YTSEJAM digest 3030

From: ytsejam@ax.com
Date: Sat Sep 27 1997 - 12:45:43 EDT

  • Next message: ytsejam@ax.com: "YTSEJAM digest 3041"

                                YTSEJAM Digest 3030

    Today's Topics:

      1) Garfield on FII???
     by "Randy Shewey" <randyshewey@classic.msn.com>
      2) Re: Brandon Elhai and APSOG
     by Brandon Elhai <belhai@drew.edu>
      3) I'VE FALLEN INTO INFINITY, AND I CAN'T GET UP!!!!
     by JB <beamup@vt.edu>
      4) it's me again...
     by omeraron@mail.netvision.net.il
      5) IQ - Subterranea
     by "Michael Kohsiek" <MKOHSIEK@jurs1.jura.Uni-Osnabrueck.DE>
      6) the words "FALLING INTO INFINITY" in BMS / TERRY BROWN
     by Arash Ashouriha <ashouria@KR.FH-Niederrhein.DE>
      7) Re: ASDF
     by Shai Yallin <Yallin@Netvision.net.il>
      8) Abbreviations (like TAMP)
     by cronos@worldaccess.nl (Richard Karsmakers)
      9) Anna Lee
     by al682@osfn.rhilinet.gov (Dan Abosso)
     10) Re: it's me again...
     by "ÞrØgßø¥" <calfaro@caribe.net>
     11) Falling Into Infinity pt.IV
     by GnRBrks@aol.com
     12) New album-song by song
     by Buck Stodgers <stodgers@nations.net>
     13) Backing Vocals
     by Jon Dery <metropolis@net1plus.com>
     14) WTF???????
     by KillMary <caschulze@mindspring.com>
     15) Chapman Stick
     by Elliott Kim <ekim@gate.net>

    ----------------------------------------------------------------------

    Date: Sat, 27 Sep 97 04:11:14 UT
    From: "Randy Shewey" <randyshewey@classic.msn.com>
    To: ytsejam@ax.com
    Subject: Garfield on FII???
    Message-ID: <UPMAIL16.199709270608380790@classic.msn.com>

            Ok kiddies take your FII cd booklet open it to page 1, outstretch your arms
    in front of you and...... it's a pair of dueling Garfields, but where the hell
    is Odie?(oh, I see he must be that big fuzzy penis looking thing on the
    back.) Oh well, back to the flames & reviews.. R.S.

    ------------------------------

    Date: Sat, 27 Sep 1997 02:44:43 -0400 (EDT)
    From: Brandon Elhai <belhai@drew.edu>
    To: Multiple recipients of list <ytsejam@ax.com>
    Subject: Re: Brandon Elhai and APSOG
    Message-ID: <Pine.PMDF.3.95.970927023802.606213809A-100000@drew.edu>

    Wow! I've been on the jam since 1994. It's about time someone put my name
    in the subject title. :)

    On Fri, 26 Sep 1997, Rob Doyle wrote:

    > Rush has very rarely played all of 2112 in concert- usually they
    > just play a few of the movements- but 2112 is still a SONG
    > (yes, I realize it's different because APSOG has no other songs on it as
    > 2112 [the album] does)
    >
    > I just don't get it why you don't think a band wouldn't play all of a song
    > ever-
    > Metallica (for example) does it all the time- they'll put together a big
    > medley, or
    > just play the beginning of something-
    > even DT has played a whole bunch of songs only part way through.

    That's an interesting point about 2112. But still, even though a band will
    sometimes play a section of a song and not the whole thing, I think that
    if you're gonna play part of it, you might as well play the whole thing.
    I'm not taking into account time constraints at a concert though.

    Have any of you tried to get a friend into APSOG? Why not play the "whole
    song" for him. It'll only take 53 minutes. If Fates really wanted it to be
    considered one song, they should have omitted the indexes.

    Brandon

    ------------------------------

    Date: Sat, 27 Sep 1997 03:51:57 -0400
    From: JB <beamup@vt.edu>
    To: ytsejam@ax.com
    Subject: I'VE FALLEN INTO INFINITY, AND I CAN'T GET UP!!!!
    Message-ID: <3.0.2.32.19970927035157.007bec90@mail.vt.edu>

    wow... I need a 50 disc changer for all the DT albums I have now... the 6
    official releases I own (WDADU, IaW, Awake, ACOS, FII, Live at the
    Marquee), plus the tremendous # of boots I've gotten from the Bahr-man
    (thanks man!!).... this is just awesome... I only have a 5 disc changer,
    and had to decide which official release album (ACOS or LatM) NOT to put
    in... that's a first..

    Anyway, to my retorts...

    >is that APSOG is the better album as a whole while the individual songs on
    FII are better than the ones on APSOG

    how is this possible? Isn't APSOG one song? So how can it be a better
    album, yet a worse song? Just not making sense to me... (but being up
    programming for 32 hours straight may be doing it to me instead of this
    comment)...

    >could someone help me unsubscribe fromthis list?

    hey Skadz... looks like it's time to email bomb people with the faq!!!! :)

    >It actually hurts me to hear him sing on most of this album. I
    >listen to him sing and I can hear him suppress the NATURAL VIBRATO in his
    >voice. Read carefully: vibrato is a characteristic of a healthy,
    >supported tone. That is a fact. It totally burns me up to hear him sing
    >with no vibrato on practically the whole CD. Not to mention the fact that
    >his pitch suffers because of it.

    Especially when you've been trained in opera... the vibrato ingrains itself
    into your technique even more so... I agree with you were at times it
    actually hurts to hear him suppressing something he does so well, but there
    are quite a few places where it just wouldn't have fit in (Verses of YNM &
    TAMP, all of HY), and it sounds better w/o so much of it. I wouldn't say
    he's overused it in the past, it's just nice to hear some change... but not
    to the extent he's done it here (almost the whole album). The control and
    style with which he uses his vibrato is simply beautiful, and it's a shame
    he's almost completely omitted it on this album.

    >some songs HAVE to be removed from the DT song list,like take away my
    pain, >anna lee & of course you not me!i see here a BIG,HUGH AND
    UN-NOTICE-UBLE >SELL OUT in these three titles,and if someone wanna argue
    with me on this >one,better read the Kevin James LaBrie interview that goes
    like:"we wanna sell as >many albums as we can,blah blah blah...."

    ummmm.... I have to call this hand. Just because an artist says "we want
    to sell as many albums as we can", is FAR FROM meaning "we sold out"....
    If you're a musician, you're goal is to provide music that you love, your
    fans love, and to sell albums... Theres nothing wrong with wanting to sell
    as many as possible...hell, more of the world needs to be introduced to DT
    anyway. I just can't see how you can equate selling out with selling
    albums... if he had said "we've changed our style so that other people will
    like us and we'll sell more albums that way"... then you have an
    argument... here you have nothing but an opinion. Why is it so mentioned
    that they're selling out by putting some different songs on an album? I
    don't care for Anna Lee that much (though it is ever so slightly growing on
    me, and I don't push 'skip' every time now), but all the songs on here are
    DT... not a watered down DT... just DT with a different and progressed sound.

    >LISTEN AND LISTEN GOOD:
    >DREAM THEATER WITHOUT KEVIN MOORE ISN'T DREAM THEATER!!!!

    by the logic of this statement... DREAM THEATER stopped being DT when
    DOMINICI left the band... A band is still a band when someone leaves...
    it's just a progression of sound... IMO Kevin would have made this album
    worse... his tendancies in writing have gone from the IaW sounds that they
    used to be to very strange, and very NON-DT!

    > You Not Me doesn't belong on this record. If it's on Awake, it's
    >one of the best tunes on the record. On FII, it sounds distinctly foreign.

    I have to totally disagree here... YNM is strange on whatever album it's
    on, but methinks it sounds even stranger on Awake.

    >>Yes Mobby was a German mathematician. But the cool thing about the strip
    >>is that it's really ONE DIMENSIONAL!!! It's really cool thing to waste
    >>time thinking about.
    >
    >Well, it's one-SIDED, not one-dimensional. It's a one-sided, two-
    >dimensional object that can only exist in three-dimensional space*.

    unsubscirbe mathematics_lecture ytsejam

    and finally...

    >Hollow Years sounds a bit like Sting, and Anna Lee sounds like something
    >between Queen and Pink Floyd.

    can we get away from all this : "this song is between x-band and y-band"?
    I'm tired of it... this is DT... this song is something between DT and
    DT!!! Whereas the band may have general influences, I'm sure they didn't
    intend for people to say, "Oh yeah, this must be a song by Queen that I
    haven't heard yet". Thanks.

    Just my $1.02 worth of the last 3 jams,
            Jason

    ------------------------------

    Date: Sat, 27 Sep 97 11:09:18 PDT
    From: omeraron@mail.netvision.net.il
    To: ytsejam@ax.com
    Subject: it's me again...
    Message-ID: <Chameleon.970927112455.omeraron@>

    hey guys....
    it's me again,don't worrie,it won't be long...

    some of you didn't understand what i was saying the last time,and i
    wanted to make things clear about the DT without kevin moore:

    i didn't say that if any member of DT would drop out,there will be no
    DT,i said kevin moore,and only kevin moore!
    it didn't matter when charli droped out,because he wasn't the one
    with the big overall "master plan".
    you see,if you asked anybody who'd hunged out with DT while the
    writing of the majesty demos,I&W,awake and ACOS (producers,felow
    musicians,technitions ,or anybody that was around!) he will tell you
    that Kevin moore was the "man with the vision" and he was the man who
    writen 80% of their stuff,and i know that for a fact! the
    combination of melodic,the mood change in the songs,the strange
    messures and all the other things DT stand for was invented by him!
    and i know that there is traces of him on FII,because the other
    members hunged out with him for like 6 years,and gotta learn
    something from him....

    and if someone even try to bring up the song SDV,you cn forget about
    it,it's one of the best dream theater songs i ever heard and you
    cannot compare it to shit like anna lee,and take away my pain(which
    by the way,was written for JP father,but the lyrics and the music r
    totally different things,it doesn't means that the song wasn't a sell
    out just because he dedicated it to his father!)

    the apearans of the desmond child didn't tell you anything????

    please think before writing.

    omer-ISRAEL

    ------------------------------

    Date: Sat, 27 Sep 1997 12:04:42 100
    From: "Michael Kohsiek" <MKOHSIEK@jurs1.jura.Uni-Osnabrueck.DE>
    To: ytsejam@ax.com
    Subject: IQ - Subterranea
    Message-ID: <2B761D2275@jurs1.jura.uni-osnabrueck.de>

    Hey guys!

    If you're interested in reading everything about the fantastic new
    prog-rock-epos from IQ called "Subterranea" than you have to check
    out the new big-review on my homepage.
    See you there!

    Michael

    ***************************************************
    * Homepage *
    * http://www.geocities.com/SunsetStrip/Stage/5007 *
    * *
    * "A spirit with a vision *
    * is a dream with a mission..." *
    * N. Peart, Rush *
    * *
    * Michael Kohsiek *
    * Blumenesch 8a Siegerlandstr.15 *
    * 49078 Osnabrueck 48527 Nordhorn *
    * Tel.: 0541/43771 05921/722272 *
    * Germany *
    * *
    ***** "A Metal Heart is hard to tear apart..." ****

    ------------------------------

    Date: Sat, 27 Sep 1997 12:28:14 -0700
    From: Arash Ashouriha <ashouria@KR.FH-Niederrhein.DE>
    To: ytsejam@ax.com, ytsejam@ax.com
    Subject: the words "FALLING INTO INFINITY" in BMS / TERRY BROWN
    Message-ID: <342D5E4E.3337@kr.fh-niederrhein.de>

    Hi

    The words "Falling Into Infinity" are there.

    I've recorded "Burning My Soul" as a 44 Hz, 16 bit wave file.
    I've played the sample 40 % slower then the original speed and I found out
    that, at the begining of the song, someone wispering: "Falling Into Infinity".
    It's really cool.
    Is Burning My Soul released as a comercial single or only for radio ?
                            -----------------------
    The ideal producer for the next DT album (maybe Metropolis II) is definetly
    TERRY BROWN. Any suggestions ?

    Btw, I hope they will put all other songs like "Rise The Knife", "Speak To Me"
    "Where Are You Know", "The Way It Used To Be" and "Cover My Eyes" also on the
    Metropolis II EP.

    Maybe we should make a patention !

    Arash
     --------------------------------------------------------------------------
    | PROG OR DIE - The Progressive Music Page |
    | |
    | DREAM THEATER - FATES WARNING - ROYAL HUNT - SHADOW GALLERY |
    | |
    | http://lionel.kr.fh-niederrhein.de/~ashouria/index.htm |
    | |
    | by Arash Ashouriha |
    | |
    | ashouria@kr.fh-niederrhein.de |
     --------------------------------------------------------------------------

    ------------------------------

    Date: Sat, 27 Sep 1997 16:00:08 +0200
    From: Shai Yallin <Yallin@Netvision.net.il>
    To: ytsejam@ax.com
    Subject: Re: ASDF
    Message-ID: <342D1168.2E80@Netvision.net.il>

    >
    > I want to suscribe to the Ytsejam mailing list.
    >

    No, you don't. Believe me. You don't

    -- 
         Shai Yallin - Kurush on #YTSEJAM 
    

    "I'm American, honey. Our names don't mean shit." - Bruce Willis on Pulp Fiction

    "How can you keep your head and not go insane when the only light at the end of the tunnel is another train" - Mike Portnoy

    Visit my home page at http://www.geocities.com/SunsetStrip/Palladium/3247

    ------------------------------

    Date: Sat, 27 Sep 97 13:57:35 GMT From: cronos@worldaccess.nl (Richard Karsmakers) To: ytsejam@ax.com (Ytsejam Mailing List) Subject: Abbreviations (like TAMP) Message-ID: <M.092797.155735.30@wxs8-2.worldaccess.nl>

    Say...

    Do abbreviations actually make much of a difference when it comes to bandwith? On a mailing list that tends to wander and have big .sigs anyway, that is? TAMP, for example, is Dutch slang for 'penis', and although it doesn't offend me, would you readily abbreviate the title of DT ever decided to record a song called "Cohesions Under Nottingham's Tree" or something? Abbreviations only make sure you sometimes really wonder what the hell you guys are talking about. I'll settle for DT or even NDTC. :-) -- /--------------------------------------------------------------\ | Richard Karsmakers cronos@worldaccess.nl | \--------------------------------------------------------------/ C.R.I.M.E. Development; "Twilight World" Magazine; WWW-MMM "ST NEWS" ST/TT/Falcon disk magazine; "Ultimate Virus Killer" Gwar FUQ & Atari ST Emulation FAQ maintainer P.O. Box 67, 3500 AB, Utrecht, Netherlands /--------------------------------------------------------------\ | "Keyboard not found. Press any key to continue." | \--------------------------------------------------------------/

    ------------------------------

    Date: Sat, 27 Sep 1997 10:31:46 -0400 (EDT) From: al682@osfn.rhilinet.gov (Dan Abosso) To: ytsejam@ax.com Subject: Anna Lee Message-ID: <199709271431.KAA00341@osfn.org>

    Why does everyone (just about) hate this song? I think it's a welcome addition. - Dan

    -- Wave upon wave of demented avengers March cheerfully out of obscurity into the dream..

    ------------------------------

    Date: Sat, 27 Sep 1997 11:07:39 -0400 From: "ÞrØgßø¥" <calfaro@caribe.net> To: ytsejam@ax.com Subject: Re: it's me again... Message-ID: <342D213A.74ABFE64@caribe.net>

    omeraron@mail.netvision.net.il wrote: i didn't say that if any member of DT would drop out,there will be no

    > DT,i said kevin moore,and only kevin moore! > it didn't matter when charli droped out,because he wasn't the one > with the big overall "master plan".

    erm... ok

    > you see,if you asked anybody who'd hunged out with DT while the > writing of the majesty demos,I&W,awake and ACOS (producers,felow > musicians,technitions ,or anybody that was around!) he will tell you > that Kevin moore was the "man with the vision" and he was the man who > writen 80% of their stuff,and i know that for a fact! the > combination of melodic,the mood change in the songs,the strange > messures and all the other things DT stand for was invented by him! > >

    ok.. man.,I know im being harsh but i cant help it after reading your comments,.you should take Kevins cock out of your mouth before writing to the jam..

    > > > please think before writing.

    > omer-ISRAEL

    Isnt it ironic??..Dont ya think?

    --

    In the stream of consciousness There is a river crying Living comes much easier Once we admit , We're dying. Dream Theater: Lines in the Sand http://premium.caribe.net/~calfaro mailto:calfaro@caribe.net mailto:progboy@mindless.com Universal Internet Number (ICQ) 1254229

    ------------------------------

    Date: Sat, 27 Sep 1997 11:09:14 -0400 (EDT) From: GnRBrks@aol.com To: ytsejam@ax.com Subject: Falling Into Infinity pt.IV Message-ID: <970927110854_780035793@emout02.mail.aol.com>

    I know,I know,you're thinking why doesn't this guy get it over with . Well I just have to take my time. I ,along with a few others,are "really" listening to the "Musical content" and enjoying the HELL out of it!!! I can't believe the Italian jammer who said "DREAM THEATER WITHOUT KEVIN MOORE IS NOT DREAM THEATER." How naive a statement is that? Pretty damn naive. Go to the bio page and read about who the three founding members are and take alook at who is still there. JP,JM and of course MP. I think it would be very different if one of these guys left.But after seeing KM on some videos and the LiT vid it was apparent that ONLY his playing and writing skills were being used. Its hard to see him REALLY getting into a performance. It just is very hard to see. <Snip>

    Sorry to ramble..............(goes to get his flame retardent suit on.)

    "Take Away My Pain" When this one started I thought I was listening to a different CD. But now I look forward to hearing it. I get chills on the chorus when DS playes that haunting key line,absolutely the most tasteful thing I've heard in a long time.The chorus.....who says they need Desmond Child to write a great song.JP outdid himself on the lyrics and guitar. One of his best to date. This is a very mature song from him.

    "Just Let Me Breathe"

    Am I the only one who thinks that the bridge starting with "Strike uo your best angst ridden posture" that JLB sounds JUST like Joey Belladona from Anthrax,the old Anthrax.I thinks it's extremely cool. Mike Portnoy is an animal on this one.Right from the start. But the highlight for me is the second verse.DS absolutely is all over the place here. The nasty hammond comping around the lyrics is awesome. I LOVE DEREK'S PLAYING.

    There all for now.

    <GnRBrks@aol.com>

    ------------------------------

    Date: Mon, 22 Sep 1997 11:16:24 -0700 From: Buck Stodgers <stodgers@nations.net> To: ytsejam@ax.com Subject: New album-song by song Message-ID: <3426B5F8.3380@nations.net>

    Hello, Some quick thoughts: NM - Anyone else think this sounds like heavy Spock's Beard? Great song, but a terrible choice to open an album. A bit too sprawling to grab your attention right off.

    YNM - Does not fit on this album at all. Great lyrics, but far too pop oriented musically (gee, with Desmond Child writing?). Not a bad song, but just not right for the overall tone of this album.

    PS - Classic DT right off the bat. This song had my jaw dropping, fist pumping, and head banging all at once. The section where the distortion kicks in reeks of Megadeth, IMHO, especially the muted riff.

    HY - The lyrics on this read like a heavy song, so I was surprised it was acoustic (I had the album for five hours before I could listen to it = definition of torture). I haven't come to a judgement on this one yet.

    BMS - This song should have opened the album. Instant ball grabber and the first song I go to in my car when this CD goes in. I cannot wait for this live (again, heheh...).

    HK - Not what I expected from the title. A pleasant change from the "flashy" instrumentals on WDATU and Awake. A great interlude in the middle of the album.

    LitS - Glad to hear Derek finally. I think this is the first song he really stands out on. But his tone on the song is too muddy. Don't like Pinnick's voice on this (or on KX for that matter). Haven't listened to it enough to come to any conclusion.

    TAMP - Sounds a bit like some Water-era Saigon Kick to me, which of course means I like it. Though the lyrics (as on YNM) seemed a bit contrived to me.

    JLMB - Heheh... This rocks. Cool solos too. Heheh...

    AL - Don't see what the bitching's about. A great song with great lyrics. James should write more. So what if it's slow and moddy, so was WfS and no one complains about that.

    ToT - Only listened to it once so far. Sorry. Kill me if you want.

    That's my feeling on the whole song by song thing. I can't wait to hear all of these live and get boots of it. I think the whole album would benefit from live performance, more so than any of their others. Their tones and individual instrumental will likely stand out more. I think the album has one significant fault that it shares with VH's Balance: poor song order. Whoever posted the order that started with BMS was right (though he should include Anna Lee). More to come. -- ______________________________________________________________ "Luminous beings are we, not this crude matter..." -Yoda, the Jedi Master ______________________________________________________________ Andrew Forcier a.k.a. Buck Stodgers a.k.a. Asswipe Johnson (that's Ah-swee-pay!) Maintainer of the List of Ytse-Traders of Repute; To submit names or request a copy, mailto:stodgers@nations.net To view the list: http://www.ime.usp.br/~rbrito/ytselist.txt -------------------------------------------------------------- --List Manager-- The Peppermint Tribe, the Saigon Kick Mailing List For info, check out: http://idt.net/~rmerri9/ for e-mail inquiries, mailto:stodgers@nations.net **************************************************************

    ------------------------------

    Date: Sat, 27 Sep 1997 11:33:50 -0400 From: Jon Dery <metropolis@net1plus.com> To: ytsejam@ax.com Subject: Backing Vocals Message-ID: <342D275E.3339@net1plus.com>

    Jonathan Case wrote:

    > I wonder if anyone know's of any way to distinguish who sings what on > the accompanying parts

    Actually, I think this could make for some great FAQ content. Maybe get a list of all of the new songs and which members sing backing vocals on each one. What do you think, D-Man?

    ~-~Jon Dery~-~

    ------------------------------

    Date: Sat, 27 Sep 1997 12:26:43 -0400 (EDT) From: KillMary <caschulze@mindspring.com> To: ytsejam@ax.com Subject: WTF??????? Message-ID: <199709271626.MAA17616@brickbat8.mindspring.com>

    >From: JB <beamup@vt.edu> >SHIT!!!! I didn't realize that Kevin Shirley HIMSELF was a subscriber!!!!! > >How the hell can you take something like this personally? You didn't have >jack shit to do with the production... stop taking credit for it, you >didn't contribute.

    Dude, are you on crack? Did I ever want to take credit for it? Is that what I said? Go and get some sleep, you're seeing things. You're obviously seeing things I never wrote. hah! some people.

    ------------------------------

    Date: Sat, 27 Sep 1997 12:25:46 -0400 (EDT) From: Elliott Kim <ekim@gate.net> To: The Ytsejam <ytsejam@ax.com> Subject: Chapman Stick Message-ID: <199709271625.MAA18738@spool3.gate.net>

    I have a partial answer to the Chapman Stick question.

    At JP's clinic, he played along to a DAT of some of the new songs. He mentioned that "New Millenium" features Myung on the Chapman Stick. The bass guitar parts and some of what sounds like a clean electric guitar on that track would be the Chapman Stick.

    -- Elliott Kim -- ekim@gate.net -- e-man@dreamt.org --

    ------------------------------

    End of YTSEJAM Digest 3030 **************************



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