YTSEJAM Digest 5395
Today's Topics:
1) Aussie Band
by "Brad Watt" <bwatt@gotafe.vic.edu.au>
2) use the "Flow", Luke...
by "Paul Evans" <evansp3@corp.earthlink.net>
3) Re: SFAM staying power
by Fett2002@aol.com
4) Queensryche
by Fett2002@aol.com
5) Re: Re: Keyboard Debacles, Theory (offtopicer than offtopic)
by Jens Johansson <jens@panix.com>
6) hendrix
by "Fran Brennan" <okelnard@hotmail.com>
7) Re: Metropolis story thread
by Kurt M Hampton <kurt.hampton@juno.com>
8) the chill of winter
by "Tanja Sorsa" <Tanja.Sorsa@fng.fi>
9) Platypus- Ice Cycles- Buy It!
by Isaac Sabetai <isabetai@bu.edu>
10) Re: UK Concerts
by Graham Borland <graham@picsel.com>
11) Hendrix (yet again)
by mikel <mikel@alphalink.com.au>
12) Wagner, keys, misc., UK dates
by "Awake ." <awake@buffymail.com>
13) Satch
by Matej <izolit@siol.net>
14) Re: The other Devil Doll
by "Christoph" <schroedhelm@gmx.de>
15) Re: Satch
by "Carlos Alfaro" <calfaro@yunque.net>
16) The Quiet Room
by bduester@avana.net
17) Re: YTSEJAM digest 5394
by Dan Costello <axeman_dannl@juno.com>
18) article on Jordan's rig...
by Michael Burstin <mikeb@cs.brandeis.edu>
19) Re: Hendrix (yet again)
by "Korg Ecksthrey" <korgx3@safelink.net>
20) Who? YANNI!
by Andrew Coutermarsh <a_couter@oz.plymouth.edu>
21) Fates DVD
by "Mats Rydstrom" <mats.rydstrom@slitz.se>
22) Re: Who? YANNI!
by "Korg Ecksthrey" <korgx3@safelink.net>
----------------------------------------------------------------------
Date: Fri, 17 Mar 2000 07:57:08 +1000
From: "Brad Watt" <bwatt@gotafe.vic.edu.au>
To: <ytsejam@torchsong.com>
Subject: Aussie Band
Message-ID: <s8d1e56b.034@gotafe.vic.edu.au>
How much are Australian bands liked in the US.
I have a band and I wish for the US to like it but it is so hard to get =
anywhere in Australia, so if anyone can help a new young band from =
Australia I can send a Demo CD to you, but only if you at genuinely =
interested. We recorded in the same studio as the Living End (new Aussie =
band) So feel free to e-mail me at bwatt@gotafe.vic.edu.au=20
Thanks
Brad from Malahkai.
------------------------------
Date: Thu, 16 Mar 2000 14:35:53 -0800
From: "Paul Evans" <evansp3@corp.earthlink.net>
To: "ytsejam" <ytsejam@torchsong.com>
Subject: use the "Flow", Luke...
Message-ID: <067001bf8f97$fd35d320$305ad9cf@gorilla.it.earthlink.net>
Marc van der Wal wrote:
>I think that all of these books could help to become a better musician,
>but the methods presented require a lot of dedication and concentration.
>It's not some simple trick which can be learned by just reading these
>books.
What, no tricks? Aww, man, it's like theory then isn't it???? Crap...
Hehehe
Thanks, I'm gonna check them out.
Paul #27, in pursuit of the "Flow"...
------------------------------
Date: Thu, 16 Mar 2000 18:20:23 EST
From: Fett2002@aol.com
To: ytsejam@torchsong.com
Subject: Re: SFAM staying power
Message-ID: <55.35f33f9.2602c637@aol.com>
\<< Will SFAM as an album have the long-lasting effect and fan
retention that I&W has to date. As an album: I THINK YES. As for
individual songs: NOPE. >>
>>What do you guys think?
>Wade
Well, I think the song Home will definitely have long-lasting effect but the
rest or it as individual songs? Hmm....possibly not. Zthe only way I think
we'll really know is on the next tour when we hear the songs being played by
themselves live.
-Mike C.
------------------------------
Date: Thu, 16 Mar 2000 18:25:31 EST
From: Fett2002@aol.com
To: ytsejam@torchsong.com
Subject: Queensryche
Message-ID: <66.1f7c2f1.2602c76b@aol.com>
Just wondering if anyone saw the Queensryche show in Philly on Wednesday. I
wanted to make it but was sick :( I was wondering if it was a good show and
what the set list was. If someone could post their opinion, that would be
great! Thanks.
-Mike C.
------------------------------
Date: Thu, 16 Mar 2000 21:40:34 -0500
From: Jens Johansson <jens@panix.com>
To: ytsejam@torchsong.com
Subject: Re: Re: Keyboard Debacles, Theory (offtopicer than offtopic)
Message-ID: <3.0.3.32.20000316214034.0073736c@popserver.panix.com>
On 15:10 2000/03/13 -0800, you wrote:
> > the chord "f h d g a#" (low to high) can any theory tell me what I
> > should pick as a nice-sounding root note ("c# in the octave under the
> I should point out for Mr. Johansson to the rest of the Ytsejam who may
> not be aware: The note "h", in some parts of Europe such as Germany (or is
> it JUST Germany? Beats me) refers to a b natural, whereas the note "b"
> refers to a b flat. Just clearing up any confusion on the part of other
> jammers. :)
Right, sorry. I think it could be something like "most mainly Lutheran=
countries".
"C#10b14b16#1820?":)
> Also, I don't understand what kind of chord you're trying to build if
> you've got C#, F, B (Nat), D, G, and A#/Bb. I'm playing it through in my
> head and if played without the C#, it would sound kind of like a minor
> chord with a tritone underneath it. With the C#, I can't figure out WHAT
> it sounds like.
It sounds nice over here! :) Without the C# it sounds quite bland.=20
I often wonder what makes a chord "tick". I tried to make some research into=
this a few months ago but it's on hold now because of other commitments.=
[Basically I had this idea to classify chords algorithmically using some=
sort of weighted function of a) "consonance" (in the "classical western"=
sense) b) overlap/reinforcement/dissonance of actual/implied root partials=
c) implied or real difference/sum frequencies ... I envisioned some sort of=
heuristic/genetic development cycle where my own ears would be in the=
feedback loop and I would optimize the function to grade chords somewhat=
according to my taste. I suppose this is "rule-based theory with a=
vengeance", with a theory like "it is true, that for this one biased=
listener, five note chords "a1 a2 a3 a4 a5" for which a function F(a1, a2,=
a3, a4, a5, x1, x2, x3, ... xn) evaluates to 'more', sound nicer than=
chords for which F evaluates to 'less'." But anyway I found out quickly=
that even this type of focused attack on a very limited and narrowly=
defined problem ("find some dissonant chords that Jens will like")=
generates unmusical rubbish. :) Maybe I need fresh insights.] I'm more=
inclined toward the old-fashined way of making weird chords, for now..=20
Jens
=3D=3D=3D=3D
sleepless in Helsinki
------------------------------
Date: Thu, 16 Mar 2000 19:25:00 PST
From: "Fran Brennan" <okelnard@hotmail.com>
To: ytsejam@torchsong.com
Subject: hendrix
Message-ID: <20000317032500.33777.qmail@hotmail.com>
Hendrix was one of the first to experiment with things like feedback, whammy
bar, and guitar burning, and his influence is still being felt. Sure, if he
hadn't have died young, he would probably have been less influential. And if
he hadn't played guitar in the first place, he would have been even LESS
influential. See where I'm going? WHY he was influental is irrelevant, the
fact is, he WAS the most influential guitarist ever. And, just for the
record, I'm not a huge fan, either.
-Banjoman got his acceptance letter from Berklee today =^)
np: SFAM
my inspiration for the above post:
Sure, Jimi was good in his time. But the influence that
he's built up is largely a result of his premature death
and high profile. Otherwise he'd have ben eclipsed longago.
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
------------------------------
Date: Thu, 16 Mar 2000 22:56:40 -0600
From: Kurt M Hampton <kurt.hampton@juno.com>
To: ytsejam@torchsong.com
Subject: Re: Metropolis story thread
Message-ID: <20000316.230854.14534.0.Kurt.Hampton@juno.com>
<"I`ve met an older man, he seemed to be alone
I felt that I could trust him, he talked to me that night"
It is not my theory, I can`t recall who told me that, but how would
Nicholas
feel that he could trust a man he had never seen???? Maybe because the
man
is Julian reincarnated...>
Could be, or he might just have been the old man that now lives in the
house. Julian was shot and killed along with Victoria, so my question is
does reincarnation skip a generation. Did they skip a generation.
Victoria dies in 1928 correct. The man in the video form the show appears
to be in his mid 30's correct? Whats goin on. Do the spirits just hang
around for 20 years or so? Hmmm the plot gets even
thicker.................
Kurt
LTE2 YEAH BABY
"and though it leads to nowhere,
you part debris and keep on going" - Doubledrive "Gone"
"Im inspired and content"-Dream Theater "Scarred"
45.2 % of Americans pee in the shower
________________________________________________________________
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Try it today - there's no risk! For your FREE software, visit:
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------------------------------
Date: Fri, 17 Mar 2000 08:54:22 EET-2
From: "Tanja Sorsa" <Tanja.Sorsa@fng.fi>
To: ytsejam@torchsong.com
Subject: the chill of winter
Message-ID: <200003170656.IAA06996@sieni.fng.fi>
Morning.
Does anyone have "The Chill of Winter" boot, recorded on
November 11, 1999 in the Netherlands? If so, what's it like? Good
quality? I saw it in a (cool) cd store here in Helsinki, but wanted to
know a bit more about it before thinking of purchasing it.
Is $50 a lot for a double cd? I've been happy to pay that for the
couple of boots (small club adventure, nighttown nostalgia...) I
have. "The chill of winter" has a couple of tracks recorded at Mike's
drum clinic as well.
Only a week to go.... *humming happily*
------------------------------
Date: Fri, 17 Mar 2000 01:40:06 +0000
From: Isaac Sabetai <isabetai@bu.edu>
To: Ytsejam <ytsejam@torchsong.com>
Subject: Platypus- Ice Cycles- Buy It!
Message-ID: <38D18CF6.ED86F5D6@bu.edu>
All I can say is buy this CD. This is one of the better CD's to come out
in a while. It's chockful o' skilled and tasteful playing that never
sacrifices from the song, as is frequently the case on SfaM. The best
thing about the music is that is breathes well-- it has a great organic
and jammy feel, yet the playing is very focused. The music is not as
complex as DT, but it rocks and has a nice feel. Ty Tabor kicks major
ass as do Derek, Myung and Morgenstein.
Ice Cycles is by far the best DT side project, though haven't heard
Transatlantic, yet, but this CD is worthy of a higher status than a DT
sideproject. I'd actually put this in regular rotation in my CD player.
My only complaint is that I wish Derek and Myung were a little higher in
the mix, but they're still audible, which isn't normally the case with
Myung and DT.
Isaac
------------------------------
Date: Fri, 17 Mar 2000 09:31:45 +0000
From: Graham Borland <graham@picsel.com>
To: ytsejam@torchsong.com
Subject: Re: UK Concerts
Message-ID: <38D1FB81.3D27B0DD@picsel.com>
"Ashley Wong (ETL)" wrote:
> London is sold out I haven't got a ticket - waahhh!!!
If you're really really nice to me, I could perhaps find a way of ensuring
that you get the spare ticket for the London show which I have. :-)
> Graham, Charlie and other UK Jammers which ones are you doing?, is
> anybody going to do a grand tour?!
I'm also going to the Manchester show. I also have a spare ticket for this
one.
This reminds me: I need to get my arse in gear and book my train tickets
and accomodation!
> By the way I recently bought Ayreon - Into the Electric Castle.
This is an amazing album. :-)
-- Graham Borland Picsel Technologies Ltd graham@picsel.com Glasgow, Scotland------------------------------
Date: Fri, 17 Mar 2000 23:29:53 +1100 From: mikel <mikel@alphalink.com.au> To: ytsejam@torchsong.com Subject: Hendrix (yet again) Message-ID: <38D2253F.F6305A88@alphalink.com.au>
> The thing is, it's reasonable to call Hendrix the most > INFLUENTIAL guitarist ever. No-one can seriously dispute > that, can they? But to say that he's the BEST - now, that > is just ridiculous. Page had better chops, more emotion > and more composition. Satch has better chops and a better > singing voice (Which is saying something!). Do I need to > mention this guy called John Petrucci? >
I think it is definately worth considering as best ROCK guitarist from a general point of view, although as most people know it is silly to try and do this sort of thing. However if you were to set up a list of criteria that covered all the different things that one would need to be the best, Hendrix would definately be up there. Its silly to compare shredders to Hendrix because Paco De Lucia, Django Reinhardt and Al Di Meola could kick most of these shredders asses, but who cares? As for Page- I think Led Zeppelin as a whole were a very influential band. I dont think you could say Page had better chops. Most people would have little trouble playing his stuff. Few can do what Jimi did though. You try taking as much acid as he did then getting up there, singing, playing guitar with your teeth etc. with as much ease as he did. And no way could Page match that one man band thing and the piano style (but electrifying) improvisations that Jimi could.
> Sure, Jimi was good in his time. But the influence that > he's built up is largely a result of his premature death > and high profile. Otherwise he'd have ben eclipsed long > ago.
I replied to this statement only a few weeks ago. The people who saw him and played with him, which includes a wide range of players (John McLaughlin to Eric Clapton and of course the guys in the Experience), said at the time and still say that he was an amazing player.
> Not to mention that Malmsteen is a huge Hendrix fan and always lists him as a > musical influence.... Just food for thought. > Ultraking
And thats saying something seeing as though Malmsteen pretty much bags the shit out of anyone who was born after 1900.
------------------------------
Date: 17 Mar 2000 12:35:07 -0000 From: "Awake ." <awake@buffymail.com> To: ytsejam@torchsong.com Subject: Wagner, keys, misc., UK dates Message-ID: <20000317123507.13260.qmail@musone.chek.com>
>From: Brian Hayden <hayd0029@tc.umn.edu> >Considering he [Wagner] was a hack and a Nazi, I >don't think most people care. :)
Actually, just for the record, whilst he may have been rabidly anti-semitic (as about 90% of Europeans WERE at the time, whatever the post-holocaust pretence otherwise) Wagner was (as I remember) very aristocratic; and would probably have looked down upon the Nazis as much as Hindenburg did. But then, he died decades before Nazism was invented. SO far off topic...
>From: "Wade A. Caudle" <slash@zebra.net> >Subject: CD single, SFAM staying power > >and perhaps on the sole merrit that it is the first >time since Kevin Moore, DT has a stable keyboard >master. Don't get me wrong- I'm not trying to start >another fucking flame war here, but DAMN is this guy >fantastic. On the other hand,
Well...Yeah, you are, really. For a start, by "stable" you seem to imply in the sense of "permanent". Umm...Derek played on two albums to Jordan's one, and innumerably more shows than Jordan has done with DT. I'd say that all concerned considered him a "stable" member when FII came out. So that idea's not really true. Unless - as you imply by the following sentence, heaping praise on Jordan - you mean stable as a euphemism for "good", in which case what you're really doing is saying "I don't want a flame war, but if we had one, this is which side I'm on". crap. Unless
>"all-encompassing" TtT. Maybe with this new
TTT isn't really a difinive DT song, because there's no guitar solo. In fact, it's probably just about the only DT song without one, that and Metropolis!
>From: Kurt M Hampton <kurt.hampton@juno.com> >Subject: Re: 6 yrs of waiting > >Zombie. I thought Myung was a chick until I bought >IAW in 1997. Pretty creepy, ehh?
If you think that John is a girl's name, and you fancied Mr Myung, I suggest that you never holiday in Bankok.
>From: Bambie@free4all.com >To: undisclosed-recipients:; >Subject: subscribe > >Hi >Please add me to your list >I hope this is correct address this time.
ROTFLMAO!!!! After all the unsubs recently we get this!!!!!!!
>From: "Ashley Wong (ETL)" <ashley.wong@etl.ericsson.se> >Subject: UK Concerts >or even maybe both! So, Graham, Charlie and other UK >Jammers which ones are you doing?, is anybody going to >do a grand tour?!
Get this. I'm going to Manchester anyway, and EastWest Records rang my office the other day. The Press Woman remembered that we'd had requests to interview various people - inc. DT - ages back, and called! So - all things being equal - I also get a free ticket to Nottingham AND a face-to-face interview. You can be jealous now.
~Simon
Sign-up for free Buffy the Vampire Slayer e-mail at http://www.buffymail.com
------------------------------
Date: Fri, 17 Mar 2000 01:24:37 +0100 From: Matej <izolit@siol.net> To: ytsejam@torchsong.com Subject: Satch Message-ID: <38D17B45.468DF2D9@siol.net>
>> Is there a new Satch album ? Yippie !!!
HeinV >>
Don't hold your breath. Satch has gone electronic on us.
Matej
------------------------------
Date: Fri, 17 Mar 2000 10:07:38 +0100 From: "Christoph" <schroedhelm@gmx.de> To: ytsejam@torchsong.com Subject: Re: The other Devil Doll Message-ID: <200003171344.FAA17862@fugazi.torchsong.com>
On 16 Mar 00, at 13:36, Brian wrote:
> I was poking around the House of Blues site and I found this... > > DEVIL DOLL > Recorded Live at House of Blues Las Vegas > Las Vegas, NV > 05.01.99 > Little do they know that there's an Italian prog band / entity of the > same name. Could mean trouble.
Holy shit yeah! I was visiting this site too, in unlimited happiness to have found a live gig of the great Italian horror-prog band Devil Doll and what does it turn out to be???
:o((
Christoph
--------------------------------------------------------------- WDR-ROCKPALAST PRESENTS: Manfred Mann's Earth Band Support: SPOCK'S BEARD 10.04.00 COLOGNE/GERMANY, LIVE MUSIC HALL
Concert will be recorded by German TV and broadcasted sometime later this year.
------------------------------
Date: Fri, 17 Mar 2000 10:25:37 -0400 From: "Carlos Alfaro" <calfaro@yunque.net> To: <ytsejam@torchsong.com> Subject: Re: Satch Message-ID: <000701bf901c$aa69aec0$37351ec8@yunque.net>
> >> > Is there a new Satch album ? Yippie !!! > > HeinV > >> > > Don't hold your breath. Satch has gone electronic on us. > > Matej
Both the mp3s i got sound really good and definately interesting and different..... this is not a personal flame, but some of you guys need to open your minds a bit.
------------------------------
Date: Fri, 17 Mar 2000 10:09:08 -0500 From: bduester@avana.net To: ytsejam@torchsong.com Subject: The Quiet Room Message-ID: <200003171509.KAA00986@in.avana.net>
<lurker mode off>
Howdy Jam!
Coming out of my hole for a minute here.
I was wondering if anyone new why The Quiet Room changed three members for their upcoming new CD.
It's just an interesting thing to see....I'd appreciate anything anybody knows about it.
THANKS!
DUESTER
PS Does anyone know what the 3 members that left are doing - a new band or something?
<lurker mode on>
------------------------------
Date: Fri, 17 Mar 2000 10:16:23 -0500 From: Dan Costello <axeman_dannl@juno.com> To: ytsejam@torchsong.com Subject: Re: YTSEJAM digest 5394 Message-ID: <20000317.101630.-884635.0.Axeman_dannl@juno.com>
Ok, Ok, I'm new to the jam. I didn't realize that you guys had already figured out the meaning of the radio announcer.
>> To end this short pesimistic note on the upside, anyone have a copy of >>the new Joe Satriani album, and if so, how is it. Sorry if this a suprising > >Is there a new Satch album ? Yippie !!!
Yeah, it comes out Mar. 24, and it's called "Engines of Creation". You can download the two singles that have been released, "Borg Sex" (nifty techno song) and "Unitl We Say GoodBye" (mellow, kinda like a bluesier Always With Me...), from www.satriani.com
-Dan. ________________________________________________________________ YOU'RE PAYING TOO MUCH FOR THE INTERNET! Juno now offers FREE Internet Access! Try it today - there's no risk! For your FREE software, visit: http://dl.www.juno.com/get/tagj.
------------------------------
Date: Fri, 17 Mar 2000 10:30:13 -0500 From: Michael Burstin <mikeb@cs.brandeis.edu> To: Ytsejam Mailing List <ytsejam@torchsong.com> Cc: Boston Area Ytsejamers <bostonjam@dreamt.org> Subject: article on Jordan's rig... Message-ID: <20000317103013.A8989@circe.cs.brandeis.edu>
One of my Mac-hacker friends just sent me this URL... has some cool stuff about Jordan...
http://www.go2mac.com/displaynews.cfm?newsid=5843
-- +--------------------------------+-------------------------------+ | In the stream of consciousness | Lines In The Sand, taken from | | There is a river crying | Dream Theater's | | Living comes much easier | Falling Into Infinity | | Once we admit We're dying | | +--------------------------------+-------------------------------+ Michael Burstin: mikeb@cs.brandeis.edu http://www.cs.brandeis.edu/~mikeb/ Coalition Against Unsolicited Commercial Email: http://www.cauce.org
------------------------------
Date: Fri, 17 Mar 2000 09:54:53 -0700 From: "Korg Ecksthrey" <korgx3@safelink.net> To: <ytsejam@torchsong.com> Subject: Re: Hendrix (yet again) Message-ID: <003101bf9031$9f31c6e0$0201010a@chuck>
> would have little trouble playing his stuff. Few can do what Jimi did > You try taking as much acid as he did then getting up there, singing, > guitar with your teeth etc.
I laugh my ass off at people who praise this shit. :) "I bet you couldn't drop acid and play like that!" Oooh, that's something to be proud of. "He lit his guitar on fire!" Well, I just lit a $5 bill on fire. I guess that automatically puts me up on the level with financial geniuses like Alan Greenspan. "He played his guitar with his teeth." Well, I'm sure one of these days someone with strum the guitar with their erect penis and out-do him. But if it take those things for someone to be a great guitar player in your opinion, more power to you. -- KorgX3 forgot skill and technique do not a good guitar player make. NP: Yanni - Renegade.mp3
------------------------------
Date: Fri, 17 Mar 2000 12:35:34 -0500 (EST) From: Andrew Coutermarsh <a_couter@oz.plymouth.edu> To: Multiple recipients of list <ytsejam@torchsong.com> Subject: Who? YANNI! Message-ID: <Pine.BSF.4.10.10003171234190.28320-100000@oz.plymouth.edu>
On Fri, 17 Mar 2000, Korg Ecksthrey wrote:
> NP: Yanni - Renegade.mp3
Dude, that song kicks ass. My favorite two tracks off that album are Adagio in C Minor and Tribute. Waltz in 7/8 is pretty cool, too.
------------------------------------------------- Andrew Coutermarsh a_couter@mail.plymouth.edu http://cout.dhs.org/ Cloak on IRC ICQ: 2513441 ------------------------------------------------- If at first you don't succeed, skydiving is not for you. -------------------------------------------------
------------------------------
Date: Fri, 17 Mar 2000 18:38:13 +0100 From: "Mats Rydstrom" <mats.rydstrom@slitz.se> To: "Ytsejam Mailing List" <ytsejam@torchsong.com> Subject: Fates DVD Message-ID: <LPBBJGAMJBDDIHCPCHPPOEPPCBAA.mats.rydstrom@slitz.se>
Yowza!
Anyone bought the Fates Warning Dynamo DVD yet? I've only found us encoded ones so I haven't bothered. Is the quality good, what are the songs etc...?
BTW, was Wagner really "a nazi"? Yes, among some ppl he's popularly regarded as that, but much has todo with what his widow did. Just the fact that he had Nitschean ideals and nationalist views don't make him "a nazi", just because the nazi scum proclaimed his music "right" and Medelssohn "wrong".
That he was an asshole in many ways, and contributed considerably to music history, even though his 2nd acts always puts me to sleep, many will agree.
And the pointless debate musician vs guitarist - let me add that IMO Hendrix was more of a musician than most guitarists. He composed, he sang, he played the guitar, he produced, he toured, he improvised, he performed, he entertained. If that's not a musician's job then what is? Why is it so hard to see that being proficient on your instrument of choice has nothing or little to do with what you do contribute to culture as a musician in broader terms? With enough practice I can do harmonic minor scales up and down my bass in 2 secs, but what does that have to do with music?
Sure, Hendrix had and was a product of his influences, ranging from the blues Kings, Muddy and the boys, to the contemporary scene (Blackmore's 1963 solo on Shake With Me, by The Outlaws or whoever it was, did inspire him a lot, for instance) but he advanced the style so much more than someone who learned all the Eddie van Halen tricks, got a poofy haircut and strolled down Sunset in the 80's.
/Mats
NP: Gram Parsons - Grievous Angel ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Mats Rydstr)Böm - Music & Technology Editor SLITZ - SCANDINAVIA'S LEADING MEN'S MAGAZINE mats.rydstrom@slitz.se - www.slitz.se ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Buy More to Save More SALE @ CD Now: http://www.cdnow.com/from=sr-733163
------------------------------
Date: Fri, 17 Mar 2000 11:50:07 -0700 From: "Korg Ecksthrey" <korgx3@safelink.net> To: <ytsejam@torchsong.com> Subject: Re: Who? YANNI! Message-ID: <005501bf9041$aa95ef10$0201010a@chuck>
> > NP: Yanni - Renegade.mp3 > > Dude, that song kicks ass. My favorite two tracks off that album are > Adagio in C Minor and Tribute. Waltz in 7/8 is pretty cool, too.
hehehehe. Yanni-plugger. :) What I find amusing is how Yanni is said to have no theory education yet the titles of his songs on Tribute have those names. :) If he didn't know theory, how would he know he was playing in C Minor or 7/8? heheheh.
Oops, I better be quiet before the theory snobs (read: hypocrites) suddenly find a reason to start appreciating Yanni's stuff. :) "What? He DOES know theory? Well, I guess it's OK for me to like him then..." -- KorgX3 loves to pick on the theory kids. NP: Celine Dion - Beauty and the Beast.mp3 (Hey, fuck off!)
------------------------------
End of YTSEJAM Digest 5395 **************************
This archive was generated by hypermail 2b30 : Thu Apr 01 2004 - 19:08:03 EST