YTSEJAM digest 3965

From: ytsejam@ax.com
Date: Sat Jun 06 1998 - 04:32:53 EDT

  • Next message: ytsejam@ax.com: "YTSEJAM digest 3964"

                                YTSEJAM Digest 3965

    Today's Topics:

      1) Smoking the HERB
     by Wcphill@aol.com
      2) Re: Smoking the HERB
     by Theiban@aol.com
      3) Re: Smoking the HERB
     by "KorgX3" <korgx3@safelink.net>
      4) Re: Smoking the HERB
     by Theiban@aol.com
      5) I'm #01, I'm #01!
     by "Partha Mukhopadhyay" <ahtrap@hotmail.com>
      6) Re: $10 Discount at CDNow
     by Totikus <totikus@gmx.net>
      7) some more specs I remembered
     by Chris Oates <aspect@cats.ucsc.edu>
      8) Berlioz and opium
     by Jon Kretschmer <jkretsch@sdcc17.ucsd.edu>
      9) another idea on e MTV request deal
     by belhai <belhai@drew.edu>
     10) Vote
     by Totikus <totikus@gmx.net>
     11) Re: Vote
     by Lisa Marie <ytsegirl@pacbell.net>
     12) **Boots for sale**
     by "Thomas Forcier" <thomas.o.forcier@worldnet.att.net>
     13) DT tablature books
     by Charlie Patel <patelc@ro.com>
     14) Re: YTSEJAM digest 3962
     by "Nikos@Tama-Greek band" <s9763230@minyos.its.rmit.edu.au>
     15) Re: Oh Yeah?
     by PhReEkY dEeK <lerxst@wam.umd.edu>
     16) Drugs and the Ryche
     by Kevin Carmouche <khc@bellsouth.net>
     17) John Wesley
     by Alan Estrada <alan_estrada@bigfoot.com>

    ----------------------------------------------------------------------

    Date: Fri, 5 Jun 1998 18:15:05 EDT
    From: Wcphill@aol.com
    To: ytsejam@ax.com
    Subject: Smoking the HERB
    Message-ID: <344385b4.35786dea@aol.com>

    With all this talk about pot and DT, I am surprised no one has noticed or
    mentioned Mike's screen name "portnoy420". 420 is known as the Official time
    to smoke pot. That is why if you ever go into a head shop or "drug
    parifinalia" store, you can find tons of stickers and such with 420 written
    all over them. Well guys, if this is your secret to making amazing music, I
    might have to move to Amsterdam. Of course, why isn't there a bunch of
    amazing bands coming out of Amsterdam?
    <ZZZZZZZZZZZZZZZZ>~`~`-~-~-~--
    -Warren
    JP wannabe

    ------------------------------

    Date: Fri, 5 Jun 1998 18:30:49 EDT
    From: Theiban@aol.com
    To: ytsejam@ax.com
    Subject: Re: Smoking the HERB
    Message-ID: <1b010ae1.3578719a@aol.com>

    In a message dated 98-06-05 18:27:44 EDT, you write:

    << With all this talk about pot and DT, I am surprised no one has noticed or
     mentioned Mike's screen name "portnoy420". 420 is known as the Official time
     to smoke pot. That is why if you ever go into a head shop or "drug
     parifinalia" store, you can find tons of stickers and such with 420 written
     all over them. Well guys, if this is your secret to making amazing music, I
     might have to move to Amsterdam. Of course, why isn't there a bunch of
     amazing bands coming out of Amsterdam?
     <ZZZZZZZZZZZZZZZZ>~`~`-~-~-~--
     -Warren
     JP wannabe >>

    umm... HELLO? thats his birthday 4/20
    geez wasnt this already discussed?

    Rocky

    ------------------------------

    Date: Fri, 5 Jun 1998 16:51:44 -0600
    From: "KorgX3" <korgx3@safelink.net>
    To: <ytsejam@ax.com>
    Subject: Re: Smoking the HERB
    Message-ID: <000c01bd90d4$8677b320$44f086cc@chuckrei>

    >umm... HELLO? thats his birthday 4/20
    >geez wasnt this already discussed?

    Then Mikey was born on the right day. =)
    Besides, I think someone already mentioned the 420 had nothing to do with
    his birthdate. But I could be wrong. I seem to forget stuff all the time
    and salivate alot more.

    Pass me a Twinkie would ya?
    ~KorgX3 sparks up a bowl in Mike's honor.

    ------------------------------

    Date: Fri, 5 Jun 1998 19:17:11 EDT
    From: Theiban@aol.com
    To: ytsejam@ax.com
    Subject: Re: Smoking the HERB
    Message-ID: <8fc4e5d0.35787c78@aol.com>

    In a message dated 98-06-05 19:10:46 EDT, you write:

    << Besides, I think someone already mentioned the 420 had nothing to do with
     his birthdate. But I could be wrong. I seem to forget stuff all the time >>

    yea smoking a lot of herb makes you forget stuff all the time. i haven't
    smoked herb in.... hell i forget how long it's been.

    Rocky

    ------------------------------

    Date: Fri, 05 Jun 1998 16:21:44 PDT
    From: "Partha Mukhopadhyay" <ahtrap@hotmail.com>
    To: ytsejam@ax.com
    Subject: I'm #01, I'm #01!
    Message-ID: <19980605232144.19779.qmail@hotmail.com>

    about the topic, i just happened to send in for the Savatage "The Age of
    Discovery" set that Volodya advertised the other day on here from Open
    All Night Records a couple of weeks ago, and that happened to be copy
    #01 (out of only 75, so order NOW!), and it happened to arrive on
    Wednesday, and I've been listening to it whenever i've been home
    (between periods of the WIngs/stars and the caps/sabres games, of
    course).....

    (and no, i ain't affiliated with these guys in any way, I'm just in a
    gushing mood)

    first thing, the liner notes: a cool painting of some semi-prehistoric
    types out on a lake exploring something, apparently (i don't have it
    with me, forgot the exact detail)......the disc itself has pictures of
    the band, as does the back cover, and inside front cover, nice glossy
    stuff......
    about the show: as volodya's ad said, the show was recorded last
    november in paris, so it's a twom tour show, and the setlist reads
    somewhat like what Matt Teiper described earlier today, with certain
    changes (no sirens, couple of other differences).....

    highlights in the boot abound, from very sweetly clear vocals
    (especially when Zach Stevens sings, Oliva's vocals are rough, but
    that's a symptom of his vocals rather than the recording)......to a
    mostly great recording mix, to the bonus track from a late 96 DWD tour
    show which include starlight, one child, mozart and madness and DOESN'T
    MATTER ANYWAY (which happens to be my favorite savatage song)

    as for the vocals.....chance, the hourglass and the wake of magellan are
    all included on the setlist, and the counterpoint stuff is beatifully
    represented on chance and twom.....for some reason, i can't quite recall
    that part of the hourglass, but i'm sure it's there.....

    this has been one rough and tumble review, but take with you this bottom
    line....basically, "The Age of Discovery" is a damn fine $29 spent, I
    tell you whut.....

    I would also rave about OAN Records intro disc "Into the great unknown",
    which feature a coupla track from DT, 'deth, 'tage, hammerfall, gamma
    ray, vanden plas, and some more, but that's not being offered anymore,
    so I won't rub it in......let's just say that i'm gonna grab me some
    vanden plas sometime really soon......if anyone would care to suggest a
    particular disc for me (private mail, please, i'm sure it's been done
    before), I would be mighty thankful....

    oh, and one more thing about OAN.....after I'd received the boot, but
    before I'd had the chance to inform them that it had arrived, the guy
    wrote and 1)inquired about it's arrival, and 2) informed me that their
    was a printing error on the liner notes, and a replacement was in the
    mail already.....speaks for itself, I'd think.......

    partha

    ______________________________________________________
    Get Your Private, Free Email at http://www.hotmail.com

    ------------------------------

    Date: Sat, 06 Jun 1998 19:36:50 -0400
    From: Totikus <totikus@gmx.net>
    To: ytsejam@ax.com
    Subject: Re: $10 Discount at CDNow
    Message-ID: <0EU300NFXQWWL4@PM04SM.PMM.MCI.NET>

    Itchy wrote:
    <<This discount is ONLY available if you go to CDnow through a
      so called "Cosmic URL". You can find "Cosmic URLs" on "Under
      A Cyber Moon" in the left frame of the frames version or the
      CDnow links on UACM's links page... So if you haven't bought
      "LTE" yet... ;-)

      Not only will YOU get a $10 discount, they'll give ME 5 % in
      CDnow credit over the amount of money you spend (*including*
      that $10). Cool deal all around. :-)

      If you have your own site you might want to consider joining
      CDnow's Cosmic Credit program too... It's pretty cool. There
      are lots of other online record stores with credit programs,
      like Music Boulevard and CD Universe, btw.>>

    Yeah, these Cosmic Credit, RAM , etc. programs are quite a good deal...
    you don't need to have anything for it, not even a web page (they
    will give you a URL and you can just type it in/bookmark it)...btw
    other non-music stores also do this type of thing (e.g. amazon.com).

    ----------------------------------------------------------
    | Totikus totikus@hotmail.com |
    | A Fortune In Midis - The Dream Theater Midi Page |
    | http://www.geocities.com/SunsetStrip/Underground/7767 |
    | "A man must learn to cope, if his obsession's real |
    | Suppression that he feels must turn to hope." |
    | Dream Theater, "Take The Time" |
    ----------------------------------------------------------

    ------------------------------

    Date: Fri, 05 Jun 1998 16:35:40 -0700
    From: Chris Oates <aspect@cats.ucsc.edu>
    To: ytsejam@ax.com
    Subject: some more specs I remembered
    Message-ID: <199806052337.QAA04520@cats.ucsc.edu>

    On synth modules:

    The TR-Rack can play 32 samples simultaneously. Each voice in a patch can
    play up to 2 samples at once, so your minumum polyphony is 16. You can
    velocity switch another sample for each of the 2 in a voice, so you can
    have up to 4 samples in a patch, but only 2 triggering at once. It has 16
    parts multitimbral, so it can chew up a whole MIDI port easily. Drums can
    be on any channel, and obviously can violate the only 4 samples per voice
    restriction. 48Khz sampling rate, so it has some nice sparkly highs.

    The Roland 1080 and 2080 have 64 voice polyphony (I think) and each patch
    can have up to 4 samples triggered at once. So your minimum polyphony is
    again 16, but can sound richer cause of the more voices. You can do
    velocity switching within your 4 voices if you want, or use less than 4
    voices per patch, but you get the idea. Only 8 parts multitimbral, and
    one part is dedicated to drums. In fact, you can only have drums on that
    one channel. Each part can be set up to receive on any MIDI channel, tho,
    so drums don't have to be on channel 10.

    The Yamaha EX5R has 128 voice polyphony (so the brochure sez) and can have
    up to 4 samples per patch, or some combiation of 3 samples and one of the
    other waveforms (anamog model, physical model, DSP model) -- I don't know
    if the other models chew up more voices than a sample does. I haven't
    played on this yet, so I don't know too much about it.

    Just trying to point out that it's important to remember how many voices
    the thing can play, how many voices make up a patch, and how much _real_
    polyphony and multi-timbral capabilities you get before you buy. They
    throw lots of numbers around, and it can be confusing, so don't hesitate to
    ask. :)

         ~Chris
                    The next Ginger Spice

    __ /\ __ Chris Oates: aspect@cats.ucsc.edu
    __\/__\/__ +----
      \_||_/ | "Still awake, I continue to move along, cultivating my |
     /__||__\ | own nonsense" -Dream Theater, "Trial of Tears" |
    // \ | \\ ----+
        \| http://www2.ucsc.edu/people/aspect/

    ------------------------------

    Date: Fri, 05 Jun 1998 16:59:12 -0700
    From: Jon Kretschmer <jkretsch@sdcc17.ucsd.edu>
    To: ytsejam@ax.com
    Subject: Berlioz and opium
    Message-ID: <3.0.5.32.19980605165912.008b4810@sdcc17.ucsd.edu>

    >From: erodger@fore.com
    >To: ytsejam@ax.com
    >>>Finally someone mentions Berlioz. The Fantastic Symphony is a must for
    >>>anyone enjoying the darker side of classical, especially movement 5. This
    >>>piece was written under the influence of opium, and I think it's pretty
    >>>obvious.
    >
    >I've read half a dozen texts that contradict what you are stating. They
    >are quick to point out that Hector wasn't an addict, but that at least part
    >of this piece was penned while under the influence. Also, his memoirs
    >state that the symphony is not about himself and Henriette, however the
    >link is hard to dismiss.
    >
    >KAI

    Aye yai yai. Adam agreed with me, why wont you? : ) I would love to see
    those six sources that say Berlioz wrote parts of the piece under the
    influence of opium. As for me, here are my credible sources.

    Edward Downes, program writer for the New York Philharmonic for fourteen
    seasons and conductor emeritus of the BBC Philharmonic, wrote a book
    entitled _Guide to Symphonic Music_. It contains programs for all major
    orchestral works, and is 1000+ pages long. Here is what it says.

    "Imagine, wrote Berlioz, that an artist gifted with vivid imagination first
    glimpses a woman who embodies the ideal he has long carried in his
    heart...[cut for brevity, no context is lost]...In a fit of despair the
    artist poisons himself with opium. But instead of killing him, the does
    induces horrible nightmares. He believes that he has killed his beloved
    and has been condemned to death."

    Note that from this quotation, Berlioz is writing about an _imagined_
    artist. So the imagined artist took the opium, not Berlioz.

    Also...

    "In our own time Berlioz's program has been widely attacked on the grounds
    that it is inaccurate as autobiography. It has been solemnly pointed out
    that Berlioz never took Henriette [his love, and the basis for the idee
    fixe] to a ball, that he did not poison himself with opium, and that by the
    time the Symphony reached performance he was wooing another woman."

    That is from Downe's _Guide to Symphonic Music_. Pretty clear cut as to
    whether Berlioz used opium or not.

    Michael Steinberg, current program writer for the San Francisco Symphony
    and New York Philharmonic (after Downes), and former program writer for the
    Boston Symphony Orchestra. In his book, _The Symphony: A Listener's Guide_
    he writes:

    "[Berlioz began work] on the symphony whose design he described in detail
    to his friend the poet Humbert Ferrand.

    In brief, 'an artist, gifted with imagination [falls in love with] a woman
    who embodies the ideal of beauty and fascination that he has long been
    seeking.'"

    So Steinberg makes it clear in the same fashion as Downes that Berlioz and
    the fictional character depicted in the symphony are two different people.
    Later, Steinberg quotes Berlioz's concert notes, which Berlioz intended to
    be handed out at every performance. These are the words of Berlioz.

    "Having become certain that his love goes unrecognized, the artist poisons
    himself with opium. He dreams he has killed the woman he had loved, that
    he is condemned, led to the scaffold, and that he is witnessing HIS OWN
    EXECUTION."

    Berlioz capitalized those last words, not me : )

    ]From reading these texts, it is clear to me that Berlioz himself did not
    poison himself. The artist of his symphony, Berlioz's imagined and
    fictional character, did. Some aspects of the symphony do reflect
    Berlioz's life, but as for Berlioz being on drugs while composing the
    piece, there is no evidence that Ive seen to support that, and quite a bit
    of evidence to refute it.

    If you really do have six sources that say Berlioz poisened himself, please
    post them. I would be eager to read them.

    Thanks!

    Jon

    ------------------------------

    Date: Fri, 05 Jun 1998 20:09:34 -0500 (EST)
    From: belhai <belhai@drew.edu>
    To: Dream Theater <ytsejam@ax.com>
    Subject: another idea on e MTV request deal
    Message-ID: <Pine.PMDF.3.95.980605200331.543231355A-100000@drew.edu>

    Hey Folks!

    I was just watching MTV and Matt Pinfiled (one of the VJs) said to email
    or called between 12:30-1:30 pm (or was it 1:30-2:30?) during the week to
    get your videos on TV.

    I was thinking about it, and I'm not so sure that everyone emailing MTV
    onb a specific day is such a great idea. They're not a bunch of idiots.
    It's not hard to figure out that if you get 10,000 emails on friday and
    they all say "play Dream Theater's 'lie'", they're probably gonna assume
    that all the die-hard fans agreed on this particular day to write them.

    I have no idea if this would work, but what if we agreed on a month where
    maybe 50-100 people write them each day asking them to play a Dream
    Theater video. Maybe even less than that. If we funnel the emails in
    gradually, they might actually believe that it's not just the die-hards
    writing them.

    Just an idea.

    Brandon

    ------------------------------

    Date: Sat, 06 Jun 1998 20:56:01 -0400
    From: Totikus <totikus@gmx.net>
    To: ytsejam@ax.com
    Subject: Vote
    Message-ID: <0EU3009M6UKRJ7@PM04SM.PMM.MCI.NET>

    On that German radio station vote
    (www.swr3.de/cgi-bin/abstimmung/abstimm.cgi BMS is actually ahead of HY
    by about 300 places so if you vote for DT you should definitely
    vote for that song too...

    ----------------------------------------------------------
    | Totikus totikus@hotmail.com |
    | A Fortune In Midis - The Dream Theater Midi Page |
    | http://www.geocities.com/SunsetStrip/Underground/7767 |
    | "A man must learn to cope, if his obsession's real |
    | Suppression that he feels must turn to hope." |
    | Dream Theater, "Take The Time" |
    ----------------------------------------------------------

    ------------------------------

    Date: Fri, 05 Jun 1998 18:24:12 -0700
    From: Lisa Marie <ytsegirl@pacbell.net>
    To: ytsejam@ax.com
    Subject: Re: Vote
    Message-ID: <35789A3C.B3E72F12@pacbell.net>

    Totikus wrote:
    >
    > On that German radio station vote
    > (www.swr3.de/cgi-bin/abstimmung/abstimm.cgi BMS is actually ahead of
    > HY by about 300 places so if you vote for DT you should definitely
    > vote for that song too...

    BMS is actually the song I was voting for until someone told me it
    wasn't a single (?). (I have no clue because I don't buy singles)
    There's room to vote for three songs, so we could vote for both :o)

    ..and don't forget Spock's Beard "June" ;o)

    http://www.swr3.de/cgi-bin/abstimmung/abstimm.cgi

    Lisa Marie "Jessie"
    ytsegirl@pacbell.net
    http://home.pacbell.net/ytsegirl/
    _________________________________________
    Thoughts - The Spock's Beard Mailing List
    http://www.dreamt.org/spocksbeard/
    _________________________________________
    The #Ytse Mirror - #ytsejam news & gossip
    http://www.dreamt.org/ytsemirror/

    ------------------------------

    Date: Fri, 5 Jun 1998 23:06:04 -0400
    From: "Thomas Forcier" <thomas.o.forcier@worldnet.att.net>
    To: <ytsejam@ax.com>
    Subject: **Boots for sale**
    Message-ID: <19980606030002.HPCI22706@239157822worldnet.att.net>

    I'd apprecaite it if you so-called fans that manufacture your own discs
    wouldn't follow this post with how to buy them from you instead. Asking for
    some courtesy, rare on the internet these days.

    My story:
    Well, I finally found my dream guitar for sale used (Ibanez JS6000 Custom),
    so I'm parting with boot CDs to pay for it. All prices are $30 per disc
    FIRM, unless it comes to out-bidding one another. And for those who say
    "why not buy the Bahr duplicates?" My answer is, you don't have to wait
    four months for the ones below. I guarantee shipment within one week of
    receiving your money order. You don't have to send cash through the mail,
    AND I send the discs insured and registered, so you don't have to have
    pesky e-mail battles with "fans" who could care less about screwing you.

    Rush - Critical Mass (orig, 2CD)
     - Mardi Gras (orig, 2CD)
    DT - Subconscious (CD-R)
     - Acoustic Dreams (CD-R)
     - Darkest of Winters (orig)
     - Precious Things (orig) **SOLD**
     - When Dream and Today Unite (orig)
     - Mind Control (orig, 2CD)
     - Home Sweet Home (orig) **SOLD**
     - Lords of Sound (orig, 2CD)
     - Scenes From A Memory (orig) **SOLD**

    As for a reference, my name's Andrew Forcier - commonly known as Buck
    Stodgers. Ask around. People know me.

    ------------------------------

    Date: Sat, 6 Jun 1998 01:43:46 -0500 (CDT)
    From: Charlie Patel <patelc@ro.com>
    To: ytsejam@ax.com
    Subject: DT tablature books
    Message-ID: <Pine.LNX.3.95.980606014145.17498B-100000@sh1.ro.com>

    I'm too lazy to print. Where can I order the official DT tablature books
    on the web (preferably inexpensively)? PLEASE RESPOND TO patelc@ro.com AS
    I AM NOT A YTSEJAM SUBSCRIBER.

    Thanks,
    Charlie Patel

    ------------------------------

    Date: Sat, 6 Jun 1998 17:44:50 +1100 (EDT)
    From: "Nikos@Tama-Greek band" <s9763230@minyos.its.rmit.edu.au>
    To: Multiple recipients of list <ytsejam@ax.com>
    Subject: Re: YTSEJAM digest 3962
    Message-ID: <Pine.SOL.3.96.980606173446.6502B-100000@minyos.its.rmit.edu.au>

    As Im sure you guys are aware, Hyperion, Australias only "proper" metal
    band split almost 2 years ago. The magic vocalist,"Jimmy Georgopoulos"
    has joined another band here in Melbourne by the name of "Eye Fear".
    They are very progressive and have released a cd called "Edge of
    Existance". This however, does not feature the new vocalist. The new
    album we'll be out in two months. If you have the some previous
    "Hyperion" albums I'm sure this new Eye Fear album will allow you to
    remenise. Eye Fear is nothing without "Jim Georgopoulos", and Hyperion
    were only the greatest because of him.................................

    Long live "High pitched vocals and deadly screams".

        Later

        NIKOS
       
                  " Do unto others as they have done to you
                  But what the hell is this world coming to"
                                  (Metallica)

    ------------------------------

    Date: Sat, 6 Jun 1998 03:52:21 -0400 (EDT)
    From: PhReEkY dEeK <lerxst@wam.umd.edu>
    To: Multiple recipients of list <ytsejam@ax.com>
    Subject: Re: Oh Yeah?
    Message-ID: <Pine.SOL.3.95q.980606034309.6251A-100000@rac9.wam.umd.edu>

    ]From out of the shadows Christopher Ptacek whispered:

    > What about rackmounts with no built in sequencers, and just great
    >sounds (I can use my PC as a sequencer... this is not for live playing.
    >I'd get a KEYBOARDIST for live playing.)

    try these:
    roland jd-990
    kawai k5kr
    roland mks-80
    waldorf pulse/pulse +
    waldorf microwave II/XT
    clavia nord rack
    studio electronics se-1
    korg wavestation A/D

    and if you don't like these, then you bore me.

    - sLyY

    -- Trek|RockShox|Shimano|Continental|Specialized|White Bros.
                                            /\/ \ /\ /\
                                         /\/ \/\ \/\/ __o / \/\/
                                       /\ / / / \/ / _'\<,_ / \/
                                         / ..... \ .. (*)/'(*).. ..

    --
    Pakkrat studio site: http://www.ee.umd.edu/~lerxst/pakkrat
    "serving your synthesis needs"
    

    ------------------------------

    Date: Sat, 06 Jun 1998 02:58:56 -0500 From: Kevin Carmouche <khc@bellsouth.net> To: ytsejam@ax.com Subject: Drugs and the Ryche Message-ID: <3578F6C0.35EB@bellsouth.net>

    Now, as many of you can tell from my sig, I'm a big QR fan, and let me say this, that anyone who says that great music can't be created using drugs(if anyone said that), is a total idiot. DeGarmo has been on drugs, as any QR fan knows, yet he's done some marvelous work. I personally love Promised Land probably more than any other QR album, and I can say this about it(and I can't say this for most albums), there is not a SINGLE song on it I don't like. Now, you look at other musicians, as I've read, it seems as though a few DT members smoke some, although it's not proven and I don't want to say that they definitely do. You look back at the Beatles, Sgt. Pepper's and the White Album, two of the greatest rock albums of all time, were written while they were drugged up. You look at the jazz world, same thing, Charlie Parker did some of his most incredible solos while he was high on heroin. Does this mean that I'm advocating drug use? Not at all, though it may sound like it. Even Charlie Parker got SEVERLY pissed when he would see them follow what he did, using drugs. All I'm saying is don't put down someone for using them when they are still writing and performing some great music. -- Geaux Tigers!!!! http://www.angelfire.com/la/qryche/index.html "I Know If I Try, I'll Get Where I'm Going/ Keeping My Eyes On the Sky" -"Some People Fly" by Queensryche

    ------------------------------

    Date: Sat, 06 Jun 1998 03:20:08 -0500 From: Alan Estrada <alan_estrada@bigfoot.com> To: ytsejam@ax.com Subject: John Wesley Message-ID: <3.0.5.32.19980606032008.007bc390@academ04.mty.itesm.mx>

    I was surfing on http://www.bvbmusic.com/explorer/featured_artist/index.html and I read a review about an album by John Wesley, the review says it is considered the male tori amos, and that he has opned for progressive bands, has anyone heard about him or heard his music? please let me know if this is good.

    thanks

    ------------------------------

    End of YTSEJAM Digest 3965 **************************



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