YTSEJAM digest 3426

From: ytsejam@ax.com
Date: Thu Jan 08 1998 - 18:20:50 EST

  • Next message: ytsejam@ax.com: "YTSEJAM digest 3425"

                                YTSEJAM Digest 3426

    Today's Topics:

      1) Re: DerShe's vs. KevMo's style
     by "Brian Hayden" <Brian.D.Hayden-1@tc.umn.edu>
      2) Read: YTSEJAM digest 3425
     by "Kaplan Philip" <KaplanPhil@bah.com>
      3) Re: Calling all sickos
     by "Brian Hayden" <Brian.D.Hayden-1@tc.umn.edu>
      4) Re: RES: Emerson's Lake and Palmetto Sanctuary
     by "Brian Hayden" <Brian.D.Hayden-1@tc.umn.edu>
      5) Jewel Case
     by Brian <DreamNDay@dreamt.org>
      6) Re: Calling all sickos
     by "Brian Hayden" <Brian.D.Hayden-1@tc.umn.edu>
      7) Read: Bitching and more....
     by Eric S P Barker <EBarker@NBCI.Net>
      8) Read: Bitching and more....
     by Daniel Murphy <garthman@cco.caltech.edu>
      9) Read: Bitching and more....
     by Mark Bredius <bredius@globalxs.nl>
     10) First Time You Heard DT
     by Eric Heisserer <erich@apqc.org>
     11) Imagining DT in the Studio...
     by Eric Heisserer <erich@apqc.org>
     12) Commercial
     by "Charlie Korch"<ckorch@raleigh.ibm.com>
     13) Christmas CD (spoilers i suppose)
     by "woot" <woot@crypted.com>
     14) Howard Stern Help
     by "Charlie Korch"<ckorch@raleigh.ibm.com>
     15) Re: Bitching and more....
     by "Paul Gregory Humm" <humm@levy.com>
     16) Not read: Bitching and more....
     by Daniel Reynard <tripwire@sparknet.net>
     17) Re: First Time You Heard DT
     by calfaro@caribe.net (Carlos Alfaro)

    ----------------------------------------------------------------------

    Date: Thu, 8 Jan 98 16:03:33 -0600
    From: "Brian Hayden" <Brian.D.Hayden-1@tc.umn.edu>
    To: ytsejam@ax.com, ytsejam@ax.com
    Subject: Re: DerShe's vs. KevMo's style
    Message-ID: <34b54d2e6421002@mhub2.tc.umn.edu>

    Responding to the message of <199801081749.NAA11993@dragon.acadiau.ca>
    from ytsejam@ax.com:
    >
    >
    > Luke wrote:
    > > It's called a pitch bender AFAIK, I don't know about Derek 'cause I have
    > > yet to see them live, but couldn't Kev pull of some wicked shit with
    > > this thing ?

    > Yes, he sure could, and in my opinion, he did a lot more considering the
    > equipment he used. A lot of Derek's sound comes from something that
    > really takes no skill -- the Prophecy and Trinity have a pressure
    > sensitive ribbon that produced things like harmonics, filter sweeps, and
    > feedback type sounds. Kevin used a Korg DW-8000 from the mid-80s that had
    > only a joystick (pitch bending and vibrato), but still made some very
    > interesting sounds. I think Kevin was a much more PURE keyboard player.

    I really love both of them, depending on what I'm in the mood for, but I have to
    say this: why do things the hard way if you don't have to? I mean, it would be
    kind of cheesy for the other four members of the band to go up there and play to
    a tape of the keyboard, but as long as the guy is actually playing, who cares if
    he takes advantage of the tools available? I'd take that as a sign of a *good*
    player, not a poor one - somebody who can take full advantage of what's
    available.

    -Brian

    ********************************************************************************
      "The way your heart beats makes all the difference in learning to live...
                    I won't give up till I've no more to give."
                                    -John Myung
    ********************************************************************************
    Coleridge on IRC

    ------------------------------

    Date: Thu, 08 Jan 1998 17:13 -0500
    From: "Kaplan Philip" <KaplanPhil@bah.com>
    To: ytsejam@ax.com
    Subject: Read: YTSEJAM digest 3425
    Message-ID: <B094E43D9B87D11181370060080350C6@hamltnpo4a.bah.com>

    Your Message To: Kaplan Philip(MS:HAMILTON/HAMLTNPO4A/KaplanPhil)
    Entitled: YTSEJAM digest 3425
    And Sent On: 1998-01-08 17:08
    Was Read At: 1998-01-08 17:04
    Priority: C

    ------------------------------------------------------------------------------

    ------------------------------

    Date: Thu, 8 Jan 98 16:05:26 -0600
    From: "Brian Hayden" <Brian.D.Hayden-1@tc.umn.edu>
    To: ytsejam@ax.com, ytsejam@ax.com
    Subject: Re: Calling all sickos
    Message-ID: <34b54da3651c004@mhub2.tc.umn.edu>

    Responding to the message of <01BD1C34.8931A090@pcnga.software-ag.de>
    from ytsejam@ax.com:
    >
    >
    > Hi all
    >
    > Any people out there with a sick sense of humour who are interested in
    > some Sonny Bono/Michael Kennedy jokes should contact me privately.

    I'm interested!

    -Brian

    ********************************************************************************
      "The way your heart beats makes all the difference in learning to live...
                    I won't give up till I've no more to give."
                                    -John Myung
    ********************************************************************************
    Coleridge on IRC

    ------------------------------

    Date: Thu, 8 Jan 98 16:09:35 -0600
    From: "Brian Hayden" <Brian.D.Hayden-1@tc.umn.edu>
    To: ytsejam@ax.com, ytsejam@ax.com
    Subject: Re: RES: Emerson's Lake and Palmetto Sanctuary
    Message-ID: <34b54e9e1157002@mhub1.tc.umn.edu>

    Responding to the message of
    <E093B0819442D111AD45002048089A6F3BF510@itapoa.datasul.com.br>
    from ytsejam@ax.com:
    > It was the first time I listened to a show that had a
    > better sound quality alive than on TV... The sound was clear!!!

    Really? When I saw them open for Jethro Tull in Minneapolis a few year ago, the
    sound was awful. Depends on the venue, I guess. The only thing that could really
    be heard when I saw them was the keyboard. It was just a big mess o' noise.
    Emerson is definitely a showman, though! Throwing that organ all over the place
    and dancin' on it.

    -Brian

    ********************************************************************************
      "The way your heart beats makes all the difference in learning to live...
                    I won't give up till I've no more to give."
                                    -John Myung
    ********************************************************************************
    Coleridge on IRC

    ------------------------------

    Date: Thu, 08 Jan 1998 17:10:13 -0800
    From: Brian <DreamNDay@dreamt.org>
    To: ytsejam@ax.com
    Subject: Jewel Case
    Message-ID: <34B578E0.4FF6@dreamt.org>

    > Since I got my CD on Tuesday, I have been waiting for someone to bitch
    > about the CD coming without a jewel case :) In my experiences jewel
    > cases
    > that are send in a normal envelope have a very good chance of arriving
    > in a 100 pieces.

    Actually, I think the reason for this is because the fan club is located
    in England and there are people all over the world in the club, probably
    a lot in the US, I would expect, and it would cost a FORTUNE to send all
    those CDs overseas with jewel cases. Fuck, I'm so happy I got my CD,
    since I haven't renewed my subscribtion yet. I got 2 CDs for my $15!
     
    ========================================================================

    "Are you gonna bark all day, little -----
            doggie, or are you gonna ---- ------------- ----
            bite?"-Micheal Madsen, ---- - ----
            Reservoir Dogs -- - - - - - - - --
    "Years of pain I will take and hone - - - - - - -
            Manifest with your broken bones - - -- - -- - -
            My heart bleeds for none but my -- - - - - - - - --
            own"-Machine Head ---- - - - ----
                         "None But My Own" ---- ------------- ----
                            Brian -----
                    DreamNDay@dreamt.org
    ========================================================================

    ------------------------------

    Date: Thu, 8 Jan 98 16:10:57 -0600
    From: "Brian Hayden" <Brian.D.Hayden-1@tc.umn.edu>
    To: ytsejam@ax.com
    Subject: Re: Calling all sickos
    Message-ID: <34b54ef052f3002@mhub0.tc.umn.edu>

    Dammit, I hit the send button too quick, that should have been private. Sorry!

    > Responding to the message of <01BD1C34.8931A090@pcnga.software-ag.de>
    > from ytsejam@ax.com:
    > >
    > >
    > > Hi all
    > >
    > > Any people out there with a sick sense of humour who are interested in
    > > some Sonny Bono/Michael Kennedy jokes should contact me privately.
    >
    > I'm interested!
    >
    > -Brian

    ------------------------------

    Date: Thu, 8 Jan 1998 15:21:50 -0700
    From: Eric S P Barker <EBarker@NBCI.Net>
    To: "'ytsejam@ax.com'" <ytsejam@ax.com>
    Subject: Read: Bitching and more....
    Message-ID: <01BD1C49.257BC2A0@Production1.NBCI.Net>

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    ------------------------------

    Date: Thu, 8 Jan 1998 14:30:22 -0800
    From: Daniel Murphy <garthman@cco.caltech.edu>
    To: "'ytsejam@ax.com'" <ytsejam@ax.com>
    Subject: Read: Bitching and more....
    Message-ID: <01BD1C41.F44A3D80@opus.dabney.caltech.edu>

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    Date: Thu, 8 Jan 1998 23:30:18 +0100
    From: Mark Bredius <bredius@globalxs.nl>
    To: "'ytsejam@ax.com'" <ytsejam@ax.com>
    Subject: Read: Bitching and more....
    Message-ID: <01BD1C8D.A790E7E0@Spock.startrek.GlobalXS.nl>

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    ------------------------------

    Date: Thu, 8 Jan 1998 16:37:04 -0600
    From: Eric Heisserer <erich@apqc.org>
    To: ytsejam@ax.com
    Subject: First Time You Heard DT
    Message-ID: <l03020900b0daaf20f666@[205.219.25.58]>

    Hi gang. New Jammer here. I'm curious to hear how / if everyone was
    affected the first time you ever heard Dream Theater... Do you remember the
    moment?

    Me, I moved to Houston from some podunk town in OK, hadn't heard anything
    progressive except for Yes and Rush. However, I've had six years of music
    class, and four years of drumming on a beat-up Whitehall set. I sucked,
    but I knew enough to appreciate the people with real talent.

    One day a friend of mine put Awake in the player as I was driving us to
    lunch. "Erotomania" started up.

    Holy shit. That was an adrenalin surge. I think I was shaking when we got
    out of the car. That night I went to a big record store and bought I&W and
    Awake. Now I'm addicted. What an intro into Prog rock...

    ------------
    Eric Heisserer
    APQC
    erich@apqc.org

    ------------------------------

    Date: Thu, 8 Jan 1998 16:46:39 -0600
    From: Eric Heisserer <erich@apqc.org>
    To: ytsejam@ax.com
    Subject: Imagining DT in the Studio...
    Message-ID: <l03020901b0dab1216f15@[205.219.25.58]>

    There are points in many DT songs that attract my attention so much I end
    up imagining what these guys were saying/doing in the studio. Now is that
    bizzare fan-addiction or what?

    Fer instance: the KM/JP solo "duets" in the middle of Met.Pt 1 or even near
    the end of LtL, I can see them having so much fun matching each other
    note-for-note, giving each other those looks like--
    "I'm keeping up with ya!"
    "Oh yeah, well how 'bout some of *this* action?"
    "I gotta wah-bar, baby--it's called a pitch wheel!"
    "Try this on for size!"

    Or off FII, that neat part in HK when Derek starts on keys, then JP says,
    "Hey, whatcha doin' over there, Derek? Let me try that..."
    Boom. Perfect unison. None of my friends catch that it's two instruments.
    And then Myung says,
    "Hi guys, what's goin--oh, I can do that."
    Boom. They're all at it. Kick ass.

    Of course, the feeling probably wears off for them, they play so much it
    comes naturally, but that's what I see when I hear those coordinated
    moments...

    ------------
    Eric Heisserer
    APQC
    erich@apqc.org

    ------------------------------

    Date: Thu, 8 Jan 1998 17:44:12 -0400
    From: "Charlie Korch"<ckorch@raleigh.ibm.com>
    To: ytsejam@ax.com
    Subject: Commercial
    Message-ID: <85256586.007C2B12.00@ATLMAIL.IBMUS2.IBM.COM>

    >>Doesn't selling out mean going mainstream and selling lots of CD's and
    becoming unbelievably popular, lots of radio play, MTv, etc....<<

    No. That is selling out and getting lucky! I believe selling out is the
    act of TRYING to crate something just in hopes of making it or making it
    bigger. You can be a poor sell out. Look at Kix, Faster Pussycat, and
    Enuf-Z-Nuff.

    I am tired of people stating that a band must make lots of money in order
    to be commercial. Does that mean that when Michael Jackson writes a song,
    it isn't commercial until it makes a million dollars. If Michael Jackson
    never sold an album, his material would still be commercial.

    Charlie

    ------------------------------

    Date: Thu, 8 Jan 1998 15:48:07 -0700
    From: "woot" <woot@crypted.com>
    To: <ytsejam@ax.com>
    Subject: Christmas CD (spoilers i suppose)
    Message-ID: <000301bd1c87$7f892920$522746cf@sir.micron.net>

    I just got the CD in the mail and after 1 listen It might just be my
    favorite DT CD ever. Obviously the musicians will like it better just ca=
    use
    we know how it is, but I think everyone should enjoy this stuff. It seem=
    s
    like Myung didn't get as much coverage as the rest of the guys, but that'=
    s
    cause Mike was in charge and Mike and JM don't know each other all that
    well. :) I'm not really sure how anyone could possibly be disappointed w=
    ith
    this though. Any explanations from the people in that camp would be
    appreciated.

    It rolls down stairs
    It comes not in pairs
    Runs over your neighbor's foot.
    It's great for a snack
    And fits on your back
    It's woot! woot! woot!

    woot=99 from Blammo!=AE

    ------------------------------

    Date: Thu, 8 Jan 1998 17:49:50 -0400
    From: "Charlie Korch"<ckorch@raleigh.ibm.com>
    To: ytsejam@ax.com
    Subject: Howard Stern Help
    Message-ID: <85256586.007BAA6C.00@ATLMAIL.IBMUS2.IBM.COM>

    >>If there are any Howard Stern fans out there, I'm looking
    for a copy of the reading of Jackie Martling's resignation letter! <<

    Jackie resigned??????? Man I didn't know this. I am in Atlanta and we
    don't get the Howard Stern show, and we don't even get E. I am previously
    from NY, so I am in a Howard Stern withdrawal.

    Does anyone know a good Howard Web site that will fill me in on all the
    important Howard News.

    >>Do any of you think Scott did the required 17 push-ups??<<

    Scott couldn't do a single pushup, never mind 17. That guy has such little
     will power, I wouldn't be surprised to find him dead in a year or so from
    all the ciggs he smokes. I am not wishing death on him, it just seems
    unavoidable. Scott = Chris Farley.

    Charlie

    P.S. Did you ever hear the clip of Howard ripping DT apart? I heard it
    when driving to work one day, and it made me cringe. If you want to hear
    more let me know.

    ------------------------------

    Date: Thu, 8 Jan 1998 14:59:28 -0800
    From: "Paul Gregory Humm" <humm@levy.com>
    To: ytsejam@ax.com
    Subject: Re: Bitching and more....
    Message-ID: <199801082301.PAA16970@baygate.bayarea.net>

    > The funny thing is, is that if he was never mentioned in the liner notes
    > how many of you "raggers" would even know the difference and without
    > hearing the demo version. Just because one person helped or suggested or
    > added constructive criticism to a very talented band doesn't mean the band
    > has failed or recorded a poor tune.
    > I would be willing to bet that if he was never mentioned alot of you
    > "critics" would have a different view of the song.

    You have a valid point, but in my case, I thought that You Not Me was
    a very weak song BEFORE I EVER LOOKED AT THE LINER NOTES and realized
    that it was written with outside "help". I agree that bringing
    someone in from outside to co-write a song is not NECESSARILY a bad
    thing; some bands have written some very cool songs this way.
    However, after listening to "You OR Me" and "You NOT Me" back to
    back, it's pretty clear (in my opinion) that in this case the outside
    help WAS a mistake.

    > Please get over it........

    Hey, in four full-length albums (five if you count the Majesty demos)
    and one EP, Dream Theater has only released 3 or 4 songs that I'm not
    totally crazy about. That's a far better track record than most
    bands who's CDs I own, which is a big part of the reason why Dream
    Theater is easily one of my all-time favorite bands. So when I say
    that I don't like You Not Me, please take that statement in the
    proper context.

    Paul

    -----------
    Paul Humm
    humm@levy.com

    ------------------------------

    Date: Thu, 8 Jan 1998 16:58:15 -0600
    From: Daniel Reynard <tripwire@sparknet.net>
    To: "'ytsejam@ax.com'" <ytsejam@ax.com>
    Subject: Not read: Bitching and more....
    Message-ID: <01BD1C56.9D336C00@gb-noc20.sparknet.net>

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    ------------------------------

    Date: Thu, 08 Jan 1998 18:58:35 -0400
    From: calfaro@caribe.net (Carlos Alfaro)
    To: ytsejam@ax.com
    Subject: Re: First Time You Heard DT
    Message-ID: <34B55A1A.F54227D8@caribe.net>

    Eric Heisserer wrote:

    > Hi gang. New Jammer here. I'm curious to hear how / if everyone was
    > affected the first time you ever heard Dream Theater... Do you remember the
    > moment?

    I remember it was 94' i was in 9th grade in high schoool...a friend of mine
    lent me awake, which I "heard" but not really listened to..and i hated the
    vocals.. so i threw it in the back of my moms mini van..

    then about a year later...he lent me images and words..and strangely..i loved
    it... bought acos on cd, then the back catalogue respectively.. and ..the rest
    is history

    ------------------------------

    End of YTSEJAM Digest 3426
    **************************



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