YTSEJAM digest 1511

From: ytsejam@ax.com
Date: Thu May 02 1996 - 03:28:34 EDT

  • Next message: ytsejam@ax.com: "YTSEJAM digest 1512"

                                YTSEJAM Digest 1511

    Today's Topics:

      1) Up From The Underground
     by Steve Borzilleri <magellan@u.washington.edu>
      2) synths (NDTC)
     by jbako01 <jbako01@barney.poly.edu>
      3) Mail Item Format Warning
     by "RESPONSE at IBMMAIL 05/02/96 - 03:36:09" <response@ibmmail.com>
      4) satch n tha do'
     by ripzero@ix.netcom.com (RipZero )
      5)
     by Pat Griffin <c675311@everest.cclabs.missouri.edu>
      6) Alanis...
     by clearyce@tuvok.marian.edu (Corey E Cleary)
      7) Always...Erotomania?
     by Bogie34@aol.com
      8) Queensryche / The Mirror / Queensryche
     by Bogie34@aol.com
      9) Re: YTSEJAM digest 1505
     by ernie@mail.pananet.com (Ernesto Schnack)
     10) Concept albums? How about concept 'bands'?
     by Ed Reed <ereed@comp.uark.edu>
     11) Summer slam
     by szucseue@saber.udayton.edu
     12) Re: YTSEJAM digest 1508
     by ernie@mail.pananet.com (Ernesto Schnack)
     13) D-Man and Airdance
     by FNGX01A@prodigy.com (MR JOHN CAHILLJR)
     14) Re: Great American Survey (G.A.S.)
     by "Steven C. Young" <syoung@primenet.com>
     15) Re; Great American Survey (G.A.S.)
     by "Steven C. Young" <syoung@primenet.com>
     16) Superior(No DT content)
     by KVillines@gnn.com (Kevin Villines)

    ----------------------------------------------------------------------

    Date: Wed, 1 May 1996 19:25:02 -0700 (PDT)
    From: Steve Borzilleri <magellan@u.washington.edu>
    To: Dream Thespians <ytsejam@ax.com>
    Subject: Up From The Underground
    Message-ID: <Pine.A32.3.92a.960501192442.111959G-100000@homer19.u.washington.edu>

    Hey There.

    Twenty tracks? Two cds? Has everyone but me decided to ignore the idea
    that DT might tour after releasing new material? Even if a whole show was
    dedicated to the new discs, DT couldn't play every track unless the show
    itself was two and a half hours long. As far as live shows go, twenty new
    songs is A LOT of stuff to work in. You can basically kiss ACOS, Learning
    To Live, Metropolis, Scarred, and Voices goodbye, unless DT feels generous
    during an encore...

    Still confused about Nuggetman's "circle of fifths" .sig? Head to this
    site:

            http://pacificnet.net/~jravich/guitar/music.html

    It's not a complete lesson, but you might get a clearer picture.

    I doubt the aol spams are from America Online. There's so much animosity
    directed towards aol from the entire online community, it wouldn't
    surprise me if someone is masking a spam-source with "aol.com." It's an
    easy target to get people upset with because aol already has so many
    dissatisfied customers. Or so I've heard.

    Derek in the cold signing autographs while others stay in the van? That's
    exactly what he did for me after the Birch Hell show. And yeah, he looks
    chilly in this picture. (I didn't send this one, D-Man)

    Raise your hand if you're going to buy a Sega Saturn just so you can hear
    Petrucci's soundtrack to "Necronomicon." :)

    Alanis Morissette has had three albums. The first two aren't available,
    and no I don't own them. As for my opinion of Alanis' music, I saw the
    video for "You Oughta Know" twice last summer in Ocean City, Maryland.
    When I got back to Seattle I bought the album because I liked how the band
    sounded (little did I know Flea only did the bass on that one track) and I
    could hear a lot of expressiveness in her voice that (I gambled) carried
    through the entire album.

    I wasn't disappointed with "Jagged" at all, I still listen to it from time
    to time, but what really attracted me to her sound was the agression
    combined with simple melodic control in her voice. There aren't enough
    female rock singers in publicly-available music for my tastes.

    I didn't say opera. I didn't say raspy, no-melody screaming. I didn't say
    whispery, weak, crying, lazily off-key vocals.

    I said rock.

    It helps to know what you like, auditorily, because you can hear a song
    twice and instantly know you'll like the other songs on the album, none of
    which you've heard at the time of purchase.

    A bunch of people have been mentioning guitar albums, wanting reviews,
    wanting advice on who to look for, who's hot, who's not, etc. I have a few
    lying around, so I figure I'll talk about them. Just a little. As a
    service to others, of course, as a giving human being, a benevolent,
    understanding soul like that nice Q.

    Bafu Vai

    p.s. Graham Borland is neat. I like Graham. :)

    ------------------------------

    Date: Wed, 1 May 1996 22:28:47 -0400 (EDT)
    From: jbako01 <jbako01@barney.poly.edu>
    To: ytsejam@ax.com
    Subject: synths (NDTC)
    Message-ID: <Pine.SOL.3.91.960501222621.15816A-100000@barney>

    sorry about the lack of DT content, but do any of you synth playing
    'jammers own/know anything about the Roland JV-50 /W-50 models. I'm
    looking to get one of these, and I've found it for a great price.
    Reply to me personally, so as not to clutter up the 'jam with this.

    Thanks in advance,

    James Bako "The only time I'll be happy
    jbako01@barney.poly.edu is when I'm dead"
    Polytechnic University -Neil Diamond
    Brooklyn, New York

    ------------------------------

    Date: Wed, 01 May 1996 22:34:45 EDT
    From: "RESPONSE at IBMMAIL 05/02/96 - 03:36:09" <response@ibmmail.com>
    To: ytsejam@ax.com
    Subject: Mail Item Format Warning
    Message-ID: <199605020234.TAA13529@mindcrime.ax.com>

    The mail item that you sent at 02:34:40 GMT on 02 May 1996 has been delivered.

    However, it has been necessary to convert this item into a
    format that is acceptable to the recipient, FITIPMOL at IBMMAIL.
    Information beyond column 79 in the mail item will have been wrapped.

    ------------------------------

    Date: Wed, 1 May 1996 19:41:27 -0700
    From: ripzero@ix.netcom.com (RipZero )
    To: Ytsejam@ax.com.some.said.with.that.new.cut.satriani.looked.like.billy.c.from
    Subject: satch n tha do'
    Message-ID: <199605020241.TAA28858@dfw-ix9.ix.netcom.com>

    smashing pumpkins, but man, with those glasses, he totally reminds me
    of scott ian of anthrax, dontcya think?
        also- at the st louis show i saw a dude with an awake shirt on! it
    was killer :) always good to see the DT fans out there
            ~Rip

    ------------------------------

    Date: Wed, 1 May 1996 22:10:32 -0500 (CDT)
    From: Pat Griffin <c675311@everest.cclabs.missouri.edu>
    To: Free_Magazine_Offer! <ytsejam@ax.com>
    Message-ID: <Pine.SGI.3.91.960501220055.3098A-100000@indy17.gclab.missouri.edu>

    dtc wrote:
    >So I am sitting here at 540am (8+GMT) after being kick and banned by
    >Gabbo. Obviously, he hates me for me playing Superior's "Why?" over and
    >over again on dreamt 2112. But it rules!

    Yes, it rule, in fact it's favorite Superior song, but my computer has to
    pre-cache the .wav every time you play it, and when you do nothing but
    play a minute long .wav file over and over again, I get lagged. When I
    get lagged because someone else is being a prick, I'll kick him! I
    unbanned you, but you were gone by the time I did. :)

        h t t p : / / w w w . m i s s o u r i . e d u / ~ c 6 7 5 3 1 1 /
        | Pat Griffin Reality2 Design |
        | c675311@showme.missouri.edu c675311@cclabs.missouri.edu |
        h t t p : / / w w w . m i s s o u r i . e d u / ~ c 6 7 5 3 1 1 /

    ------------------------------

    Date: Wed, 1 May 1996 23:01:21 -0500
    From: clearyce@tuvok.marian.edu (Corey E Cleary)
    To: ytsejam@ax.com
    Subject: Alanis...
    Message-ID: <199605020401.XAA05740@tuvok.marian.edu>

    Okay, I've been reading the admittance of individuals that like
    "alternative" music. I've found that althought I enjoy listening to some of
    the music, it's not all what it's cracked up to be. Alanis did not write
    'Ironic' just like Oasis did not write 'Wonder Wall.' In fact, I've found
    that a lot of "alternative" artist redo songs from the early age of
    rock-n-roll under their own name. This is my greatist dissapointment. I
    love music, but not when it's a "Lie." Please, don't mistake me for
    flamin' the musicians; I'm just stating fact.

    YKYADTF When every time someone starts talking music, the first thing to
    come from you is, "Well, what about Dream Theater..." ;')

                           
    Corey E. Cleary

    Somewhere in the promises
    I've fallen...
    Deep beneath the light.
                     -- C. E. Cleary

    E-mail:
         clearyce@marian.edu
         dragon@dreamt.org

    ------------------------------

    Date: Thu, 2 May 1996 00:01:02 -0400
    From: Bogie34@aol.com
    To: ytsejam@ax.com
    Subject: Always...Erotomania?
    Message-ID: <960502000101_482542980@emout10.mail.aol.com>

    In a message dated 96-05-01 22:12:46 EDT, you write:

    << In Erotomania at 3:05-3:23 it sounds like they're playing the
    music to a Coca Cola ad. Listen to it and see if you end up
    humming "AAllwaays Coooca-cooola." This has been happening
    ever since I first heard the damn song. >>

    Actually, every time that I hear this part of the song, I come out of it
    singing, "When there is reason, arrive the Silent Man." I don't know about
    everyone else... :)

    Since we're on the subject of Erotomania, is it just me or did John Purdell
    and Duane Baron do a _really_ bad job on mixing the vocals?

    Bogie

    ------------------------------

    Date: Thu, 2 May 1996 00:01:08 -0400
    From: Bogie34@aol.com
    To: ytsejam@ax.com
    Subject: Queensryche / The Mirror / Queensryche
    Message-ID: <960502000106_482543023@emout16.mail.aol.com>

    In a message dated 96-05-01 22:12:46 EDT, you write:

    << To me this makes so much sense. Sorry if you don't like
    Queensryche. I could have written alot more but a) people probably don't
    care, and b) I don't have the lyrics with me.

     Then again, this is coming from the same person who thinks "The Mirror" is
    about a drug dealer!! (And I can defend that!)
    >>

    Well, I certainly care about someone's opinion on Queensryche. (That is,
    unless you are mindcrimer@aol.com, who is so unbelievably ignorant that he
    thinks no DT song has relevant lyrics.) I don't think The Warning is so much
    a concept album as it is an album with a common theme. I think that all of
    Queensryche's albums have a general theme (with the exception of the EP and
    Empire). Obviously, O:M isn't an album with a theme, but a concept. I think
    the whole concept album concept deals with all of the songs contributing
    either lyrically or musically to a story. I don't think that The Warning,
    RFO, or PL do that. They just have a general theme(s). IMO, The Warning's
    theme is the takeover of technology. QR is giving us "The Warning". If you
    saw the list of concept albums others have mentioned recently, take a look at
    the lyrics from those albums. They solidly tie into a story. They share
    more than a theme.

    As for "The Mirror", IMHO, I believe that the lyrics are about someone
    looking at his or her reflection in the mirror. Some feel that it deals with
    losing trust in a signficant other, but, as suggested by the title, couldn't
    that significant other be yourself? Sometimes, you have to look in the
    mirror to realize how much you've fucked up. (Pardon my French, but you lose
    emphasis when you say, "...you've done some really, really bad things.) The
    "you" in this song is the person who is reflected by the mirror. The person
    is speaking to his reflection.

    Bogie

    ------------------------------

    Date: Thu, 2 May 1996 00:02:57 -0400
    From: ernie@mail.pananet.com (Ernesto Schnack)
    To: ytsejam@ax.com
    Subject: Re: YTSEJAM digest 1505
    Message-ID: <19960502040256.AAA8470@mail.pananet.com>

    > And about The Beatles. I know they're supposed to be the fathers
    >of all pop music and thus all rock, and we're all supposed to like them,
    >but am I alone in saying they suck? I mean, their songs are all so trite
    >and contrived, swaying from simplistic to silly without a worthwhile

    Is it the la-la aspect of their music? I can understand that, but that
    stuff's deeply engrained in my DNA from listening to it when I was a kid.
    Still the only stuff of theirs which I *really* like are their last 3. At
    least tell me you like Helter Skelter... then again it sounds like you're
    being sarcastic, but maybe you're not so I'll post this anyways...:)

    "OK...great, OK...listen Bert,uh...how about this one?"(this one,this
    one,this one,this one, this one, etc.)
    Ernie :)

    ------------------------------

    Date: Wed, 1 May 1996 23:07:36 -0500 (CDT)
    From: Ed Reed <ereed@comp.uark.edu>
    To: ytsejam@ax.com
    Subject: Concept albums? How about concept 'bands'?
    Message-ID: <Pine.SOL.3.91.960501230235.17757A-100000@comp.uark.edu>

    Been a little talk about concept albums on the jam again as of late. Of
    course, Queensryche's 'Operation: MindCrime' got mentioned, as well it
    should for being a brilliant concept album not to mention just one of the
    most kick-ass albums of all time. (IMHO, of course) Then there is the
    debate over whether Promised Land is a concept album, or whether Rage for
    Order or Warning were concept albums.

    Well, here's a point I don't think I've seen anyone bring up yet... I
    admit it's a little bit shallow, but try this little exercise:

    Take the names of all of Queensryche's albums in chronological order and
    see what you come up with...

    Queen of the Reich (Queensryche EP), The Warning, Rage for Order,
    Operation: Mindcrime, Empire, Promised Land.

    We have a queen coming to power, a warning issued to all around, the
    beginnings of a campaign, revolution, conquer, and finally peace and
    tranquility after arriving at our goal.

    It's a concept _band_ in that every album they release adds one more
    piece to the puzzle. :)

    Okay, I'm stretching things, but *I* thought it was cool... *hehe*

    DrX -- aka Death

    /-------------------------------------------------------------------------\
    | It is against the law for a monster to enter the corporate |
    | limits of Urbana, Illinois. |
    \-------------------------------------------------------------------------/
       \------ Ed : ereed@comp.uark.edu, drx@reich.uark.edu ---------------/

    ------------------------------

    Date: Thu, 2 May 1996 00:11:46 -0400
    From: szucseue@saber.udayton.edu
    To: ytsejam@ax.com
    Subject: Summer slam
    Message-ID: <96050200114665@saber.udayton.edu>

    Well folks, I'm headed out of here for the summer, hopefully I
    will have e-mail access back home and be able to check up on
    you folks so I don't have to harrass some jammer by randomly mailing
    and saying "what the hell is going on?"
            On the Alanis thing; poppy songs which are VERY addictive!
    I despised her at first, but after hearing and buying the album,
    not bad!!
            -On Mike Bahr; why don't we just set up the BahrJam, I'm
    impressed!! A lot of work does pay off (he's not paying me to
    say this or anything)
            -On Saigon Kick; WONDERFUL BAND!! Great live show, and
    terribly humble gentlemen
            -On DT; keep praying

            Take care all, and have a great summer if I fall out of
    touch (I'm usually waiting in the wings anyway)

                                    -gene szucs

    ------------------------------

    Date: Thu, 2 May 1996 00:59:55 -0400
    From: ernie@mail.pananet.com (Ernesto Schnack)
    To: ytsejam@ax.com
    Subject: Re: YTSEJAM digest 1508
    Message-ID: <19960502045953.AAA9126@mail.pananet.com>

    >I think it's ok as long as you tell the listener that there are some overdubs
    >and explain the reasons (James was not very well this evening, when you listen
    >to the Japan-PPV-video, you'll see that he had a bad cold this time). That
    >would be honest and you would have best sound quality. But this way it's like
    >pretending a good performance, but half of it was done in studio, and that's
    >not ok, IMHO.
    >

    When you think about it, ACOS isn't really a 'live' album. They just needed
    something to fill up space, and I guess they thought they would just touch
    'em up and put 'em on there. As far as we know the real live album LatM and
    LiT weren't touched up. Besides that, they might have been pressured by the
    record company to do it. Think about it. They realeased a 23 min song in
    response to a small group of rabid fans. Since DT is still a 'baby band' in
    EW's eyes they probably thought that putting covers would be a good way to
    attract new fans... and if you want to attract fans, the covers should be
    well done, dontcha think (nobody wants medium rare covers :) Especially if
    the only original song on the CD is so darn long...

    Besides that...as far as I've noticed, only KJL and JP are the ones who
    touched up their parts... they're also the ones who don't like boots...hmmmm

    >Beatles: I think they suck.

    OK, that's fine and dandy, but next time try saying it in a more eloquent
    manner. That's the kinda stuff that starts the annoying flames...

    "OK...great, OK...listen Bert,uh...how about this one?"(this one,this
    one,this one,this one, this one, etc.)
    Ernie :)

    ------------------------------

    Date: Thu, 2 May 1996 01:56:24, -0500
    From: FNGX01A@prodigy.com (MR JOHN CAHILLJR)
    To: Ytsejam@ax.com
    Subject: D-Man and Airdance
    Message-ID: <199605020556.BAA19926@mime2.prodigy.com>

          Uh D-Man I believe you forgot to mention that I am from Kings
    Park, Kevins original stomping grounds and, since we are friends and
    you live on a Harvard avenue it's a little weird. Get it?

          Which DT song is heaviest you ask. What is the definition of
    heavy? If you mean from a slow methodical pace, then the Mirror is
    your tune. I would have to say that The ones who help to set the sun
    is pretty damn heavy too.

          One large thing about Alanis and then I hope she drops along
    with the subject from the face of the planet. I believe that she has
    entered a contest with Carly Simon to see who has the largest mouth
    of any female singer.

          Drummers, a question for you.
    What DT song do you feel is the most difficult to play and why? E-
    Mail me personally with your responses. I think the hardest to play
    is TTT.

                    Elen sila lumenn omentilmo, Gandalf

    ------------------------------

    Date: Tue, 30 Apr 1996 23:35:52 -0700
    From: "Steven C. Young" <syoung@primenet.com>
    To: "'YtseJam Digest'" <ytsejam@ax.com>
    Subject: Re: Great American Survey (G.A.S.)
    Message-ID: <01BB37B3.3A682CC0@ip136.tus.primenet.com>

    Hey, y'all -
    Well, my modem crapped out on me again and my latest retrieval of E-mail
    resulted in about 1,836 Jams - all of which I deleted, except for the
    latest one (#1497), so I have no idea what's going on - therefore, very
    little DT content - my sincere apologies.

    The Jam (as far as I know) hasn't had the pleasure of participating in a
    survey for quite a while - so, if you don't mind, I'd like to conduct one
    for my own personal interest and maybe yours, too...

    Item #1: Who do you prefer? Dane Sonnier or Wally Farkas? (Galactic
    Cowboys)
    My response/opinion: Farkas is to Sonnier what Vai was to Satriani - the
    student/understudy turned master. Farkas

    Item #2: Favorite Galactic Cowboys album: Galactic Cowboys, Space In Your
    Face, or Machine Fish?
    My response/opinion: GC made quite an improvement when they were dumped by
    Geffen - Geffen or not, Alan Doss did an excellent job producing Machine
    Fish, and I think it's, by far, the best sounding and best produced album.
    Granted, I'm not quite as familiar with the first two, but, from what I've
    heard of them (and they are great, also) Machine Fish takes it for me. MF

    Item #3: To those of you who caught Sepultura opening for Ozzy in recent
    months: Did you dig them? Or did they just SUCK?!?
    My response/OPINION!!!: I have never suffered like that through the
    duration of an opening band's show...and I've seen Trixter. It was almost
    painful - heck, ditch the 'almost' - it was downright painful! And, I
    wasn't the only one. About halfway through their set, the audience
    (Phoenix-April 13th) started chanting "Ozzy! Ozzy! Ozzy!" I've NEVER heard
    that before.
    ("Bloody 'orrible!" - Eric Idle, Monty Python). SUCKED!

    Item #4: Being a drummer, this one is of particular interest to me - and to
    a lot of you, judging by past Jams: Portnoy's drum sound - which do you
    prefer? WDADU, IAW, Awake, or ACOS?
    My response/opinion: For myself, I would choose the ACOS sound. For DT,
    however, I think the sound utilized in the recording of IAW best fits DT's
    music. But, who am I to criticize arguably the world's greatest drummer?
    IAW

    Item #5: Finally, who is your favorite? Portnoy or Peart?
    My response/opinion: I tend to prefer Portnoy, but maybe that's because I
    prefer DT over Rush, but not by a whole lot. I would love to see those guys
    engage in a drum duel, if they tour together - that would almost be too
    much for any drummer to stand.

    I'd also like for those interested to send me a list of their 10 favorite
    bands (go ahead and include DT, but, I think we all know who will come out
    on top).
    My response/opinion: (In no particular order) DT, King's X, Van Halen,
    Rush, GC, Queensryche, Extreme, Saigon Kick, Mr. Big, and Yes.

    Send entries to: syoung@primenet.com with 'Re: Survey' in the Subject.
    I'll be accepting entries until May 31, at 11:59 pm. Then, I'll tally the
    votes and try to post the results on June 1 (my wife's birthday).

    DT's new disc due out in October? Did I hear right?
    Has anybody heard the CD Burnin' For Buddy (a Buddy Rich tribute CD that
    features Peart)?
    What's happening with the DT watches?

    Thanks for your participation and refrain from flaming - wow, say THAT ten
    times fast.

    "Kind hands wrapped around my neck
    Sharp teeth biting in my back
    Cold eyes burning laser beams
    Oh, God! Relieve me of this STRESS!"
    --- Monty Colvin (Galactic Cowboys)

    Steve from Tucson
    syoung@primenet.com

    ------------------------------

    Date: Wed, 1 May 1996 23:18:01 -0700
    From: "Steven C. Young" <syoung@primenet.com>
    To: "'YtseJam Digest'" <ytsejam@ax.com>
    Subject: Re; Great American Survey (G.A.S.)
    Message-ID: <01BB37B8.F1365300@ip136.tus.primenet.com>

    Another copy of the G.A.S. - just to make sure everyone has a chance to
    participate.

    Item #1: Who do you prefer? Dane Sonnier or Wally Farkas? (Galactic
    Cowboys)
    My response/opinion: Farkas is to Sonnier what Vai was to Satriani - the
    student/understudy turned master. Farkas

    Item #2: Favorite Galactic Cowboys album: Galactic Cowboys, Space In Your
    Face, or Machine Fish?
    My response/opinion: GC made quite an improvement when they were dumped by
    Geffen - Geffen or not, Alan Doss did an excellent job producing Machine
    Fish, and I think it's, by far, the best sounding and best produced album.
    Granted, I'm not quite as familiar with the first two, but, from what I've
    heard of them (and they are great, also) Machine Fish takes it for me. MF

    Item #3: To those of you who caught Sepultura opening for Ozzy in recent
    months: Did you dig them? Or did they just SUCK?!?
    My response/OPINION!!!: I have never suffered like that through the
    duration of an opening band's show...and I've seen Trixter. It was almost
    painful - heck, ditch the 'almost' - it was downright painful! And, I
    wasn't the only one. About halfway through their set, the audience
    (Phoenix-April 13th) started chanting "Ozzy! Ozzy! Ozzy!" I've NEVER heard
    that before.
    ("Bloody 'orrible!" - Eric Idle, Monty Python). SUCKED!

    Item #4: Being a drummer, this one is of particular interest to me - and to
    a lot of you, judging by past Jams: Portnoy's drum sound - which do you
    prefer? WDADU, IAW, Awake, or ACOS?
    My response/opinion: For myself, I would choose the ACOS sound. For DT,
    however, I think the sound utilized in the recording of IAW best fits DT's
    music. But, who am I to criticize arguably the world's greatest drummer?
    IAW

    Item #5: Finally, who is your favorite? Portnoy or Peart?
    My response/opinion: I tend to prefer Portnoy, but maybe that's because I
    prefer DT over Rush, but not by a whole lot. I would love to see those guys
    engage in a drum duel, if they tour together - that would almost be too
    much for any drummer to stand.

    I'd also like for those interested to send me a list of their 10 favorite
    bands (go ahead and include DT, but, I think we all know who will come out
    on top).
    My response/opinion: (In no particular order) DT, King's X, Van Halen,
    Rush, GC, Queensryche, Extreme, Saigon Kick, Mr. Big, and Yes.

    Send entries to: syoung@primenet.com with 'Re: Survey' in the Subject.
    I'll be accepting entries until May 31, at 11:59 pm. Then, I'll tally the
    votes and try to post the results on June 1 (my wife's birthday).

    Thanks for your participation and refrain from flaming - wow, say THAT ten
    times fast.

    "Kind hands wrapped around my neck
    Sharp teeth biting in my back
    Cold eyes burning laser beams
    Oh, God! Relieve me of this STRESS!"
    --- Monty Colvin (Galactic Cowboys)

    Steve from Tucson
    syoung@primenet.com

    ------------------------------

    Date: Thu, 02 May 1996 02:22:21
    From: KVillines@gnn.com (Kevin Villines)
    To: ytsejam@ax.com
    Subject: Superior(No DT content)
    Message-ID: <199605020725.DAA00909@mail-e2b-service.gnn.com>

    Since there is not a single person on ytsejam whom has had anything bad to
    say about Superior, I must now break down and ask for assistance in locating
    a copy. HELP!

    ------------------------------

    End of YTSEJAM Digest 1511
    **************************



    This archive was generated by hypermail 2b30 : Thu Apr 01 2004 - 17:55:27 EST