YTSEJAM Digest 1943
Today's Topics:
1) A war to end all wars, The oral art of baseball
by rterry@inforamp.net (Rick Terry)
2) Everything!
by rterry@inforamp.net (Rick Terry)
3) akasha chronicles
by Analog Kid <jalfaro@caribe.net>
4) Re: akasha chronicles
by Kain <kain@caribe.net>
5) Lateral Movement
by Rick Audet <ytse@cris.com>
6) Welcome back, Al Balkiewicz
by mschoch@prodigy.com (MR MARTIN D SCHOCH)
7) *sigh*
by Nick Guadagnoli <nguadagn@acme.csusb.edu>
8) Knock, knock, knockin'...
by Tim Caudill <symmetry@usaor.net>
9) Re: The oral art of baseball
by Cunning Linguist <skooc@earthlink.net>
10) RUSH--The Fathers
by Jeremy Bower <jrbower@iastate.edu>
11) portnoy singing surrounded
by bishop@cts1.internetwis.com
12) Re: 92.5
by Stephen Daedalus <Mathew.J.Birskovich@williams.edu>
13) Re: RUSH--The Fathers
by "IbnzRG570" <ibanez@mailhost.cyberhighway.net>
14) Re: Graham B. (No - the OTHER one) , Pat vs. Al B., DSCDs, & Music vs. Lyrics
by "Larry Odneal" <hawkeye7@ix.netcom.com>
15)
by
16) Recruitment techniques/Charlie Dominici (major DTC)
by Charles D Harrison <cdh191@merle.acns.nwu.edu>
17) Re: akasha chronicles
by Carlos Alfaro <calfaro@caribe.net>
18) PROG-METAL radio setlist #4..........
by "Carlo D'Angelo" <helstar@earthlink.net>
----------------------------------------------------------------------
Date: Sat, 19 Oct 1996 02:33:08 GMT
From: rterry@inforamp.net (Rick Terry)
To: ytsejam@ax.com
Subject: A war to end all wars, The oral art of baseball
Message-ID: <326821c5.6619835@mail.inforamp.net>
Hi there,
>Date: Mon, 14 Oct 1996 23:35:55 -0500
>From: Chris Ptacek <someone@enteract.com>
>Tension in the jam is on its way
>back! Ben! Say something stupid! Let's fight again!
Wicked!!! I'll go first.
The jam blows and it's subscribers couldn't build a collective
IQ high enough to make a decorticate jealous!
DT sucks and think only of technique never putting the song
first.
Portnoy is a machine gun drummer who overplays every chance he
gets.
Mindcrimer is always right.
You can't dance to progressive metal.
Green Day and Nirvana rock harder than DREAM THEATRE.
That should start a war or two. ;)
>It's a shame the Orioles were allowed to have Alomar play in the last game
>against the White Sox, in which he hit the game winning home run. He must
>have blown somebody for that decision.
1000% agreement here. That's like someone being wanted for
murder and being allowed to avoid justice by driving along a
California freeway in a white Bronco. Um.......wait a minute... ;)
Cheers,
Rick
Toronto
------------------------------
Date: Sat, 19 Oct 1996 02:33:11 GMT
From: rterry@inforamp.net (Rick Terry)
To: ytsejam@ax.com
Subject: Everything!
Message-ID: <32683271.10888002@mail.inforamp.net>
Hiya Watha!
Hey kids!
I have been chatting with a ton of people lately on the net
thang and happened to chance on a discussion of Shadow Gallery with
none other than their bassist Carl Cadden-James.
So, for those of you wondering what's up with these guys, here
you go! :)
To: rterry@inforamp.net
Subject: Hi Rick!
From: GWAY97A@prodigy.com (MR CARL E CADDEN-JAMES)
Date: Wed, 16 Oct 1996 16:29:29, -0500
Hey Rick,
Thanks for the note. Shadow Gallery is preparing to record our
next cd right now. Should be done early 97. It will be released on
Magna Carta. Glad you liked the Tribute stuff - it was mucho fun.
Hope we can continiue to please. Take care.
Carl
Short but sweet. :)
In an unrelated story, I recently read an interview with Neil
Peart from a local publication discussing a variety of topics.
Naturally, one of the issues touched upon was he thoughts on
Working Man.
Neil replied, "No comment. I have no thoughts on it
whatsoever. It isn't a tribute album at all in my opinion"
This is where it gets interesting.
Some of you may remember a post to this list some time ago
where Geddy was interviewed and said that he thought WM was a cash
grab and had nothing to do with tribute.
Are any of you getting the impression that the band were the
ones who blocked the sale of this disc in Canada because it was a
smaller marketplace and they had a new record coming out?
BTW, HMV Canada caved in and is now selling the disc here. I
guess the money that independents were making importing the disc from
Magna Carta was too big an enticement to shrug off their integrity. :)
Anyway, at one point in the interview, they ask Neil about the
Monster Mash segments in Limbo from TfE. He states how surprised he is
that you have to ask permission and pay people money in order to do
this. After all Rush only wanted to use it as a joke.
So, if the artists who did Working Man had performed for
nothing, it would have been fine with Neil. It was just the cash issue
that ruffled the band's feathers. Yeah right. What a hypocrite.
On a positive note, Neil said that, although nothing has been
engraved in stone, there is a possibility that THEY WILL PLAY ALL OF
CYGNUS LIVE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
YYYYYYYYYYYYYYEEEEEEEEEEEEEEEEESSSSSSSSS!!!!!!!!!
Okay, I'm fine now. :) Whew! I've gotta switch to decaff. ;)
Incidentally, I'm not meaning to open up the whole WM thing
again. Neil's comments just struck me as very interesting.
Cheers,
Rick
Toronto
p.s. I've been told that my input has been missed here of late. To
those of you who voiced this to me, thanks! It's nice to be
appreciated.
Work has been the focal point of my existence lately and I've
just now had a chance to get back into puting regularly.
It's nice to be home. :)
------------------------------
Date: Fri, 18 Oct 1996 22:47:09 -0400 (AST)
From: Analog Kid <jalfaro@caribe.net>
To: Ytsejam@ax.com
Subject: akasha chronicles
Message-ID: <199610190247.WAA16822@mail.caribe.net>
akasha chronicles rule!!!!!!!!!!!!!!! Thought I'd say that..
Uh.. nacho queso
Jalfaro@Caribe.net
------------------------------
Date: Fri, 18 Oct 1996 22:54:08 -0500
From: Kain <kain@caribe.net>
To: ytsejam@ax.com
Subject: Re: akasha chronicles
Message-ID: <326850E0.1396@caribe.net>
Analog Kid wrote:
>
> akasha chronicles rule!!!!!!!!!!!!!!! Thought I'd say that..
>
> Uh.. nacho queso
> Jalfaro@Caribe.net
Now I wonder where'd you get that CD huh? :)
Kain
------------------------------
Date: Fri, 18 Oct 1996 22:57:55 -0400 (EDT)
From: Rick Audet <ytse@cris.com>
To: ytsejam@ax.com
Subject: Lateral Movement
Message-ID: <199610190257.WAA06276@beasley.cris.com>
Mr. Adam Barnhart spoke:
>I would say "Awake" is definitely a step AWAY from "Images and Words." I
>dunno that I'd say it's forward. Probably off to the side. "Images and
>Words" is my favorite DT disc, but "Awake" is also a phenomenal work.
>Nothing to be ashamed of, for sure.
I like this description. Yes indeed, a step to the side, not better, per se,
just a slightly adjusted track. I think that's the description I was
struggling for. Thanks, Adam.
Now Playing: Randy Roos, "Primal Vision"
-Rick
------------------------------
Date: Fri, 18 Oct 1996 23:06:50, -0500
From: mschoch@prodigy.com (MR MARTIN D SCHOCH)
To: YTSEJAM@ax.com
Subject: Welcome back, Al Balkiewicz
Message-ID: <199610190306.XAA19272@mime3.prodigy.com>
So happy to see that Al is back in circulation. As a long time
reader of the
Jam, I've grown accustomed to Pat's cries for the tapes allegedly due
him !
I can only hope that the tapes are worth the 2 years of anticipation.
(Of course,
something makes me doubt that this issue will ever achieve closure.)
--- Martin
PS -- Are Jeremy Haynes and Sue Moscardini the same person ?
------------------------------
Date: Fri, 18 Oct 1996 20:25:20 -0700 (PDT)
From: Nick Guadagnoli <nguadagn@acme.csusb.edu>
To: ytsejam@ax.com
Subject: *sigh*
Message-ID: <199610190325.UAA14668@acme.csusb.edu>
Well, Jammers, ProgRockBoy is depressed. It seems that Dream Theater has
never shown hide nor hair anywhere near San Bernardino, CA in the time
that I have been a fan... (Since I&W).
If we have such considerable influence, what are the chances of convincing
them to hit the Blockbuster Pavilion here when they tour for the new LP?
I'd like to see them live other than on my Live in Tokyo Vid, and my John
Petrucci's Rock Discipline Vid.
In other news, I'd like to give Bafu props on the JP interview... I'm
still laughing my ass off. Excellent about the $100, ten disc
set...ROFLMAO...
--CUL8R
ProgRockBoy
CD: Chris Poland, "Return to Metalopolis"
------------------------------
Date: Fri, 18 Oct 1996 23:41:43 -0400
From: Tim Caudill <symmetry@usaor.net>
To: "'Ytsejam'" <ytsejam@ax.com>
Subject: Knock, knock, knockin'...
Message-ID: <01BBBD4E.05FBAFE0@dyn234.usaor.net>
> Good thing we still got Petrucci :) <knockin on wood>
>
> ~Rip
RipZ...you better knock and you better knock REAL FUCKIN' HARD!!!!
I just pray JP stays the hell away from helicopters.
>Rush has been my favorite band since I bought their first album in 73.
Holy shit, Rick, i didn't realize you were an old dude...(j/k) :-)
>no way, i say we make Petrucci a write in candidate :) With liberty, and
>shredding for all :)
I second that nomination. Ol' Big Ears has his Reform party...maybe it's time for a Progressive Party!!! PROG '96!!!
Gotta be at work in 7 hours and 24 minutes...not that i'm countin'
Big G (Tim)
s y m m e t r y@usaor.net
"I don't need your sympathy to get me through the day..."
------------------------------
Date: Fri, 18 Oct 1996 18:15:32 -0700
From: Cunning Linguist <skooc@earthlink.net>
To: ytsejam@ax.com
Subject: Re: The oral art of baseball
Message-ID: <32682BB4.51F@earthlink.net>
> >It's a shame the Orioles were allowed to have Alomar play in the last game
> >against the White Sox, in which he hit the game winning home run. He must
> >have blown somebody for that decision.
>
The best part about this was when that kid in NY caught the Homerun that
would've won the game for the O's. I was in DC at the time that happened when
this went on and ALL the news could talk about how Baltimore was robbed (and
they were), but they never mentioned how they got what they deserved because
Alomar played in a game he never should've played in, so the Orioles got into
the playoffs under questionable circumstances. I guess you could say What
goes around comes around. I am happy to say though that when they finally
lost, the media and the Baltimore fans gave the Yankees their proper respect
and didn't sit around crying that a 12 year old kid beat em.
Go Yankees (my favorite team, tied with any other team that plays the Braves)
------------------------------
Date: Fri, 18 Oct 1996 23:29:14 CDT
From: Jeremy Bower <jrbower@iastate.edu>
To: ytsejam@ax.com
Subject: RUSH--The Fathers
Message-ID: <9610190429.AA27279@pv6809.vincent.iastate.edu>
Hello all, I'm new to the 'jam, and as far as I can
tell, this is a bitchin' place to be. Anyhoo, I felt compelled to write
about one thing:Rush. They have done so much for music, it's indescribable.
I had never heard Rush when I first was led to DT, but after I found
Rush, it was obvious the influence they have had. Rush has not been
"heavy" a lot of the time, but they have always been redefining their music,
hence progressivity. At any rate, I think Rush is awesome, and consider them
the "elders". Hope this isn't all re-tread.
P.S. Does anyone know if they are coming to The Mark in the Quad Cities
or Five Seasons in Cedar Rapids Iowa? The closest so far is Minneapolis.
P.P.S I tried like a good "newbie" to get the faq, but it gave me an
error return. Any ideas? Does it tell how to snip out parts of old Jams
to reply to?
------------------------------
Date: Sat, 19 Oct 1996 00:13:23 -0500
From: bishop@cts1.internetwis.com
To: ytsejam@ax.com
Subject: portnoy singing surrounded
Message-ID: <199610190513.AAA12678@cts1.internetwis.com>
hi all,
someone mentioned dubs of mike singing the end of surrounded, and i was
wondering where i could get a copy. thanks all!
mathew
------------------------------
Date: Sat, 19 Oct 1996 02:22:32 -0400 (EDT)
From: Stephen Daedalus <Mathew.J.Birskovich@williams.edu>
To: Multiple recipients of list <ytsejam@ax.com>
Subject: Re: 92.5
Message-ID: <Pine.OSF.3.95.961019022101.4454A-100000@colrain.williams.edu>
You know what's so funny about this? If you watch JP's video on his
techniques and practicing etc., you see that he's really a chill guy with
kind of a dry but witty sense of humor. This sounds more like Yngwie. Be
well and take care.
M B AKA SD
"Three men can keep a secret if two of them are dead." (Ben Franklin)
"The dead are rarely violent." (Shawn Rosenheim, Asst. Prof. Williams College)
------------------------------
Date: Sat, 19 Oct 1996 00:39:07 +0000
From: "IbnzRG570" <ibanez@mailhost.cyberhighway.net>
To: ytsejam@ax.com
Subject: Re: RUSH--The Fathers
Message-ID: <199610190644.AAA06941@cyberhighway.net>
> From: Jeremy Bower <jrbower@iastate.edu>
> Hello all, I'm new to the 'jam, and as far as I can
Hiya!
> tell, this is a bitchin' place to be. Anyhoo, I felt compelled to write
Damn straight!
> about one thing:Rush. They have done so much for music, it's indescribable.
Heh, we've got more Rush-related info on this thing than the Rush
list does. Ours is better, too. I think Ytsejam is almost
inappropriate. It seems DT material is hard to come by of late.
IbnzRG570 aka Mr. Chuckalupugus
Striving for Most Frequent Poseur on the
Dream Theater Mailing list...
------------------------------
Date: Sat, 19 Oct 1996 02:56:31 -0500
From: "Larry Odneal" <hawkeye7@ix.netcom.com>
To: <ytsejam@ax.com>
Subject: Re: Graham B. (No - the OTHER one) , Pat vs. Al B., DSCDs, & Music vs. Lyrics
Message-ID: <199610190658.XAA04356@dfw-ix7.ix.netcom.com>
This may well be my longest post ever - blame it on alcohol if you must -
GRAHAM JOHN BOYLE wrote:
> I have down loaded the DT and Rush theme for W95, and I have MS Plus!
> But how do I get the thing to run?? can anyone help??
Maybe . . . there are approximately 6000 gazillion ways to do any one thing
in Win95, but this should work. Go to the Control Panel (click either "My
Computer" or the "Start" button, then "Settings") and find Desktop Themes.
(If it's not there, you need to re-install Plus). If it's there,
double-click it, and then click the down-arrow to the right of the current
theme. This lists the available themes. If you don't see "dt-theme" ,
then you need to "browse" for it, and find the folder where you unzipped it
to. (You DID unzip it, right? If not, E-mail me.) Once you find it,
double-click it - then make sure all the items on the right are checked -
and you should see all the DT-type icons, bitmaps, sounds, colors, fonts,
cursors, kibbles, and bits. Hit OK and you're there, d00d.
Cunning Linguist <skooc@earthlink.net> wrote:
> You're Al Balkiewicz, I person who agrees to trade with a person, then
> unfortunately is involved in a bad accident, then over a year after
recovery
> from that accident STILL can't see his way to complete his trade. Sounds
like
> an unethical bastard if you ask me. And since you posted this to the jam,
you
> have made it everyone's business.
Yikes! Hi Scott - you're back! With a vengeance, I might add! Nice nick
;^) - I too was a little surprised to see Al's post here, after the
trouncing his reputation has taken for about a year now. However, I
decided to give him a little advice via private E-mail, rather than public
humiliation. To each his own, as they say. Hopefully Al will tell his
side of the story soon . . .
Dr. Mosh wrote:
> Actually... they could try producing a regular double sided CD...
>
Whoa - a "regular double-sided CD"????? - OK, I may live in Bumfuck, Egypt
(AKA Oak Ridge, TN) but I've never heard of a double-sided CD. Help me out
here - is there such a beast?
[Two interjections before I quote the next alleged Ytesjammer -
1. Is this the infamous Michael C. of Ytse-lore?
and
2. Does he subscribe to the Dan Quayle Dictionary of Common Vegetables?]
Michael Coghlan wrote:
>
> >{Snipped} I pratically dropped Rush like a hot potatoe when DT came
along. I
> >prefer music that makes me think a bit.
To which Rick Terry responded:
>
> After all of the themes that Neil has explored lyrically, I'm
> amazed that you can say that. Nobody's Hero deals with anonymity vs.
> celebrity and the true value of human contributions. Time Stand Still
> discusses the need to embrace life lest we should let it slip by all
> too quickly. Witch Hunt reminds us of the dangers of ignorance and
> prejudice. Losing It reveals the pain of abilities and dreams lost.
> Red Sector A deals with the liberation of the camps from the Nazis.
> Those are all things that not only make me think, they strike
> an emotional chord as well.
Well, Rick, I can help you resolve this. Michael specifically said he
prefers "music" that makes him think. You specifically said "those are all
things that ... make me think" - talking about lyrics, which are, after
all, WORDS. Michael is responding to MUSIC, you are responding to WORDS.
Two different elements of modern music. Case closed.
No disrespect intended at all, but many musicians (myself included) don't
really care about the lyrics that much - sure, it's great when they are
intelligent and clever (a la Mr. Peart's) but - hey, we didn't become
musicians so we could write great poetry, right? We became musicians
because we felt a need to express ourselves through sound and dynamics,
through emotion and power, rather than through an ability to turn a phrase.
You give examples of Rush songs that have touched me, and made me marvel
at Neil's writing skills and command of the language, but lots of people
can manipulate words - very, VERY few can manipulate musical instruments as
well as Petrucci, Portnoy, Myung, Moore, Sherinian, and yes, Labrie. (I
consider the well-trained voice an instrument, too.) Granted, Neil Peart
is EXCEPTIONAL at BOTH lyrics and his chosen instrument.
> I think you would find it difficult to find one person on this
> list who hasn't had at least one Rush track as a meaningful back drop to
their life.
Strike me down! Even though I've been listening to and playing Rush tunes
since 1974, I am that one person. "Meaningful backdrop"? Hmmm - let me
think - uhhhh - nope. I think one of my drummers may have felt that way,
but not me. Rush is kewl, I love the lyrics, I dig the music, but - IMHO -
they do not compare to DT. Sorry. All you Rush freaks, please note and
respect the IMHO.
BTW, I hope you and your wife are doing well and getting through the
medical crap - I know how difficult it can be.
Larry
------------------------------
2112 (Argentina)
III Milenio (Brasil)
Everon (Germany)
Athena (Italy)
Midian (Italy)
Time Machine (Italy)
Timelock (Netherlands)
Wings of Steel (Netherlands)
Galleon (Sweeden)
Magellan (USA)
Shadow Gallery (USA)
These are bands described as Dream Theater and/or Rush "sounding".
While I am semi-familiar with the last two, how 'bout them others?
Anybody?
Ah, and *another* question:
What, if any, is the difference between a rock opera and an epic? The
number of songs per album? I'm stumped...
For an extra fifteen points, define "opposite" without using the word
"opposite".
"No Sleep Since Brooklyn/InstruMENTAL III" arrived today. A goodun.
Since I got this CD through Tim Lodge, it can be inferred that all those
'rumors' floating about out there pertaining to his reputability, or
lack of, are false. Well, there's my 'good word'.
Brian Henderson, Cyberburlap
"Get me a boat! The biggest boat!" -- Corporate Peanut
------------------------------
Date: Sat, 19 Oct 1996 02:43:24 -0500 (CDT)
From: Charles D Harrison <cdh191@merle.acns.nwu.edu>
To: Multiple recipients of list <ytsejam@ax.com>
Subject: Recruitment techniques/Charlie Dominici (major DTC)
Message-ID: <Pine.HPP.3.93.961019022917.1381A-100000@merle.acns.nwu.edu>
Hi all...
I know that it has been a while since you've heard from me, but it is
midterms time in Northwestern land. Anyway, a curious thought occurred to
me today - we all want DT to reach more people. But I wonder - what is
the best way to accomplish this? I think that a good way is to start with
the DT covers on ACOS - you know, stuff that people are familiar with,
then work your way to the soft Space Dye Vest kinda stuff. Then you ease
them into I&W. Then you reach for WDADU. I've never made it that far,
that is why I think that I am doing something wrong. There's a guy down
my hall that is a percussion major and likes Rush and classical and I
still couldn't convert him. That is sad. I think because I overloaded
him with the instrumentals on TTT and Metropolis. I tried to wow him but
all I did was make his head spin.=)
One last thought...how many feel that Charlie D was not that bad of a
singer. It is obvious who has more talent and training. But Charlie does
not lack on the feeling aspect. Only a Matter of Time is my favorite DT
song and the Killing Hand definitely stirs my emotions. Does any body
agree? Does anybody know what he is up to nowadays?
That is all for now - thanks for your attention...I usually don't use up
this much bandwidth!
Charlie
------------------------------
Date: Sat, 19 Oct 1996 08:08:08 -0400 (AST)
From: Carlos Alfaro <calfaro@caribe.net>
To: ytsejam@ax.com
Subject: Re: akasha chronicles
Message-ID: <199610191208.IAA01093@mail.caribe.net>
At 07:58 PM 10/18/96 -0700, you wrote:
>Analog Kid wrote:
>>
>> akasha chronicles rule!!!!!!!!!!!!!!! Thought I'd say that..
>>
>> Uh.. nacho queso
>> Jalfaro@Caribe.net
>Now I wonder where'd you get that CD huh? :)
>
>Kain
>
>
yeah..i wonder where..um..from a faggy guy with short hair?!?! :) heeh
We Can Learn From the past..but those days are gone..
We can hope for the future..but there may not be one...
DREAM THEATER: A CHANGE OF SEASONS
------------------------------
Date: Sat, 19 Oct 1996 09:29:44 -0400
From: "Carlo D'Angelo" <helstar@earthlink.net>
To: ytsejam@ax.com
Subject: PROG-METAL radio setlist #4..........
Message-ID: <3268D7C7.516B@earthlink.net>
Whats up guys,
Here is the setlist for the fourth week of my college radio
show..imagine if I actually got paid to play these songs..(probably too
good to be true!)
MAGELLAN: "Storms and Mutiny"
FATES WARNING: "The Apparition"
BLIND GUARDIAN: "Mordred's Song"
SANCTUARY: "Future tense"
STRATOVARIUS: "Hands of time"
ENERTIA: "I Know Your Demons" <--awesome band from upstate NY
QUEENSRYCHE: "Walk in the Shadows"
MEMENTO MORI: "Seeds of Hatred"
SAVATAGE: "Dungeons are Calling" (live)
SAVATAGE: "Sirens" (live)
-- news --
ZEITGEIST: "Mask of Sanity"
ZEITGEIST: "Living Infinity"
IRON MAIDEN: "Only the Good Die Young"
APOCRYPHA: "Terror's Holding Onto You"
HEAVENS GATE: "Gate of Heaven"
ANNINILATOR: "Crystal Ann"
ANNIHILATOR: "Alice In Hell"
RUSH: "Middletown Dreams"
ANGRA: "Carry On"
MERCYFUL FATE: "Come to the Sabbath"
DREAM THEATER: "Afterlife"
After the news I played this amazing progressive metal band from
California called ZEITGEIST. Their cd "The Eyes of Time" got me hooked
on one listen (which is pretty hard to do!) Great guitar shredding all
over the place along with vocal harmonies ala Galactic Cowboys sprinkled
here and there. What I like is that they can write amazing acoustic
songs that are friggin' awesome!! Not boring or sappy ballad type
shit.these songs rock...(very similar style to "Tiera Del Fuego" on
George Lynch's solo album but lots more complex!) the rest of the cd is
pure progressive metal.
contact these guys at: TheGeist@aol.com
also, definitely check out ENERTIA (awesome prog-metal band from upstate
NY....I cant believe how many awesome US bands are popping up..hope this
music comes back with a vengeance here in the states!!) at their
web-page:
http://www.klink.net/~soulzero/enertia.html
e-mail: soulzero@klink.net
More great music to come.............
Carlo
-- _
__| |__
"When you know that your time is close at hand |__ __|
maybe then you'll begin to understand | |
Life down here is just a strange illusion." | |
|_|
--IRON MAIDEN (Hallowed Be Thy Name)
"Neo-classical, progressive, melodic metal"
------------------------------
End of YTSEJAM Digest 1943
**************************
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