YTSEJAM digest 3860

From: ytsejam@ax.com
Date: Fri May 08 1998 - 11:02:46 EDT

  • Next message: ytsejam@ax.com: "YTSEJAM digest 3859"

                                YTSEJAM Digest 3860

    Today's Topics:

      1) miscellaneous ramblings
     by "Raivo Hool" <raitz@estcard.ee>
      2) Re: "miscellaneous ramblings" adding bumholes
     by The Working Man <nv99701@egymn.tranemo.se>
      3) Rick Wakeman
     by Bernardo Pulgar <b.pulgar@rocketmail.com>
      4) A Mistake, Pink Floyd, Genesis
     by Bernardo Pulgar <b.pulgar@rocketmail.com>
      5) URGENT....PLEASE HELP
     by Dave <hwoodson@ix.netcom.com>
      6) Fab
     by "Trevor W. Hoit" <TrevorW@ms.kallback.com>
      7) How I got into DT
     by The Working Man <nv99701@egymn.tranemo.se>
      8) Re: YTSEJAM digest 3858
     by ujonegr@psf220.lexis-nexis.com (Greg Jones)
      9) Re: YTSEJAM digest 3859
     by ujonegr@psf220.lexis-nexis.com (Greg Jones)
     10) Music, Relatively speaking ...
     by Chris Oates <aspect@cats.ucsc.edu>
     11) Going away for the weekend
     by The Working Man <nv99701@egymn.tranemo.se>
     12)
     by policast@ic8u82.settimo.italtel.it (Policastro Cosimo)
     13) But glittering prizes and endless compromises shatter the illusion of integrity...
     by Seroussi <seroussi@algonet.se>

    ----------------------------------------------------------------------

    Date: Fri, 8 May 1998 10:22:02 +0200
    From: "Raivo Hool" <raitz@estcard.ee>
    To: ytsejam@ax.com
    Subject: miscellaneous ramblings
    Message-ID: <199805080721.KAA01375@xyz.estcard.ee>

    Per:

    > I think he lives in LA and does some crappy self-produced CD's. Living =
    > up the money he has earned.

    Whatever you're on, get off it. I've only got to say "Skunkworks" and
    most of all, "Accident Of Birth" to you and if those don't ring the bell,
    you're lost. :-)

    Oh yeah, could you get rid of that BASE64 encoding crap at the end of each
    message? Netscape can be configured.

    Okay, off I wander.

    As far as getting into Dream Theater goes, it was really simple, though
    weird in my case. I borrowed a tape of Queensryche's "Promised Land" to
    listen to and decide. Somewhere along the way, I pressed the play-button
    twice and without me knowing it, the reverse function took off. As it was
    the first time I was listening to the album, I didn't know anything wasn't
    quite alright. One moment I found myself thinkin', "Wow, they've gotten so
    much better! That kickass instrumental, and listen how Geoff sings that
    nice ballad! Different voice somehow, though." Then, at the end of the
    tape, I realized I'd been listening to Awake that was on the B-side of the
    cassette. Rest = history.

    Raivo Hool
    NT administrator,
    Estonian Card Center of Banks

    e-mail: raitz@estcard.ee
    Office: (+372) 6 711 416
    GSM: (+372) 51 43 567

    ------------------------------

    Date: Fri, 8 May 1998 12:55:59 +0100
    From: The Working Man <nv99701@egymn.tranemo.se>
    To: "'Multiple recipients of list'" <ytsejam@ax.com>
    Subject: Re: "miscellaneous ramblings" adding bumholes
    Message-ID: <98May8.100010gmt+0100.31372@gate.tranemo.se>

    Raivo Hool wrote:

    > Per:

    > > I think he lives in LA and does some crappy self-produced CD's.
    > > Living up the money he has earned.

    > Whatever you're on, get off it.

    I'm NOT getting off caffeine. Not ever.

    > I've only got to say "Skunkworks" and
    > most of all, "Accident Of Birth" to you and if those don't ring the bell,
    > you're lost. :-)

    > Oh yeah, could you get rid of that BASE64 encoding crap at the end of
    each
    > message? Netscape can be configured.

    I wonder who's lost here. NT administrator? You know, I'm not using
    Netspace. Hasn't Microsoft reached Estonia? Is Microsoft Exchange familiar
    to you? Obviously not...

    > Raivo Hool

    You know, if I pronounce your name with a funny Swedish accent, it sounds
    like the Swedish word for "Asshole". Honest!!! (_|_) >:-D

    Don't start picking on me for being immature!

    --------------------------------

    //tHe WoRkInG mAn
      aka Per Pettersson

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    | It seems to me |
    | I could live my life |
    | A lot better than I think I am. |
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    >:-( Kill Trace Elliott!!! >:-(

    ------------------------------

    Date: Fri, 8 May 1998 00:55:31 -0700 (PDT)
    From: Bernardo Pulgar <b.pulgar@rocketmail.com>
    To: ytsejam@ax.com
    Subject: Rick Wakeman
    Message-ID: <19980508075531.5768.rocketmail@web1.rocketmail.com>

    Check this out:

    Return to Centre

    Rick Wakeman signs to EMI Classics

    London 6th May 1998:

    Rick Wakeman has signed a deal with EMI Classics to record a new
    symphonic opus, "Return to the Centre of the Earth", the sequel to
    his highly successful "Journey to the Centre of the Earth", released
    25 years ago.

    The album will be recorded in September with the London Symphony
    Orchestra and The English Chamber Choir, both reprising the roles
    they played on the original recording. A number of high profile
    guest artists have been approached to appear on the record.

    "Return to the Centre of the Earth" will be released in the UK on
    18th January 1999 - the twenty fifth anniversary of the first live
    performance of its predecessor "Journey to the Centre of the Earth".

    After a long and successful career, firstly with the rock group YES,
    and latterly as a solo artist on such projects as "The Six Wives of
    Henry VIII" and "The Myths and Legends of King Arthur...", this is
    Rick Wakeman's first collaboration with EMI Classics.

    I am genuinely thrilled to be involved with EMI Classics. Richard
    Lyttelton and his team have understood exactly the potential of
    'Return' and also realise the opportunities of merging today's
    technology with the wonderful natural sounds of orchestra and choir.
    It is without question the most important and exciting musical
    journey I have been involved with since the original 'Journey to the
    Centre of the Earth'.

    Richard Lyttelton, President of EMI Classics commented, "We are
    delighted to be involved with this project. I am a huge fan of the
    original piece, and the chance to work with such a talented and well
    known modern composer was too good to miss. After the successful
    "Standing Stone" project with Paul McCartney last year which marked
    the 100 year centenary of EMI Classics, we are keen to encourage
    modern composers of this calibre, and projects such as this can only
    enhance our repertoire."

    Rick says:

    "Now that the contracts have been signed, work really begins in
    earnest on what will undoubtedly prove to be the most important
    piece of music that I have been involved with for twenty five years.
    Thanks to advances in technology in every field, "RETURN" will be
    light years ahead of every other recording I have undertaken with
    orchestra and choir combined with keyboards and other electronic
    instruments.

    The album will be produced in varying locations culminating in the
    orchestral and choir sessions being held in London where the mixing
    will also take place.

    The venue for the concert will be announced within two weeks. It is
    planned to hold back a block of some of the best tickets for sale to
    RWCC members (no restrictions on numbers apply), if you would like
    to go onto the list currently being drawn up for members tickets
    then please send an email to returnseats@rwcc.com clearly stating
    your RWCC membership number, but send no money at this stage please.

    Over the coming weeks and months, this special "RETURN" section will
    be continually updated with news and progress on both the recording
    and the concert.

    Fine, huh?

    Regards:
    Bernardo
    _________________________________________________________
    DO YOU YAHOO!?
    Get your free @yahoo.com address at http://mail.yahoo.com

    ------------------------------

    Date: Fri, 8 May 1998 01:21:56 -0700 (PDT)
    From: Bernardo Pulgar <b.pulgar@rocketmail.com>
    To: ytsejam@ax.com
    Subject: A Mistake, Pink Floyd, Genesis
    Message-ID: <19980508082156.6012.rocketmail@attach1.rocketmail.com>

    My hard drive died and I lost a ton of Jams that I haven't read
    (along with other things). Can someone here be so kind as to zip
    them and send them to me? The Jams are from 3771 to 3826 (both
    inclusive). There must be someone who saves these messages. I did,
    in case I needed to check something. Thanx beforehand. To Rogerio
    Brito: Camel's mp3s are gone too. Give me a week to make them again.
    BTW, you haven't told me if you want them or not.

    These threads are probably dead by now, but I'm way back on my jams.
    I'm like Ricardo Rosset (off the pace, heheheh)
    Longshot wrote:
    >Saying that the new stuff is better than DSOTM is an insult to that
    >album. It was the best album PF has ever done, and probably the
    best
    >they ever will do. TDB, while a good album, cannot compete. MLOR
    >was pretty much a solo album for Gilmour. Same goes for TFC and
    >Roger Waters.
    We agree there. The person who wrote with desdain about the Roger
    Waters era PF simply hates Roger. That's something that I can't
    quite understand. Anyway, I have to disagree with you here:
    >check out the Delicate Sound of Thunder Video (not the album). It is
    >probably the best live video I have ever seen, including a very
    >orgasmic version of GGITS (Much better than on Pulse......
    Usually, I don't like to poke into the Jam very much. I like to keep
    quiet, but this comment makes me come out and balance things a bit
    here. Well I was into PF until I saw this video. It sucks. It's true
    that they play GGitS much better than in Pulse, but what they do
    with Comfortably Numb in DSoT is simply put: THE Worst Disgrace done
    to a Masterpiece EVER: the people that PF gathered to help them pull
    out that tour do fairly well their jobs as far as playing their
    instruments BUT when it comes to singing, they SUCK royally! I even
    was reluctant to check Pulse (the video) because I thought it'd be
    more of the same crap. Thank God it wasn't. All in all, Delicate...
    is (IMHO) a worthless album and wouldn't recommend it.

    On Genesis, someone posted that he or she isn't much into post
    Gabriel era Genesis. Well you don't know what you're missing: Wind
    and Wuthering, A Trick of the Tail, Seconds Out, ...And Then there
    Were Three... and Duke are superb albums. While it's true that
    Gabriel was most of Genesis when it came to Content, there were 4
    other talented musicians which still offered really good music.
    Besides, Phil Colins sang on several songs from the early PG Genesis
    albums (off the top of my head 'More Fool Me' from Selling
    England...), so you shouldn't be too unfamiliar with his voice on
    their latter stuff.

    On a different topic: I really feel bad when I get all these posts
    from you:
    "Hey, I'm going to the DT gig in (insert your venue, city, etc.
    here) and making plans to meet others and buying DT tickets, and so
    on. I just stare and look from the distance (Australia), mouth
    watering, cursing (el grandísimo Coño de la Madreeeeee!).... So you
    guys are going to attend a DT concert for the 3rd, 5th. 8th. time?
    And last month you went to a Fates Warning one? Mike Portnoy said:
    "I think we've given the 'Entire World' the opportunity to see us"
    but I don't think so.

    On Grammar crap: some people here in the list don't know the
    difference between:
    there
    their
    they're
    Anyway, hoo cairs? Manee peepole doo!

    Frederick: Hola chamo! Eres tú el único venezolano aquí además de
    mí? Cómo está la vaina por allá?

    -BP

    NP: Jim Matheos-First Impressions

    _________________________________________________________
    DO YOU YAHOO!?
    Get your free @yahoo.com address at http://mail.yahoo.com

    ------------------------------

    Date: Fri, 08 May 1998 04:25:56 -0400
    From: Dave <hwoodson@ix.netcom.com>
    To: ytsejam@ax.com
    Subject: URGENT....PLEASE HELP
    Message-ID: <3552C194.625@ix.netcom.com>

    Hey dudes...and dudettes ;) I just found out that a last minute trip to
    Ohio was in order to see OFB live in a small setting once again !!!
    Would anyone in the CINCINNATI area, or anyone going to this show,
    please e-mail me about where's a good meeting place/watering hole in
    this area....or just who from the list is going and what you're gonna
    wear, and where you can be found. I'd really like to meet some of you
    and put some faces with all these names on the Jam. I haven't posted to
    the Jam in a while...been WAY the hell backed up on reading ! Also ANY
    DTC about this venue would be MUCHO welcomed as well as a suggestion on
    a decent place to crash. Please help....I've got VERY little time to
    get this organized and as stated above, I'm WAYYYYY behind on Jam
    reading, so I apologize if I've offended for any reason... To ANYone
    going to this show...I look forward to metting some people who know what
    kick-ass music really IS !!

    Thanks in Advance for ANY help,
    Zildjian
    ICQ #1967352

    ------------------------------

    Date: Fri, 8 May 1998 01:55:09 -0700
    From: "Trevor W. Hoit" <TrevorW@ms.kallback.com>
    To: "'DT'" <ytsejam@ax.com>
    Subject: Fab
    Message-ID: <30434A6945ABD1119A3A00A024D1C34124A9E1@ms.kallback.com>

    Maybe Fabrice should join his bandmate Rob. :)

    ------------------------------

    Date: Fri, 8 May 1998 14:39:36 +0100
    From: The Working Man <nv99701@egymn.tranemo.se>
    To: "'Multiple recipients of list'" <ytsejam@ax.com>
    Subject: How I got into DT
    Message-ID: <98May8.114349gmt+0100.31373@gate.tranemo.se>

    Hi.

    If it's still of interest, I'll write something about how I got into DT.

    Two mates of mine had been at a friend of theirs (I don't know him) and
    they watched a little of the LIT video - they're all guitar freaks, and
    wanted to see (and hear) JP. They told me that they were incredibly
    skilful, but they didn't really like their music (what morons!).
    I wanted to check 'em up and see if they were any good. It happened that a
    friend and classmate of mine had a lousy tape recording of I&W (45 minutes,
    almost all of LTL was missing). And how they ruled! I got to buy I&W and a
    short time later, Awake - and I was caught in the web.
    Still, I am only in possession of these two records, but I've listended to
    WDADU in a record store, and I am going to order FII by post in a few days.
    I just hope that I won't get disappointed.
    DT helped me to discover the whole progressive genre. I now also listen to
    Yes, Rush, Marillion and Pink Floyd. Thank heavens for I'm still not stuck
    with Iron Maiden and Soundgarden!

    Three final words: Dream Theater rules!!!

    --------------------------------

    //tHe WoRkInG mAn
      aka Per Pettersson

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    | It seems to me |
    | I could live my life |
    | A lot better than I think I am. |
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    >:-( Kill Trace Elliott!!! >:-(

    ------------------------------

    Date: Fri, 8 May 1998 07:04:50 -0400
    From: ujonegr@psf220.lexis-nexis.com (Greg Jones)
    To: ytsejam@ax.com
    Subject: Re: YTSEJAM digest 3858
    Message-ID: <199805081104.HAA02167@psf220.pclprod.meaddata.com>

    Yes, I'll be at Annies with a friend who's not on this list.

    Perhaps we'll run into each other.

    Do you know what exit Annies is nearest to from I-75?
    I haven't gotten specific directions yet.

    Greg

    "Greg's Music Theory Page"
    http://www.geocities.com/sunsetstrip/palladium/6197

            
            Hey Greg,
            That would be the show at Annies, corrrect? Matt (another ytsejammer) and=
             I
            will be there as well. Anyone else? Is there a gathering planned?
            
            
            
            ------------------------------

    ------------------------------

    Date: Fri, 8 May 1998 07:19:05 -0400
    From: ujonegr@psf220.lexis-nexis.com (Greg Jones)
    To: ytsejam@ax.com
    Subject: Re: YTSEJAM digest 3859
    Message-ID: <199805081119.HAA04764@psf220.pclprod.meaddata.com>

    > > But I'm not a believer in cultural
    > > relativism, nor am I a believer in musical relativism.
            
                    Cultural relativism is a moral position that is difficult to defend
            because of inconsistencies in communication, values, and it's
            counter-intuitive conclusions. There are moral implications... it's
            a moral system. Musical relativism is not, and doesn't suffer from
            the same problems. It think (and I am quite possibly wrong) that it
            is counter-intuitive NOT to support some form of musical relativism.

    (snipped for brevity)
            
    You bring up some valid points that I tend to agree with. I'm a
    Christian so I definitely believe in absolutes but I have what I
    consider to be a unique perspective on the subject.

    The reason that I believe that morals are *absolute* is because my
    morality is *relative* to God and my God is *absolute*.

    Tying this in to music, let me play devil's advocate. Could a DT fan,
    objectively criticize "Hootie and the Blowfish" upon the basis that
    their music is too simple? And couldn't this allegation be objectively
    proven? Now this doesn't mean that someone is ignorant if they like
    "Hootie" for they may agree that Hootie is simple music but respond
    that they don't want to listen to complex music. The simple music of
    Hootie moves them more than DT's complexity.

    The person's reaction to the music is subjective, but objective
    criticisms can be made. Who would argue against the notion that it's
    easier to dance to rap than to DT? Most rappers who dislike metal do so
    because they want music to dance to. Most of us in this newsgroup like
    DT because we want to hear music that is complex, unique, creative, and
    different.

    I guess I'm merely saying that there appears to be an overlap between
    the subjective and the objective.

    Greg

    ------------------------------

    Date: Fri, 8 May 1998 04:36:22 -0700
    From: Chris Oates <aspect@cats.ucsc.edu>
    To: "Ytsejam (E-mail)" <ytsejam@ax.com>
    Subject: Music, Relatively speaking ...
    Message-ID: <01BD7A3A.DD30D9E0.aspect@cats.ucsc.edu>

    Chris P Sed:

    >Musical relativism is not, and doesn't suffer from
    >the same problems. It think (and I am quite possibly wrong) that it
    >is counter-intuitive NOT to support some form of musical relativism.

    I agree with the "some form" part.

    >Let me explain. We, representing an unfortunate minority of music
    >fans between ages 14-40, (I know we extend outside of that range...)
    >like Dream Theater. A significant majority, consisting of all ranges
    >of intellects and educational backgrounds, within that age group,
    >dislike Dream Theater. They can offer as many reasons why they find
    >DT distasteful as we can offer for liking them. Would their majority
    >not somehow represent a hierarchy, and if their decision as a group
    >has some non-relativistic affect, would that not mean that we are
    >wrong for liking DT?

    Musical absolutism, so far as I understand it, has never made any
    judgements about "right" or "wrong" -- "good" or "bad" About the only
    thing it comes close is "consonant" vs "dissonant" -- many people assume
    that consonant == good, and that dissonant == bad. Part of really
    understanding theory is knowing that that simplistic view is false. (I'm
    not saying that you have that view) Consonant and dissonant intervals, and
    the "goodness" of them, is up to the context of the music, and the ear of
    the listener. In that sense I support "some form" of musical relativism.

    However, if by finding that there are exceptions, we discount the theory
    entirely, we lose a lot more. The point of theory and the "rules" is that
    they work in _most_ cases. And, by studying what effect certain notes have
    in "most" cases, we can get a really good idea of what we may want to do
    with our music in "most" situations.

    I look at it this way: If, by taking an absolute viewpoint of "These
    sounds are pleasing in this context, and these others are unnerving" we can
    learn something and grow as musicians, what's the harm? So long as we
    understand that "pleasing" is not equivalent to "right" and "unnerving" is
    not equal to "bad" it's useful. I think I said this before, but if we were
    to always make all of the possibilities of exceptions, and state all the
    disclaimers about cultural and personal preference, by the time we were
    done with that, there'd be no room left for the actual idea.

    ANd yes, this was written at 4:30 a.m. so please forgive any brain
    misfirings that may have occurred.

         ~Chris

    (I'm the five spaces and a tilde Chris, not the no spaces and a tilde
    Chris. Someone's been copying my tag!)

    ------------------------------

    Date: Fri, 8 May 1998 18:48:16 +0100
    From: The Working Man <nv99701@egymn.tranemo.se>
    To: "'Multiple recipients of list'" <ytsejam@ax.com>
    Subject: Going away for the weekend
    Message-ID: <98May8.155222gmt+0100.31361@gate.tranemo.se>

    Hi. Just wanted to pop in and say that I'm going away for the weekend and I
    am too lazy to NOT unsubscribe while being away. 200 letters on Monday
    morning as just above too many.

    If you have anything you want to say to me - email me at
    nv99701@egymn.tranemo.se, and I'll read it on Monday.

    Bye for now!

    --------------------------------

    //tHe WoRkInG mAn
      aka Per Pettersson

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    | It seems to me |
    | I could live my life |
    | A lot better than I think I am. |
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    >:-( Kill Trace Elliott!!! >:-(

    ------------------------------

    Date: Fri, 8 May 1998 16:25:33 +0200
    From: policast@ic8u82.settimo.italtel.it (Policastro Cosimo)
    To: -v@ic8u82.settimo.italtel.it, ytsejam@ax.com
    Message-ID: <9805081425.AA26144@ic8u82.settimo.italtel.it>

    Hi all
    I would like to know if someone of you listen
    one of my favourite band:
    SEPULTURA from Brazil
    I know that now the ex-singer MAX CAVALERA is with
    a new band ,SOULFLY...
    Can you tell me how is the new album?
    .maybe i will buy it..

    Bye Cosimo (Milan,ITALY)
    ______________"FIND ALL YOU NEED IN YOUR MIND,IF YOU TAKE THE TIME!!!____
    *************************************************************************

    ------------------------------

    Date: Fri, 08 May 1998 16:14:27 +0200
    From: Seroussi <seroussi@algonet.se>
    To: ytsejam@ax.com
    Subject: But glittering prizes and endless compromises shatter the illusion of integrity...
    Message-ID: <35531342.B61792D6@algonet.se>

    Hello everyone,

    I'm forwarding here a short email conversation I have had with Mike
    Portnoy around two weeks ago. You be the judge: is DT losing its
    musical integrity in search for money? Am I an asshole since I didn't
    grovel before mike and because I don't worship the ground he walks
    upon?

    Just to clarify: I don't expect DT to do anything to satisfy me, it
    would have just been nice if MP would have answered my questions.
    Bottom line is: DT would do what they want no matter what I'll do, but
    I wouldn't buy their CDs saying "hey man, it's still DT!!!" if they
    start putting out crap. I wouldn't listen to YNM, love it and then
    not love a song of the same quality because it's not DT. I would keep
    on skipping many songs on FII and not force myself to like them.

    What's the target of this post? Create discussion, I guess - this is
    a discussion group. Discuss, then.

    > > > > > Subject: Re: Sorry. Can we still be friends?
    > > > > > Date: Fri, 24 Apr 1998 19:12:49 +0200
    > > > > > From: Seroussi <seroussi@algonet.se>
    > > > > > To: Portnoy420 <Portnoy420@aol.com>
    > > > > >
    > > > > > > Hey dude,
    > > > > > > Don't sweat it!!!!!
    > > > > > > I mean no harm, I just want our side of the coin heard!
    > > > > > > Believe me, I prefer to be playing OUR full show to OUR audience,
    > > > > > > but we need to continue to develop our career in order to grow.
    > > > > > > (and most importantly for me - NOT at the expense of our real fan base...
    > > > > > > which I don't think we're doing in this case...)
    > > > > >
    > > > > > Is the target of DT to increase your fanbase and get more money?
    > > > > >
    > > > > > Developing your career = Earning more money
    > > > > > or
    > > > > > Developing your career = Creating more music
    > > > > >
    > > > > > Please reply.
    > > > > >
    > > > >
    > > > > Subject: Re: Sorry. Can we still be friends?
    > > > > Date: Sun, 26 Apr 1998 13:32:55 EDT
    > > > > From: Portnoy420 <Portnoy420@aol.com>
    > > > > To: seroussi@algonet.se
    > > > >
    > > > > In a perfect world BOTH....
    > > > > The more $ we make (which isn't much mind you...), the more freedom we'll have
    > > > > to continue to create more music...
    > > >
    > > > Subject: Re: Sorry. Can we still be friends?
    > > > Date: Sun, 26 Apr 1998 23:15:38 +0200
    > > > From: Seroussi <seroussi@algonet.se>
    > > > To: Portnoy420 <Portnoy420@aol.com>
    > > >
    > > > The catchier & more mainstream music you make -> more $ -> more freedom
    > > > to create catchy mainstream music (metallica comes to mind...)
    > > >
    > > > > We all have families to provide for and if the cash flow stops, then everybody
    > > > > will begin to look for other means of income, and then the music stops...
    > > >
    > > > And make your hands dirty with some real work would be so bad? Must you
    > > > live off your art?
    > > >
    > > > Take Dan Swanö for example. He works in his own study as a sound
    > > > engineer and... guess what? He put out many CDs with various forms of
    > > > music. Many of them are readily available to the general public. To name
    > > > a few bands he was/is part of: Edge of Sanity (7 CDs), Pan-Thy-Monium
    > > > (4 CDs), Nightingale (2CDs)...yep, the music totally stops when you have
    > > > other forms of income and a family to support.
    > > >
    > > > > So it's not as cut and dry as you are trying to make it out to be.....
    > > > >
    > > > > Carpe Diem,
    > > > > Mike Portnoy
    > > >
    > > > Please don't quote Rush's Spirit of the Radio.
    > > >
    > > > Thank you for listening.
    > >
    > > Subject: Re: Sorry. Can we still be friends?
    > > Date: Mon, 27 Apr 1998 23:05:50 EDT
    > > From: Portnoy420 <Portnoy420@aol.com>
    > > To: seroussi@algonet.se
    > >
    > > Huuhh??????
    > > And it's called The Spirit of Radio..
    > > Later dude...(much)
    >
    > Subject: Re: Sorry. Can we still be friends?
    > Date: Tue, 28 Apr 1998 19:37:36 +0200
    > From: Seroussi <seroussi@algonet.se>
    > To: Portnoy420 <Portnoy420@aol.com>
    >
    > Nice way to avoid the questions posed in the rest of the letter...

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    End of YTSEJAM Digest 3860
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