YTSEJAM digest 2229

From: ytsejam@ax.com
Date: Sun Jan 26 1997 - 15:10:42 EST

  • Next message: ytsejam@ax.com: "YTSEJAM digest 2228"

                                YTSEJAM Digest 2229

    Today's Topics:

      1) DigiTech's new AMPLIFIER!! (NDTC)
     by "Vincent G. LuPone" <vgl@u.arizona.edu>
      2) Re: Dream Theater Translations!
     by "Vincent G. LuPone" <vgl@u.arizona.edu>
      3) Angra cds
     by Mark Smeets <msmeets@ibm.net>
      4) Casios, Water, Fire, Wood
     by Steve Borzilleri <magellan@u.washington.edu>
      5) News .. news .. news
     by Jan van Huizen <aurora@wirehub.nl>
      6) taco bell, no dtc whatsoever
     by trevorw@ms.kallback.com
      7) DT Lyric Translations v2.0 and more about phonetics.
     by "Rudy van IJzendoorn" <rudy.van.ijzendoorn@tip.nl>
      8) I just had a great idea !
     by Mark Bredius <bredius@globalxs.nl>
      9)
     by flavio maia <fmaiap@construtel.com.br>
     10) Re: Musings with regard to jam 2226 (NDTC)
     by Gary Cleghorn <gary@tequila.demon.co.uk>
     11) Re: Theater vs. Theatre
     by Gary Cleghorn <gary@tequila.demon.co.uk>
     12) Power of Omens
     by EricD91011@aol.com
     13) JLB on ACOS
     by Eschnack@aol.com
     14) Re: Ayayayayayayay.
     by Stephen Daedalus <Mathew.J.Birskovich@williams.edu>
     15) 220 volt
     by <raitz@guvatrak.ee> "Raivo Hool"
     16) Re: Power of Omens
     by Glover <glover@dns.thewebcorp.com>
     17) Payne's Gray
     by klambau@igd.fhg.de (Roger Klambauer (T. Froehlich))

    ----------------------------------------------------------------------

    Date: Sun, 26 Jan 1997 01:51:49 -0700
    From: "Vincent G. LuPone" <vgl@u.arizona.edu>
    To: ytsejam@ax.com
    Subject: DigiTech's new AMPLIFIER!! (NDTC)
    Message-ID: <199701260851.BAA28100@nevis.u.arizona.edu>

    Hi all,
            This goes out to all you guitarists out there. Digitech, the
    manufacturer of some really awesome processors just came put w/ a new
    amplifier. Yah! This was lifted from Harmony Central:

    ---------------------------------------
    DigiTech Unveils "Johnson Millennium"
    Guitar Amplifier

    DigiTech proudly unveils its first
    guitar amplifier at the 1997
    NAMM Show in Anaheim,
    California. Dubbed the
    "Johnson Millennium", the
    product pushes the envelope of
    guitar amplification to the next
    level by combining a powerful
    150 watt stereo amplifier (75
    watts per side), two 12-inch
    speakers and an on-board
    programmable multi-effects
    processor.
    ----------------------------------------
            Peace be with you and God bless.

            ~Vince

    (http://www.u.arizona.edu/~vgl)

    ------------------------------

    Date: Sun, 26 Jan 1997 02:03:11 -0700
    From: "Vincent G. LuPone" <vgl@u.arizona.edu>
    To: ytsejam@ax.com
    Subject: Re: Dream Theater Translations!
    Message-ID: <199701260903.CAA26464@nevis.u.arizona.edu>

    At 11:52 PM 1/25/97 -0800, you wrote:
    > It saddens me to see what you'll do to try to be "cool". I guess I
    >went through it myself, some time ago... I can't blame you. You try so hard
    >to be something you're not--and everyone can see right through it... maybe
    >someday you'll get your act together and grow up. I want you for who you
    >are... you can't see yourself anymore, but I know you're still there... and
    >you still think about me.
            <more stuff edited out to save space for the sig file> ;p

            This has got to be "Scarred". This is pretty darn close to my
    interpretation of that song.

            I just read through "Scarred"'s lyrics for the first time ever (I'd
    always just listened to the song), and I noticed the line "Well, we're not
    laughing". I always thought it was "Well, what about what I think?" Anyone
    else hear this too? What about the "Fatalistic Remedies" line? To me that
    one sounds like "Elastic Rubbernads" or something. Anyone else?

    Later,

            Peace be with you and God bless.

            ~Vince

    (http://www.u.arizona.edu/~vgl)

    ------------------------------

    Date: Sun, 26 Jan 1997 02:04:56 PST
    From: Mark Smeets <msmeets@ibm.net>
    To: ytsejam@ax.com
    Subject: Angra cds
    Message-ID: <199701260910.JAA200364@smtp-gw01.ny.us.ibm.net>

    ** Reply to note from ytsejam@ax.com 01/26/97 01:00am -0800

    Hey,

    Bafu,

    Angra's second cd is called Holy Land. They also released an
    EP called Freedom Call after Holy Land was released. The cd
    which your talking about, is a combination of the Japanese
    release of Holy Land (that has the 1 extra song, Queen of the
    Night) and the second cd, Live at the FNAC, which has 3
    acoustic songs.

    Im my opinion, you'd be better off getting the normal Holy
    Land release, and then the Freedom Call EP. You'll get the
    extra track on Freedom Call (Queen of the Night), plus 6 other
    wicked songs, including a re-make or Judas Priest' Painkiller
    (the musiciainship is uncanny)

    Then again if you have the cash, get all of them :)

    Mark
    my smartt.com account is now useless. Please email at either msmeets@ibm.net or
       
    msmeets@zeek.murlin.com --
    -Check out the new Serenity's End Chat room zeek.murlin.com oprt 8888
    -Check out my web site http://www.smartt.com/~jsmeets/stranger/INDEX.HTM
    @------>--->---
    Some people lose their faith because Heaven shows them to little. Others lose their
       
    faith because Heaven shows them too much. - The Prophecy -- I don't believe in
       
    coincidence
    @------>--->---
    I guide you through the sea of nightmares called existance and lead you to the
       
    sanctuary where a haven exists only to those who have lost hope and this is called
       
    earth but to those who have hope, stand alone outside this haven guarding it alone.
       
    -M.S.
    @------>--->---
    I stand at the promised land with Fire In my Eyes!
    W.A.S.P. - The Crimson Idol
     

    ------------------------------

    Date: Sun, 26 Jan 1997 02:01:44 -0800 (PST)
    From: Steve Borzilleri <magellan@u.washington.edu>
    To: Dream Thespians <ytsejam@ax.com>
    Subject: Casios, Water, Fire, Wood
    Message-ID: <Pine.A41.3.95b.970126020040.69158D-100000@dante20.u.washington.edu>

    > Date: Thu, 26 Dec 1996 23:42:28 -0500
    > From: robert.henderson@ICDC.COM
    > Subject: Damn this is tough-stuff! (NDTC)

    Date: December 26th?

    > A Casio keyboard hooked up through an amp sounds *sweet*. Granted,
    > it's no synth, but it'll pass for now, until I gather up the doughage.

    My sentiments exactly. I usually sneak a Boss HM-2 (the Heavy Metal
    Pedal!) in between the amp and the keyboard to get a GRINDING distortion.
    Barre chords sound really chunky with the ultra-bass ampage of the HM-2.

    And speaking of great distortion, there's a game soundtrack which some of
    the older arcade-strafers may remember, circa 1987. The game was called
    Reactor. It had one of the baddest, meanest, chunkiest electric guitar
    riffs ever to grace the arcades... Tempo and feel of "Sad But True," but a
    little more technoish with that THUMP!THUMP!THUMP!THUMP! beat. Today it
    might be called an "industrial" soundtrack, as if steelsmiths can even
    CLAP in time...

    > Correct me if I'm wrong, but wasn't there another series of toys also by
    > the name of "Beast Wars" several years ago? They were little rubbery
    > action figures standing maybe half the height of a G.I. Joe, and had
    > animal heads. I've got one somewhere, a tapirman missing its arms, but
    > no box/wrapping to check the product "name". Anyone care to shed some
    > light on this conundrum?

    Other folks have replied to this already, but yeah, Battle Beasts is what
    they were called. Water, Fire, and Wood were the team names. Somewhere
    along the line, toy companies got sick of dealing with Earth and Air (I've
    heard those elements were real control-freaks), so they took a slightly
    more Buddhist route and incorporated Wood as one of the basic elements.
    Keeping in mind that in this world Fire can't evaporate Water (so the Fire
    team didn't quite have it made), the balance of power went like this: (1)
    Water extinguishes Fire, (2) Fire burns Wood, and (3) Wood floats on
    Water. I've never understood how floating on something automatically gave
    something else power over it, I mean Cool Whip floats on Water, too.
    Howabout something that DESTROYS water, like maybe a Dry Ice team?
     

    My Christmas disc (and international fan club package! great job Neil!)
    just arrived. :) "Damage Inc." kicks ass, but they left off the part
    afterwards where Portnoy says in total exhaustion, "...that Lars is a
    motherfucker..."

    In other news, I heard from my genie-in-a-box (Jambi) that Portnoy is
    coming out with an instructional video that doesn't have any of the
    Japanese subtitles on the screen, so drummers will be able to concentrate
    on Portnoy's drumming without having to read at the same time. Oh yeah,
    John Myung's got a vid prepped for release in the States too, though in
    this version of the video they force him to use a microphone so people
    watching the tape can actually hear his voice. Did you know he did the
    overdubs for Jose Carreras on "The Three Tenors" live release? Who'd a
    thunk it...

    Oh yeah, Portnoy's will run about $40, Myung's about $50.

    Bafu Vai

    (note: the above offhand remark about the lack of intelligence of our
    drumming/percussionist brothers was not meant to offend any drummers/
    percussionists on this list. the above casual hinting that John Myung
    speaks too softly was not meant to imply that he is incapable of speaking
    loudly, or incapable of singing as resonantly as Jose Carreras.)

    (note: the above disclaimer was not meant to offend any female drummers
    who may be receiving this digest and feel left out by my reference to all
    drummers as our "brothers." I am wrong. I am more than wrong. I am a
    fucking idiot. women drummers do exist and their sisterly efforts are
    equally as appreciated as the male drummers who receive this digest.)

    (note: the above disclaimer was not meant to offend any he-man
    woman-haters that may reside on this mailing list. I don't want to name
    names, but these people have just as much right to hate as I to love.
    Chris Ptacek.)

    ------------------------------

    Date: Sun, 26 Jan 1997 11:03:47 +0100
    From: Jan van Huizen <aurora@wirehub.nl>
    To: ytsejam@ax.com
    Subject: News .. news .. news
    Message-ID: <1.5.4.32.19970126100347.0069bb1c@mail.wirehub.nl>

    Hi everyone,

    Here's some news I took from the latest Aardschok (biggest metal magazine
    here in Holland):

    Galactic Cowboys
    ----------------

    The new GC album has already been recorded. Drummer Alan Goss produced it.
    It's called 'The Horse That Bud Bought'. It will be released in April/May.

    Nevermore
    ---------

    Guitarist Pat O'Brian has left Nevermore. No word yet on who's to replace him.

    Thought Industry
    ----------------

    Gitarist Christopher Lee has left TI.

    Exodus
    ------

    Exodus have signed with Century Media. A live CD will be recorded in February.

    Divine Regale
    -------------

    DR will release their 2nd album in March by Metal Blade.

    Queensryche
    -----------

    Release date for the new Queensryche (Hear In The Now Frontier) will be 17th
    of March.

    That's all folks.

    Later,

    Aurora

    ------------------------------

    Date: Sun, 26 Jan 1997 02:26:08 -0800
    From: trevorw@ms.kallback.com
    Subject: taco bell, no dtc whatsoever
    Message-ID: <199701261026.CAA00135@ms.kallback.com>

    >Just got done eating Taco Bell (as in "food from," wiseasses...) for lunch.
    Hmm. >Yummy.

    i just finished my light chicken burrito.
    Remember:

    Tasty
    And
    Cheap
    Oily
    Beef.
    Everybody
    Loves
    Lard.

    spells Taco Bell.

    ------------------------------

    Date: Sun, 26 Jan 1997 12:37:58 +0100
    From: "Rudy van IJzendoorn" <rudy.van.ijzendoorn@tip.nl>
    To: "The Majesty Chronicle" <ytsejam@ax.com>
    Subject: DT Lyric Translations v2.0 and more about phonetics.
    Message-ID: <m0voSwQ-000DoVC@parijs.tip.nl>

    Heya,

    I will tell you all the true story about the origin of the word Theater.
    This word, don't freak out now :), is a Dutch word. Apparently, what
    happened is that Dutch Colonists, centuries back, brought this word to
    America. A while after the Dutch people settled in America, it was invaded
    by the English, and thus people began to speak English. HOWEVER, some dutch
    words remained, so the language you all speak there in the USA is partly
    Dutch :), so is the word Theater. :)

    Chris Ptacek brought up the thread of translating DT lyrics.... I would
    give it a shot, but I will probably not do a good job, since I am from The
    Netherlands (duh! :)) However I *can* translate those lyrics into Dutch,
    but since you wouldn't understand a word I am saying anyway (except for the
    Dutch Jammers) I won't do that... OK, just a small excerpt then :)

    Ze staart naar het plafond,
    en probeert niet te denken
    en ziet de ketting in gedachten,
    die ze geprobeerd heeft weer in elkaar te zetten,
    Maar het gevoel is verdwenen.

    :) :) So much for my translation, I know you won't have a really hard time,
    figuring out what song this is.

    Or as our friend Rip, Cow Virtuoso would say: "De koe scheit meer als de
    kat" :)

    Greetinx,

    Rudy van IJzendoorn
    __________________________________________________________
    | |)RE/\M THE/\TER - \/N|)ER /\ CYBER /\/\00|\| \/\/EBSITE |
     ŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻ
     You tell me I'm wrong \\__\/__//
     I'm risking my life /| _ _ |\
     Still, I have nothing in return //|| || ||\\
     I show you my hands ||||//\\||||
     You don't see the scars \\||/||\||//
     Maybe you'll leave me here to burn. \||\||/||/
     (Dream Theater - Scarred) //ŻŻ/\ŻŻ\\
     __________________________________________________________
    |>>>>>judas@dreamt.org * rudy.van.ijzendoorn@tip.nl<<<<<<|
    |..............http://www.prognosis.com/dream..............|
     ŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻŻ

    ------------------------------

    Date: Sun, 26 Jan 1997 16:22:32 +0100
    From: Mark Bredius <bredius@globalxs.nl>
    To: "'The YtseSpam'" <ytsejam@ax.com>
    Subject: I just had a great idea !
    Message-ID: <01BC0BA5.C9AD04C0@Bajor.startrek.GlobalXS.nl>

    I just had a great idea ! If we posted *all* the off-topic stuff to a
    more appropriate mailinglist or newsgroup, there would be enough room
    on this list to actually talk about DREAM THEATER ! Yes, for real !!!
    That would kick some major ass, wouldn't it ? It would even "rule" !
    We could discuss DT-lyrics, or how we got into their music...

    I think there are way too many digests a day for *anyone* to read them.
    A lot of people probably skip most of it. What's the point in posting
    something, if *no one* reads it ? Skadz is letting this list run loose,
    so it's up to us to moderate ourselves, and make this list better.
    Cutting down the size of sig's, like Tempus said, would also help a lot.
    And please stop quoting entire messages when replying. Only a few lines
    will do, most of the time.

    I know there are people lurking in the shadows to flame my ass off,
    because of this message (hi Scott), but I don't phuqing care. :-P
    _________________________________________ _ _____ ___ _ _ __ ____1
      NAME: Mark "Itchy" Bredius |`||_```_|/``_]|`]_[`|\`\_/`/ 2
      MAIL: bredius@globalxs.nl | | | | ( (_ | ___ | \_ / 3
      URL : http://www.prognosis.com/itchy/ |_| [_] \___]|_] [_| [__/ 4

    ------------------------------

    Date: Sun, 26 Jan 1997 13:48:40 -0200 (EDT)
    From: flavio maia <fmaiap@construtel.com.br>
    To: ytsejam@ax.com
    Message-ID: <199701261548.NAA17847@leon.construtel.com.br>

    For the guy to want to know the angra cd names: the first is angels cry,
    with a german aproach for the musics, like helloween and blind guardian, the
    second is holy land, with a brazilian aproach, with some interesting
    brasilian themes(it's more complex, but i like the first than the second)
    and the third, called freedon call:it's a big ep, with 50 minutes...You
    should buy the 2 first cds of VIPER: andre matos was the former singer of it
    and they kicked ass...don't buy the others, perhaps buy the evolutin,
    because the turned to bullshit hardrock!!!!!
    It's my first time here, and i would like to see more dt discussions
    !!!!!!!!!!!!!!!!!!!!!!!!!1

    ------------------------------

    Date: Sun, 26 Jan 1997 15:42:45 +0000
    From: Gary Cleghorn <gary@tequila.demon.co.uk>
    To: ytsejam@ax.com
    Subject: Re: Musings with regard to jam 2226 (NDTC)
    Message-ID: <6wpmCAA1t36yEw16@tequila.demon.co.uk>

    In article <1.5.4.32.19970125163135.00689b78@pop.pipeline.com>,
    "Kevin W. Madden" <kwmadden@pipeline.com> writes
    ><snip>
    >>history of North America, so lots of words were changed to give them a
    >>more phonetic look.
    >
    ><cut>
    >
    >>Gary Cleghorn
    >>Mmmmmm... donuts whoo-hoo
    >
    >I find it coincidental that a similar word should find
    >its way into your .sig ---> donut and doughnut. Though I can't
    >say phonetics had anything to do with it...

    Ah, but Homer Simpson is American :-)

    -- 
    Gary Cleghorn
    Mmmmmm...  donuts(doughnuts)    whoo-hoo
    

    ------------------------------

    Date: Sun, 26 Jan 1997 15:46:44 +0000 From: Gary Cleghorn <gary@tequila.demon.co.uk> To: ytsejam@ax.com Subject: Re: Theater vs. Theatre Message-ID: <ng9hGFAkx36yEw3h@tequila.demon.co.uk>

    In article <Pine.SOL.3.95.970125112503.22638A- 100000@forbin.syr.edu>, Quazel Schmirt <jmlentch@mailbox.syr.edu> writes >We actually discussed this topic in my music history class last semester. >When the first American dictionaries were being produced, the colonies (I >believe that is what we were at the time) were attempting to break away >from Europe as much as possible, specifically Britain. Webster took it >upon himself to alter the language slowly but hoped to eventually create a >language that was totally different. In his first edition, he changed the >spelling of all 'tre' words to 'ter' and the word colour to color. There were >some other changes but I can't remember what they were. Obviously, the >language didn't change all that much but there are some changes evident. >Either way, Theater is the same word, it is just a matter of which >country's spelling is used.

    That sounds like a very good explanation to me, i knew it had something to do with American history. -- Gary Cleghorn Mmmmmm... donuts whoo-hoo

    ------------------------------

    Date: Sun, 26 Jan 1997 11:57:02 -0500 (EST) From: EricD91011@aol.com To: ytsejam@ax.com Subject: Power of Omens Message-ID: <970126115700_-2079727409@emout14.mail.aol.com>

    An excellent band, I've had their demo for about a year and love it everytime I listen to it. I've kept in pretty good contact with their guitarist and some new information on them is they have a full time keyboardist and are to still trying to put out an album, but money has been a problem. Anyway, quite an amazing band, the singer is a dead ringer for early Geoff Tate. Take the time.

    -Eric

    ------------------------------

    Date: Sun, 26 Jan 1997 11:46:03 -0500 (EST) From: Eschnack@aol.com To: ytsejam@ax.com Subject: JLB on ACOS Message-ID: <970126114601_616715208@emout08.mail.aol.com>

    JLB's voice defintely had alot of FX on Awake, but it was mostly delay and reverb. It wasn't so compressed. It still sounds natural, and the emotion comes thru better. On ACOS , it's overcompressed...it distorts a lot of times.

    ACOS was just horribly produced and mixed as has been mentioned b4(i.e. the snare). Has anybody noticed that you can actually hear the clic track at 19:25? It's not that obvious, I only heard it w/ headphones, but still... it's there.

    Ernie

    ------------------------------

    Date: Sun, 26 Jan 1997 11:54:58 -0500 (EST) From: Stephen Daedalus <Mathew.J.Birskovich@williams.edu> To: Multiple recipients of list <ytsejam@ax.com> Subject: Re: Ayayayayayayay. Message-ID: <Pine.OSF.3.95.970126114654.10153D-100000@colrain.williams.edu>

    Nintendo? X-Files? What are we coming to? As for a song, here goes. Once upon a time, I was totally in love with the world. Natural things impressed me no end. I had so many plans and dreams. I feel like I can take on the world. Then everything changed. Just like that. It all seems so temporary now. Now, I cling to that young man I was. Now I see the world is not the place it was and it exhausts me. I can remember every last detail of that time. He kept telling me to get back to that innocence from before and enjoy what I saw and heard because I might be dead tomorrow. I thought I really might be able to listen, but it would be hard. She died and no amount of preparation was enough.

    I'm gonna stop there. If you can't tell, then I haven't been obvious enough. Be well. Matt

    "The dead are rarely violent." (Shawn Rosenheim, Asst. Prof. Williams College)

    ------------------------------

    Date: Sun, 26 Jan 1997 19:03:10 +0200 From: <raitz@guvatrak.ee> "Raivo Hool" To: ytsejam@ax.com Subject: 220 volt Message-ID: <199701261803.UAA23387@pepe.online.ee>

    > Speaking of Sweeden, does anyone else remember a Sweedish metal band > from about '89 called 220 Volt?

    I remember them from 1993 when they performed here in Tallinn. I don't know about the music, simply don't care to remember, but the show was stunnin' and my neck ached 2 weeks afterwards.

    R.

    ------------------------------

    Date: Sun, 26 Jan 1997 14:28:38 -0500 From: Glover <glover@dns.thewebcorp.com> To: ytsejam@ax.com Subject: Re: Power of Omens Message-ID: <32EBB065.459E@dns.thewebcorp.com>

    >Hey there all, > I've gotten into a lot of bands in the last year just because >the jam was oversaturated with their names. I just got my demo copy of "Power of Omens" and I want to make >damn >sure that the Jam gets oversaturated with their name. This is something that we should all hear. >Adios, >Allen K.

    I agree. I've had the "Power of Omens" demo for a while now and those songs are incredible. It has superb musicianship. I haven't heard much talk about this band on the Ytsejam. As Allen K. said, everybody needs to hear this and these musicians deserve a lot of credit. For information about the tape, contact David Gallegos at ProgRocker@aol.com.

    -C. Glover

    ------------------------------

    Date: Sun, 26 Jan 1997 20:11:42 +0100 From: klambau@igd.fhg.de (Roger Klambauer (T. Froehlich)) To: ytsejam@ax.com Cc: klambau@igd.fhg.de Subject: Payne's Gray Message-ID: <199701261911.UAA08367@chrysippos.igd.fhg.de>

    Hi folks !

    I wanna lead your attention to a very talented and gifted German Progressive Ba nd: Payne's Gray (http://www.inka.de/sites/peacock/). "Kadath decoded" is an Interpretation of H.P. Lovecrafts "The Dreamquest for th e unknown Kadath". The Music can be compared with ? Only some Inspirations can be identified: Classic elements, old Genesis, some DT, but I've never really heard a band like Payne's Gray before ! So try to get in touch with them !

    Roger.

    And, of course here is my special DT-Cover-Band: voc. : Warrel Dane (ex-Sanctuary, Nevermore) git. : Dave Mustaine (Megadeth) bass : Steve DiGiorgio (Sadus, Death) keys : Jon Oliva (ex-Savatage, Dr. Butcher) drums : Paul Craddick (Enchant)

    ------------------------------------------------------------------------- | | |_|_|_|_| Fraunhofer-Institut fuer Graphische Datenverarbeitung | |__|__|_|_|_|_| Fraunhofer Institute for Computer Graphics (IGD) | | | |_|_|_|_| | |__|__|_|_|_|_| Roger Klambauer | Tel. : +49 (0) 6151/155-101 | | . _ _ | Wilhelminenstr. 7 | Fax : +49 (0) 6151/155-199 | | | / _ | \ | D-64283 Darmstadt | email: klambau@igd.fhg.de | | | \_/ |_/ | Germany | http://www.igd.fhg.de/~klambau | ------------------------------------------------------------------------- "Net boy, net girl - Send your signal 'round the world Let your fingers walk and talk - And set you free Net boy, net girl - Send your heartbeat round the world" (Rush'96, "Virtuality")

    ------------------------------

    End of YTSEJAM Digest 2229 **************************



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