YTSEJAM digest 2656

From: ytsejam@ax.com
Date: Fri Jun 20 1997 - 09:16:03 EDT

  • Next message: ytsejam@ax.com: "YTSEJAM digest 2657"

                                YTSEJAM Digest 2656

    Today's Topics:

      1) Rush news... on Yahoo?!?!
     by The Digital Man <cmerlo@digital.dreamt.org>
      2) Re: words, modes, sight-singing, yadda, yadda, yadda...
     by Rick Audet <ytse@cris.com>
      3) Re: Rush news... on Yahoo?!?!
     by Rick Audet <ytse@cris.com>
      4) Tautara
     by "rocabado carlos" <crocabadex@hotmail.com>
      5) ALBUM UPDATE!!!!
     by "Davide" <dada@iname.com>
      6) YES, they are Hifi stereo.
     by durnik <durnik@goodnet.com>
      7) New DT
     by Alexander Honnef <honnef@cs.uni-bonn.de>
      8) Megadeth tickets
     by dantemm@erinet.com (Dan Temmesfeld)
      9) FATEZ gig review - Augsburg
     by akyuz@ltp.dmx.epfl.ch
     10) coming to State College and Chicago - any jammers there?
     by akyuz@ltp.dmx.epfl.ch
     11) RE: Karaoke
     by gra@provida.no
     12) RE: YTSEJAM digest 2655
     by "Blevins, Mike" <BlevinsM@amsc.Belvoir.Army.Mil>
     13) Marky Mark and odd time signatures :)
     by Jon Parmet <jonp@mailstorm.dot.gov>
     14) Neil Peart interview
     by Buck Stodgers <andrew.t.forcier@prudential.com>
     15) new megadeth
     by Pat Daugherty <pdaugher@bdmserver.mcl.bdm.com>

    ----------------------------------------------------------------------

    Date: Fri, 20 Jun 1997 04:00:43 -0400 (EDT)
    From: The Digital Man <cmerlo@digital.dreamt.org>
    To: A Pleasant Shade of Ytse <ytsejam@ax.com>
    Subject: Rush news... on Yahoo?!?!
    Message-ID: <Pine.LNX.3.95.970620035839.4175A-100000@digital.dreamt.org>

    I was perusing Yahoo's entertainment news section just now, for no
    apparent reason, when I see the following headline:

    FEATURE: Rush's Neil Peart Drums Up A New Beat

    The story can be found at the URL:

    http://www.yahoo.com/text/headlines/970619/entertainment/stories/
            music_peart_1.html

    Prog in the news. Well, Reuters, anyway. Is this a sign of more press to
    come for prog bands? Let's hope so...

      ------------------------------------------------------------------------
      The Digital Man \|/ ____ \|/ Secretary & Webmaster
      cmerlo@cs.uvm.edu "@'/ ,. \`@" UVM Comp Sci Student Assn
      d-man@dreamt.org /_| \__/ |_\ "He won't need a bed
      http://www.emba.uvm.edu/~cmerlo \__U_/ He's a digital man" - Peart
      ------------------------------------------------------------------------
      Maintainer of the Official Dream Theater Frequently Asked Questions List
                     http://www.emba.uvm.edu/~cmerlo/dtfaq.html

    ------------------------------

    Date: Fri, 20 Jun 1997 01:30:34 -0700
    From: Rick Audet <ytse@cris.com>
    To: ytsejam@ax.com
    Subject: Re: words, modes, sight-singing, yadda, yadda, yadda...
    Message-ID: <3.0.32.19970620012451.0069457c@pop3.concentric.net>

    Steve Zebrowski wrote:

    >Anyway, this teacher last year hated me and would always try to stump me
    >w/ the sight-singing examples. One day, we were just breaking ground on
    >singing minor <this was cake to me> examples, and he sticks me with one in
    >Phrygian. I quickly recognized the 1 -> b2 and sang the exercise
    >correctly. then he flipped like 5 pages ahead and said here sing this
    >one. Sure enough, Locrian mode. I did it correctly again, although i
    >don't know if I'd call it easy. Rick, if you don't mind could you tell me
    >the trick you know for singing in Locrian mode. Either to the jam or
    >private email. thanks.

    Okay. Let me clear something up. I meant that singing *the* mode from tonic
    up to tonic, and then back down to tonic (with a gin and tonic) is easy.
    Singing *in* Locrian mode is another ball of wax, with which I have little
    experience. The trick used to simply sing the mode (as a scale) is to first
    get the tonic in your head, then go up a half step and orient yourself to
    *that* note as if it were in the tonic of ionian mode. Then just sing the
    major scale but start on the 7th and go up to the 7th at the octave....and
    back down. This gives locrian mode, and you stay oriented by thinking
    you're in ionian. I hope this helps.

    Rick Audet
    Dolby Labs

    ------------------------------

    Date: Fri, 20 Jun 1997 01:34:15 -0700
    From: Rick Audet <ytse@cris.com>
    To: ytsejam@ax.com
    Subject: Re: Rush news... on Yahoo?!?!
    Message-ID: <3.0.32.19970620013410.00696a7c@pop3.concentric.net>

    Chris Merlo wrote:

    >I was perusing Yahoo's entertainment news section just now, for no
    >apparent reason, when I see the following headline:

    Were you really *perusing*, or just browsing? Or did you skip over that
    useless post of mine yesterday about the REAL meaning of "peruse". :P
    (When's that thesis getting finished?)

    Rick Audet
    Dolby Labs

    ------------------------------

    Date: Fri, 20 Jun 1997 02:29:08 PDT
    From: "rocabado carlos" <crocabadex@hotmail.com>
    To: ytsejam@ax.com
    Subject: Tautara
    Message-ID: <199706200929.CAA19312@f39.hotmail.com>

    i'm looking for information about a group
    called Tautara( incl. members of REM, Screaming trees,
    los lobos), anyone has bought its album?

    ---------------------------------------------------------
    Get Your *Web-Based* Free Email at http://www.hotmail.com
    ---------------------------------------------------------

    ------------------------------

    Date: Fri, 20 Jun 1997 11:40:26 +0200
    From: "Davide" <dada@iname.com>
    To: <ytsejam@ax.com>
    Subject: ALBUM UPDATE!!!!
    Message-ID: <199706200941.LAA09641@iol-mail.iol.it>

    June 16, 1997:
    Studio Update
    Here's a quote from Mike about the progress of the new album...

    All is going GREAT!!! The stuff sounds amazing, and we are all totally
    psyched!! Kevin (the producer) is working out incredibly well and is the
    perfect guy for this album.

    Still no confirmation on Album title or track listing, but I can tell you
    that so far we have recorded most, if not all, of 4 songs:
    1. It's All About You (the new title for 'You or Me')
    2. Burning My Soul
    3. Lines in the Sand
    4. Hollow Years

    ------------------------------

    Date: Fri, 20 Jun 1997 02:54:07 -0700 (MST)
    From: durnik <durnik@goodnet.com>
    To: ytsejam@ax.com
    Subject: YES, they are Hifi stereo.
    Message-ID: <199706200954.CAA03209@goodnet.com>

            As the title says. Rogerio asked it on a recent 'Jam and I'm sure
    it may have been on the minds of some of the other buyers. Both of the
    VCRs that Melissa uses to produce the videos are hi-fi stereo SVHS decks
    (though we're recording to hifi VHS, so everyone can watch it without
    compatibility mismatch). The Prog video montage is _entirely_ stereo
    except the two PAL conversion tracks, as PAL conversions generally come in
    mono. All of the other videos offered except the Auburn Hills ones are in
    stereo.

    - Mike Bahr - durnik@goodnet.com - http://www.goodnet.com/~durnik

    ------------------------------

    Date: Fri, 20 Jun 1997 11:59:35 +0200
    From: Alexander Honnef <honnef@cs.uni-bonn.de>
    To: "'ytsejam@ax.com'" <ytsejam@ax.com>
    Subject: New DT
    Message-ID: <01BC7D71.75888930@DEFIANT>

    Hi all,

    last night, i see Fates in Cologne. It was a fantastic gig. They played =
    "APSOG" and some songs from parallels. The last song was "Monument"! =
    Very good gig.
    But before Fates come on stage, there was a song played I remember! But =
    in this moment I can't say the name the Band and of the song.
    Then I hear the drums of Mike, and I remember! This is "Lines in the =
    Sand". The new studio version! After the gig, I run to the sound man and =
    ask for it.
    He tolds me: "Sorry guy! I can't give it to you, but you can wait one =
    month longer, can't you??"

    ___ _____ ___ __ __ =
      __ ____
     | /\ | | / \ /\ / /\ | =
     \ |\ | | |\ | /
    --- /__\ | |__ \_ \ / \ / /__\ | _ / =
    | \ | | | \ | / ___
     | / \ | | \ \ / \ / / \ | =
     \ | \ | | | \ | \ \
     | / \ | |___ __/ \/ \/ / \ | =
    \ | \| _|_ | \| \___/

    " ... so where do we begin
    and what else can we say?
    when the lines are all drawn
    what should we do today? ....."
    (A Pleasant Shade of Gray)

    Alexander Honnef
    In der Mark 29
    53547 Kasbach-Ohlenberg
    Tel.: 02644-981242
    Fax.: 02644-981241
    EMail: honnef@athene.informatik.uni-bonn.de

    ------------------------------

    Date: Fri, 20 Jun 1997 06:39:46 -0400 (EDT)
    From: dantemm@erinet.com (Dan Temmesfeld)
    To: ytsejam@ax.com
    Subject: Megadeth tickets
    Message-ID: <v01520d00afcfd50d991c@[207.90.117.188]>

    Concerning some Megadeth shows going on sale this weekend...are all of
    them? My paper didn't say...but I'm interested in the Columbus Ohio show
    in August.

    If anybody know if all are going on sale, please email me.

    Thanks,
    Dan

    ---+ +---
        Dan Temmesfeld - mailto:dantemm@erinet.com
             "Home of the Galactic Cowboys Pages"
    http://www.cedarville.edu/student/s1133627/gcowboys.htm
                   Summer 1997 Update site:
       http://www.geocities.com/Hollywood/Academy/1853/
    ---+ +---

    ------------------------------

    Date: Fri, 20 Jun 1997 12:44:55 +0200
    From: akyuz@ltp.dmx.epfl.ch
    To: ytsejam@ax.com
    Subject: FATEZ gig review - Augsburg
    Message-ID: <v03007800afd008d7e638@[128.178.99.38]>

    Hiya'll jamanutz,

    I went to see FW in Augsburg last Sunday. First of all, I was disappointed
    to see that the RockFabrik is no more than a disco. Very nice and cosy and
    shit, a ceiling as low as the current state of the JAM. Nice places to sit
    down, 5 bars. You get the picture. My second disappointment was that there
    were max 200 people in the place!! I mean, FW played to 2500 people opening
    for DT in Zurich-Switzerland in 1995 and stole the fucking show and now
    they're playing to 200 pepole??

    Come on, now they don't come back to Switzerland because they don't sell
    much, I guess but what's the fuckin issue out here dammit? They'd do easily
    1000 here in Switzerland anytime, anywhere.

    Next Sunday, I'll be going to Ludwigsburg to see FW. Now that's only 100
    kms from Augsburg and a only a week later !!! Who does this kinda fucked up
    planning ? Some Metalblade bullshit exec? Although Ludwigsburg should get
    more people, since it's the back door to Stuttgart, it's AGAIN another
    RockfuckinFabrik. No another disco again, no!!!!! Get outta my face!!! I've
    never seen such crappy tour planning in my life !! FW does deserve much
    better than playing in front of 200 people.

    Well....back to the Augsburg gig. Scanner started off the show. Well,
    couldn't recognize any of the guys from the Terminal Earth period plus
    they've got a synth. Sounded ok, but to give you an idea, after 2 songs, I
    quit to go and watch the Canadian Formula 1 Grand Prix on the large screen
    at the entrance.

    Then came back to see Omen. Hey hey hey, these guys tour ? Old music,
    outdated attittude, but nonetheless very sympathetic, so I to my surprise,
    stayed till the end. Well, the Grand Prix had ended, also ;-)

    After a long wait, FW took the stage, a bit in the manner of a local band.
    No fancy bullshit, dresses or attitudes. Just the music. And what music,
    WOWW!!! They played all APSOG, allowing for slightly longer pauses between
    parts for public participation. And the public didn't participate much in
    fact. Come on man, you're in Germany and can't even fuckin sing the
    "Zugabe" part? Go fuckin die!! Then they encored, played Life in Still
    Water and 11th Hour, encored, then We Only Say Goodbye and Monument, which
    in my opinion, is the most representative work from FW to date. As I said,
    the audience was very cold, not a cent receptive, no singing on 11th Hour,
    at least not half what Zurich gave them 2 years ago. The sound, well, what
    can you get from a disco, huh ?? The band: Ray smokes like a chimney but
    sang as usual very well, he in fact always gives the impression he doesn't
    care for whta he's singing. Jim: I liked the photos of his wife, daugther
    and of his two dogs stuck to his rack, plus the little desk name plate set
    on top of it, HAHHA !! Joey Vera, that I knew from Armored Saint era, is
    very much up to it and plyed the fretless very precisely in the tones. The
    keyboard was sorta ok, couldn't hear him much, but it's a bad idea that he
    merely tries to copy Frank Aresti's solos. The most awesome in the band is
    Mark Zonder, King of drums, the pride of GMS. There are some real weird
    fucked up prog parts in APSOG and that led to some 2-3 times where the band
    didn't really know where they were nor going, but Mark ticks like a
    metronome allright.

    All in all, I didn't really regret doing 400+ miles to go see the gig, but
    I'd've known it was in such a small place, I wouldn't've made the trip.

    Anyway, looking forward to Ludwisgburg this Sunday. As said Ray:

    COME ON STUTTGART WAKE UP LETS HEAR SOME NOISE !!!

    ________________________________
    "I had so much time on my hands then suddenly, it washed away"
    ---------------------------------------------
    "These are my wings to fly
         These are the winds to sail
             So let as time goes by
                  Mind over matter prevail"
    ________________________________

    D A V E K I N G
    b a s s & h a r m o n y
    M T 2 0
    p r o g r e s s i v e m e t a l
    http://websites.maxess.ch/mt20
    IRC : DaveKing

    ------------------------------

    Date: Fri, 20 Jun 1997 12:47:33 +0200
    From: akyuz@ltp.dmx.epfl.ch
    To: ytsejam@ax.com
    Subject: coming to State College and Chicago - any jammers there?
    Message-ID: <v03007801afd00fb48320@[128.178.99.38]>

    Hi,

    I'll be coming to State College (Penn State Uni) and Chicago next week for
    professional reasons. I'd like to meet some jammers over there, if
    possible. Please let me know (private e-mail, please). I'd love it.

    Bye 4 now,

    ________________________________
    "I had so much time on my hands then suddenly, it washed away"
    ---------------------------------------------
    "These are my wings to fly
         These are the winds to sail
             So let as time goes by
                  Mind over matter prevail"
    ________________________________

    D A V E K I N G
    b a s s & h a r m o n y
    M T 2 0
    p r o g r e s s i v e m e t a l
    http://websites.maxess.ch/mt20
    IRC : DaveKing

    ------------------------------

    Date: Fri, 20 Jun 1997 12:53:47 +0100
    From: gra@provida.no
    To: ytsejam@ax.com
    Subject: RE: Karaoke
    Message-ID: <412564BC.003FF882.00@oslo1.provida.no>

    Ernie's query:
    >And anybody know how those 'Karaoke' buttons on stereos work? Under what
    >principle do they remove vocals? Frequencies? Or a certain way in which it
    >was recorded? I'm just curious since it only work on certain records, and
    >then sometimes it takes away the lead guitar or the drums as well, etc...
    My response based on wild guessing:

    I think they remove vocals based on a band-pass filter. This filter removes
    frequencies between
    x and y. The human voice ranges from say 500 Hz to 3, 4 or 5000 KHz, so the
    BP filter lower this freq.range by several dB. Since guitars also use this
    freq.range they are affected by this BP filter too.
    Well, you say they work on some recs. but not all. Hmmm. One solution may
    be: They are recorded with an eq. wich enhances freq's inside the BP range
    by more dB than the BP can reduce. i.e if the record have emphasized
    freq's in the BP range by say, 4 dB to normal records, and the BP filter
    reduces freq's by 10 dB, you end up with 6 dB reduction instead of 10 dB.

    If you did get something useful outta this, seek medical aid !!!!

    -.profile

    ------------------------------

    Date: Fri, 20 Jun 1997 07:24:16 -0400
    From: "Blevins, Mike" <BlevinsM@amsc.Belvoir.Army.Mil>
    To: "'ytsejam@ax.com'" <ytsejam@ax.com>
    Subject: RE: YTSEJAM digest 2655
    Message-ID: <c=US%a=_%p=AMSC%l=AMSC_NTAS-970620112416Z-616@amsc_ntas.amsc.belvoir.army.mil>

    >Steph Chi wrote...
    >
    > It may have been posted already but, there are new
    > tour dates for the GAMMA RAY/STRATOVARIUS show in Brazil.
    > They are playing four shows. Just one more example
    > of how Americans get the shaft. Hopefully I will be
    > to catch FATES on the 24th

    I've actually thought about going to Brazil to see shows - I'm dying to
    see Angra. That said, there's one way we can get these kind of bands to
    come to the US - create the market. Speaking from personal experience, I
    know the owner of the best metal club in our area - Jaxx, in scenic
    Springfield, VA :) - is willing to do more proggish shows if the ruenout
    for Fates Warning is good. If you have a local prog (or power or
    whatever) band that's pretty good, make effort to go see them. Support
    the US bands, and the non - US ones will want to play here.

    D-Man, about Altura...

    >I have to agree that Altura has a great deal of potential, and that the
    >drummer is extremely talented. This is the precise reason that I don't
    >like Altura. They *should* be far better than they are. They're all
    >extremely talented musicians, but their writing kills it for me.

    People generally seem to think that being a good player makes you a good
    writer. Nothing could be further from the truth. That's like saying a
    good carpenter would be a good architect. It might be true, but it isn't
    and automatic thing. After all, Springsteen isn't much of a player or
    singer, but he's a great songwriter.
    >
    >
    Steve wrote...

    >> > >Personally I like soloing over the E-F-G-A-Bb-C type of progression.
    >> > >The scale name escapes me, but it just is sooooo dark and heavy,
    >> > >especially when detuned 1.5 or 2 steps.
    >> >
    >> > This is called E Locrian mode. Difficult to establish a tonality due to
    >> > the absence of a P5 and because of the 1->b2 relationship. Listen to
    >> > Metallica's "Wherever I May Roam" for a bit more of this.
    >>
    >> ..and "Harvester of Sorrow" perhaps as well? I recall a tune off AJFA
    >> following Locrian mode a bit.
    >
    >Yeah, I believe you're right. Modes are cool. I was just singing a Ned
    >Rorem song that goes from Bb minor to Bb Locrian for a while.
    >EVERYTHING's flat. :)

    You know, I really like seeing this sort of dicussion here - of course,
    the non musicians are totally lost! My personal favorite, since we're
    talking modes, is aeolian. Nothing like a little darkness... :)

    >
    >> Which reminds me, for those with a
    >> background in sight-singing and/or eartraining, it's important to realize
    >> just how easy it is to sing Locrian mode. Most people shy away from the
    >> thought of this due to the disorienting intervallic (sp?) relationships
    >> among the notes in the mode. I was once called upon in class to sing this
    >> mode, and managed to dazzle the rest of the class with a simple trick to
    >> sing it (using solfege (sp?) syllables of course) quickly and in tune. Fun
    >> fun.
    >
    >YES! My ss/et teacher last year HATED me. He was all into these wierd
    >vocal techniques, and I <being a bel canto singer> just wasn't into it,
    >and therefore didn't sign up for his ensemble. Not that I am closed
    >minded to those techniques--they have their place just as bel canto has
    >its place. I just wouldn't do any kind of throat singing or other
    >techniques that can hurt the voice. but, I digress...
    >
    >Anyway, this teacher last year hated me and would always try to stump me
    >w/ the sight-singing examples. One day, we were just breaking ground on
    >singing minor <this was cake to me> examples, and he sticks me with one in
    >Phrygian. I quickly recognized the 1 -> b2 and sang the exercise
    >correctly. then he flipped like 5 pages ahead and said here sing this
    >one. Sure enough, Locrian mode. I did it correctly again, although i
    >don't know if I'd call it easy. Rick, if you don't mind could you tell me
    >the trick you know for singing in Locrian mode. Either to the jam or
    >private email. thanks.

    Any of you want to have a chat with our singer? :)
    >
    >Anyone going to see Rush tonight at Nissan Pavilion in VA? I'll be there,
    >either in a DT or QR shirt and a ponytail. It's gonna be great.

    Yep, I'll be there - wearing a Screaming In Digital shirt! (Only because
    I havent had the money for a 'jam shirt yet.) Maybe we'll see each
    other...

    ..and it WILL be great.
    DJW, on drummers...

    > Someone was also slagging Large Oilrig from
    > Metallica the other day -

    You must be another old Kerrrang reader...

    > I've always thought he's a great drummer,
    > not in the same league as MP, but solid as fuck and adds exactly the
    > right feel to their music.

    He does some really odd stuff that you don't notice unless you pay
    attention. Technically, he's good drummer, but he has good IDEAS... (See
    previous quote about playing ability)

    Of course, so does MP - and he smokes Lars! :)
    >
    > Anyway - I'll leave you with a joke - How do you know when the drum
    > riser is level? The drummer dribbles out of both sides of his mouth!

    I have actual eyewitness testimony to this... :)

    You know, I think I've posted more this week than I ever have. OH NO!!!
    You people are starting to effect me! Soon I'll become some wierd guy
    who posts bizarre stories, opinionated rants, and 10,000 degree
    flames...

    Yeah, like we need another one of those around here. :)

    TTFN
    Mike
    Division - DC Power/prog metal is alive, but verrrrrry tired after being
    at work at 5:30...
    http://www.crosslink.net/~division or human email division@aol.com
    >

    >

    ------------------------------

    Date: Fri, 20 Jun 1997 12:14:23 +0000
    From: Jon Parmet <jonp@mailstorm.dot.gov>
    To: ytsejam@ax.com
    Subject: Marky Mark and odd time signatures :)
    Message-ID: <33AA741F.5358@mailstorm.dot.gov>

    > Oh no, not another "What is prog?" Thread! I'd rather talk about Marky
    > Mark and the Funky bunch!

    Okey dokey, you asked for it ;) Thanks to the wacky accent constructor
    for returning a properly formatted string :)

    "Clahk the aadvahk drank cutty sahk aftah dahk with Mahky Mahk!"

    > ~Eckie wishes there was a REAL alternative to Money TV

    There is: It's called the 'club scene' :)

    > I just caught the posts regarding this "secret list" that some record
    > stores claim to have. What they are referring to is a little-known
    > CD magazine called "Ice,"

    Actually, what the counter person at Strawberries indicated (gee that
    was almost a month ago!) was that they got their information from
    "Strawberrires Central" who got their information from WEA.

    > Sorry to disappoint, but you can't expect miracles

    I expect nothing. Don't shoot the messenger :)

    > Speaking as an ex-Strawberries manager (the store has since ceased to be

    Hmmm...better tell 'em to take that damn sign down then! Are you sure
    the defibrillator and 10cc of epinephrine didn't do the trick? :)

    > See, everyone, how nice we all can be if we just use some common courtesy?
    > :)

    It's a fine line between pleasure and pain :)

    Have a great weekend,

    The Effervesecent Jon

    *------------*------------------------*--------------*
    | Jon Parmet | jonp@mailstorm.dot.gov | 617-494-2851 |
    *------------*------------------------*--------------*

    "Bill collectors, why won't you leave me alone?"

    ------------------------------

    Date: Fri, 20 Jun 1997 08:48:12 -0400
    From: Buck Stodgers <andrew.t.forcier@prudential.com>
    To: rush@syrinx.umd.edu, ytsejam@ax.com
    Subject: Neil Peart interview
    Message-ID: <199706201247.AA04333@gateway2.prudential.com>

    Hey all,
            Here's an interview with Neil about the Burning for Buddy sessions and
    some info about the new live album. But since the "historical" info
    isn't exactly right, I suggest you take it at face value.

    http://www.yahoo.com/headlines/970619/entertainment/stories/music_peart_1.html

    -- 
    ______________________________________________________________
    Andrew Forcier
    a.k.a. Buck Stodgers
    Maintainer of the List of Ytse-Traders of Repute; To submit
    names or request a copy, mailto:andrew.forcier@prudential.com
    -------------------------------------------------------------- 
    --List Manager--
    The Peppermint Tribe, the Saigon Kick Mailing List
    For info, check out: http://garnet.acns.fsu.edu/~rfm5570/ 
    for e-mail inquiries, mailto:andrew.t.forcier@prudential.com
    **************************************************************
    

    ------------------------------

    Date: Fri, 20 Jun 1997 08:58:55 -0400 (EDT) From: Pat Daugherty <pdaugher@bdmserver.mcl.bdm.com> To: Dream Theater Mailing List <ytsejam@ax.com> Subject: new megadeth Message-ID: <Pine.SOL.3.91.970620085430.794A-100000@reagan.mcl.bdm.com>

    I got the new megadeth yesterday and after a quick first listen I think its great. I can't remember but was the time only 46 minutes? Anyway it definitely isn't a Youthanasia II or Countdown II. They didn't go grunge either. I'll listen to it more this weekend when the fiance is out of town and I can play it real LOUD...

    I only have 8 days until I get married. Anyone have any last words for me?

    |-----------------------------------------------------------------------| | Pat Daugherty pdaugher@bdmserver.mcl.bdm.com | |=======================================================================| | "Every breath leaves me one less to my last" --Dream Theater | | "That is not an option, Mr. Mulder" --X-Files | |-----------------------------------------------------------------------|

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    End of YTSEJAM Digest 2656 **************************



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