YTSEJAM Digest 2020
Today's Topics:
1) DT Tour, and bootlegs
by DrummerEsh@aol.com
2) TSO
by "LRW" <sir@micron.net>
3) Re: probably a stupid question
by Carlos Alfaro <calfaro@caribe.net>
4) Various stuff
by "LRW" <sir@micron.net>
5) MC and MP
by "LRW" <sir@micron.net>
6) South Florida Jammers
by DYNAMOJOE@aol.com
7) just sayin hi! no DTC
by "Beavis (Wes Foll)" <wfoll@america.net>
8) G3, Jack Butler
by Steve Borzilleri <magellan@u.washington.edu>
9) Sorry--No DTC...
by "Vincent G. LuPone" <vgl@u.arizona.edu>
10) Re: Various stuff
by "Vincent G. LuPone" <vgl@u.arizona.edu>
11) Re: YTSEJAM digest 2016
by Chris Ptacek <someone@enteract.com>
12) Taping - For or Against
by Mike Backof <mbacko1@umbc.edu>
13) Becker
by Chris Ptacek <someone@enteract.com>
14) Another online vote-site
by "Paul W. Cashman" <vanyel@crl.com>
15) Fan Club CDs
by Mike Backof <mbacko1@umbc.edu>
16) DT Discography - Part 1
by Michael Backof <mbacko1@gl.umbc.edu>
----------------------------------------------------------------------
Date: Tue, 12 Nov 1996 21:21:31 -0500
From: DrummerEsh@aol.com
To: ytsejam@ax.com
Subject: DT Tour, and bootlegs
Message-ID: <961112212129_1982892405@emout06.mail.aol.com>
In a message dated 96-11-12 10:31:31 EST, you write:
Hay you all DT fans. Hows it going? ok enough of that crap. I would like
to find someone who sells bootleg cd's tapes or even record of DT. I don't
care if it illigal or whatever I want them. Please email me ====>
DrummerEsh@aol.com
also I would like to know if DT is comming to LA any time soon.
Robert
------------------------------
Date: Tue, 12 Nov 1996 19:20:40 -0700
From: "LRW" <sir@micron.net>
To: <ytsejam@ax.com>
Subject: TSO
Message-ID: <199611130224.TAA29333@snowden.micron.net>
>>Ytsejam on WDAJU has an abbreviated drum solo. Very cool.
>Oh is must be Mike Bahr's newest CD "When Dream And Jam Unite" :)
>
>John
I like to refer to WDATU as WDAJU as in when dream and james unite.
The more I think about it, the funnier the GC version of TTT of LiT is.
I'm currently listening to TSO. I would definately recommend it. It's a
big more mellow than I might like, but the HM christmas carols make up for
it.
Craig Wuthrich
------------------------------
Date: Tue, 12 Nov 1996 23:17:42 -0400 (AST)
From: Carlos Alfaro <calfaro@caribe.net>
To: ytsejam@ax.com
Subject: Re: probably a stupid question
Message-ID: <199611130317.XAA17077@mail.caribe.net>
At 03:27 PM 11/12/96 -0800, you wrote:
>AS I've gathered from the FAQ, Johm Myung can speak very little of
>Korean. But the other guys... What about Petrucci's ability to speak
>Italian? Or what about Derek speaking Armenian? James mouthing
>French? Mike doing well in Russian (for that's who he is, ain't he)?
>Been willing to know about it for a while now... :-)
>
mike's russian?? ive always thought of portnoy being a greek name ...and he
sorta looks kinda greek..like when he has his beard he looks like Jesus..
eheh ...
------------------------------
Date: Tue, 12 Nov 1996 19:49:55 -0700
From: "LRW" <sir@micron.net>
To: <ytsejam@ax.com>
Subject: Various stuff
Message-ID: <199611130300.UAA00073@snowden.micron.net>
>Excuse me, but can we please be spared the chain letters? This kind of
>mindless bullshit has absolutely nothing to do with the band the list is
>associated with or music in general, and is just a complete waste of time
>and effort.
> ~Vince
I completely agree with you, but why then did you repost it? That kinda
defeats the purpose, doncha think?
Will the fish69 guy please email me? I want a copy of whatever it was that
you wanted to give out copies of. I tried emailing you, but it came back
to me.
I would be very interested in trading with anyone. I have a few boots and
want more. please email.
Craig Wuthrich
------------------------------
Date: Tue, 12 Nov 1996 20:07:48 -0700
From: "LRW" <sir@micron.net>
To: <ytsejam@ax.com>
Subject: MC and MP
Message-ID: <199611130310.UAA00268@snowden.micron.net>
I just remembered it was Mind Control that I wanted from the fish69 guy.
Please email me.
Also, If anyone got an MP clinic on video I want it. I have some stuff I
could trade for it.
Craig Wuthrich
------------------------------
Date: Tue, 12 Nov 1996 22:35:59 -0500
From: DYNAMOJOE@aol.com
To: ytsejam@ax.com
Subject: South Florida Jammers
Message-ID: <961112223558_225878822@emout11.mail.aol.com>
No DT content but wanted to throw this out:
Any S. Florida jammers going to the RUSH show at the Coral Sky
Amphitheater in West Palm on Dec 8th? Plus, I just found out last weekend
that Eric Johnson is playing a place called the Carefree Theater also in West
Plam on Dec 1st. With G3 apparently not getting down this far south, I'll
take what I can get. Tickets are still available I believe and I'm happy with
my center section 11th row seat for old EJ. Hope some jammers make it to
either one of these shows. Take care folks.
Dave
------------------------------
Date: Tue, 12 Nov 1996 23:05:10 -0500 (EST)
From: "Beavis (Wes Foll)" <wfoll@america.net>
To: ytsejam@ax.com
Subject: just sayin hi! no DTC
Message-ID: <199611130405.XAA21998@atl1.america.net>
HI!
Okay, maybe I'll say more heh. Okay, the real reason I'm writing to the
list this time is because I just wanted to say that I was very impressed
with the IRC thing for this list. Two nights ago I logged in for the first
time ever on there and was greeted by almost everybody there! Thanks! I
was pleasantly surprised to see that some ppl had recognized me from various
posts to this here list and that ppl so cool to me. 8) Also, I logged in
tonight (tuesday night), and had a great time givin a little trivia test to
(forgive me if I can't remember everyone!) Rip, Kevin, william, DreamNDay,
and some others that I can't think of right now. Anyways, thanks and you'll
be seeing more of this Atlanta boy hangin our more often there...see ya!
p.s. ppl here should go hang out also at the Megadiner, where Megadeth's
fan go to chat (well it's been a place for non metalheads too oh well).
telnet to shocking.com 6969
Beavis (Wes Foll)
/|
/ ||\
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//| || \\_____ _____| ||___ // |\ \/ /
//_| || \ | || || | | || |/ ///|| \ /
/ __ || |\ \ | || || |__| || <//_|| / \
/ / | || | \ \| || || __ || |\ \__ |/ /\ \
/_/ |_||_| \ || || | |_||_|/\ \ || / \_\
\ || ||/ \_\||/
\ ||/
\|
"What is, is.
What is not, is not.
What is is, and is not, is is, and is not."
------------------------------
Date: Tue, 12 Nov 1996 21:00:31 -0800 (PST)
From: Steve Borzilleri <magellan@u.washington.edu>
To: Dream Thespians <ytsejam@ax.com>
Subject: G3, Jack Butler
Message-ID: <Pine.A32.3.95.961112205512.108440A-100000@homer26.u.washington.edu>
Second on the playlist was Steve "In Your Face" Vai.
One word: outrageous. Nevermind the obvious auditory aspects of his
persona, this guy had MOOVES. And he never repeated any of them, not once.
Moove after moove after moove. What a clown. He should release a videotape
detailing his on-stage antics. Playing between his legs, playing with his
mouth (teeth? tongue? who could tell?), simultaneously putting his left
index finger over his lips (shhhh) while cutting off the volume with his
right hand on the volume knob, visualizing a slowly-falling harmonic by
maneuvering his guitar through the air like a plummeting airplane, etc.
He also did a series of grandiose, almost ballet-like poses while holding
chords on the guitar, poses in which he would lift the guitar away from
his body like a sword, like a samurai posing for photographs. I wonder how
many mirrors he has in his studio when he practices.
What really struck me about his style was his freedom of movement while
playing. It was as if he would only put his hands on the guitar when he
had to. He was so loose and free, he was a pleasure to watch. Hands down,
he muted better than any guitarist I've ever seen, and by that I don't
mean playing muted notes. I mean he would get the exact sound he wanted to
get out of one note and completely silence the other five strings. Or if
he had to ring certain notes found on the G and high E strings he would do
so with ONLY his left hand with no help from his right, and the B was
nowhere to be heard. That volume knob might as well have been be attached
to his right pinky, he could cut the licks off instantaneously. All this
mastery while dancing around like a rabid slinky.
"Yeah, we gotta boy by the name'a Jack Butler. Cuts heads every Saturday
night. Jack Butler gone' LIKE you..."
--sample from "Crossroads" ominously blared before "Bad Horsie"
When people posted here saying Mike Keneally did "harmony and keyboard,"
what they forgot to mention was that he did harmony to VAI'S GUITAR. All
those doubled runs on the albums were performed live by Vai and Keneally.
Keneally also did a bit of drumming, a bit of keyboarding, a bit of
singing, and a bit of jumping around with a jester's cap on. The bassist
was a 200+ pound monster who reminded me of the Predator. He played not
only a bass but a bizarre headless bass/keyboard hybrid that looked as if
some demented wizard had cursed the two instruments and fused them
together. The drummer, Mike Mangini, simply rocked. Too bad I'll never get
to hear him play Extreme's material.
Someone I spoke to at the show thought Vai "relied too heavily on the
whammy bar," which makes little sense to me because the whammy bar is
attached to Vai's guitar. It's a permanent fixture. Why this person didn't
also say, "Legg relied too heavily on the second string" or "Mike Mangini
relied to heavily on the snare drum" is beyond me. I wondered why Eric
Johnson even HAD a bar on his tremolo since he didn't use it once the
whole night. Speaking of Eric....
Bafu
------------------------------
Date: Tue, 12 Nov 1996 22:33:55 -0700
From: "Vincent G. LuPone" <vgl@u.arizona.edu>
To: ytsejam@ax.com
Subject: Sorry--No DTC...
Message-ID: <199611130533.WAA59718@mustique.u.arizona.edu>
..but I gotta put in my two cents on this one.
ENOUGH RIPPING ON SATRIANI!!
I'm sick to death of all these people saying bad things about
Satch's playing. Ten to one you guys can't even come close to what he's doing.
And about comparing him to EJ, or Vai, please! This is what they
did the G3 tour about! They did the tour to show that there is no
competition between the three guys. They all love and respect each other's
music. To say that one is better than another is ludicrous IMHO. There is
a point at which a guitarist becomes ELITE. All these three have that
status; rightfully so. They kick ass, all three of them. Now that's
something that really can't be argued. They're good. Real good.
'nuff said.
Peace be with you and God bless.
~Vince
------------------------------
Date: Tue, 12 Nov 1996 22:37:17 -0700
From: "Vincent G. LuPone" <vgl@u.arizona.edu>
To: ytsejam@ax.com
Subject: Re: Various stuff
Message-ID: <199611130537.WAA26560@mustique.u.arizona.edu>
At 07:09 PM 11/12/96 -0800, you wrote:
>>Excuse me, but can we please be spared the chain letters? This kind of
>>mindless bullshit has absolutely nothing to do with the band the list is
>>associated with or music in general, and is just a complete waste of time
>>and effort.
>
>> ~Vince
>
>I completely agree with you, but why then did you repost it? That kinda
>defeats the purpose, doncha think?
>
I did that so y'all would know WTF I was talking about! I totally
hate chain letters and I can't believe someone would use this forum to send
one. That ideology is totally beyond me. I also hate to use cliches, but
you get the point!!
Later,
Peace be with you and God bless.
~Vince
------------------------------
Date: Tue, 12 Nov 1996 23:45:28 -0600
From: Chris Ptacek <someone@enteract.com>
To: ytsejam@ax.com
Subject: Re: YTSEJAM digest 2016
Message-ID: <2.2.32.19961113054528.006feb54@enteract.com>
>No offense or anything, but Johnson is leagues ahead of Satriani and
>sometimes even Vai when it comes to advanced guitar soloing. Satch is great
>and all, but it's mostly pentatonic and tapping tricks. That
>"pseudo-jizz-jazz" you're referring to is called putting melody into solos
>instead of jerking off on the whammy bar all night
Not a flame, but this is totally a silly thing to say. Each of these
players has his own style... fuck! These three players are responsible for
starting THOUSANDS of guitarists, and are three of the most copied players
in the world. I would NEVER dare to say Satch is mostly Pentatonic in
comparison with EJ. I mean... I've done a lot of EJ licks (from his videos)
and they're almost ALL pentatonic... whereas Satch plays mostly in lydian.
Eric doesn't do much tapping, no, but to say that the fact that Satch and
Vai DO tap puts them behind is also sorta... weird. Eric excels in
alternate picking. Satch excels in legato, groove and melody... Vai does all
of this and more... but they are at the core equals. They can all do lots
of things the others can't.
>I am no expert on this subject but I believe the answer is yes. I know bars
>pay ASCAP, BMI, etc. for "bar bands" to play covers in their club. I not
>sure about Working Man tracks being played on the radio but I would be
>inclined to say they would be paid.
I'm told Rush is paid for WM royalties. As far as bars go.... that's news
to me. I hope you're not implying that bars pay a certain amount for each
cover that's played there.
Finally:
I need help. Someone or ones who know these bootlegs, PLEASE e mail me and
give me some suggestions. A local shop can get me the following:
Tragedy Dance of Eternity Dream Out Loud
Comedy Live in Long Island Lords of Sound
Majestic Harmonies Mind Control
Wake Up 1.
I would like to know what tracks they have on them and the quality of the
recording/performance. If anyone is willing to do this for me, I'd be grateful.
Take care
"I'm afraid of politicians who have no hobbies." - A.R.U.
Christopher Ptacek EnterAct, L.L.C. We don't suck.
We now have proof.
http://www.enteract.com (312) 248-8511
"#1 ISP in the Midwest, #3 in the USA."
- C|Net (http://www.cnet.com)
------------------------------
Date: Wed, 13 Nov 1996 00:41:42 -0800
From: Mike Backof <mbacko1@umbc.edu>
To: ytsejam@ax.com
Subject: Taping - For or Against
Message-ID: <328989C6.6D60@umbc.edu>
Hello Jammers,
Lady Dragon stated...
> Besides the dollar factor, how would you feel (considering that most of
>us on here are musicians) if some 12 year old kid with a tape recorder
>was walking around town making money off of tapes of your bands worst
>performance. Wouldn't you want to have a say in whether or not people
>get to hear your fuck ups? and if you DID decide to let people hear
>it..then wouldn't you want a piece of that $$$ ? Of course you won't all
>agree
Personally I am for taping of shows. If a band feels that they are good
enough to have people come out and hear them play, pay them to play, then
the band should present a quality performance. If a band is worried
about someone picking up their "screw-ups" on tape, then they should
practice more, then the tapes will be good performances. They really
can't do much about the sound quality of the live recording, if they have
a good soundman then you have to hope that the punk knows how to work the
recorder. <grin> When I used to play symphonic and jazz tons of people
were recording us on video. (mostly family members) The screw-ups were
captured as well as the magic moments. As for people making money off of
fans, any fan with half a brain is going to listen to a live performance
before purchasing anything. I'm not going to buy anything which sounds
crappy, and if it is on CD and I can get a tape copy, lots of times I'll
just dub the live (illegitimate) CD. This way the bootleggers don't make
any more money off of the fan.
Just my opinion on the matter while revisiting an old topic.
Later,
Mike
------------------------------------------------------------------------
Michael Backof mbacko1@umbc.edu http://www.gl.umbc.edu/~mbacko1
WWW Pages - Unsigned Bands: http://www.gl.umbc.edu/~mbacko1/munsign.html
WWW Pages - Inferno Page: http://www.gl.umbc.edu/~mbacko1/inferno.html
------------------------------------------------------------------------
------------------------------
Date: Wed, 13 Nov 1996 00:07:30 -0600
From: Chris Ptacek <someone@enteract.com>
To: ytsejam@ax.com
Subject: Becker
Message-ID: <2.2.32.19961113060730.0071bbb4@enteract.com>
>anyone remember Cacophony and racer-X??? does any one have the tabs to
altitudes
>by Jason Baker? I always wanted to play this one.
Cacophony is the best shred metal band that ever existed. They consisted of
Marty Friedman and Jason Becker on guitars (FUKKIN' BEYOND anything anyone
else has done in shred IMO) Atma Anur and Deen Castronovo on drums for
albums 1 and 2 respectively. The band was destroyed mainly because the guys
wanted to be seen more... without being front men. In Cacophony the singer
tended to suck so hard he would get mocked when he'd cme on stage... and
then the crowd would go wild when he left for an instrumental.
As for Altitudes, I don't belive a tab exists (but if it does, PLEASE let me
know) though Air's tab does. I've learned bits and pieces of Becker tunes,
though I've never had the time to master one all the way through. He's my
favorite guitarist.... he did things JP probably can't do.... when he was 17
years old! (not a knock at JP... he's probably my favorite guitarist that's
still playing today.)
Chris W. Ptacek Musician and Listener
A.K.A Madsman, on IRC
"Can we search for inspiration -- those ideas that just come
from 'nowhere'? They don't surface when you're tHiNKinG.
They just come. What we CAN do is make fertile the ground
on which idea seeds fall."
- Michael Hedges
------------------------------
Date: Tue, 12 Nov 1996 22:23:12 -0800 (PST)
From: "Paul W. Cashman" <vanyel@crl.com>
To: ytsejam@ax.com
Subject: Another online vote-site
Message-ID: <199611130623.AA09317@crl11.crl.com>
A post on the National Midnight Star mentioned a best-of music poll,
ongoing, at www.rockmail.com. Go forth, ye DT soldiers, and conquer!
:) One set of votes allowed per day. I haven't checked it out yet,
but I will shortly.
(There's a spot where you can apparently enter some comments as to WHY
you picked your favorites. I'm flexing my fingers already. :))
Oh, I accidentally typed "rm * .htm" while updating my Web-page
directory, so all files were removed. I -think- I've replaced all the
needed files with backups of varying ages and vintages, but if you
wander through and find something busted or an image that ain't there,
please e-mail me.
Southeastern/Atlanta-area Jammers, please note that plans are now
pretty definite for a roadtrip up to see the Birch Hill show.
Itinerary is on my page; e-mail me or BigSwifty (big.swifty@twav.com)
if you're interested. At this time, we have room for one or two
more.
-- Seen my diary on the newsstand | Paul W. Cashman Seems we've lost the truth to quicksand | www.crl.com/~vanyel It's a shame no-one is praying <---+--- Dream Theater "Voices" 'Cause these voices in my head keep sayin'.."Love, just don't stare."------------------------------
Date: Wed, 13 Nov 1996 01:48:13 -0800 From: Mike Backof <mbacko1@umbc.edu> To: Ytsejam@ax.com Subject: Fan Club CDs Message-ID: <3289995D.493F@umbc.edu>
Hello Jammers,
Mark Metzger brought up the "fan club CD" idea for Dream Theater, to sort of emulate what Fish has been doing. I brought up this idea about 2 years ago and spoke to some people about it. The band needs to have approval from the record label to do something like this and at this time Dream Theater doesn't have that clause in their record contract. Like I said, this was two years ago, things might have changed. I would think that if the band is cool with it overall and they sell well on the new album, Mr Portnoy might put to have that clause in the band's new contract. Have a fan club record label similar to Marillion's Racket Records established for Dream Theater. Ytsejam Records or something of that nature. Mike Portnoy or anyone else out there with some influence (evoking the muse <grin>) you might want to work on something like this. If I run into Mike outside another concert I'll bring this up.
BTW Fish is releasing a new album in early 1997, Nick Barrett from Porcupine Tree is producing and playing on the album, it should be some incredible prog, those of you that have heard Porcupine Tree should see the possibilities. Nick wants to return Fish to his theatrical and artistic roots.
Later,
Mike ------------------------------------------------------------------------ Michael Backof mbacko1@umbc.edu http://www.gl.umbc.edu/~mbacko1 WWW Pages - Unsigned Bands: http://www.gl.umbc.edu/~mbacko1/munsign.html WWW Pages - Inferno Page: http://www.gl.umbc.edu/~mbacko1/inferno.html ------------------------------------------------------------------------
------------------------------
Date: Wed, 13 Nov 1996 01:54:25 -0500 (EST) From: Michael Backof <mbacko1@gl.umbc.edu> To: Ytsejam Digest <ytsejam@ax.com> Subject: DT Discography - Part 1 Message-ID: <Pine.SGI.3.95.961113015217.11005A-100000@umbc10.umbc.edu>
Here it is spliced since the jam rejected the whole thing at once...
------------------------------------------------------------------------------ ___ _ _ ___ _ ___ _ _ | \| >|_ /\ |\/| | |_||_ /\ | |_ | > _|_/| \|_/ \| | | | ||_/ \ | |_ | \ ------------------------------------------------------------------------------ Dream Theater DISCOGRAPHY Maintained by the FAQ folks - email mbacko1@gl.umbc.edu for more info.
**NOTE** E-mail mbacko1@gl.umbc.edu if you have info on new official releases and I will add them to this document.
Last Update: 11/13/96
------- LEGEND: LP - Record CT - Cassette CD - 5" Compact Disc C3 - 3" Compact Disc CS - Cassette Single 2CD - Double CD set V - VHS Video SV - S-Video LD - Laserdisc DCC - Pioneer Digital Compact Cassette MD - Sony Minidisc Brief discography ------------------ When Dream And Day Unite, 1989, MCA/Mechanic (All) LP, CT, CD When Dream And Day Unite, 1996, One Way Records (US) CD Status Seeker, 1989, MCA/Mechanic (USA) CD Afterlife, 1989, MCA/Mechanic (USA) CD Images And Words, 1992, Atlantic/ATCO (USA) CT, CD, MD, DCC (1994) Images And Words, 1993, Sony Music Entertainment (Japan) LP, CT, CD Another Day/Status Seeker, 1993, WEA International (UK Only?) CS Another Day/A Fortune In Lies, 1993, Warner Bros (Germany) CD Another Day/Under A Glass Moon, 1993, Atlantic/ATCO (USA) CS Pull Me Under, 1993, ATCO Promotional (USA) CD Pull Me Under, 1993, AVision ATCO Promotional (USA) V, SV Take The Time, 1993, ATCO Promotional (USA) CD Another Day, 1993, ATCO Promotional (USA) CD Under A Glass Moon, 1993, ATCO Promotional (USA) CD Surrounded, 1993, ATCO Promotional (USA) CD Live At The Marquee, 1993, WEA International (Germany, Holland, UK) CD Live At The Marquee, 1993, MMG Inc. (Japan) CD Live, 1993, ATCO Promotional (USA) CD Images And Words Live In Tokyo, 1993, AVision ATCO (USA) V Awake, 1994, Atlantic/ATCO (USA) CT, CD, MD, DCC Awake, 1994, MMG Inc. (Japan) CD Lie, 1994, Eastwest/ATCO Promotional (USA) CD Lie, 1994, Eastwest/ATCO (UK) CD Caught In a Web, 1994, Eastwest/ATCO Promotional (USA) CD The Silent Man, 1995, Eastwest/ATCO Promotional (USA) CD The Silent Man, 1995, Eastwest/ATCO (Germany) CD A Change of Seasons, 1995, Eastwest/ATCO (USA) CT, CD
Extended discography ----------------------------------------
When Dream And Day Unite, 1989, MCA/Mechanic, Worldwide MCD42259/MCAD42259/D:QM-F:BM720/MVCM-21059 Members of the band: Vocals: Charlie Dominici Otherwise same
Side 1 - 1. A Fortune In Lies 5:10 2. Status Seeker 4:15 3. The Ytse Jam 5:43 4. The Killing Hand 8:40 I. The Observance II. Ancient Renewal III. The Stray Seed IV. Thorus V. Exodus Side 2 - 5. Light Fuse and Get Away 7:23 6. Afterlife 5:27 7. The Ones Who Help to Set the Sun 8:04 8. Only a Matter of Time 6:35
When Dream And Day Unite, 1996, One Way Records (USA) MCAD-22190 Same tracks as above, No Lyrics Included
Status Seeker, 1989, MCA/Mechanic Promotional (USA) 17783 CD single, remixed by Terry Brown (Rush) 1. Status Seeker (LP version) 4:15
Afterlife, 1989, MCA/Mechanic Promotional (USA) 17784 CD single, remixed by Terry Brown (Rush) 1. Afterlife (LP version) 5:27
Images And Words, 1992, Atlantic/ATCO (USA) 7567-92148-2 A known variant exists on cassette with a promotional cover. Members of the band: Vocals: James LaBrie Otherwise same
Side 1 - 1. Pull Me Under 8:11 2. Another Day 4:22 3. Take The Time 8:21 4. Surrounded 5:28 Side 2 - 5. Metropolis Part I 9:30 (The Miracle and the Sleeper) 6. Under a Glass Moon 7:02 7. Wait For Sleep 2:31 8. Learning to Live 11:30
Images And Words, 1993, Sony Music Entertainment (Japan) Need a catalog # (mine is a copy)
Another Day, 1993, WEA International, UK Only? Confirmation anyone? Need a catalog # (submitted as entry, I don't own it) Cassette Single
Side 1 - Another Day (LP Version) 4:22 Side 2 - Status Seeker (Live) 4:28
Another Day, 1993, Warner Bros/ATCO (Germany) ATCO 7567 96013-2 CD Single
Another Day (LP Version) A Fortune In Lies (Live - Marquee Version) Another Day (Live - Marquee Version)
Another Day, 1993, Atlantic/ATCO, USA ATCO 4-98415 Cassette Single
Side 1 - Another Day (LP Version) 4:22 Side 2 - Under A Glass Moon (LP Version) 7:02
Pull Me Under, 1993, ATCO Promotional (USA) PRCD 4724 (picture sleeve) CD Single
Pull Me Under (Edit) 5:54 Pull Me Under (LP Version) 8:11
Pull Me Under, 1993, ATCO Promotional (USA) PRCD 4928 (no picture sleeve) CD Single
Pull Me Under (MTV Edit) 4:49 Pull Me Under (Edit) 6:01 Pull Me Under (LP Version) 8:11
Pull Me Under, 1993, ATCO Promotional (USA) PRCD 5067 CD Single
Pull Me Under (Edit) 4:39 Pull Me Under (MTV Edit) 4:48 Pull Me Under (LP Version) 8:11
Pull Me Under, 1993, AVision ATCO (USA) (Need catalog # on this one) Video
Pull Me Under (MTV Edit) 4:48 Pull Me Under (LP Version) 8:11
Take The Time, 1993, ATCO Promotional (USA) PRCD 4911 (picture sleeve, wax seal and ribbon, funny message on back) CD Single
Take The Time (Edit) 5:57 Take The Time (LP Version) 8:21
Take The Time, 1993, ATCO Promotional (USA) PRCD 4949 (no picture sleeve) CD Single
Take The Time (Edit) 5:26 Take The Time (LP Version) 8:21
Take The Time, 1993, ATCO Promotional (USA) PRCD 5069 CD Single
Take The Time (MTV Edit) 5:31 Take The Time (LP Version) 8:21
Another Day, 1993, ATCO Promotional (USA) PRCD 5077 (no picture sleeve), 5090 (picture sleeve) CD Single
Another Day (LP Version) 4:21
Under A Glass Moon, 1993, ATCO Promotional (USA) PRCD 5080 CD Single
Under A Glass Moon (LP Version) 7:02
Surrounded, 1993, ATCO Promotional (USA) PRCD 5104 CD Single
Surrounded (LP Version) 5:29
Live At The Marquee, 1993, WEA International (Germany, Holland, UK) 7567-92286-2/CA 835 **NOTE** Pre-released Holland release is bundled with special packaging and contains the Another Day single.
CD EP Recorded in London, England, UK, April 1993
1. Metropolis 9:36 2. A Fortune In Lies 5:10 3. Bombay Vindaloo 6:48 4. Surrounded 6:00 5. Another Hand/The Killing Hand 10:30 6. Pull Me Under 8:42
Live At The Marquee, 1993, MMG Inc. (Japan) ACM4-574/AMCY-574 CD EP Identical to Germany/Holland/UK version Except: Substitute track: 4. Another Day 4:37
Live, 1993, ATCO Promotional (USA) PRCD 5340-2 CD Single 1. Pull Me Under (live) 8:42 2. Surrounded (live) 6:00 Both tracks taken from the EP "Live at the Marquee"
Images & Words Live In Tokyo, 1993, AVision ATCO (USA) 50537-3 Full-length video release
1. Arrival 0:31 2. Under A Glass Moon (live) 7:13 3. The making of Pull Me Under 3:03 4. Pull Me Under (video) 4:48 5. The making of Take The Time 2:15 6. Take The Time (video) 5:31 7. Kimonos and Tapes That Are Too Big 3:01 8. The Condoms of Dream Theater 1:02 9. The Interview 0:27 10. Wait For Sleep (live) --> 2:45 11. Surrounded (live) 5:54 12. The Ytse Jam/Drum Solo (live) 10:28 13. Balls and Chunk Are Where It's At 0:51 14. Another Day (video) 4:29 15. (To Live) Forever/Barf Bag (live) 12:05 16. A Fortune In Lies (live) 5:00 17. Mike Crosses the Abbey Road 1:11 18. Pup/Take The Time (live) 10:32 19. Take The Time by Galactic Cowboys 0:29 20. Take The Time by Sebastian Bach 0:25 21. Breast Signing 0:50 22. Pull Me Under (live) 8:29
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End of YTSEJAM Digest 2020 **************************
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