

    Date: Sat, 21 Dec 1996 01:09:05 -0500
    From: Drummnstan@aol.com
    To: ytsejam@ax.com
    Subject: Re: r. scott's gig released as 'real' material?
    Message-ID: <961221010904_1955104374@emout18.mail.aol.com>

    In a message dated 12/21/96 12:28:16 AM, you wrote:

    <<> (what does ep stand for, anyway?)>>

    if memory serves me right, EP stands for extended play, and LP stands for
    long playing.

    laterz
    stan

    ------------------------------

    Date: Sat, 21 Dec 1996 01:09:04 -0500
    From: Drummnstan@aol.com
    To: ytsejam@ax.com
    Subject: huh huh, huh huh
    Message-ID: <961221010902_1820887158@emout17.mail.aol.com>

    In a message dated 12/20/96 10:15:07 PM, you wrote:

    <<>>> > > Nao guarde esta mensagem. O totem deve ser descartado em
    96
    >>>> horas. Mande as copias e veja o que acontecera em quatro dias. Voce tera
    >>> uma surpresa. Isto e verdade, mesmo que voce nao seja superticioso. Boa
    >>>> sorte, mas, por favor, lembre-se: dez copias desta mensagem devem ser
    >>>> enviadas em 96 horas.
    >>>> > > Voce nao deve assinar esta mensagem.>>

    i think this is maybe a part of the script in the new beavis and butt-head
    movie which btw rocked nachos.

    laterz
    stan

    ------------------------------

    Date: Sat, 21 Dec 1996 09:19:48 -0800 (PST)
    From: Nick Guadagnoli <nguadagn@acme.csusb.edu>
    To: ytsejam@ax.com
    Subject: Bass Strings (JM has an endorsement...)
    Message-ID: <199612211719.JAA29055@acme.csusb.edu>

    Attention Bassists!!!

    Yes, John Myung does use D'Addario rounds... But he has an endorsement.
    I've tried about twenty brands of bass strings in the past twenty months,
    and out of all of them, I'm really digging on RotoSound Swing 66's. They
    are the absolute shiznit (dizouble dizutch... hee hee, bizatch.)
    No Kidding. If you are looking for a Doug Pinnick,
    Hey-I'm-Using-A-Clawhammer-On-Piano-Strings sound, then grab a set and
    you'll hear what i mean.
    I have the shittiest bass on earth, with a couple of mods (Fender
    Mexi-bass, with Seymour Duncan Quarter Pounders) and a great amp... The
    Swings made a big difference... (the difference was this: I decided that
    i didn't need to buy a new bass after all...)

    Sincerely,
    The ProgRockBoy

    ------------------------------

    Date: Sat, 21 Dec 1996 12:50:57 -0500
    From: Mark Metzger <mmetzger@bostech.com>
    To: "'(Ytsejam)'" <ytsejam@ax.com>
    Subject: Tapestry
    Message-ID: <c=US%a=_%p=bostech%l=CARRIER-961221175057Z-168@carrier.btrd.bostontechnology.com>

    For anyone upset about Tapestry not being available as advertized, I
    would suggest joining the Fan Club *immediately*. Lets not out think
    ourselves here.

      1) DT puts Ronnie Scotts songs on Christmas CD #1.
      2) DT strongly hints that future Christmas presents will be
    forthcoming.
      3) DT requests that Mike (aka Matt) Bahr not do the Tapestry project.
     

    Draw your own conclusion.
    And, Merry Christmas.

    Mark Metzger
    mmetzger@bostech.com

    ------------------------------

    Date: Sat, 21 Dec 1996 10:45:39 -0800 (PST)
    From: The Outlaw Torn <skooc@earthlink.net>
    To: ytsejam@ax.com
    Cc: drjablin@oakland.edu
    Subject: ACCIDENT AT METALLICA SHOW
    Message-ID: <199612211845.KAA03222@lithuania.it.earthlink.net>

    Hi!

    Well, I went to the Metallica opening night in the Raisin capitol of the world;
    Fresno, CA on 12/19. I had pre show access and got to meet Jason and Kirk;
    but not James or Lars since they didn't come out. I got them to autograph my
    Vinyl cover of LOAD and a ticket from the club only show in SF back in June.
    It must've been a shitty day for them because they weren't very friendly.
    They weren't rude, just really quiet and kind of short with people.

    Korn was fine. If you like them then you'll like their set, if you don't
    then the set won't change your mind any. This was the second time I've seen
    them and they were about the same each time.

    Metallica came on at 8:20 and played for :110 or so before the accident. The
    show was in the round and Selland arena is REALLY small, so every seat was a
    good seat (I had the equivalent of 5th row).

    Now about the accident. During their first encore some FAT bastard in the
    balcony got a
    hold of the hose that held all of the lighting wiring and used it as a rope
    to do his Tarzan impression and swing across the arena. Once he finally
    stopped the security people tackled him like Dallas did Steve Young a few
    weeks back. a few minutes later, ALL the lighting rigs started shorting out
    and the bulbs started popping. One tech who was at the roof fell to the
    stage, one guy dropped his rope ladder to get down from his lighting rig,
    but either he was going too fast and fell and got his leg caught in the rope
    about 3/4 of the way down, or he was electrocuted. The reason I think he was
    electrocuted is because he was flapping around like he was having a seisure.
    The EMT people got him down and the whole time he was spazzing on the stage
    floor, it was a scary thing to see. I also heard a guy caught on fire too,
    but the guy who was electrocuted happened right in front of me and I was so
    shocked that I didn't see anything else really that was going on. Of course
    a lot of people thought this was all part of the show, but just looking at
    the band you could tell this was NOT planned. It was total and complete
    fucking chaos!

    After everything calmed down, they strung up a few light bulbs (the amps
    were still working) and played two more songs.

    Anyway, here's the setlist, the total time from when they came on to when
    the lights came on was two hours, but the set could've been cut short
    because of the problems.

    so what / creeping death / sad but true / ain't my bitch / whiplash / king
    nothing / one
    wasting my hate / jason and kirk jamming / nothing else matters / until it
    sleeps / for whom the bell tolls / wherever i may roam / fade to black /
    seek and destroy / damage inc / last caress / master of puppies / enter
    sandman / am i evil / motorbreath

    The show overall was awesome and the lights when working properly are
    awesome! I HIGHLY recommend going to see them. As you can tell they don't
    play the new album to death, so all the anti - Load people will enjoy it too.

    Merry Christmas!

    Scott

    ------------------------------

    Date: Sat, 21 Dec 1996 13:49:52 -0500 (EST)
    From: Syrinx <syrinx@dreamt.org>
    To: Yitz-say-jam <ytsejam@ax.com>
    Subject: Geddy and Working Man.
    Message-ID: <Pine.BSD.3.91.961221133827.21615A-100000@astro.ocis.temple.edu>

    Hola, kids.

            So, i'm leafing through "A Show Of Fans" and there is an
    interview with Geddy. I'm reading the intertview when it comes to this:

    <btw, this is geddy talking>

            "...there is something i'd like to address actually. and that's
    this Trubute thing. Ah, it's come to my attention that there's all these
    weird comments floating around. I'd just like to clarify something to
    our fans. I think our view of this whole thing has been portrayed as
    totally distorted. when we were asked, well, when we were told basically
    that there was a tribute album being done, this was only brought to us
    one time. And one time only, when they were making this album. We were
    asked what our feelings were about it and there's really not much you can
    say when someone decides to do a tribute album. That's nice if it's a
    sincere tribute. That's very nice. But, we were then told the record
    label that was releasing this tribute was kind of in the business of
    doing tribute albums. Then we had concerns that this wasn't really going
    to be a tribute but rather an exploitaion of our fans. That was our
    concern. There was never any question of the musicians involved. We
    didn't really know who was involved. For some reason, that concern over
    our fans exploitation has been blown way out of proportion. Even to the
    fact that there was some quote from our office that was totally erroneous
    about tribute albums. It was basically out of control. So i'd just like
    to clarify that to our fans, because i know there's a lot of weird
    opinions floating around about what our attirute on this thing was. Our
    attitude was very low key. We never had any intention of suing anybody.
    Those things were all attributable to either over zealous representatives
    of our band or over zealous gossip. you know what i mean? i just wanted
    to clarify that. it's come up in a lot of interviews."

    later in the interview he says:

            "..well, i wanted to deal with that <the tribute album> because
    from what i've read, it makes us sound totally inappreciative for the
    musicians that have been involved in this record. And we are not
    unappreciative of them in any way. it's not about their involvement.
    It's not about the producers of the record. It was strictly a concern
    that this was a record company that was looking out to make a few bucks
    off the loyalty of our fans."

            make your own conclusions. :)

    m.

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    End of YTSEJAM Digest 2133
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